Middle East Region Box Office for Pitch Perfect 3 (2017)

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Pitch Perfect 3
Theatrical Performance (US$)
Middle East Region Box Office $343,818Details
Worldwide Box Office $185,736,412Details
Home Market Performance
North America DVD Sales $8,199,117 Details
North America Blu-ray Sales $9,127,372 Details
Total North America Video Sales $17,326,489
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

After the highs of winning the World Championships, the Bellas find themselves split apart and discovering there aren’t job prospects for making music with your mouth. But when they get the chance to reunite for an overseas USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions, one last time.

Metrics

Movie Details

Production Budget:$45,000,000
Middle East Region Releases: December 28th, 2017 (Wide)
Video Release: March 20th, 2018 by Universal Home Entertainment
MPAA Rating: PG-13 for crude and sexual content, language and some action.
(Rating bulletin 2485 (Cert #51145), 7/19/2017)
Running Time: 93 minutes
Franchise: Pitch Perfect
Keywords: Musicians, Singers, Romance, Tournament, Ensemble
Source:Based on Factual Book/Article
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Universal Pictures, Gold Circle Films, Brownstone
Production Countries: United States
Languages: English

Home Market Releases for March 20th, 2018

March 20th, 2018

Coco

It is a slow week with less than a dozen releases in the main section, and that includes two late reviews. There’s no more than that for the secondary Blu-ray releases. That said, a high percentage of these are worth picking up with many Pick of the Week contenders. For example, the biggest release of the week, Jumanji: Welcome to the Jungle, is one of the best, as is one of the smallest releases, Miss Kiet’s Children. However, in the end, I went with Coco, which technically came out a couple of weeks ago, but the screener arrived late and it really deserves the title of Pick of the Week. More...

Weekend Wrap-Up: New Releases Can’t Outshine Jumanji’s $19.51 million Weekend Haul

January 23rd, 2018

Jumanji: Welcome to the Jungle

Nearly every film we talked about in our predictions beat expectations over the weekend. This includes Jumanji: Welcome to the Jungle, which earned first place with $19.51 million. All three wide releases did better than expected, with 12 Strong leading the way with $15.82 million. The overall box office still fell 15% from last weekend to $135 million. A 15% drop-off for a post-holiday weekend isn’t bad. Compared to this weekend last year, 2018 was down by 7.0%, which isn’t good, but it could have been much worse. Year-to-date, 2018 still has a small lead of 2.9% or $20 million at $725 million to $704 million. Granted, it is still way too early for this to matter, but an early lead means you won’t need to fight back late in the year like we did last year. More...

Weekend Wrap-Up: Jumanji is Welcomed to the Top of the Chart with $37.23 million

January 9th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle held on strongly during the first weekend of 2018 earning $37.23 million. Insidious: The Last Key opened with $29.58 million, earning a solid second place. Overall, the box office pulled in $165 million, which is 15% lower than last weekend; however, last weekend was a holiday weekend, so this is a better than expected hold. More importantly, this is 21% better than the same weekend last year. 2018 has a small lead over 2017 at 7.1% to $306 million to $285 million. It has been a while since we’ve seen a lead in the year-over-year comparison, but obviously it is far too early for this lead to be meaningful. More...

Weekend Predictions: Battle of Lasts, Key vs. Jedi, on First Weekend of 2018

January 4th, 2018

Insidious: The Last Key

It is the first weekend of 2018 and Insidious: The Last Key is the only true wide release, although Molly’s Game is expanding semi-wide. The Last Key isn’t expected to compete with Jumanji: Welcome to the Jungle or Star Wars: The Last Jedi for first place, but if it can open with more than $15 million, it should at least help the year get off to a good start. This weekend last year, Underworld: Blood Wars opened in fourth place, while Hidden Figures expanded into first place. Both Jumanji: Welcome to the Jungle and Star Wars: The Last Jedi should top Hidden Figures and while 2018 won’t have the same depth, it should still earn a victory in the year-over-year comparison. More...

Weekend Wrap-Up: The Last Jedi and Jumanji Nearly Tie Over 4-day Weekend with $67 million

January 2nd, 2018

Jumanji: Welcome to the Jungle

It was a really close weekend with Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle both earning around $67 million during the four-day weekend. In fact, Jumanji beat The Last Jedi on New Year’s Day. Overall, the box office grew 11% from last weekend to $194 million, which was 4.3% more than the same weekend last year. It’s going to take a bit before we have the final numbers for all studios to compare how 2017 did compared to 2016, but it is safe to say 2016 will come out on top. More...

Friday Estimates: Last Jedi Starts New Year’s Weekend with $19.06 million

December 30th, 2017

Star Wars: The Last Jedi

The last year to have Christmas and New Years Days on a Monday was 2006. Using that year as a guide and adjusting for changes in the market, specifically how much more front-loaded films tend to be, I was expecting a slight improvement for Star Wars: The Last Jedi from Thursday to Friday. That didn’t happen. In reality, the film lost 2.2% of its daily box office to hit $19.06 million on Friday. Granted, the film already has $483.76 million domestically and will likely hit first place for the year by the end of business today, surpassing Beauty and the Beast. Even with a slightly reduced weekend estimate of $54 million / $70 million, it is on pace for $600 million domestically with relative ease, making it a shoo-in for the sixth-highest-grossing domestic film of all time. More...

Weekend Predictions: The Last Jedi Looks to Top The Last Weekend of 2017

December 28th, 2017

Star Wars: The Last Jedi

As per usual, the weekend after Christmas has no new wide releases. This means there will be almost no changes in the top five from last weekend, meaning Star Wars: The Last Jedi will win with ease, while Jumanji: Welcome to the Jungle will be in a comfortable second place. This weekend last year, Rogue One: A Star Wars Story and Sing were neck-and-neck with just over $90 million combined. The Last Jedi and Jumanji should top that, giving 2017 one last win in the year-over-year comparison. More...

Weekend Wrap-Up: Abridged Edition: Star Wars Tops Estimates with $71.57 million / $99.03 million

December 26th, 2017

Star Wars: The Last Jedi

We still don’t have final numbers for the weekend or Christmas day, and because of the holidays, we likely won’t get them until January 2nd. This means were are stuck with weekend estimates for Jumanji: Welcome to the Jungle and other films and no information for Monday. Star Wars: The Last Jedi outperformed estimates with $71.57 million for a four-day total of $99.03 million. Its 11-day total is $395.63 million and it will take just 12 days to get to $400 million. That’s not the record, but it is the third best result and that's still very impressive. More...

Weekend Estimates: Last Jedi Easily Holds Off Five Newcomers

December 24th, 2017

Star Wars: The Last Jedi

It’s a very crowded weekend, to say the least, in theaters, with five new wide releases already playing, and another joining the fray tomorrow. The Last Jedi is unperturbed by the competition, and will come out an easy winner, according to studio estimates released on Sunday. Its $68.486 million projected 3-day gross takes it to $365 million after 10 days in release. Among its new records this weekend, it became the 3rd-fastest film to earn $350 million at the domestic box office, and will have the 3rd-best Christmas weekend. All this is in spite of the fact that takings are expected to be down significantly today as everyone prepares for, or starts celebrating, the holiday. More...

Friday Estimates: The Last Jedi Adds $24.68 Million to Top $300 Million

December 23rd, 2017

Star Wars: The Last Jedi

This weekend complicated, as Christmas Eve lands on a Sunday and Christmas Day technically makes it a four-day weekend. Although with so many schools closed for the holidays, you could almost call it a eleven-day weekend. This makes interpreting Friday’s box office numbers more difficult than usual. Star Wars: The Last Jedi earned $24.68 million on Friday, putting its running tally to $321.28 million. It tied Jurassic World for second-fastest to $300 million at just 8 days. On the other hand, this is a little bit lower than our predictions. It still has a real shot at over $100 million during the four-day weekend, but it could have to wait until Tuesday to get to $400 million. More...

Last Jedi Finishes Week in First Place with $17.8 million on Thursday

December 22nd, 2017

Star Wars: The Last Jedi

Star Wars: The Last Jedi bounced back 5% from Wednesday, earning $17.8 million on Thursday for a week-long total of $296.5 million. It is impossible to compare the film to The Force Awakens, as the seventh day in that film’s run was Christmas Eve and it fell 28% as a result. Rogue One grew a lot more, up 12% to $16.7 million. I was expecting the film to bounce back more than this. That said, it is already in seventh place on the 2017 domestic chart and will be in fourth place by the end of the weekend. Add in Christmas and it will be at over $500 million by the end of the year. More...

Weekend Predictions: New Releases are Far From Perfect

December 21st, 2017

Pitch Perfect

This is technically Christmas Weekend, so it should come as no surprised that there are a lot of movies vying for that lucrative Christmas family audience. Two of them, Jumanji: Welcome to the Jungle and The Greatest Showman, opened yesterday, and we’ve already talked about how well they did on their opening day. On Friday, they will be joined by Pitch Perfect 3, Downsizing, and Father Figures, none of which are earning good reviews and only one of which is expected to be a box office hit. This should leave Star Wars: The Last Jedi on top of the chart with room to spare. This weekend last year, Rogue One: A Star Wars Story dominated the box office, while Sing was the only release that was a major hit. More...

2017 Preview: December

December 1st, 2017

The Last Jedi

The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy. More...

Pitch Perfect 3 Trailer

October 27th, 2017

Musical comedy starring Anna Kendrick, Rebel Wilson, Brittany Snow, and Anna Camp opens December 22 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/12/29 - $142,180   48 $2,962   $211,049 1
2018/01/05 - $55,255 -61% 23 $2,402   $283,247 2
2018/01/12 - $21,582 -61% 7 $3,083   $326,879 3
2018/01/19 - $10,587 -51% 5 $2,117   $341,444 4
2018/01/26 - $1,685 -84% 2 $843   $343,818 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 1/1/2018 $759,004 187 470 2020 $16,438,786 4/18/2018
Austria 12/22/2017 $201,184 66 75 479 $1,824,495 3/15/2018
Belgium 12/27/2017 $109,848 50 52 298 $1,509,965 3/1/2018
Central America 1/4/2018 $23,300 20 20 29 $113,850 2/8/2018
Cyprus 12/28/2017 $13,575 6 6 18 $38,605 1/18/2018
Czech Republic 12/22/2017 $23,835 59 59 145 $101,680 1/1/2019
Denmark 1/4/2018 $210,844 52 52 195 $534,733 3/15/2018
Egypt 12/27/2017 $16,421 14 14 25 $28,739 1/1/2019
Estonia 12/29/2017 $14,813 16 16 38 $68,404 2/1/2018
Finland 1/5/2018 $87,778 48 48 125 $204,254 2/15/2018
France 12/27/2017 $633,593 194 194 526 $1,460,858 2/8/2018
Germany 12/22/2017 $1,789,489 494 505 3073 $9,872,717 3/15/2018
Hong Kong 1/18/2018 $171,201 37 37 81 $319,442 2/15/2018
Hungary 12/28/2017 $109,395 33 47 134 $237,632 1/1/2019
Iceland 12/29/2017 $23,327 10 10 19 $151,975 1/1/2019
India 1/5/2018 $80,738 219 219 224 $132,760 1/25/2018
Indonesia 12/27/2017 $25,601 180 180 494 $1,331,232 1/1/2019
Israel 12/28/2017 $91,197 16 16 85 $337,788 1/1/2019
Italy 6/14/2018 $42,511 0 7 7 $65,899 6/28/2018
Japan 10/19/2018 $84,113 27 28 66 $311,530 12/23/2018
Latvia 12/29/2017 $9,948 8 8 21 $44,722 1/1/2019
Lebanon 12/28/2017 $33,478 14 14 22 $87,490 1/1/2019
Lithuania 1/12/2018 $17,685 70 70 112 $39,294 2/13/2018
Malaysia 12/28/2017 $257,607 125 125 602 $2,261,938 2/8/2018
Middle East Region 12/28/2017 $142,180 48 48 85 $343,818 2/1/2018
Mongolia 12/29/2017 $4,609 6 6 12 $14,276 1/1/2019
Netherlands 12/22/2017 $410,149 96 99 672 $3,023,624 9/30/2020
New Zealand 1/5/2018 $548,681 89 89 464 $2,164,560 3/7/2018
North America 12/22/2017 $19,928,525 3,447 3,468 17,362 $104,897,530 5/22/2018
Norway 1/19/2018 $241,216 104 104 218 $632,254 3/7/2018
Pakistan 12/29/2017 $5,012 28 28 48 $13,406 1/1/2019
Philippines 1/12/2018 $1,535,479 181 181 238 $2,911,188 12/20/2018
Poland 12/22/2017 $0 0 62 97 $194,754 1/1/2019
Portugal 12/22/2017 $33,495 40 46 123 $163,335 1/31/2018
Serbia and Montenegro 12/21/2017 $0 0 18 28 $28,818 1/1/2019
Singapore 12/22/2017 $469,230 30 31 138 $1,621,998 7/29/2020
Slovakia 12/21/2017 $11,415 45 45 91 $44,092 2/1/2018
Slovenia 12/21/2017 $7,852 10 12 65 $113,419 3/22/2018
South Africa 12/22/2017 $287,543 0 115 607 $1,968,366 3/22/2018
Spain 12/29/2017 $564,263 273 273 878 $1,986,509 3/22/2018
Sweden 1/5/2018 $247,168 83 83 230 $833,079 2/22/2018
Switzerland 12/21/2017 $92,303 60 63 268 $1,349,990 7/18/2018
Switzerland (German Speaking) 12/22/2017 $207,000 46 46 46 $207,000 12/24/2017
Taiwan 12/29/2017 $1,272,561 92 92 374 $3,348,673 2/22/2018
Thailand 12/22/2017 $6,196 40 40 93 $157,216 1/18/2018
Trinidad 1/12/2018 $26,412 13 13 32 $60,474 1/1/2019
United Arab Emirates 12/28/2017 $242,819 37 37 74 $651,949 1/1/2019
United Kingdom 12/22/2017 $5,799,472 530 541 2778 $20,493,472 3/1/2018
Venezuela 1/5/2018 $92,426 51 51 92 $228,924 2/8/2018
Vietnam 12/29/2017 $54,726 85 85 220 $126,555 1/1/2019
 
Rest of World $638,345
 
Worldwide Total$185,736,412 9/30/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Anna Kendrick    Beca Mitchell
Rebel Wilson    Patricia “Fat Amy”
Hailee Steinfeld    Emily Junk
Brittany Snow    Chloe Beale
Anna Camp    Aubrey Posen
Hana Mae Lee    Lilly Okanakamura
Alexis Knapp    Stacie Conrad
Ester Dean    Cynthia-Rose Adams
Chrissie Fit    Florencia “Flo” Fuentes

Supporting Cast

Elizabeth Banks    Gail Abernathy-McKadden-Feinberger
John Michael Higgins    John Smith
Kelley Jakle    Jessica
Shelley Regner    Ashley
Andy Allo    Charity
Guy Burnet    Theo
John Lithgow    Fergus
Matt Lanter    Chicago
Ruby Rose    Calamity

Cameos

D.J. Khaled    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Trish Sie    Director
Kay Cannon    Screenwriter
Mike White    Screenwriter
Dana Fox    Screenwriter
Kay Cannon    Story by
Mickey Rapkin    Story based on the book by
Paul Brooks    Producer
Max Handelman    Producer
Elizabeth Banks    Producer
Jason Moore    Executive Producer
Scott Niemeyer    Executive Producer
David Nicksay    Executive Producer
Matthew Clark    Director of Photography
Toby Corbett    Production Designer
Craig Alpert    Editor
Colin Patton    Editor
Christopher Lennertz    Composer