Italy Box Office for Il sole a mezzanotte - Midnight Sun (2018)

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Midnight Sun
Theatrical Performance (US$)
Italy Box Office $4,073,503Details
Worldwide Box Office $26,952,508Details
Home Market Performance
North America DVD Sales $1,192,990 Details
North America Blu-ray Sales $534,118 Details
Total North America Video Sales $1,727,108
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

17-year-old Katie Price has been sheltered since childhood with a life-threatening sensitivity to sunlight. Katie’s world opens up after dark when she ventures out to play her guitar for travelers. One night, she meets Charlie whom she has secretly admired for years. She hides her condition from him, and the two embark on a uniquely powerful romance.

Metrics

Movie Details

Production Budget:$2,800,000
Italy Releases: March 22nd, 2018 (Wide), released as Il sole a mezzanotte - Midnight Sun
Video Release: June 5th, 2018 by Universal Home Entertainment
MPAA Rating: PG-13 for some teen partying and sensuality.
(Rating bulletin 2486 (Cert #50552), 7/26/2017)
Running Time: 91 minutes
Keywords: Foreign-Language Remake, Romance, Musicians, Secret Admirer, High School Sports, Coming of Age, Medical and Hospitals, Romantic Drama
Source:Remake
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Mister Smith Entertainment, Rickard Pictures, Wrigley Pictures, Boies/Schiller
Production Countries: United States
Languages: English

Home Market Releases for June 19th, 2018

June 19th, 2018

Dark Matter: Season Three

Summer is the worst time of the year for the home market and this week is no exception. The “biggest” new release of the week is Pacific Rim: Uprising, but it is not worth picking up. There are a few contenders for Pick of the Week, including the final season of Dark Matter; a dark comedy, The Death of Stalin; and an Anime release, Re:Zero - Starting Life in Another World. In the end, I went with Dark Matter as the Pick of the Week. More...

Weekend Predictions: Ocean’s 8 Looks to Steal Top Spot

June 7th, 2018

Ocean’s 8

Ocean’s 8 leads a trio of new releases this week and it might be the only one to reach the top five. It is certainly the only one competing for first place. Hereditary is earning amazing reviews, but it is an art house horror movie and those tend to struggle at the box office. Finally there’s Hotel Artemis, which is earning the quietest buzz of the three releases. Solo: A Star Wars Story and Deadpool 2 should remain strong helping the overall box office. However, while this year’s new releases are better than last year’s new releases, with Wonder Woman’s sophomore stint, 2018 is going to suffer another loss. Next week will be better. More...

Home Market Releases for June 5th, 2018

June 4th, 2018

Thoroughbreds

This is a busier week than usual on the home market, but that’s only because there are a higher than usual number of box office flops coming out the same week. The biggest box office hit of the week is A Wrinkle in Time, which did okay here, but bombed internationally. I’m still waiting for a screener to see if it is at least worth a rental. As for Pick of the Week contenders, there’s My Hero Academia: Season Two, Part Two and Thoroughbreds on Blu-ray. In the end, I went with Thoroughbreds, but both are worth owning. More...

Weekend Wrap-Up: Spielberg’s Decade Best Can’t Save Overall Box Office

April 3rd, 2018

Ready Player One

Ready Player One not only opened in first place over the weekend, but its three-day total of $41.77 million was Steven Spielberg’s best opening weekend as a director in almost exactly a decade. Acrimony was a solid second place finisher with $17.17 million. God’s Not Dead: A Light in Darkness missed the top ten. Overall, the box office rose 4.9% from last weekend hitting $136 million, but this was still 20% lower than the same weekend last year. 2018 is now 4.9% or $150 million behind 2017’s pace at $2.84 billion to $2.99 billion. More...

Weekend Estimates: Pacific Rim Leads Weak Field of Openers

March 25th, 2018

Pacific Rim: Uprising

Black Panther’s run at the top of the domestic chart will finally come to an end this weekend, with Pacific Rim: Uprising taking over as the most popular film in the US and Canada. The switch over is mostly due to Panther beginning to run out of steam, rather than Uprising showing any particular strength though. Universal’s sci-fi action movie will pick up $28.005 million over its opening weekend in North America, about in line with expectations, but disappointing for a film that cost $150 million to make. Overseas markets, particularly in Asia, are where the box office action is at for this one. More...

Friday Estimates: Pacific Rim Rises to Meet Expectations

March 24th, 2018

Pacific Rim: Uprising

As expected, Pacific Rim: Uprising earned first place on Friday. In fact, its opening day box office of $10.36 million is actually a little better than expected and it is on pace for a $26 million opening weekend. Granted, this is a terrible opening compared to the film’s production budget, which is reportedly in the $155 million to $175 million range. Neither its reviews, nor its B-rating from CinemaScore will help its legs, but this film was never made to win over domestic audiences. It was made to shine in Asia, specifically China. It is too soon to tell for sure if that’s a viable strategy, or if Universal is going to have to suck up massive losses. Based on Friday numbers, the studio is predicting a $65 million opening weekend China alone and a $120.5 million international debut. That’s obviously better than here, but the film will need at least $400 million internationally to break even any time soon. More...

Thursday Night Previews: Pacific Rim Rises with $2.35 million from Previews

March 23rd, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising got off to an okay start with $2.35 million from Thursday previews. Given its reviews and the recent results of films like Tomb Raider and last year’s Power Rangers that puts the film’s projected weekend haul at $26 million. That’s a little higher than we predicted, but close enough to call it a victory. More...

Weekend Predictions: Kaiju vs. Panther

March 22nd, 2018

Pacific Rim: Uprising

Black Panther will finally give up its hold on first place, that is unless something goes horribly wrong for Pacific Rim: Uprising. There are four other wide or semi-wide releases hitting theaters this weekend, which is at least two too many. Sherlock Gnomes and Paul, Apostle of Christ are the only two that have a legitimate shot at the top five. Meanwhile, Midnight Sun and Unsane are just hoping to not miss the top ten. This weekend last year, there were three wide releases that earned a combined $60 million. This is more than the five wide releases this year will earn. Also, Beauty and the Beast remained in second place with $90 million. 2018 has already lost its lead over 2017 and this weekend it is going to get crushed in the year-over-year comparison. More...

2018 Preview: March

March 1st, 2018

Ready Player One

February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month. More...

Midnight Sun Trailer

February 13th, 2018

Romantic drama starring Bella Thorne and Patrick Schwarzenegger opens March 23 ... Full Movie Details.

17-year-old Katie Price has been sheltered since childhood with a life-threatening sensitivity to sunlight. Katie’s world opens up after dark when she ventures out to play her guitar for travelers. One night, she meets Charlie whom she has secretly admired for years. She hides her condition from him, and the two embark on a uniquely powerful romance. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/03/23 2 $1,230,675   0     $1,230,675 1
2018/03/30 2 $1,062,641 -14% 0     $2,761,898 2
2018/04/06 7 $401,588 -62% 0     $3,573,787 3
2018/04/13 9 $269,205 -33% 0     $3,985,073 4
2018/04/20 16 $65,269 -76% 0     $4,073,503 5

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/1/2018 $65,145 0 0 0 $93,082 1/1/2019
Brazil 6/15/2018 $50,511 0 0 0 $110,600 7/13/2018
Bulgaria 4/20/2018 $0 0 0 0 $26,902 2/26/2019
Czech Republic 5/11/2018 $53,370 83 83 225 $164,517 1/1/2019
France 6/15/2018 $308,309 0 0 0 $660,770 7/13/2018
Germany 3/23/2018 $519,473 0 0 0 $2,497,605 6/11/2018
Hong Kong 6/22/2018 00$0
India 4/6/2018 $18,151 0 0 0 $18,151 9/10/2018
Italy 3/22/2018 $1,230,675 0 0 0 $4,073,503 4/23/2018
Lithuania 3/30/2018 $1,643 5 114 161 $28,541 4/23/2018
Mexico 5/25/2018 $193,410 0 0 0 $390,262 6/25/2018
Netherlands 4/20/2018 $67,275 84 86 448 $631,741 6/29/2018
North America 3/23/2018 $4,003,993 2,173 2,173 5,546 $9,561,064 4/17/2020
Portugal 5/4/2018 $17,720 24 25 63 $42,365 5/22/2018
Russia (CIS) 3/22/2018 $77,881 207 207 370 $133,812 2/26/2019
Slovakia 5/11/2018 $41,763 67 67 169 $123,825 6/20/2018
South Korea 6/21/2018 $443,376 472 472 1284 $2,192,426 5/7/2020
Spain 5/4/2018 $135,392 170 170 475 $423,731 6/7/2018
Taiwan 4/13/2018 $49,434 0 0 0 $105,420 9/13/2018
United Kingdom 3/30/2018 $229,320 273 273 273 $692,079 9/10/2018
 
Rest of World $4,982,112
 
Worldwide Total$26,952,508 5/7/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Bella Thorne    Katie Price
Patrick Schwarzenegger    Charlie

Supporting Cast

Rob Riggle    Jack Price
Quinn Shephard    Morgan
Ken Tremblett    Mark
Suleka Mathew    Dr. Paula Fleming
Tiera Skovbye    Zoe Carmichael
Paul McGillion    Blake Jones
Jenniffer Griffin    Barb
Nicholas Coombe    Garver
Alex Pangburn    Wes
Austin Obiajunwa    Owen
Norm Misura    Fred, night clerk
Guy Christie    Coach
Donny Lucas    Engineer
Jerome Yoo    Geeky Friend 1
Kenneth Tynan    Geeky Friend 2
Ava Dewhurst    7 year old Katie
Audrey Smallman    7 year old Morgan
Jaeda Lily Miller    7 year old Zoe Carmichael
Ray Boulay    Swim Scout
Nick Watson    Guitarist
Michelle Choi-Lee    Nurse
Jacqueline King    Jessica Rollins
Allyson Grant    Theresa Price
Darla Pitkanen    Zoe’s Friend 1
Dean Petriw    Tommy, young boy
Kris Neufeld    Ice Cream Customer
Farris Tyab    Man
Kiarra Goldberg    Patient
Chris Sheilds    Principal

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Scott Speer    Director
Eric Kirsten    Screenwriter
Norihiro Koizumi    Story based on “Midnight Sun” by
Kenji Bando    Story based on the original Japanese language motion picture ‘Taiyo no Uta’ by
Yoshiro Hosono    Story based on the original Japanese language motion picture ‘Taiyo no Uta’ by
Jen Gatien    Producer
John Rickard    Producer
Zack Schiller    Producer
David Boies    Executive Producer
James McGough    Executive Producer
Scott Speer    Executive Producer
Alan Ou    Executive Producer
Eric Fraser    Production Designer
Michelle Harrison    Editor
Tia Nolan    Editor
Nate Walcott    Composer
Karsten Gopinath    Director of Photography
Katie Silberman    Co-Producer
Devin Andre    Co-Producer
Tracey Jeffrey    Co-Producer
Katherine S. Chang    Co-Producer
Erika Abe    Co-Producer
Jason Furukawa    First Assistant Director
Shane West    Second Assistant Director
Susan Montgomery    Script Supervisor
Laurel Bergman    Art Director
Eric Gerlund    Set Decorator
Jori Woodman    Costume Designer
Rich Delia    Casting Director
Mandy Spencer-Phillips    Unit Production Manager
Kirk Johns    Location Manager
John Portnoy    Post-Production Supervisor
Norma Hill-Patton    Make up
Kara Alaric    Hairstylist
Zack Sinick    Music Supervisor
Shawn Miller    Sound Mixer
Jon Wakeham    Re-recording Mixer
Ryan Collins    Re-recording Mixer
Jon Wakeham    Supervising Sound Editor
Ernest Jackson    Stunt Coordinator
Jeffery Aro    Stunt Coordinator
Jacob Rupp    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.