Hong Kong Box Office for Hotel Artemis (2018)

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Hotel Artemis
Theatrical Performance (US$)
Hong Kong Box Office $414,493Details
Worldwide Box Office $13,316,627Details
Home Market Performance
North America DVD Sales $645,452 Details
North America Blu-ray Sales $664,967 Details
Total North America Video Sales $1,310,419
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Set in riot-torn, near-future Los Angeles, The Nurse runs a secret, members-only hospital for criminals.

Metrics

Movie Details

Production Budget:$15,000,000
Hong Kong Releases: June 21st, 2018 (Wide)
Video Release: August 21st, 2018 by Global Road Entertainment
MPAA Rating: R for violence and language throughout, some sexual references, and brief drug use.
(Rating bulletin 2528 (Cert #51187), 5/23/2018)
Running Time: 97 minutes
Keywords: Near Future, Gangs, Doctors, Medical and Hospitals, Set in Los Angeles, 2020s, Siege, Bank Robbery, Unnamed Character, Action Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Ink Factory, Global Road Entertainment, 127 Wall, Marc Platt Productions
Production Countries: United Kingdom
Languages: English

Home Market Releases for October 9th, 2018

October 9th, 2018

Eighth Grade

It’s not a bad week on the home market. The two biggest releases, Hotel Transylvania 3: Summer Vacation and Skyscraper, are both worth checking out, but not close to being Pick of the Week contenders. As for the best of the best, Eighth Grade is really the only choice, while Thelma Todd & Zasu Pitts: The Hal Roach Collection was the runner up. Killing Eve: Season One and Recovery of an MMO Junkie: The Complete Series could have been contenders, if they had significant extras. More...

Home Market Releases for August 21st, 2018

August 20th, 2018

Ash vs. Evil Dead: Season Three

It’s a good week on the home market as we not only have a monster hit that is worth being a Pick of the Week contender, Deadpool 2, we have a wide selection of other contenders. This includes a limited release, First Reformed; an Anime title,Sakura Quest: Part Two; as well as a TV on DVD release, Ash vs. Evil Dead: Season Three. In the end, I went with Ash vs. Evil Dead: Season Three, but it was a close race. More...

Weekend Wrap-Up: Incredible Doesn’t Even Begin to Describe It

June 18th, 2018

Incredibles 2

Incredibles 2 became the first potential monster hit since Infinity War to beat tracking numbers, opening with a mind-numbing $182.69 million. It is hard to describe how amazing this opening is. It has rewritten the record book when it comes to animated films and it gives Disney the top three openings of 2018 and four of the top five. This is twice as much as the rest of the box office earned over the entire weekend. There were other new releases this week, with Tag doing fine. Its $14.95 million opening is nothing special, but it should break even sometime on the home market. SuperFly, on the other hand, was a disappointment. The overall box office grew by 126% from last weekend, with Incredibles 2 earning about 50% more than the entire box office pulled in last weekend. The film was just shy of the same weekend last year, while the overall box office rose by 43%. Year-to-date, 2018 continues to have a lead over 2017, and it has grown to a commanding lead of 6.6% or $340 million at $5.44 billion to $5.10 billion. Granted, we are barely halfway through the year, but 2018 is in a great position to break the all-time yearly box office record. More...

Weekend Wrap-Up: Ocean’s 8 has Franchise Best Opening with $41.61 million

June 12th, 2018

Ocean’s 8

The weekend was very kind to Ocean’s 8, as it opened with $41.61 million. This is not only the top result this weekend, it is the best opening weekend in the franchise. Hereditary also opened on the high end of expectations, leaving just Hotel Artemis as the only disappointment of the weekend. Overall, the box office rose 13% from last weekend to $120 million. More importantly, this was 17% lower than the same weekend last year. That said, it could have been worse and 2018 still has a 5.1% / $250 million lead over 2017 at $5.11 billion to $4.86 billion. More...

Weekend Estimates: Ocean’s 8 Tops Chart, Franchise

June 10th, 2018

Ocean’s 8

Ocean’s 8 matched expectations with $41.5 million over the weekend. If it can maintain this figure, then it will open in the $10,000 club, while even if its final numbers slips a little, it still would be on pace for $100 million domestically. Its reviews have settled to 67% positive, and it managed an acceptable B plus from CinemaScore, so its legs should be average. Fortunately, with a start like this, it only needs average legs to break even early in its home market run. More...

Friday Estimates: Ocean’s 8 Opens With $15 million, Fallen Kingdom Will Steal its Thunder

June 9th, 2018

Ocean’s 8

Two of the three new releases opened well on Friday. Ocean’s 8 open with $15.8 million, putting it on pace for an opening weekend of $42 million. This is the best opening in the franchise. It is also the cheapest installment in the franchise with a $70 million production budget, so it won’t need amazing legs to break even during its initial push into the home market. Its reviews are 69% positive, while it earned a B plus from CinemaScore. Neither of those results are particularly good, but they are no reason to panic either. Unfortunately, it won’t have the same legs as its predecessors, as the market has changed in the past decade. Furthermore, films with predominately female casts don’t do as well internationally, so the film will rely a little more on its domestic numbers to break even. That said, Warner Bros. should be happy with this result. More...

Thursday Night Previews: Ocean’s Splits $4 million Opening

June 8th, 2018

Ocean’s 8

Ocean’s 8 opened with $4 million during its previews. By comparison, the most recent gender-bent remake, Ghostbusters, earned $3.4 million during its previews on its way to a $46.02 million opening weekend. The two films also have very similar reviews, so they could have similar legs. However, we have seen a number of films over-perform during previews only to come back down to earth over the weekend, so I’m not willing to change our $40 million prediction, at least not yet. More...

Weekend Predictions: Ocean’s 8 Looks to Steal Top Spot

June 7th, 2018

Ocean’s 8

Ocean’s 8 leads a trio of new releases this week and it might be the only one to reach the top five. It is certainly the only one competing for first place. Hereditary is earning amazing reviews, but it is an art house horror movie and those tend to struggle at the box office. Finally there’s Hotel Artemis, which is earning the quietest buzz of the three releases. Solo: A Star Wars Story and Deadpool 2 should remain strong helping the overall box office. However, while this year’s new releases are better than last year’s new releases, with Wonder Woman’s sophomore stint, 2018 is going to suffer another loss. Next week will be better. More...

2018 Preview: June

June 1st, 2018

Incredibles 2

This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017. More...

Hotel Artemis Trailer

May 30th, 2018

Thriller starring Jodie Foster opens June 8 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/06/22 - $207,477   38 $5,460   $207,477 1
2018/06/29 - $88,151 -58% 34 $2,593   $414,493 2

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/13/2018 $23,222 40 40 40 $29,401 1/1/2019
Austria 7/27/2018 $0 0 11 13 $48,356 9/14/2018
Bahrain 6/14/2018 $22,491 6 6 9 $92,840 1/1/2019
Belgium 7/25/2018 $0 0 11 13 $98,862 9/14/2018
Bolivia 11/29/2018 $0 0 6 6 $12,019 12/14/2018
Brazil 9/13/2018 $62,736 54 54 54 $107,530 10/20/2018
Chile 9/20/2018 $0 0 0 0 $15,170 1/1/2019
Colombia 9/13/2018 $19,860 22 22 22 $19,860 1/1/2019
Costa Rica 10/4/2018 $0 0 1 1 $10,186 1/1/2019
Cyprus 6/28/2018 $5,850 0 0 0 $5,850 7/6/2018
Czech Republic 7/27/2018 $16,114 73 73 98 $31,260 1/1/2019
Denmark 7/26/2018 $0 0 0 0 $40,544 9/14/2018
Dominican Republic 9/27/2018 $0 0 2 2 $2,349 1/1/2019
Ecuador 8/31/2018 $43,218 28 28 55 $109,291 1/1/2019
Egypt 6/13/2018 $13,956 0 0 0 $13,956 1/1/2019
Estonia 6/8/2018 $3,458 8 8 15 $8,074 6/28/2018
Finland 7/27/2018 $0 0 5 5 $35,025 9/14/2018
France 7/27/2018 $314,593 0 57 80 $629,607 9/14/2018
Germany 7/27/2018 $114,354 0 21 21 $207,433 8/31/2018
Greece 6/14/2018 $14,196 33 33 50 $27,134 7/6/2018
Hong Kong 6/21/2018 $207,477 38 38 72 $414,493 7/6/2018
India 7/13/2018 $4,097 0 0 0 $10,280 9/20/2018
Indonesia 6/15/2018 $143,902 0 0 0 $143,902 12/6/2018
Iraq 6/14/2018 $3,021 7 7 14 $4,374 1/1/2019
Israel 6/7/2018 $36,272 20 20 61 $83,293 1/1/2019
Italy 8/1/2019 $270,289 0 4 4 $557,828 10/19/2022
Jordan 6/14/2018 $8,720 5 5 6 $18,050 1/1/2019
Kuwait 6/14/2018 $19,198 2 2 3 $63,550 1/1/2019
Latvia 6/15/2018 $1,451 4 4 7 $4,159 1/1/2019
Lebanon 6/14/2018 $9,950 0 8 8 $9,874 1/1/2019
Lithuania 6/15/2018 $3,951 75 75 79 $8,212 6/26/2018
Malaysia 7/26/2018 $0 0 0 0 $31,426 9/20/2018
Mexico 9/28/2018 $150,591 0 3 3 $293,543 10/20/2018
Mongolia 6/22/2018 $7,055 0 0 0 $7,055 1/1/2019
Netherlands 6/29/2018 $67,368 74 295 459 $279,320 8/25/2018
North America 6/8/2018 $3,232,790 2,407 2,407 4,982 $6,708,137
Norway 7/27/2018 $0 0 1 1 $48,126 9/14/2018
Oman 6/14/2018 $4,328 3 3 4 $9,990 1/1/2019
Paraguay 9/27/2018 $0 0 0 0 $4,303 1/1/2019
Peru 10/4/2018 $0 0 1 1 $56,947 1/1/2019
Philippines 6/20/2018 $84,073 147 147 147 $151,331 1/1/2019
Portugal 7/6/2018 $23,615 36 38 77 $76,657 9/14/2018
Qatar 6/14/2018 $4,022 8 8 9 $20,327 1/1/2019
Russia (CIS) 8/23/2018 $243,483 794 800 1595 $505,709 1/8/2019
Singapore 6/28/2018 $75,918 29 29 29 $75,918 7/6/2018
Slovakia 7/27/2018 $6,291 45 45 45 $6,291 9/7/2018
South Africa 8/3/2018 $0 0 10 10 $60,101 9/14/2018
South Korea 7/12/2018 $0 0 448 479 $580,893 9/7/2018
Sweden 7/20/2018 $0 0 0 0 $32,934 9/14/2018
Switzerland (French Speaking) 7/25/2018 $0 0 0 0 $40,126 9/14/2018
Switzerland (German Speaking) 8/23/2018 $41,598 34 34 60 $69,405 9/20/2018
Thailand 6/14/2018 $54,230 90 90 113 $91,944 7/6/2018
Turkey 7/13/2018 00$0
Ukraine 8/23/2018 $33,566 0 0 0 $92,329 1/1/2019
United Arab Emirates 6/14/2018 $41,893 29 29 36 $90,038 1/1/2019
United Kingdom 7/20/2018 $468,539 312 312 662 $949,067 9/14/2018
Venezuela 9/14/2018 $129 23 23 23 $464 10/22/2018
Vietnam 6/15/2018 $127,025 0 0 0 $171,484 1/1/2019
 
Worldwide Total$13,316,627 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Jodie Foster    The Nurse
Sterling K. Brown    Waikiki
Sofia Boutella    Nice
Jeff Goldblum    Niagara
Brian Tyree Henry    Honolulu
Jenny Slate    Morgan
Zachary Quinto    Crosby Franklin
Charlie Day    Acapulco
Dave Bautista    Everest

Supporting Cast

Kenneth Choi    Buke
Josh Tillman    P-22
Evan Jones    Trojan Nash
Nathan Davis    Rocco
Ramses Jimenez    Tariq
Angela Sprinkle    Union Califia Hologram
Lloyd Sherr    KT-Eye News Anchor
Baldeep Singh    Union Califia Bank Manager
Brandon Morales    Malibu Mob Diamond Courier
Tanner Gill    Proshield Riot Wall OP
Bruce Concepcion    Proshield Team Leader
Travis Parker    Proshield Cop #1
Antal Kalik    Proshield Cop #2
Lauren Sivan    Gatepost Network News Reporter
Sarah Shankman    Detroit Waste Disposal Operator
Mark Kubr    Mike The Wolfking’s Enforcer
Kate Higgins    Choppr Liason
Elizabeth Laime    Anxiety Tape Guru
Mason Shea Joyce    Young Beau
James Rackstraw    Dead Beau
Matthew Morgan    Dennis The Wolfking’s Chauffeur

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Drew Pearce    Director
Drew Pearce    Screenwriter
Marc Platt    Producer
Adam Siegel    Producer
Stephen Cornwell    Producer
Simon Cornwell    Producer
Drew Pearce    Executive Producer
Jeffrey Stott    Executive Producer
Joe Tsai    Executive Producer
Arthur Wang    Executive Producer
Yogita Puri    Co-Executive Producer
Ian Spence    Co-Executive Producer
Chung-Hoon Chung    Cinematographer
Ramsey Avery    Production Designer
Paul Zucker    Editor
Gardner Gould    Editor
Lisa Nora Lovaas    Costume Designer
Cliff Martinez    Composer
Brian McNelis    Music Supervisor
Eric Craig    Music Supervisor
Wylie Stateman    Sound Designer
Harry Cohen    Sound Designer
Tiffany Little Canfield    Casting Director
Jeffrey Stott    Unit Production Manager
Alex Gayner    First Assistant Director
Christophe Le Chanu    Second Assistant Director
Wade Allen    Stunt Coordinator
Alice S. Kim    Production Supervisor
Bill Wohlken    Post-Production Supervisor
Ian Fisher    Associate Producer
Jon Carlos    Art Director
Samantha Avila    Art Director
Dan Jennings    Set Designer
Rosemary Brandenberg    Set Decorator
Renetta G. Amador    Script Supervisor
Michael Costello    First Assistant Editor
Lillian Dawson Bain    First Assistant Editor
Jaclyn Tamizato    Costume Supervisor
Aurora Bergere    Make up
Molly Tissavary    Make up
Darlene Brumfield    Hairstylist
Shawn Holden    Sound Mixer
Zach Goheen    Supervising Sound Editor
Hector Gika    Sound Editor
Eric Hoehn    Re-recording Mixer
James Lorimer    Special Effects Coordinator
Michael Burmeister    Location Manager
Sean Cushing    Visual Effects Executive Producer
Donna Cullen    Visual Effects Producer
Mary Parker    Music Editor
Mark Jan Wlodarkiewicz    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.