Croatia Box Office for Metallica Through the Never (2013)

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Metallica Through the Never poster
Theatrical Performance (US$)
Croatia Box Office $12,792Details
Worldwide Box Office $9,082,906Details
Home Market Performance
North America DVD Sales $384,027 Details
North America Blu-ray Sales $983,768 Details
Total North America Video Sales $1,367,795
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A band crew member is sent out on a mission during Metallica's live set in front of a sold-out arena. While on this mission, he unexpectedly has his life turned completely upside down.

Metrics

Movie Details

Production Budget:$18,000,000
Croatia Releases: December 5th, 2013 (Wide)
Video Release: January 28th, 2014 by Blackened Records
MPAA Rating: R for some violent content and language.
(Rating bulletin 2282, 7/24/2013)
Running Time: 93 minutes
Keywords: Rock 'n' Roll, Musicians, 3-D, Heavy Metal, Digital Cinematography, 3-D - Shot in 3-D, IMAX: DMR
Source:Based on Musical Group
Genre:Concert/Performance
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Blackened
Production Countries: United States
Languages: English

DVD and Blu-ray Releases for January 28th, 2014

January 28th, 2014

There are a large number of first run releases coming out this week on the home market, five in total. This is a huge amount. This week, the latest season of Downton Abby also comes out on the home market, and it is the best selling new release of the week, at least according to Amazon.com. So at the top, it is a really busy week. On the other hand, there's very little depth. Beyond those six releases, there's not a lot to talk about. Out of all of the movies on this week's list, Rush is the best movie, but the DVD and Blu-ray Combo Pack are only good and not great. On the other hand, Cloudy with a Chance of Meatballs 2 on Blu-ray or 3D Blu-ray is the best total package. Meanwhile, I finally got a chance to review Carrie (the screener arrived late) and it was better than I thought it would be and the Blu-ray Combo Pack is worth picking up, especially if you haven't seen the original movie. More...

Per Theater Chart: Gravity Completes its Second Orbit

October 15th, 2013

Gravity remained on top of the Per Theater Chart with an average of $11,800. Unfortunately, it was the only film in the $10,000 club. More...

Per Theater Chart: Gravity Escapes Massive Competition

October 9th, 2013

There were a ton of new releases this week, but Gravity was pulled down by the mass of new releases. It lead the way on the Per Theater Chart with an average of $15,604. The only other film in the $10,000 club was Linsanity, which earned an average of $11,051 in nine theaters. More...

Per Theater Chart: Shoals Muscles the Competition

October 2nd, 2013

There were only two films to reach the $10,000 mark on the Per Theater Chart, and they were practically tied. Muscle Shoals led the way with $13,901 in its lone theater, while Atharintiki Daaredi earned an average of $13,393 in 112 theaters. More...

Weekend Estimates: Meatballs Makes Tasty Debut

September 29th, 2013

As expected, Cloudy with a Chance of Meatballs 2 will be the comfortable winner of this weekend's box office race with a healthy $35 million beginning, according to Sony's Sunday estimate. That puts the film on course for the 4th-biggest weekend in September and is about $5 million ahead of the opening for the first film in the franchise. Given hopes of a $40 million debut, the film could be said to have underperformed slightly (and it will almost certainly not top the original's $124.8 million domestic total), but given the timing of the release, the studio will have reason for modest celebration in the midst of their worst year since 2005. The top of the chart in general has a middling-to-good-enough look to it this weekend. More...

Limited Releases Are What They Are

September 27th, 2013

There are a lot of limited releases on this week's list, including a few earning stellar reviews. There are also a few with weak reviews or that are the wrong genre to thrive in limited release. One film fits into both ends of the spectrum, We Are What We Are, which is earning great reviews, but as a horror film, likely won't find an audience till the home market. Hopefully I am wrong. Inequality for All is earning even better reviews, but it is a documentary, so it have very little chance to expand. On the Job has the best reviews of the week, but it is a foreign-language action film, so it will likely not earn breakout success. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/12/06 12 $3,832   4 $958   $3,832 1
2013/12/13 10 $2,964 -23% 4 $741   $9,066 2
2013/12/20 10 $1,350 -54% 4 $338   $12,792 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/7/2013 $0 0 1 1 $155,634 12/30/2018
Australia 10/11/2013 $0 0 1 1 $357,828 1/24/2018
Brazil 10/4/2013 $0 0 1 1 $122,702 12/13/2015
Croatia 12/5/2013 $3,832 4 4 12 $12,792 12/30/2018
Lebanon 11/14/2013 $0 0 1 2 $8,306 12/30/2018
North America 9/27/2013 $1,576,561 305 589 1,250 $3,419,967 6/6/2014
 
Rest of World $5,005,677
 
Worldwide Total$9,082,906 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Dane DeHaan    Trip
Lars Ulrich    Himself
James Hetfield    Himself
Kirk Hammett    Himself
Robert Trujillo    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nimrod Antal    Director
Nimrod Antal    Screenwriter
James Hetfield    Screenwriter
Lars Ulrich    Screenwriter
Kirk Hammett    Screenwriter
Robert Trujillo    Screenwriter
Charlotte Huggins    Producer
Adam Ellison    Co-Producer
Tony DiCioccio    Executive Producer
Marc Reiter    Executive Producer
Doug Merrifield    Executive Producer
Cliff Burnstein    Executive Producer
Peter Mensch    Executive Producer
Greg Fidelman    Music Producer
John Broderick    Concert Lighting Designer
Mark Fisher    Concert Show Designer
Dan Braun    Concert Show Producer
Gyula Pados    Director of Photography
Helen Jarvis    Production Designer
Joe Hutshing    Editor
Istvan Kiraly    Editor
Paul Barry    First Assistant Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.