Argentina Box Office for Hotel Transylvania 3: Summer Vacation (2018)

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Hotel Transylvania 3: Summer Vacation
Theatrical Performance (US$)
Argentina Box Office $11,900,039Details
Worldwide Box Office $528,500,000Details
Home Market Performance
North America DVD Sales $18,925,508 Details
North America Blu-ray Sales $19,721,246 Details
Total North America Video Sales $38,646,754
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Welcome to Hotel Transylvania, Dracula’s lavish five-stake resort, where monsters and their families can live it up and no humans are allowed. One special weekend, Dracula has invited all his best friends—Frankenstein and his wife, the Mummy, the Invisible Man, the Werewolf family, and more—to celebrate his beloved daughter Mavis’s 118th birthday. For Dracula catering to all of these legendary monsters is no problem but the party really starts when one ordinary guy stumbles into the hotel and changes everything!

Metrics

Movie Details

Production Budget:$65,000,000
Argentina Releases: July 12th, 2018 (Wide)
Video Release: October 9th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: PG for some action and rude humor
(Rating bulletin 2526 (Cert #50948), 5/9/2018)
Running Time: 97 minutes
Franchise: Hotel Transylvania
Keywords: Monster, Vampire, Werewolf, Frankenstien's Monster, Summer Vacation, Dysfunctional Family, Generational Conflict, Romance, On a Boat, Interspecies Romance, Faked Romance, Mummy, 3-D, 3-D - Shot in 3-D, Kids Horror
Source:Original Screenplay
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Sony Pictures Animation, Columbia Pictures
Production Countries: United States
Languages: English

International Box Office: Venom Secures Win, Closes in on Summer Vacation

October 17th, 2018

Venom

Venom remained the top draw internationally earning $70.89 million on 20,248 screens in 83 markets for totals of $236.49 million internationally and $378.60 million worldwide. The film’s biggest new market was France, where it opened in first place with $6.65 million on 703 screens over the weekend for a total opening of $7.04 million. It also opened in first place in Thailand with $2.14 million on 365 screens and in Vietnam with $1.05 million on 501 screens over the weekend for a total opening of $2.22 million. Its biggest market overall is South Korea, where it has amassed $25.41 million, including $4.38 million on 1,011 screens this past weekend. At this pace, the film will soon overtake Hotel Transylvania 3: Summer Vacation, becoming Sony’s biggest hit released in 2018. More...

Home Market Releases for October 9th, 2018

October 9th, 2018

Eighth Grade

It’s not a bad week on the home market. The two biggest releases, Hotel Transylvania 3: Summer Vacation and Skyscraper, are both worth checking out, but not close to being Pick of the Week contenders. As for the best of the best, Eighth Grade is really the only choice, while Thelma Todd & Zasu Pitts: The Hal Roach Collection was the runner up. Killing Eve: Season One and Recovery of an MMO Junkie: The Complete Series could have been contenders, if they had significant extras. More...

Weekend Wrap-Up: Venom Invades Record Books with $80.26 million

October 9th, 2018

Venom

Venom topped the high end of expectations over the weekend with $80.26 million, breaking several October records. A Star is Born also topped expectations with $44.26 million during its opening weekend and should have very long legs. Overall, the box office pulled in $177 million, which is 68% more than last weekend and this weekend last year. That’s a strange coincidence. Year-to-date, 2018 was able to stretch its lead over 2017, which now sits at 9.9% or $810 billion at $8.98 billion to $8.16 billion. I was worried we might be down to a $500 million lead at this point, but 2018 continues to impress. More...

International Box Office: Fallout Spreads to China with $77.64 million

September 5th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout rocketed into first place with $89.1 million in 65 theaters over the weekend for totals of $442.7 million internationally and $647.1 million worldwide. The film debuted in first place in China with $76.14 million over the weekend for a total opening of $77.64 million. It had to settle for second place in Italy with $2.22 million, as Hotel Transylvania 3: Summer Vacation remained in first place in that market. It won’t take long before this film takes over top spot in the franchise. More...

International Box Office: Ant-Man has a Giant-Sized Chinese Debut

August 29th, 2018

Ant-Man and the Wasp

Ant-Man and the Wasp jumped into first place on the international chart earning $71.2 million in 28 markets for totals of $332.6 million internationally and $544.1 million worldwide. This past weekend, the film debuted in first place in China with $66.62 million over the weekend for a total opening of $68.14 million. This is the fourth biggest opening for the MCU in that market and 66% more than the original opened with. The film opens in Japan, its final market, next weekend. It should get to $600 million worldwide shortly after it debuts there. More...

International Box Office: The Meg Continues to Terrorize the Competition

August 21st, 2018

The Meg

The Meg remained in first place on the international chart with $68.9 million on 23,767 screens in 55 markets, for totals of $232.2 million internationally and $316.0 million worldwide. Its biggest new market of the weekend was Australia, where it earned first place with $2.48 million on 413 screens. It also opened in South Korea, but struggled with $1.57 million on 598 screens over the weekend for a total opening of $3.19 million. Its biggest market overall was China, where it added $30.78 million over the weekend for a two-week total of $117.09 million. It fell just 38% during its sophomore stint, while it actually rose to second place, despite there being four new releases in the top ten. That’s stunning. More...

International Box Office: Over $100 million for Mr. Billion

August 1st, 2018

Hello Mr. Billionaire

Hello Mr. Billionaire, a Chinese remake of Brewster’s Millions, opened in first place in China and the international market with $132.26 million. That’s more than 800 million in the local currency, while it took just one more day to live up to its name and reach 1 billion Yen in revenue. More...

Weekend Wrap-Up: July Ends on an Impossibly Good Weekend

July 30th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout was easily the biggest hit of the weekend earning more than the rest of the top five combined. Its opening weekend of $61.24 million was the best in the franchise, but it wasn’t enough to prevent the overall box office from dropping 9.3% from last weekend earning $156 million. This is 8.0% higher than the same weekend last year, which is the more important result. 2018 is now ahead of 2017 by a margin of 8.5% or $570 million at $7.23 billion to $6.66 billion. More...

Weekend Estimates: Impossible Tops Chart with Franchise Best $61.5 million Debut

July 29th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout dominated the weekend box office chart with $61.5 million over the weekend. This is the best opening in the franchise, unless you take inflation into account. Assuming the film can have the same legs as Rogue Nation, it will be able to top $200 million domestically. The film’s reviews and its A from CinemaScore, and the nearly total lack of quality competition in August, make that seem likely; however, I think we should wait a week before predicting a final box office tally. Internationally, the film made $92 million in 36 markets, which is close to 20% higher than Rogue Nation’s debuts in those markets, which should be enough to keep Paramount happy. Although given the studio’s struggles in the past few years, if the film was just marginally profitable, it would have been reason for Paramount to celebrate. More...

Thursday Night Previews: Fallout Rises to the Top

July 27th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout had the best previews in the franchise with $6 million; although that’s a bit of a backhanded compliment, as only Rogue Nation is new enough to be part of the preview era of Hollywood releases. That film pulled in $4 million during its previews; however, it also opened three years ago when previews were not as lucrative, so it is not a good comparison. On the other hand, The Equalizer 2 is a solid comparison as both are action sequels. If the two films have the same legs, then Fallout will open with nearly $70 million. Its reviews strongly suggest it will have better legs, but the long-running franchise suggests slighly longer legs. Overally, I’m still happy with our $67 million prediction and I expect the film to earn a little more than that, but be close enough to call it a victory. More...

Weekend Predictions: Can Teen Titans do the Impossible?

July 26th, 2018

Mamma Mia: Here We Go Again!

The last weekend of the month has two wide releases, both of which are earning stellar reviews. Mission: Impossible—Fallout is the sixth film in the franchise. It wasn’t that long ago where a sixth installment in a franchise would be impressive. Teen Titans Go! To the Movie is the first big screen appearance for most of these characters. There should also be three, maybe four other films with $10 million or more during the weekend. 2018 won’t need that depth to win in the year-over-year comparison, as this weekend last year was pretty weak, so the month should end on a winning note. More...

International Box Office: Skyscraper Rises from the Ashes

July 24th, 2018

Skyscraper

Skyscraper roared to first place on the international chart, thanks mostly to its debut in China. Overall, it earned $77.8 million in 68 markets for totals of $135.7 million internationally and $182.8 million worldwide. It opened in first place in China with $48.11 million over the weekend for a total opening of $48.51 million. The second biggest new market was Colombia, where it earned $1.38 million on 195 screens. Its best holdover was in Mexico where it was down 50% to $1.68 million on 815 screens for a two-week total of $7.46 million. More...

Weekend Wrap-Up: Equalizer 2 Also has no Equal

July 23rd, 2018

The Equalizer 2

The Equalizer 2 was the surprise winner at the weekend box office chart with $36.01 million over the weekend, which put it just ahead of the $34.95 million earned by Mamma Mia: Here We Go Again! The overall box office topped expectations with $171 million, up 2.7% from last week. This is 5.1% lower than the same weekend last year, but this is better than expected. Also, 2018 is still ahead of 2017 by a sizable margin of $560 million / 8.8% at $6.98 billion to $6.42 billion. Again, if 2018 just maintains the raw dollar margin for the rest of the year, it will be a reason to celebrate. More...

Weekend Estimates: Equalizer more than Equals Mamma Mia

July 22nd, 2018

The Equalizer 2

In a shocking turn of events, The Equalizer 2 overtook Mamma Mia: Here We Go Again! over the weekend with $35.83 million. This is better than predicted and is better than the original managed. Its reviews are not great, but it earned an A from CinemaScore and it is aimed at a more mature target audience, so it should have better than average legs. We will have a better picture this time next week. Internationally, the film managed $3.3 million on 704 screens in 11 markets, including $2.2 million in Australia. The film first didn’t do great internationally, so while this is a 30% improvement, it is still nothing special. More...

Friday Estimates: Mamma Mia is Here to Stay

July 21st, 2018

Mamma Mia: Here We Go Again!

Mamma Mia: Here We Go Again! had a stellar opening earning $14.28 million on Friday, which is enough to put it on pace for nearly $40 million opening. That’s on the very high end of expectations and more than enough to be considered a hit. With strong reviews and an A minus from CinemaScore, the film should have good legs. It won’t have as good legs as the original did, but $100 million is an easy goal after this opening. More...

Weekend Predictions: Will Mamma Mia have an Encore on Top?

July 19th, 2018

Mamma Mia: Here We Go Again!

At the beginning of the month, I didn’t have relatively high hopes for this weekend; I thought it could put up a fight in the year-over-year comparison, but would ultimately lose. That has changed and not for the better. Mamma Mia: Here We Go Again! is still widely expected to earn first place over the weekend, but it might not do well enough to finish with $100 million domestically. The Equalizer 2 won’t match its predecessor, not with the amount of action films struggling in theaters. Finally, Unfriended: Dark Web is opening in barely more than 1,500 theaters and it is going nowhere. Hotel Transylvania 3: Summer Vacation should have a good hold, but I’m not sure about any of the rest. This weekend last year, Dunkirk opened with just over $50 million and five other films earned $10 million or more over the weekend. There’s no way 2018 will match that. I don’t even think it will be close. More...

Theater Averages: Eighth Grade earns an A plus

July 18th, 2018

Eighth Grade

Eighth Grade had the best theater average of the year with $65,949 , topping the previous champ, Isle of Dogs, by nearly 10%. On the other hand, Isle of Dogs opened in 27 theaters vs. 4 for Eighth Grade. Second place went to Don’t Worry, He Won’t Get Far on Foot with an average of $20,835 in four theaters. The only other member of the $10,000 club was the overall box office leader, Hotel Transylvania 3: Summer Vacation, which pulled in an average of $10,629. More...

International Box Office: Dying Slumps, Still Survives in Top Spot

July 18th, 2018

Dying to Survive

Dying to Survive remained in first place, both in its native China and on the international chart. It earned $69.29 million over the weekend for a total of $367.40 million after two full weeks of release. More...

Weekend Wrap-Up: Summer Vacation Boosts Transylvania’s Debut

July 17th, 2018

Hotel Transylvania 3: Summer Vacation

The weekend wasn’t nearly as close as expected. Hotel Transylvania 3: Summer Vacation ran away at the box office, while fellow new release, Skyscraper, only managed third place. This did allow Ant-Man and the Wasp to earn second place during its second weekend of release. Overall, the box office fell 12% compared to last weekend, but it was 1.6% higher than the same weekend last year. Granted, this is not a high enough margin of victory to compensate for ticket price inflation, but 2018 has such a large lead that even a small victory like this is more than enough to feel good about the overall box office. Speaking of large leads, 2018’s lead over 2017 remains impressive at $550 million or 8.9% at $6.72 billion to $6.17 billion. More...

Weekend Estimates: Transylvania Triumphant, Skyscraper Sinks

July 15th, 2018

Hotel Transylvania 3: Summer Vacation

It was not a close race at the box office this weekend, as Hotel Transylvania 3: Summer Vacation topped expectations and Skyscraper did not. Transylvania 3 will open with a projected $44.1 million over the weekend for a total opening of $45.4 million, including June 30th’s special showings. This is average for the franchise, as is its reviews and A minus CinemaScore. The film will have no trouble earning enough to cover its $65 million production budget domestically. Meanwhile, the film opened with $46.4 million on 12,600 screens in 442 markets internationally, representing just under half of the total international marketplace. Its biggest market was Mexico, where it earned $8.6 million, while it was also impressive in Russia with $5.8 million. Its only holdover is Australia, where it added $2.4 million to its running tally, which sits at $10.2 million after three weeks of release. More...

Friday Estimates: Smooth Sailing for Transylvania, Skyscraper Burning Down

July 14th, 2018

Hotel Transylvania 3: Summer Vacation

Hotel Transylvania 3: Summer Vacation easily won the box office race on Friday with $16.65 million during its opening day. This is a bit better than expected and puts it on pace for an opening weekend of $44 million, including special previews that took place June 30th. Its reviews are just below the overall positive level, while it managed an A minus from CinemaScore. That’s as low as a family film can go before it would hurt its legs. It should get to $100 million domestically without difficulty, but it won’t match the previous films in the franchise. It will break even and could even justify a fourth film. More...

Thursday Night Previews: Transylvania Surprises with $2.6 million, Skyscraper is a Little Short at $1.95 million

July 13th, 2018

Skyscraper

Hotel Transylvania 3: Summer Vacation opened with $2.6 million in previews on Thursday. It’s hard to compare this number, as many family films don’t bother with previews, so there’s not a lot of numbers we can use in comparison. Hotel Transylvania 2 didn’t have previews, so that’s not helpful. Incredibles 2 earned $18.5 million during its previews, but it’s a Pixar film and those films tend to have a lot of adult fans as well. While there are not a lot of numbers that we can use as comparisons, this is still better than expected and it means the film could top $45 million over the weekend. We will have a better understanding of the film’s box office chances tomorrow. More...

Weekend Predictions: Will Transylvania have a Buoyant Vacation? Or can Skyscraper Stand Tall?

July 12th, 2018

Hotel Transylvania 3: Summer Vacation

There should be a close race at the top of the box office this weekend, as both Hotel Transylvania 3: Summer Vacation and Skyscraper have a real shot at $40 million over the weekend. In fact, there’s a good chance both films will earn first place at least one day over the weekend. Meanwhile, Ant-Man and the Wasp will be pushed into third place, but will still be a solid box office performer. It’s this depth that is key, because the top two films from this weekend last year, War for the Planet of the Apes and Spider-Man: Homecoming, both earned more than either of the two new releases this year are expected to earn. 2018 is weak at the top, but the depth gives the weekend a great shot at coming out ahead in the year-over-year comparison. More...

2018 Preview: July

July 1st, 2018

Ant-Man and the Wasp

June was amazing, with two absolute monster hits and a solid $100 million hit. By the end of the month, 2018’s lead over 2017 will be well over $500 million, or close to 10%. Even if 2018 only managed to maintain this lead in terms of raw numbers for the rest of the year, it will be a massive jump at the box office. As for July, there are a couple of potential monster hits, Ant-Man and the Wasp and Mission: Impossible—Fallout, plus four potential $100 million hits. Last July, there was only one monster hit, Spider-Man: Homecoming, and three $100 million hits. I don’t think 2018 will match 2017 at the top, but 2018 appears to have more depth and that should put it a little ahead over the full month. More...

Hotel Transylvania 3: Summer Vacation Trailer

June 15th, 2018

Animated adventure from starring Adam Sandler, Andy Samberg, and Selena Gomez opens July 13 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/07/13 - $2,119,626   432 $4,907   $2,119,626 1
2018/07/20 - $2,642,566 +25% 479 $5,517   $6,731,931 2
2018/07/27 - $1,758,652 -33% 401 $4,386   $9,871,079 3
2018/08/03 - $462,833 -74% 308 $1,503   $10,565,863 4
2018/08/10 - $271,610 -41% 241 $1,127   $10,946,177 5
2018/08/17 - $233,244 -14% 191 $1,221   $11,248,902 6
2018/08/24 - $117,105 -50% 157 $746   $11,601,433 7
2018/08/31 - $68,360 -42% 129 $530   $11,702,362 8
2018/09/07 - $46,278 -32% 120 $386   $11,762,406 9
2018/09/14 - $50,537 +9% 101 $500   $11,835,528 10
2018/09/21 - $27,039 -46% 74 $365   $11,874,744 11
2018/09/28 - $9,855 -64% 31 $318   $11,891,190 12
2018/10/05 - $3,221 -67% 10 $322   $11,896,065 13
2018/10/12 - $88 -97% 1 $88   $11,896,432 14
2018/10/19 - $1,563 +1,676% 4 $391   $11,898,026 15
2018/10/26 - $639 -59% 5 $128   $11,898,478 16
2018/11/02 - $405 -37% 3 $135   $11,899,066 17
2018/11/09 - $518 +28% 3 $173   $11,899,674 18
2018/11/16 - $31 -94% 1 $31   $11,899,911 19
2018/11/23 - $113 +265% 1 $113   $11,900,039 20

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 7/12/2018 $2,119,626 432 479 2692 $11,900,039 12/16/2018
Aruba 7/12/2018 $14,795 8 8 32 $65,528 1/1/2019
Australia 6/22/2018 $161,405 155 425 2931 $14,281,284 10/20/2022
Austria 7/16/2018 $603,015 156 160 1707 $3,260,666 12/27/2018
Bahrain 7/12/2018 $126,666 19 19 67 $753,303 1/1/2019
Belgium 7/18/2018 $330,258 125 125 1358 $3,728,689 12/11/2018
Bolivia 7/12/2018 $302,782 44 44 248 $1,205,023 1/1/2019
Brazil 7/12/2018 $3,741,914 1228 1228 7043 $19,517,326 1/3/2019
Bulgaria 7/13/2018 $68,341 84 84 636 $892,205 2/26/2019
Cambodia 7/12/2018 $33,502 74 74 252 $98,044 1/1/2019
Central America 7/12/2018 $1,897,332 379 379 1608 $5,319,008 10/17/2018
Chile 7/12/2018 $1,225,273 167 167 976 $6,535,115 1/1/2019
China 8/17/2018 $5,696 0 61614 96386 $32,741,220 10/16/2018
Colombia 7/12/2018 $1,525,963 358 358 1694 $5,797,696 1/1/2019
Croatia 7/12/2018 $65,701 140 140 751 $693,691 12/27/2018
Curacao 7/12/2018 $7,953 6 6 33 $58,623 1/1/2019
Czech Republic 7/12/2018 $54,448 31 144 1118 $2,702,882 10/19/2022
Denmark 7/12/2018 $376,200 125 125 1032 $2,863,050 11/13/2018
Dominican Republic 7/12/2018 $40,080 20 20 135 $220,073 1/1/2019
East Africa 7/13/2018 $1,378 1 2 13 $15,731 9/19/2018
Ecuador 7/13/2018 $686,010 108 108 540 $2,751,168 1/1/2019
Egypt 7/12/2018 $50,550 19 19 111 $391,311 1/1/2019
Estonia 7/13/2018 $52,469 27 29 160 $488,394 10/16/2018
Finland 7/13/2018 $206,308 102 102 688 $1,642,290 10/10/2018
France 7/25/2018 $3,929,857 625 806 6449 $23,733,640 11/9/2018
Germany 7/16/2018 $3,231,954 1213 1542 13483 $21,456,524 12/23/2018
Ghana 7/13/2018 $1,445 4 4 20 $9,546 1/1/2019
Greece 7/12/2018 $389,666 162 162 1179 $1,849,697 12/11/2018
Hong Kong 8/16/2018 $541,050 96 96 325 $1,693,868 10/2/2018
Hungary 7/12/2018 $396,283 77 77 730 $1,932,536 12/27/2018
Iceland 7/11/2018 $27,687 10 11 70 $241,333 11/20/2018
India 7/20/2018 $478,812 554 554 853 $987,786 1/10/2019
Indonesia 7/13/2018 $1,009,567 479 479 1153 $2,979,783 1/1/2019
Iraq 7/12/2018 $19,035 10 14 60 $128,141 1/1/2019
Israel 7/12/2018 $533,175 85 85 659 $4,305,230 1/3/2019
Italy 8/22/2018 $4,548,875 0 59 146 $13,849,878 4/19/2019
Jamaica 7/11/2018 $2,208 1 6 25 $119,845 1/1/2019
Japan 10/19/2018 $62,609 37 37 150 $247,736 11/27/2018
Jordan 7/12/2018 $49,278 30 30 97 $332,600 1/1/2019
Kenya 7/13/2018 $11,043 21 21 118 $75,519 1/1/2019
Kuwait 7/12/2018 $272,306 27 27 82 $1,159,002 1/1/2019
Latvia 7/13/2018 $64,532 19 30 170 $515,562 11/27/2018
Lebanon 7/12/2018 $95,656 22 25 160 $603,607 1/1/2019
Lithuania 7/13/2018 $15,524 19 257 1263 $675,808 9/4/2019
Malaysia 7/19/2018 $863,132 371 371 1139 $2,058,206 10/16/2018
Mexico 7/13/2018 $7,132,834 0 839 1523 $26,697,992 10/30/2018
Middle East Region 7/12/2018 $0 0 2 10 $148,938 9/25/2018
Mongolia 7/12/2018 $53,387 8 11 95 $242,855 1/1/2019
Netherlands 7/27/2018 $561,114 133 134 1621 $5,221,039 11/20/2018
New Zealand 7/6/2018 $179,320 111 112 801 $1,849,244 10/16/2018
Nigeria 7/13/2018 $4,931 32 32 142 $41,283 1/1/2019
North America 7/13/2018 $44,076,225 4,267 4,267 27,353 $167,500,092
Norway 7/13/2018 $395,578 257 257 1307 $2,577,879 11/6/2018
Oman 7/12/2018 $54,688 29 29 85 $255,101 1/1/2019
Pakistan 7/13/2018 $22,970 33 33 70 $83,646 1/1/2019
Paraguay 7/12/2018 $65,841 28 28 178 $287,269 1/1/2019
Peru 7/12/2018 $1,261,364 315 315 1131 $5,498,621 1/1/2019
Philippines 8/22/2018 $956,729 215 215 399 $1,767,000 1/1/2019
Poland 10/12/2018 $1,627,872 276 276 1604 $6,966,901 12/23/2018
Portugal 7/26/2018 $424,201 102 102 823 $2,826,485 1/3/2019
Qatar 7/12/2018 $151,305 24 24 109 $720,717 1/1/2019
Romania 7/13/2018 $262,922 110 110 801 $1,760,356 12/11/2018
Russia (CIS) 7/12/2018 $5,866,074 1373 1585 9339 $19,134,166 2/26/2019
Serbia and Montenegro 8/2/2018 $78,626 61 61 457 $440,034 12/4/2018
Singapore 7/12/2018 $405,142 37 37 226 $1,305,990 11/13/2018
Slovakia 7/12/2018 $411,600 77 77 604 $1,724,464 7/21/2020
Slovenia 8/2/2018 $96,847 35 36 251 $697,182 12/4/2018
South Africa 8/31/2018 $273,834 125 125 707 $1,306,102 11/27/2018
South Korea 8/8/2018 $2,360,820 715 715 2040 $7,101,464 9/21/2018
Spain 7/13/2018 $2,824,018 430 430 3770 $15,650,419 1/23/2019
Suriname 7/12/2018 $2,065 1 2 10 $18,343 1/1/2019
Sweden 7/13/2018 $465,747 235 660 2258 $3,934,814 12/27/2018
Switzerland 7/19/2018 $279,986 107 141 1328 $3,357,671 12/27/2018
Syria 7/12/2018 $188,893 1 3 14 $200,531 1/1/2019
Taiwan 7/19/2018 $646,757 161 161 553 $2,230,286 10/2/2018
Thailand 8/16/2018 $302,559 104 104 315 $1,065,326 10/2/2018
Trinidad 7/11/2018 $98,132 24 24 136 $548,672 1/1/2019
Turkey 7/13/2018 $290,094 342 345 1696 $1,410,641 2/26/2019
Ukraine 7/12/2018 $860,071 385 385 1713 $2,823,586 1/1/2019
United Arab Emirates 7/12/2018 $891,174 107 107 421 $3,317,983 11/13/2018
United Kingdom 7/27/2018 $4,525,615 549 643 6967 $25,819,204 2/20/2019
Uruguay 7/12/2018 $237,027 44 44 349 $845,517 1/3/2019
Venezuela 7/13/2018 $1,341,550 130 130 924 $11,340,808 12/11/2018
Vietnam 7/11/2018 $499,549 260 260 712 $2,109,740 1/1/2019
 
Rest of World $793,433
 
Worldwide Total$528,500,000 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Adam Sandler    Count Dracula
Andy Samberg    Jonathan “Johnny” Loughran
Selena Gomez    Mavis
Kevin James    Frank/Frankentstein
David Spade    Griffin the Invisible Man
Steve Buscemi    Wayne
Keegan-Michael Key    Murray

Supporting Cast

Molly Shannon    Wanda
Fran Drescher    Eunice
Mel Brooks    Vlad
Jim Gaffigan    Abraham Van Helsing
Kathryn Hahn    Ericka Van Helsing
Asher Blinkoff    Dennis Loughran
Chris Parnell    Stan/Fish Man
Joe Jonas    The Kraken
Chrissy Teigen    Crystal
Aaron LaPlante    Gremlins/Gremlin Pilot/Gremlin Stewardess
Michelle Murdocca    Phone Voice/Kelsey/Witch 1/Witch 2
Genndy Tartakovsky    Blobby/Blobby Baby/Puppy Blobby
Joyce Arrastia    Zingr Witch/Witch 3
Sadie Sandler    Winnie
Sunny Sandler    Sunny
Tara Strong    Frankenlady
Libby Thomas Dickey    Lucy
Patrick Harpin    Austrian Boy
Craig Kellman    Mr. Hydraberg
Joe Whyte    Tinkles/Bob
Jaime Camil    Chupacabra
Grant George    Additional Voice
Rif Hutton    Additional Voice
Mona Marshall    Additional Voice
Andrew Morgado    Additional Voice
Joseph Sanfelippo    Additional Voice
Fred Tatasciore    Additional Voice
Amanda Troop    Additional Voice
Audrey Wasilewski    Additional Voice
Michael-Leon Wooley    Additional Voice
Brian T. Delaney    Additional Voice
Jessica Gee-George    Additional Voice
Todd Haberkorn    Additional Voice
Lex Lang    Additional Voice
Caitlin McKenna    Additional Voice
Michelle Ruff    Additional Voice
Keith Silverstein    Additional Voice
Kirk Thornton    Additional Voice
Kari Wahlgren    Additional Voice
Debra Wilson    Additional Voice

Uncategorized

Robin Atkin Downes    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Genndy Tartakovsky    Director
Michelle Murdocca    Producer
Genndy Tartakovsky    Screenwriter
Michael McCullers    Screenwriter
Kevin Hageman    Story by
Todd Durham    Story by
Dan Hageman    Story by
Mandy Tankenson    Executive Producer
Carey A. Smith    Co-Producer
Mark Mothersbaugh    Composer
Joyce Arrastia    Editor
Scott Wills    Production Designer
Michael Ford    Visual Effects Supervisor
Christian Schellewald    Art Director
Craig Kellman    Character Designer
Tom Bruno Jr.    Head of Layout
Alan Hawkins    Senior Animation Supervisor
Chad Ellis    Supervising Animator
Tim Kallok    Supervising Animator
Sebastian Kapijimpanga    Supervising Animator
Toby Pedersen    Supervising Animator
Jose Luis Llado Porquer    Supervising Animator
Matt Shepherd    Supervising Animator
Kelsey Wagner    Supervising Animator
Christian Harris Roedel    Production Manager
Tamara Hunter    Casting Director
Brian Schumacher    Stereoscopic Supervisor
Bryan Andrews    Story Artist
Keith Baxter    Story Artist
David Feiss    Story Artist
Patrick Harpin    Story Artist
Robert Iza    Story Artist
Jennifer Kluska    Story Artist
Denise Koyama    Story Artist
David Krentz    Story Artist
Jihyun Park    Story Artist
Lynne Naylor Reccardi    Story Artist
Darrell Rooney    Story Artist
Erik Wiese    Story Artist
Henry Yu    Story Artist
Andre Medina    Character Designer
Omar Smith    Character Designer
John Venzon    Additional Editor
Rich B. Dietl    Associate Editor
Margaret Johnson-Holzendorf    Associate Editor
Mark Yeager    Associate Editor
T.J. Young    First Assistant Editor
Alice Lin-White*    Assistant Editor
Michael Hugh O’Donnell    Assistant Editor
William Eckroat    Character Effects Supervisor
Christopher Alex Logan    Character Effects Supervisor
Darren Lurie    Digital Effects Supervisor
Jessica Smialek    Post-Production Supervisor
Monica Kelly    Post-Production Supervisor
Michael Semanick    Re-recording Mixer
Tony Lamberti    Re-recording Mixer
Geoffrey G. Rubay    Supervising Sound Editor
Curt Schulkey    Supervising Sound Editor
John Pospisil    Sound Designer
James Morioka    Sound Effects Editor
Andy Sisul    Sound Effects Editor
Martin Jacob Lopez    Sound Effects Editor
Ryan Collins    Sound Effects Editor
Jussi Tegelman    Sound Effects Editor
Randy Singer    Foley Mixer
Dominick Certo    Music Editor
Alan Meyerson    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.