| Theatrical Performance (US$) | ||
| New Zealand Box Office | $7,426 | Details |
| Worldwide Box Office | $32,449,600 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,122 | Details |
| Total North America Video Sales | $1,122 | |
| Further financial details... | ||
| New Zealand Releases: | July 21st, 2017 (Wide), released as The House That Never Dies 2 |
| Video Release: | December 4th, 2018 by Well Go USA Video |
| Running Time: | 130 minutes |
| Source: | Based on Real Life Events |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | China |
| Languages: | Mandarin |
July 13th, 2017
Spider-Man: Homecoming earned first place in one of the closest races I’ve seen. It pulled in $140.03 million on 24,287 screens in 71 markets for a worldwide opening of $257.06 million. Its biggest market was South Korea, where it earned $19.37 million on 1,965 screens over the weekend for a total opening of $25.94 million. It also cracked $10 million in both the U.K. ($12.11 million in 616 theaters) and Mexico ($11.72 million on 3,506 screens), while it came close to that mark in Brazil with $9.09 million on 1,302 screens. The film did amazing business in Asia, including earning $6.84 million on 1,092 screens in Indonesia and $6.46 million on 1,900 screens in India. The film has yet to open in a number of major markets, including France, Germany, China, and Japan and should top $800 million worldwide with ease before it is done, which is enough to break even before it reaches the home market. The real challenge is surpassing Wonder Woman and Guardians of the Galaxy Vol 2 for top spot on the worldwide chart for the summer. It is too soon to tell if it will get there for sure, but this is a great start.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/07/21 | 24 | $4,513 | 5 | $903 | $4,513 | 1 | |
| 2017/07/28 | 29 | $1,482 | -67% | 4 | $371 | $7,426 | 2 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/21/2017 | $23,936 | 18 | 18 | 29 | $39,970 | 7/31/2017 |
| China | 7/6/2017 | $14,690,000 | 61505 | 61505 | 74049 | $32,402,204 | 10/12/2018 |
| New Zealand | 7/21/2017 | $4,513 | 5 | 5 | 9 | $7,426 | 7/31/2017 |
| Worldwide Total | $32,449,600 | 10/12/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Chie Jen-Hao | Director |
