South Korea Box Office for Like Crazy (2011)

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Like Crazy poster
Theatrical Performance (US$)
South Korea Box Office $72,268Details
Worldwide Box Office $3,728,400Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A love story is both a physical and emotional tale, one that can be deeply personal and heartbreaking for an audience to experience. Like Crazy illustrates how your first real love is as thrilling and blissful as it is devastating. When a British college student falls for her American classmate they embark on a passionate and life-changing journey only to be separated when she violates the terms of her visa. Like Crazy explores how a couple faces the real challenges of being together and of being apart.

Metrics

Movie Details

Production Budget:$250,000
South Korea Releases: May 30th, 2018 (Wide)
Video Release: March 6th, 2012 by Paramount Home Video
MPAA Rating: PG-13 for sexual content and brief strong language.
(Rating bulletin 2177, 6/22/2011)
Running Time: 89 minutes
Keywords: Romance, Long Distance Romance, College, Immigration, Relationships Gone Wrong, Improvised, Digital Cinematography, Set in Los Angeles, Set in California, Romantic Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Paramount Vantage, Indian Paintbrush, Super Crispy Entertainment
Production Countries: United States
Languages: English

DVD and Blu-ray Releases for March 6th, 2012

March 6th, 2012

The number of big releases coming out this week can be counted on the fingers of one hand. The biggest theatrical release of the week is Immortals, but its reviews were weak enough that I think it might struggle on the home market in comparison. There are also a few catalog titles coming out on Blu-ray that are note-worthy, like To Catch a Thief. However, by far the biggest release, and the best, is Game of Thrones: Season One on DVD or Blu-ray, the latter of which is the Pick of the Week with To Catch a Thief not too far behind. More...

Featured DVD / Blu-ray Review: Like Crazy

March 3rd, 2012

Like Crazy had advance buzz that most limited releases could only dream of. It even earned some Award Season buzz. It did earn some awards at film festivals and critics associations; however, it was shut out at the majors. Likewise, it earned $3 million at the box office, which is great compared to most limited releases, but wasn't able to truly escape the art house circuit. Did it deserve to win a few more awards and reach a few more major milestones? Or did it over-perform compared to its quality? More...

Per Theater Chart: Tailor Made for Success

December 14th, 2011

Three new releases were able to reached the $10,000 mark on the per theater chart, while there were three holdovers that were able to join them. Leading the way was Tinker Tailor Soldier Spy with an outstanding average of $77,641 in four theaters. Young Adult opened with nearly the same total, but was playing in eight theaters giving it an average of $38,783. We Need to Talk About Kevin earned $24,587 in one theater during its Oscar qualifying run. A Dangerous Method spent its third weekend in the $10,000 club with an average of $19,234 in four theaters. However, it has seen in per theater average cut by more than half since its opening, and it has yet to expand. The Artist has also seen its per theater average fall, but it expanded its theater count to sixteen this past weekend and still earned an average of $18,460. It is already an art house success and will soon start earning some measure of mainstream success. Shame more than doubled its theater count, but hung onto a spot in the $10,000 club with an average of $13,496 in 21 theaters. More...

Per Theater Chart: New Releases Roar

November 30th, 2011

The top film on the per theater chart was a silent film, The Artist, which was amazing, earning more than $200,000 in just four theaters for an average of $51,220. A Dangerous Method was also very strong on the per theater chart earning an average of $41,988, also in four theaters. Last week's winner, The Descendants, expanded into nearly 400 theaters, but still managed an average of $18,835. Finally, the overall box office leader, The Twilight Saga: Breaking Dawn, Part 1, managed an average of $10,252. More...

Melancholia has a Finite Result on Per Theater Chart

November 16th, 2011

Melancholia led the way on the per theater chart with an average of $13,535 in 19 theaters. It was playing in more theaters than most limited releases debut in, but for a film with Oscar aspirations, this was a weaker result that I would have liked. It also might hurt the film's Oscar chances; after all, people can't vote for films they haven't seen. The overall box office leader, Immortals, placed second with an average of $10,349, which is about $3,000 more than I was expecting. More...

Per Theater Chart Still Feeling Crazy

November 8th, 2011

Like last week, Like Crazy was the only film to reach the $10,000 on the per theater chart. It expanded from four to sixteen theaters, while its per theater average remained strong at $16,657. The only new release that came close to $10,000 was The Other F Word and it was well back with an average of $6,643 in two theaters. More...

Weekend Estimates: Puss in Boots Holds Fast

November 6th, 2011

After a disappointing opening weekend, Puss in Boots is on its way to posting a redeeming second weekend, according to Paramount's Sunday estimate. The Shrek spin-off is projected to $33.035 million, down just 3% from its opening. That is in part a reflection of better weather on the East Coast, which also helped returners such as In Time (down 36%), Footloose (down 17%) and Courageous (down 16%). But it also suggests a very healthy run is in prospect. Tales of the demise of DreamWorks Animation last week may have been premature. More...

Per Theater Chart Goes Crazy

November 1st, 2011

Like Crazy was the only film to reach the $10,000 mark on the per theater chart, but was stellar with an average of $30,785 in four theaters. Its reviews suggest it will be able to expand somewhat, but it's a little too weak to be an Awards Season player. While it didn't get to the $10,000 mark, Ra. One came relatively close to reaching the top ten with $1.65 million in 189 theaters over the weekend for an average of $8,751. That's amazing for this type of film and it deserves a special mention. More...

Weekend Estimates: Puss in Boots Opens with $34 Million

October 30th, 2011

Although it's perhaps an exaggeration to call it the start of the Holiday Season, Puss in Boots' debut this weekend was intended to give Dreamworks Animation a head start on what will be a very competitive season, and it looks as though it can be called a moderate success. The Shrek spin-off will earn an estimated $34 million this weekend, which should put it on track to earn comfortably over $100 million during its run in domestic theaters. While that's a very respectable performance for October, it pales in comparison to other films in the franchise. Even Shrek Forever After more than doubled that number, and the original Shrek posted over $42 million in 2001. So it's far from certain that this will be the start of a long-lived offshot for the franchise. More...

Limited Releases Go Completely Crazy

October 28th, 2011

For the second week in a row, there are too many limited releases trying to divide up the limited marketplace. It's not quite as busy as last weekend, but the number of limited releases did hit double-digits, including four opening in dozens of theaters, of two of those for opening in more than 100. Again like last weekend, there are films earning advance buzz, films earning good reviews and films with casts with strong name recognition. However, there are few that have even two of those three. Like Crazy comes the closest to earning all three, while Ra. One could have some crossover success. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/06/01 15 $29,144   116 $251   $54,409 1
2018/06/08 - $3,113 -89% 33 $94   $70,298 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
New Zealand 2/2/2012 $0 0 1 4 $554 7/3/2023
North America 10/28/2011 $123,140 4 162 838 $3,395,391 7/2/2013
South Korea 5/30/2018 $29,144 116 116 149 $72,268 6/27/2018
 
Rest of World $260,187
 
Worldwide Total$3,728,400 7/3/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Anton Yelchin    Jacob
Felicity Jones    Anna

Supporting Cast

Jennifer Lawrence    Sam
Charlie Bewley    Simon
Alex Kingston    Jackie

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Drake Doremus    Director
Jonathan Schwartz    Producer
Andrea Sperling    Producer
Zygi Wilf    Executive Producer
Audrey Wilf    Executive Producer
Steven Rales    Executive Producer
Mark Roybal    Executive Producer
Drake Doremus    Screenwriter
Ben York Jones    Screenwriter