Serbia and Montenegro Box Office for The Last Stand (2013)

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The Last Stand poster
Theatrical Performance (US$)
Serbia and Montenegro Box Office $5,658Details
Worldwide Box Office $48,330,757Details
Home Market Performance
North America DVD Sales $6,751,655 Details
North America Blu-ray Sales $4,313,499 Details
Total North America Video Sales $11,065,154
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

After leaving his LAPD narcotics post following a bungled operation that left him wracked with remorse and regret, Sheriff Ray Owens moved out of Los Angeles and settled into a life fighting what little crime takes place in sleepy border town Sommerton Junction. But that peaceful existence is shattered when Gabriel Cortez, the most notorious, wanted drug kingpin in the western hemisphere, makes a deadly yet spectacular escape from an FBI prisoner convoy. With the help of a fierce band of lawless mercenaries led by the icy Burrell, Cortez begins racing towards the US-Mexico border at 250 mph in a specially-outfitted Corvette ZR1 with a hostage in tow. Cortez’ path: straight through Summerton Junction, where the whole of the U.S. law enforcement, including Agent John Bannister will have their final opportunity to intercept him before the violent fugitive slips across the border forever. At first reluctant to become involved, and then counted out because of the perceived ineptitude of his small town force, Owens ultimately rallies his team and takes the matter into his own hands, setting the stage for a classic showdown.

Metrics

Movie Details

Production Budget:$30,000,000
Serbia and Montenegro Releases: February 7th, 2013 (Wide)
Video Release: May 21st, 2013 by Lionsgate Home Entertainment
MPAA Rating: R for strong bloody violence throughout, and language.
(Rating bulletin 2251, 12/5/2012)
Running Time: 107 minutes
Keywords: Intertitle, Prison Break, Organized Crime, Hispanic, Life in a Small Town, Corrupt Cops, Car Chase, Kidnap, Hostage, Digital Cinematography, Action Thriller
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate, di Bonaventura Pictures
Production Countries: United States
Languages: English

Blu-ray Sales: Last Remains on Top

June 23rd, 2013

There were very few new releases to chart this week, and only one of them managed a place in the top ten on the Blu-ray sales chart. The Last Stand remained in first place with 73,000 units / $1.82 million for the week and 183,000 units / $3.47 million after two. More...

Home Market Numbers: Massive Update: May 26th, 2013

June 22nd, 2013

There were a number of new releases to reach the top of the DVD sales chart. They earned the top four spots and seven of the top eight spots. On the downside, it was absolutely a case of quantity over quality. Parker earned first place on the DVD chart, but with just 170,000 units / $2.62 million. It only managed second place on Blu-ray with 72,000 units / $1.50 million for an opening week Blu-ray share of just under 30%, which is bad for an action film. Speaking of action films, The Last Stand opened in second place on DVD with 154,000 units / $2.17 million, but earned first place on Blu-ray with 110,000 units / $1.64 million. Its opening week Blu-ray share was 42%, which is more in line with the average for that genre. More...

DVD and Blu-ray Releases for May 21st, 2013

May 23rd, 2013

It's an abridged list of DVD and Blu-ray releases report this week due to technical difficulties. The best selling new release of the week is True Blood: The Complete Fifth Season on Blu-ray Combo Pack, which is certainly worth owning for fans. However, the best releases are the Hayao Miyazaki Double-Shot, Howl's Moving Castle on Blu-ray Combo Pack and My Neighbor Totoro on Blu-ray Combo Pack. Most prefer the former, but I prefer the latter. More...

Featured Blu-ray / DVD Review: The Last Stand

May 19th, 2013

The Last Stand was important for two reasons. Firstly, it was the first starring role for Arnold Schwarzenegger in a decade, while it was also the English-language debut for Kim Jee-woon. Unfortunately, while I wanted the film to do well, it made less in total that I predicted it would make during its opening weekend. Is it really that bad? Or should moviegoers who skipped it the first time check it out on the home market? More...

Weekend Wrap-Up: Death of a Franchise

February 20th, 2013

The Valentine's Day / President's Day five-day weekend wasn't as lucrative as many had hoped, at least not at the top, which is really bad news for a year that is not off to a great start. A Good Day to Die Hard won the race, but barely, with Identity Thief coming in a very close second over the weekend. Other new releases, like Safe Haven and Escape From Planet Earth did better than expected, while Beautiful Creatures crashed. The overall box office did rise by 36% to $141 million over the three-day period, but the holiday explains that growth. Compare to last year, 2013 actually failed to match last President's Day by 9.3% over the three-day period and with $168 million including Monday, missed the four-day period by 13%. Year-to-date, 2013 is behind 2012 by 6.7% at $1.28 billion to $1.37 billion. I am officially concerned. More...

Weekend Estimates: Warm Bodies Tops Slow Superbowl Weekend

February 3rd, 2013

Counter-programming will win the day this Superbowl weekend, with rombie comedy Warm Bodies posting a respectable $20.025 million, according to Lionsgate's Sunday estimate. While there's nothing special about that result, it does give the film a shot at making money, which is more than can be said for actioner Bullet to the Head. Sylvester Stallone's latest will limp to $4.5 million for the weekend, an even worse result than Jason Statham's Parker (which debuted with $7 million) and Arnold Schwarzenegger's The Last Stand ($6.3 million). Put those three together, and you get a combined opening of $17.8 million, which still wouldn't much to write home about if one of them had earned it on its own. More...

Weekend Wrap-Up: New Releases Become the Hunted

January 28th, 2013

January ended, and we should all be glad it did. Hansel and Gretel: Witch Hunters did beat modest expectations, but most of the rest failed that test with Movie 43 crashing worse than even my low expectations. The overall box office fell 20% from last weekend to $112 million. This was 11% less than the same weekend last year; fortunately, this was the first miss of 2013 and the year still has a lead of 10% over 2012 at $797 million to $721 million. More...

Weekend Wrap-Up: Mama Mia!

January 22nd, 2013

Mama easily won the box office race over the Martin Luther King, Jr. long weekend, with Zero Dark Thirty earning a solid second place. Unfortunately, the other two new releases, Broken City and The Last Stand, were weak and weaker. The overall box office was on par with last week, down less than 1% to $139 million, over the three-day weekend. This was 6% higher than the same weekend last year, over the same period. Adding on Monday, and the total weekend was $165 million, or about 1% higher than last year. It is still way too early to pay real attention to the year-to-date stats, but 2013 is ahead of 2012 by a 7.0% margin at $658 million to $615 million. More...

Weekend Estimates: Mama Wins MLK Weekend

January 20th, 2013

For all the Oscar hype, moviegoers are voting with their feet this MLK weekend for a more straightforward entertainment bang for their buck. Mama is set to win the weekend by a large margin, with Universal estimating a $28.1 million three-day weekend and about $33 million over four days. With the film playing in a relatively modest 2,647 theaters, that translates into a per theater average of $10,625, comfortably ahead of any other wide release. Jessica Chastain has dual reasons to celebrate, with Zero Dark Thirty set to finish second for the weekend with $17.6 million. Fellow Oscar-hopeful Silver Linings Playbook will be third with about $11.35 million over three days in its first weekend in wide release. More...

Weekend Predictions: Will Zero Remain Number One?

January 17th, 2013

There are a trio of new releases opening on Martin Luther King, Jr. weekend, but it looks like Zero Dark Thirty has a good chance to remain in first place. Mama is earning pretty good buzz, even if its reviews are only mixed. The Last Stand is the widest release of the week and the reviews are positive, but the buzz is mixed, to be kind. Finally, there's Broken City, which has the quietest buzz and the weakest reviews. Last year, Underworld: Awakening opened with just over $25 million and there's almost no chance that will happen again this year. Then again, we might have better depth. More...

Contest: Coming Home

January 11th, 2013

Next week there are three films opening wide: Broken City, The Last Stand, and Mama. All three of them appear to be on track for a $15 million to $20 million opening, and none of them appear to be runaway favorites for top spot. To pick the target film for this week's box office prediction contest, I flipped a coin and Mama came out on top. In order to win, one must simply predict the opening weekend box office number for Mama. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Winx Club: The Secret of the Lost Kingdom Movie on DVD. Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Winx Club: The Secret of the Lost Kingdom Movie on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2013 Preview: January

January 1st, 2013

December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/02/08 7 $3,362   6 $560   $3,427 1
2013/02/15 12 $527 -84% 6 $88   $4,987 2
2013/02/22 12 $294 -44% 6 $49   $5,589 3
2013/03/01 19 $38 -87% 6 $6   $5,458 4
2013/03/22 24 $64   6 $11   $5,543 7
2013/03/29 23 $91 +42% 6 $15   $5,663 8
2013/04/05 23 $62 -32% 6 $10   $5,658 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/24/2013 $111,358 47 47 99 $217,700 12/30/2018
Australia 2/21/2013 $684,474 147 147 380 $1,503,944 12/14/2015
Austria 1/31/2013 $214,657 70 70 259 $469,638 12/14/2015
Belgium 1/23/2013 $193,248 48 48 159 $417,819 12/14/2015
Brazil 1/18/2013 $867,171 346 346 382 $2,346,564 12/14/2015
Bulgaria 1/18/2013 $22,735 20 20 61 $53,831 12/30/2018
Chile 3/14/2013 $0 0 9 11 $35,312 12/30/2018
Croatia 1/31/2013 $11,166 13 13 35 $22,466 12/30/2018
Czech Republic 2/7/2013 $36,754 66 66 109 $69,912 12/30/2018
Denmark 3/7/2013 $77,482 35 47 116 $230,697 12/14/2015
Estonia 1/25/2013 $14,531 6 6 6 $14,531 12/14/2015
Finland 3/8/2013 $46,512 40 40 88 $118,132 12/14/2015
France 1/23/2013 $0 0 390 390 $1,949,633 12/14/2015
Germany 1/31/2013 $736,061 296 457 753 $1,218,047 12/14/2015
Greece 2/7/2013 $44,919 9 9 9 $44,919 12/14/2015
Hong Kong 1/17/2013 $199,104 39 39 88 $421,482 12/14/2015
Hungary 1/24/2013 $71,677 39 39 156 $149,712 12/30/2018
Iceland 2/1/2013 $13,372 5 5 10 $39,010 12/30/2018
India 1/18/2013 $73,146 50 50 50 $73,146 12/14/2015
Italy 1/31/2013 $473,571 300 300 300 $473,571 12/14/2015
Japan 4/27/2013 $560,136 266 266 266 $560,136 12/14/2015
Kenya 4/5/2013 $2,920 3 6 17 $14,191 12/30/2018
Latvia 1/25/2013 $6,759 3 3 8 $19,242 12/30/2018
Lebanon 1/17/2013 $56,223 13 13 30 $125,086 12/30/2018
Lithuania 1/18/2013 $15,223 7 7 23 $31,701 12/14/2015
Malaysia 1/17/2013 $574,306 118 118 366 $1,294,565 12/14/2015
Mexico 1/18/2013 $163,191 199 199 611 $476,373 12/14/2015
Netherlands 2/28/2013 $79,689 42 42 42 $147,414 12/14/2015
North America 1/18/2013 $6,281,433 2,913 2,913 6,922 $12,050,299 12/11/2014
Norway 3/8/2013 $126,182 67 67 153 $348,349 12/14/2015
Peru 1/31/2013 $108,103 56 56 133 $262,167 12/30/2018
Philippines 1/17/2013 $160,224 65 65 120 $305,593 12/30/2018
Portugal 2/28/2013 $36,942 25 25 60 $75,874 12/14/2015
Romania 1/25/2013 $72,578 35 35 110 $165,125 12/30/2018
Russia (CIS) 2/21/2013 $1,691,742 735 735 944 $2,760,011 12/30/2018
Serbia and Montenegro 2/7/2013 $3,362 6 6 42 $5,658 12/30/2018
Singapore 2/21/2013 $18,283 1 20 47 $271,773 12/14/2015
Slovakia 2/7/2013 $15,455 27 27 43 $30,279 12/14/2015
Slovenia 1/24/2013 $6,491 8 8 16 $13,550 12/14/2015
South Africa 3/1/2013 $42,169 49 49 49 $42,169 12/14/2015
South Korea 2/21/2013 $239,652 296 296 296 $304,288 6/21/2018
Spain 2/1/2013 $471,495 279 279 691 $854,122 12/14/2015
Switzerland 1/23/2013 $34,119 12 54 66 $197,986 12/14/2015
Taiwan 1/18/2013 $75,498 24 24 59 $236,488 12/14/2015
Thailand 1/17/2013 $289,538 105 105 233 $569,174 12/14/2015
Turkey 4/19/2013 $54,481 73 73 144 $115,856 12/30/2018
United Arab Emirates 1/17/2013 $330,141 37 37 66 $915,253 12/30/2018
United Kingdom 1/25/2013 $899,978 356 356 630 $1,493,147 12/14/2015
Uruguay 1/25/2013 $0 0 3 7 $13,436 12/30/2018
Venezuela 3/1/2013 $0 0 97193 302017 $804,797 12/14/2015
Vietnam 2/22/2013 $89,109 24 24 75 $277,556 12/30/2018
 
Rest of World $13,679,033
 
Worldwide Total$48,330,757 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Arnold Schwarzenegger    Ray Owens

Supporting Cast

Forest Whitaker    Agent Bannister
Johnny Knoxville    Lewis Dinkum
Rodrigo Santoro    Frank Martinez
Jaimie Alexander    Sarah Torrance
Luis Guzmán    Mike Figuerola
Eduardo Noriega    Gabriel Cortez
Peter Stormare    Burrell
Zach Gilford    Jerry Bailey
Genesis Rodriguez    Agent Ellen Richards
Daniel Henney    Agent Phil Hayes
John Patrick Amedori    Agent Mitchell
Arron Shiver    State Trooper
Titos Menchanca    Mayer
Richard Dillard    Irv
Doug Jackson    Harry
Mathew Greer    Sam
Chris Browning    Pony Tail
Christiana Leucas    Christie
Rio Alexander    Faceburn
James Burnett    Poyo
David Midthunder    Cohan
Tait Fletcher    Eagan
Mark Sivertsen    Bucho
Diane Lupo    Magnet Girl
Dave Kilde    Van Passanger
David House    Team Leader
Billy Blair    Man In Orange Suit
Kent Kirkpatrick    Agent Korman
Mario Moreno    Lawyer
Kristen Rakes    Devers
Dan Ambabo    FBI Helicopter Pilot
Ross Kelly    Vegas Check Point Cop
Ryan Jason Cook    Board OP
Elias Gallegos    Helicopter Light OP
Kevin Wiggins    Chief Elkins
Lois Geary    Mrs. Salazar
Jermaine Washington    McKesson
Terrence Parks    Trooper #2
Allen Padelford    Pod Utility
Tim Booth    Helicopter Pilot #2
Cliff Fleming    Helicopter Pilot #3

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kim Jee-woon    Director
Andrew Knauer    Screenwriter
Jeffrey Nachmanoff    Screenwriter
Lorenzo di Bonaventura    Producer
Guy Riedel    Executive Producer
Miky Lee    Executive Producer
Edward Fee    Executive Producer
Michael Paseornek    Executive Producer
John Sacchi    Executive Producer
Ji Yong Kim    Director of Photography
Franco-Giacomo Carbone    Production Designer
Steven Kemper    Editor
Michele Michel    Costume Designer
Hernany Perla    Co-Producer
Ronna Kress    Casting
Bonni Carmen    Production Supervisor
Carla Curry    Set Decorator
James F. Oberlander    Art Director
Michael Atwell    Art Director
Steven Maes    Assistant Director
Darrin Prescott    Stunt Coordinator
Wade Allen    Second Unit Stunt Coordinator
Igor Meglic    Second Unit Camera

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.