United Kingdom Box Office for Only Yesterday (Re: 2016) (1991)

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Omohide poro poro poster
Theatrical Performance (US$)
United Kingdom Box Office $5,043Details
Worldwide Box Office $515,317Details
Home Market Performance
North America Blu-ray Sales $1,372,229 Details
Total North America Video Sales $1,372,229
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Cast & Crew
  6. Trailer

Synopsis

Taeko Okajima is a typical "office lady" in a big company in a big city. When she takes a sabbatical to the countryside in Yamagata Prefecture, the hometown of her brother-in-law, the journey recalled her memory of her 5th grade year. During her stay in Yamagata, she works hard and happily as a farmer and is surrounded by friendly relatives and villagers, bringing up more memories. Their hospitality makes her to reconsider her choice of life.

Metrics

Movie Details

United Kingdom Releases: June 3rd, 2016 (Limited), released as Only Yesterday (Re: 2016)
Video Release: July 5th, 2016 by Universal Home Entertainment
MPAA Rating: PG for thematic elements, some rude behavior and smoking.
(Rating bulletin 2397 (Cert #49958), 10/28/2015)
Running Time: 118 minutes
Keywords: Non-Chronological, Life in a Small Town, Corporate Life, Coming of Age, Anime
Source:Based on Comic/Graphic Novel
Genre:Drama
Production Method:Hand Animation
Creative Type:Contemporary Fiction
Production/Financing Companies: Studio Ghibli
Production Countries: Japan
Languages: Japanese

Home Market Releases for July 5th, 2016

July 4th, 2016

The Mermaid

It's a strange week on the home market, as there are no first-run releases and very few other releases to make up the difference. There are some contenders for Pick of the Week, but all of them are foreign-language films, which is again odd. In fact, two of them, Only Yesterday and The Boy and the World, are animated. However, in the end, I went with The Mermaid, which deserves to be seen by more and Blu-ray is a great way to see it. More...

Limited and VOD Releases: Yesterday is the Perfect Day to Watch a Limited Release

February 26th, 2016

Only Yesterday

It's Oscar weekend, so obviously there's not many new limited releases worth paying attention to. Crouching Tiger, Hidden Dragon: Sword of Destiny is the biggest, but Only Yesterday is the best. More...

Theater Averages: Revenant Remains Potent with Average of $111,957

January 5th, 2016

The Revenant

The Revenant remained on top of the theater average chart dipping just 6% to an average of $111,957 in four theaters. That's amazing and it bodes very well for its chances during its wide expansion this weekend. Furthermore, there are some major Awards Season events this week that could boost ticket sales even more. Anomalisa was well back in second place, but it still had an impressive opening with an average of $33,806 over the weekend and an average of $52,658 during its five-day opening. Star Wars: The Force Awakens was next with an average of $21,829. Chimes at Midnight earned $20,480 in one theater during its re-release, while Only Yesterday earned $14,970, also in one theater. The latter film is yet another success for GKIDS; this is the only studio that routinely has success with animated films in limited release. 45 Years remained in the $10,000 club with an average of $14,588 in six theaters. It doubled its theater count, but the average only fell 33% and that's a great sign for further expansion. Mr. Six is the fourth holdover in the $10,000 club earning an average of $10,406 in 28 theaters. More...

Weekend Estimates: Force aweakens with $88.3 million weekend

January 3rd, 2016

Star Wars: The Force Awakens This weekend sees the first signs of a slow-down at the box office for The Force Awakens, which will be down 41% from last weekend, according to Disney’s Sunday morning estimate. That’s the worst comparative performance in the top ten, and much weaker than Avatar’s 9% decline the same weekend in 2010. Such statistics are fairly academic when you already have $700 million in the bank domestically, though, and Star Wars’ momentum coming out of the holidays is such that it will register the biggest ever New Year’s weekend, and the biggest-ever 3rd weekend, overtaking Avatar’s $68.5 million. With $770.5 million overseas so far, its global total is now over $1.5 billion, putting it in the top six all time, and guaranteeing it will end in the top three, with only Titanic and Avatar left to shoot for. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/06/03 29 $5,043   12 $420   $5,043 1

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 5/6/2016 $33,141 28 28 37 $49,338 6/9/2016
Japan 7/20/1991 00$0
New Zealand 5/6/2016 $7,695 3 3 3 $7,695 6/9/2016
North America 1/1/2016 $14,970 1 44 154 $453,241
United Kingdom 6/3/2016 $5,043 12 12 12 $5,043 6/9/2016
 
Worldwide Total$515,317 6/9/2016

Leading Cast

Daisy Ridley    Taeko Okajima

Supporting Cast

Allison Fernandez    Young Taeko Okajima
Hope Levy    Tsuneko
Stephanie Sheh    Aiko
Ava Acres    Toko
Jaden Betts    Suzuki
Gianella Thielmann    Hirota
Matthew Yang King    Taeko’s Father
Laura Bailey    Nanako
Mona Marshall    Grandmother

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Isao Takahata    Director
Isao Takahata    Screenwriter
Hotaru Okamoto    Based on the story 'Omoide Poro Poro' by
Yuko Tone    Based on the story 'Omoide Poro Poro' by
Toshio Suzuki    Producer
Geoffrey Wexler    Producer - English Language Version
Takeshi Seyama    Editor
Katz Hoshi    Composer
Hayao Miyazaki    Executive Producer
Mitsuo Iso    Animation