Follow us on

Australia Box Office for The Man Who Invented Christmas (2017)

← Go to main The Man Who Invented Christmas page

The Man Who Invented Christmas
Theatrical Performance (US$)
Australia Box Office $458,768Details
Worldwide Box Office $8,092,857Details
Home Market Performance
North America DVD Sales $314,480 Details
North America Blu-ray Sales $554,804 Details
Total North America Video Sales $869,284
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer


The journey that led to the creation of Ebenezer Scrooge, Tiny Tim and other classic characters from A Christmas Carol. The film shows how Charles Dickens mixed real life inspirations with his vivid imagination to conjure up unforgettable characters and a timeless tale, forever changing the holiday season into the celebration we know today.


Movie Details

Australia Releases: November 17th, 2017 (Wide)
Video Release: February 20th, 2018 by Universal Home Entertainment
MPAA Rating: PG for thematic elements and some mild language.
(Rating bulletin 2494 (Cert #51183), 9/20/2017)
Running Time: 104 minutes
Keywords: Biography, Christmas in November, Christmas, Writing and Writers, Writer's Block, Publishing Industry, 1800s
Source:Based on Real Life Events
Production Method:Live Action
Creative Type:Dramatization
Production Companies: Parallel Films, Rhombus Media, Telefilm Canada, Bord Scannan na hEireann, Irish Film Board, Ontario Media Development Corporation, Mazur/Kaplan Company, Mystic Point Productions, The Mob Film Company, Nelly Films Limited
Production Countries: Canada,
United Kingdom


Dan Stevens    Charles Dickens
Christopher Plummer    Ebenezer Scrooge
Jonathan Pryce    Mr John Dickens
Justin Edwards    John Forster/Ghost of Christmas Present
Morfydd Clark    Kate Dickens
Donald Sumpter    Haddock/Ghost of Marley
Miles Jupp    Thackeray
Simon Callow    Leech
Miriam Margolyes    Mrs. Fisk
Ian McNeice    Chapman
Bill Paterson    Mr. Grimsby
Mark Shcrier    Presenter
Patrick Joseph Byrnes    Stage Manager
Cosimo Fusco    Signor Mazzini
Jasper Hughes-Cotter    Walter Dickens
James Heffernan    Charley Dickens
Aleah Lennon    Mamie Dickens
Ella Mai Delaney    Katey Dickens
Donna Marie Sludds    Maid
David McSavage    Hall
Pat Mooney    Garrick Club Waiter
Anna Murphy    Tara/Ghost of Christmas Past
Ely Solan    Young Charles
Ger Ryan    Mrs Dickens
Sam McGuillicuddy    Young Charles' Brother
Rory O'Neill    Young Charles' Brother
Nancy Quinney    Young Charles' Sister
Glynnis Casson    Society Lady
Amelia Crowley    Mrs Grimsby
Allanah    Young Charles' Sister
Derek Hannay    Toothless Man
Derek O'Sullivan    Grave Digger
John Delaney    Grave Digger
Gerard Lee    Cleric
Patrick Ball    Clerk
Martin Philips    Pawn Broker
Kevin McCormack    Bailiff
Aideen Wylde    Charlotte Wigmore
Katie McGuinness    Fanny Dickens / Mrs. Cratchit
Marcus Lamb    Rev Henry Burnett / Bob Cratchit
Pearse Kearney    Henry Jr. / Tiny Tim
Paul Kealyn    Warren’s Foreman
Richard Coombs    Punch & Judy Voices
Michael Judd    Pie Man
Eddie Jackson    Scam Artist
Anthony Morris    Newsagent
John Henshaw    Butcher / Mr. Fezziwig
Annette Badland    Butcher’s wife / Mrs. Fezziwig
Lynda Gough    Charwoman
Jack Gunning    Cratchit Child
Christina Martina    Cratchit Child
Ava May Taylor    Cratchit Child
Adam Dolan    Warren’s Factory Boy
Cameron Simpson    Poll
Degnan Geraghty    Christmas Tree Vendor
John Colleary    Constable Copperfield
Sean Duggan    Mr Grub
James Daniel Wilson    Voice of Grip

Production and Technical Credits

Director    Bharat Nalluri
Screenwriter    Susan Coyne
Producer    Robert Mickelson
Producer    Ian Sharples
Producer    Susan Mullen
Producer    Niv Fichman
Producer    Vadim Jean
Executive Producer    Paula Mazur
Executive Producer    Mitchell Kaplan
Executive Producer    Andrew Karpen
Executive Producer    Laurie May
Story Creator    Les Standiford
Director of Photography    Ben Smithard
Production Designer    Paki Smith
Editor    Jamie Pearson
Editor    Stephen O'Connell
Composer    Mychael Danna
Costume Designer    Leonie Prendergast
Hairstylist    Lorraine Glynn
Makeup    Sonia Dolan
Casting Director    Amy Hubbard
Line Producer    Patrick O'Donoghue
Executive Producer    Lisa Wilson
Executive Producer    Johanna Hogan
Executive Producer    Alan Moloney
Executive Producer    Susan Coyne
Executive Producer    David Leiwant
Executive Producer    Wayne Marc Godfrey
Executive Producer    Robert Jones
Associate Producer    Kevin Krikst
Associate Producer    Fraser Ash
1st Assistant Director    Andrew Hegarty
2nd Assistant Director    Nessa Linnane
3rd Assistant Director    Nicola Jackson
Script Supervisor    Ange Senior
Location Manager    Colm Nolan
Supervising Art Director    Nigel Pollock
Set Decorator    Julie Ochipinti
Sound Mixer    Danny Crowley
Costume Supervisor    Derbhla McClelland
Special Effects Supervisor    Steven Templeton
Stunt Coordinator    Joe Condren
Choreographer    Belinda Murphy
Assistant Editor    Niamh Burke-Kennedy
Visual Effects Supervisor    Greg Behrens
Visual Effects Executive Producer    Brendan Taylor
Visual Effects Producer    Martin O'Brien
Supervising Dialogue Editor    David McCallum
Supervising Sound Effects Editor    Jane Tattersall
Dialogue Editor    Brent Pickett
Re-recording Mixer    Lou Solakofski
Re-recording Mixer    Joe Morrow
Assistant Re-Recording Mixer    Andrea Rusch
Music Editor    John Whynot
Music Editor    Mitch Bederman

Home Market Releases for March 6th, 2018

March 6th, 2018

Lady Bird

Thor: Ragnarok is by far the biggest Blu-ray release of the week and one of the best blockbusters of 2017. However, it was already named Pick of the Week last week, so we will have to pick a different film this week. There are a few contenders: The Breadwinner, Faces Places, and Lady Bird. All three of them are Oscars nominated films, none of them won. It was a close call, but in the end, Lady Bird won. More...

Theater Averages: Tonya Skates its Way to $66,039

December 12th, 2017

I, Tonya

There was another Oscar contender on top of the theater average chart this weekend, as I, Tonya earned an average of $66,039 in four theaters. Call Me by Your Name was the next best film with an average of $31,761 in nine theaters. The film isn’t expanding as fast as one would expect, given its theater average, but this could be because the studio doesn’t think it has mainstream appeal. The Shape of Water was close behind with an average of $27,843 in 41 theaters and it has already earned some measure of mainstream success. The final film in the $10,000 club was Darkest Hour with an average of $13,989 in 53 theaters. More...

Theater Averages: Awards Season is Shaping Up

December 6th, 2017

The Shape of Water

It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. The Shape of Water earned an average of $83,282 in two theaters. This is the fourth best of the year so far. Call Me by Your Name was right behind with an average of $73,890 in four theaters. This is by far the best result of the year for a holdover, more than doubling Lady Bird’s sophomore stint. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not. The Disaster Artist was close behind with an average of $63,755 in 19 theaters. You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. Wonder Wheel was well back with an average of $28,111 in five theaters. Normally this would be an amazing start, but this week it won’t make an impact and it could fade away by the end of the year. Finally, Darkest Hour was the final film in the $10,000 club earning an average of $27,093 in four theaters during its second weekend of release. More...

Theater Averages: Name Finds its Calling with $103,233

November 28th, 2017

Call Me by Your Name

Call Me by Your Name dominated the theater average chart with an average of $103,233 in four theaters. It is the first film of the year to reach the $100,000 mark on the per theater chart. Lady Bird was the previous yearly champion with an average of $91,109, also in four theaters. The second-best average of the week was earned by Darkest Hour at $43,752 in four theaters. Bombshell: The Hedy Lamarr Story earned $18,742 in one theater; that’s amazing for a documentary. The overall number one film, Coco, earned an average of $12,742. The only holdover in the $10,000 club was Justice League, as it pulled in $10,143. More...

Weekend Estimates: Coco Gives Disney Another Thanksgiving Win

November 26th, 2017

Coco Coco will easily top the box office chart this Thanksgiving weekend, with Disney projecting a $71 million 5-day opening, including $49 million from Friday to Sunday. That’s the fourth-best Thanksgiving opening of all time, behind Frozen ($94 million), Moana ($82 million), and Toy Story 2 ($80 million). In all, Disney lays claim to 10 of the top 11 opening weekend’s over this holiday period, although, to be fair, the Hunger Games and Harry Potter franchises both claim several spots in the higher reaches of the Thanksgiving weekend record chart, but were just playing in their second weekend, rather than opening.

Nit-picking aside, it’s a great weekend for Coco. More...

Limited and VOD Releases: Call Me Anytime

November 24th, 2017

Call Me by Your Name

It is Thanksgiving weekend, but while that’s a great week for wide releases, it’s a terrible one for limited releases. Normally, we only mention films that have ten or more reviews on Rotten Tomatoes. However, this week there are only seven films in total, so we might as well talk about them all. To be fair, just because it is a slow week, doesn’t mean there’s nothing worth checking out. In fact, there are several films worth checking out. The Man Who Invented Christmas is the widest release, opening in over 600 theaters. Call Me by Your Name is clearly the best and it is already making waves during Awards Seasons. Finally, Bombshell: The Hedy Lamarr Story is the one I’m most interested in seeing. More...

2017 Preview: November

November 1st, 2017

Thor: Ragnarok

October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point. More...

The Man Who Invented Christmas Trailer

October 26th, 2017

Comedy starring Dan Stevens, Christopher Plummer, and Jonathan Pryce opens November 22 ... Full Movie Details. More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/11/17 - $852   4 $213   $3,254 1
2017/11/24 17 $23,370 +2,643% 137 $171   $27,138 2
2017/12/01 10 $135,621 +480% 188 $721   $163,115 3
2017/12/08 13 $66,135 -51% 168 $394   $299,152 4
2017/12/15 19 $18,188 -72% 69 $264   $379,869 5
2017/12/22 17 $42,688 +135% 65 $657   $445,521 6
2017/12/29 - $5,023 -88% 32 $157   $458,768 7

Box Office Summary Per Territory

Territory Release
Box Office
Australia 11/17/2017 $852 4 188 663 $458,768 1/2/2018
Italy 12/21/2017 $302,518 0 0 0 $1,127,065 1/8/2018
New Zealand 12/1/2017 $22,170 65 65 211 $108,053 1/3/2018
North America 11/22/2017 $1,357,129 626 720 2740 $5,676,110
Portugal 12/15/2017 $6,653 16 16 34 $23,109 1/3/2018
South Korea 1/4/2018 $0 0 103 111 $54,965 2/7/2018
United Kingdom 12/1/2017 $227,059 378 378 830 $644,787 12/20/2017
Worldwide Total$8,092,857 2/7/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at