Latvia Box Office for The Place Beyond the Pines (2013)

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The Place Beyond the Pines poster
Theatrical Performance (US$)
Latvia Box Office $10,296Details
Worldwide Box Office $47,011,449Details
Home Market Performance
North America DVD Sales $4,453,281 Details
North America Blu-ray Sales $2,621,028 Details
Total North America Video Sales $7,074,309
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Luke is in constant motion, a high-wire motorcycle stunt performer who travels from town to town with the carnival. Passing through Schenectady in upstate New York, he tries to reconnect with a former lover, Romina, only to learn that she has in his absence given birth to their son Jason. Luke resolves to forsake life on the road and to provide for his newfound family, taking a job as car mechanic with Robin. Robin soon discovers Luke's special talents, and proposes to partner with him in a string of spectacular bank robberies. But it is only a matter of time before Luke will run up against the law - which comes in the form of Avery Cross. Avery is an ambitious rookie cop navigating a local police department ruled by the menacingly corrupt detective Deluca. When Avery, just beginning to balance his profession and his family life with wife Jennifer and their infant son AJ, confronts Luke, the full consequences will reverberate into the next generation. It is then that the two sons, Jason and AJ, must face their fateful, shared legacy.

Metrics

Movie Details

Production Budget:$15,000,000
Latvia Releases: April 26th, 2013 (Wide)
Video Release: August 6th, 2013 by Universal Home Entertainment
MPAA Rating: R for language throughout, some violence, teen drug and alcohol use, and a sexual reference.
(Rating bulletin 2251, 12/5/2012)
Running Time: 140 minutes
Keywords: Unexpected Families, Heist, Stuntman, Crime Drama, Crime, 1990s, Corrupt Cops, The Past Catching up with You, Young Child Dealing with the Death of a Parent, Friends turned Enemies, Narcotics, Dysfunctional Family
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Sidney Kimmel Entertainment, Electric City Entertainment, Verisimilitude
Production Countries: United States
Languages: English

DVD and Blu-ray Releases for August 6th, 2013

August 7th, 2013

Like it usually is during the summer, this week is rather soft on home market. Granted, there is one wide release that did very well at the box office, Oblivion, plus a couple of limited releases that did well to earn a serious measure of mainstream success, The Place Beyond the Pines and Mud. However, there are also some releases in the top twenty that are definitely filler. Usually, once you reach exercise videos, there's nothing worth talking about. Of course, if I used that rule this week, there would be almost nothing on this week's list. Mud is likely the best release and the DVD or Blu-ray is worth picking up, but I'm still waiting for the screener to review and I hate awarding something Pick of the Week if the screener is late. Because of this, I'm going with another late release, Burn Notice: Season Six, as Pick of the Week. It arrived more than a month late, but it was worth the wait. More...

Per Theater Chart: Fruits of Their Labor

July 16th, 2013

Fruitvale Station earned top spot on the per theater chart with an outstanding average of $53,898 in seven theaters. This is the third best per theater average for the year, behind Spring Breakers and The Place Beyond the Pines. Last week's winner, The Way Way Back, slipped to second place with $14,201 in 79 theaters. Its theater count tripled and this average suggests it will expand a lot more before it is done. Crystal Fairy was right behind with an average of $12,526 in two theaters. There were three wide releases in the $10,000 club, led by Grown Ups 2 with an average of $11,890, while Pacific Rim was right behind with an average of $11,385. The overall box office leader, Despicable Me 2, rounded out the $10,000 club with an average of $10,965. More...

Per Theater Chart: We've Seen This Result Before

May 29th, 2013

As expected, Before Midnight led the way on the per theater chart with an average $49,383. This is the third best per theater average so far this year, behind just The Place Beyond the Pines and Spring Breakers. The overall box office leader, Fast and Furious 6, was next with an average of $26,620. Fill the Void was relatively close behind with an average of $19,721 in three theaters. The final film in the $10,000 club was The Hangover 3 with an average of $11,722. More...

Per Theater Chart: Iron Man Has a Story to Tell

May 15th, 2013

Iron Man 3 again earned first place on the Per Theater Chart, but this time it was closer with an average of $17,053. The second best film on the per theater chart was the second best film on the overall chart, The Great Gatsby, which earned an average of $14,168. The best limited release was Stories We Tell with an average of $13,527 in two theaters. It had previously opened in Canada, where it made $360,000. One Track Heart: The Story of Krishna Das earned $11,515 in one theater. More...

Per Theater Chart: Mud Reluctantly Leads the Way

April 30th, 2013

While there were two films in the $10,000 club this week, Kon-Tiki and The Reluctant Fundamentalist, one could argue Mud had the best opening on the per theater chart this past weekend. Kon-Tiki earned an average of $11,084 in two theaters, while The Reluctant Fundamentalist earned an average of $10,307 in three. However, Mud earned an average of $6,103 while playing in 363 theaters. It missed the top ten by just $160,000. More...

Per Theater Chart: Filly Brown is In the House

April 23rd, 2013

There was only one film in the $10,000 club this week, In the House, which earned an average of $11,738 in three theaters. However, Filly Brown had a more impressive opening with $1.48 million in 188 theaters for an average of $7,863. You rarely see limited releases playing in that many theaters earning that high a per theater average. More...

Weekend Wrap-Up: Oblivion Survives Opening Weekend

April 22nd, 2013

The overall box office was in line with expectations, more or less, which is unfortunately bad news, as expectations were low. Oblivion easily won the weekend, but the overall box office still fell 5.7% from last weekend to $110 million. Worse still, this is 19% lower than the same weekend last year. Year-to-date, 2013 has pulled in $2.77 billion, which is 11% lower than 2012's pace. 2013 is already $350 million behind 2012 and even with Iron Man 3 looming large, I don't see how 2013 is going to turn things around any time soon. More...

Weekend Estimates: Oblivion Rises High

April 21st, 2013

Given the news over the past week, and the shutdown of Boston on Friday, there was some uncertainty over how much sci-fi action moviegoers would have an appetite for this weekend. Sunday's studio estimates provide the answer: quite a lot. Oblivion will open with about $38.2 million according to Universal, which is on the high end of expectations. That's enough to put it firmly in the top ten April weekends, in between Rio and Hop, but a long way behind Clash of the Titans, which debuted with $61.2 million in 2010 and is probably the closest comparison film to Oblivion among recent April openers. More...

Weekend Predictions: Will 2013 Continue on Its Path to Oblivion?

April 18th, 2013

It is no secret that 2013 has been a bad year at the box office so far. There's only one film debuting wide this week, Oblivion, which should benefit from the lack of competition this weekend. (Although we are already seeing plenty of hype for Iron Man 3, which could hurt this film's chance at the box office.) There are also several films opening in more than 100 theaters: Filly Brown, Home Run, and The Lords of Salem. There's a chance one of them will be a better than expected hit and reach the top ten; it's a slim chance, but a chance. Finally, The Place Beyond the Pines is expanding to an additional 1,000 theaters and should climb higher in the top ten. Last year, there were three wide releases led by Think Like a Man. That film was a bigger than expected hit, but hopefully Oblivion will have an even better start, but not everyone is positive it will. More...

Per Theater Chart: New Releases Strike Out

April 16th, 2013

There were no films able to reach the $10,000 club on this week's per theater average. However, while this is disappointing, it is not uncommon for this time of year. The best film was 42, which not only opened in first place on the overall chart, but also earned first place on the per theater average chart with an average of $9,153. The best limited release of the week was Disconnect, which earned an average of $8,240 in 15 theaters. More...

Weekend Estimates: 42 Hits Home Run

April 14th, 2013

Sports movies can be a risky proposition financially. While they potentially have a built-in audience among fans of the sport in question, they can also turn off people who don't much care for the sport. It takes a really compelling story to reach out to non-fans, and it seems as though the story of Jackie Robinson is compelling enough to draw in a broad audience for 42, which will open atop the box office chart this weekend with a projected $27.25 million, according to Warner Bros.' Sunday morning estimate. A 25% uptick on Saturday suggests good word of mouth for the film so far. Less good word of mouth is being earned by Scary Movie 5, which is projected to end in second place with $15.15 million. That's well behind previous outings for the franchise, which have clustered around the $40 million mark. More...

Per Theater Chart: Moviegoers are put in a Trace

April 9th, 2013

The buzz certainly helped Trance, as it earned first place on the per theater chart with an average of $32,786 in four theaters. This is not quite as good as Danny Boyle's previous two limited releases, but if it doesn't reach at least one major milestone, I would be shocked. Upstream Color rode the best reviews of the week to second place with $28,649 in its lone theater. The Company You Keep was right behind with an average of $26,344 in five theaters. Mixed reviews will likely hold down its potential to expand. The Place Beyond the Pines was the only holdover to reach the $10,000 mark. It expanded to 30 theaters, but still managed an impressive average of $23,446. More...

Per Theater Chart: Needing a Bigger Place

April 2nd, 2013

There was a huge selection of films in the $10,000 club, led by The Place Beyond the Pines, which earned an average of $69,864 in four theaters. This is the second-best per theater average for the year thus far, behind only Spring Breakers. Space Station rose back to the $10,000 club with $15,301 in two theaters. This film has amazing legs, even compared to other IMAX films, and pops into the $10,000 from time to time. Room 237 opened with an average of $14,847 in two theaters. This is a good start, but as a documentary its potential to expand is very limited. The overall box office leader, G.I. Joe: Retaliation, earned an average of $10,891 over the three-day portion of its opening weekend. Renoir was right behind with an average of $10,866 in six theaters. Temptation also managed to earn a spot in the $10,000 club with an average of $10,572. More...

Weekend Estimates: Joe, Croods and Perry Go Big Over Easter

March 31st, 2013

There's something for (almost) everyone this weekend, as a diverse group of films leads the pack over Easter. G.I. Joe: Retaliation will easily top the chart with an estimated $41.2 million from 3,719 theaters. While that's a little softer than the first film in the franchise, it can still claim a $11,000 per theater average and with a small boost from Spring Break this week it should hit $100 million domestically. Overseas prospects look even stronger. Tyler Perry's Temptation will be less of a draw internationally, but it has made a very solid start here with $22.3 million over opening weekend, also enough for a $10,000 average, and to secure third place. More...

Limited Releases: Going Mental for Limited Releases

March 29th, 2013

It's kind of a mixed week when it comes to limited releases. There are quite a few of them, but not many that have good reviews and strong buzz. The best of these is Blancanieves, which I thought opened previously. There are some with good reviews and some with buzz, but not a lot that scream hit. The Place Beyond the Pines probably has the best chance at hitting major milestones. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/04/26 3 $10,296   3 $3,432   $10,296 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Belgium 4/3/2013 $140,192 21 23 76 $294,929 12/14/2015
Brazil 6/21/2013 $0 0 3 3 $133,753 12/13/2015
Denmark 3/28/2013 $0 0 46 98 $520,693 12/14/2015
Estonia 4/26/2013 $11,634 5 5 5 $11,634 12/14/2015
Finland 3/29/2013 $0 0 20 47 $1,339,583 12/14/2015
France 3/20/2013 $1,798,756 197 210 827 $5,025,237 12/14/2015
Greece 4/11/2013 $95,996 26 26 66 $245,751 12/14/2015
Italy 4/4/2013 $1,076,588 234 266 778 $2,608,851 12/14/2015
Latvia 4/26/2013 $10,296 3 3 3 $10,296 12/30/2018
Lebanon 4/18/2013 $36,827 17 17 19 $48,723 12/30/2018
Lithuania 4/5/2013 $0 0 7 18 $35,560 12/14/2015
Netherlands 4/4/2013 $120,801 36 37 139 $403,706 12/14/2015
New Zealand 6/27/2013 $0 0 1 1 $145,613 8/22/2022
North America 3/29/2013 $279,457 4 1,584 6,316 $21,403,519 2/3/2014
Norway 4/5/2013 $152,534 74 74 218 $526,892 12/14/2015
Russia (CIS) 4/18/2013 $452,409 330 330 806 $831,341 9/8/2022
Singapore 4/4/2013 $50,469 8 8 19 $92,352 12/14/2015
Sweden 4/5/2013 $120,413 36 39 134 $454,689 12/14/2015
Switzerland 4/3/2013 $109,754 17 21 62 $298,360 12/14/2015
Thailand 4/25/2013 $34,114 27 27 27 $34,114 12/14/2015
United Arab Emirates 4/4/2013 $69,754 14 14 19 $129,054 12/30/2018
United Kingdom 4/12/2013 $1,022,047 114 209 504 $3,686,503 12/14/2015
 
Rest of World $8,730,296
 
Worldwide Total$47,011,449 9/8/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Ryan Gosling    Luke
Bradley Cooper    Avery
Eva Mendes    Romina

Supporting Cast

Ray Liotta    Deluca
Rose Byrne    Jennifer
Mahershala Ali    Kofi
Dane DeHaan    Jason
Emory Cohen    AJ
Ben Mendelsohn    Robin
Craig Van Hook    Jack
Olga Merediz    Malena
Anthony Angelo Pizza, Jr.    Baby Jason
Rev. John Facci    Priest
Cynthia Pelletier-Sullivan    Teller #1 - Bank #1
Mackenzie Trainor    Teller #2 - Bank #1
Nicole Califano    Teller #3 - Bank #1
Shannon Plumb    Lady in Ice Cream Shop
Tracey Agustin    Teller #1 - Bank #2
Ean Egas    Teller #2 - Bank #2
Bob Dieterich    Banker Outside Bank #2
Thomas Mattice    Booking Officer
Adam Nowichi    Arresting Officer
Mark J. Caruso    Court Lawyer
G. Douglas Griset    Judge #1
Vanessa Thorpe    Court Officer
Gail Martino    Teller-Bank #3
Brian Smyj    Officer Jefferson
Dorothy Rutherford    Mother at Home
Paul Steele    Officer at Shootout Scene
Gabe Fazio    Scott
Travis Jackson Campbell    Baby AJ
Trevor Jackson Campbell    Baby AJ
Al Cross    Harris Yulin
Jan Libertucci    Nurse
Robert Clohessy    Chief Weirzbowski
Bruce Greenwood    Bill Killcullen
Subrina Dhammi    Reporter #1
Heather Chestnut    Jennifer's Mother
Greta Seacat    Cory Gilbeau
Luca Pierucci    Doc Crowley
Jessica Layton    Reporter #2
James J. Gleason    Funeral Director
Patrick Husted    Preacher
Joe McCarthy    Campaign Manager
Jefrey Pollock    Campaign Advisor
Lynette Howell    Political Media Advisor
Sarah Curcio    Guidance Counselor
Ephraim Benton    Benny
Mark McCracken    Drug Busting Cop #1
Adriel Linyear    Drug Busting Cop #2
Kevin Green    Interrogating Cop
Jennifer Sober    Public Defender
Melissa Mills    Judge #2
Alex Pulling    Alex
Dante Shafer    Dante
Kayla Smalls    Vanessa
Frank J. Falvo    Pharmacy Clerk
Leah Bliven    Leah
Whitney Hudson    Whitney
Breanna Dolen    Breanna
Hugh T. Farley    State Senator
Michael Cullen    Mr. Anthony

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Derek Cianfrance    Director
Derek Cianfrance    Screenwriter
Ben Coccio    Screenwriter
Darius Marder    Screenwriter
Derek Cianfrance    Story Creator
Ben Coccio    Story Creator
Jamie Patricof    Producer
Lynette Howell    Producer
Alex Orlovsky    Producer
Sidney Kimmel    Producer
Jim Tauber    Executive Producer
Matt Berenson    Executive Producer
Bruce Toll    Executive Producer
Carrie Fix    Co-Producer
Sean Bobbitt    Director of Photography
Jim Helton    Editor
Ron Patane    Editor
Inbal Weinberg    Production Designer
Erin Benach    Costume Designer
Mike Patton    Composer
Gabe Hilfer    Music Supervisor
Cindy Tolan    Casting Director
Carrie Fix    Unit Production Manager
Mariela Comitini    Assistant Director
Brad Robinson    Assistant Director
Katie McNeill    Associate Producer
Crystal Powell    Associate Producer
Nicola Westermann    Production Supervisor
Louise Runge    Post-Production Supervisor
Sam Jaffe    Assistant Editor
Michael Ahern    Art Director
Jasmine Ballou    Set Decorator
Reed Morano    Additional Photography
Damian Elias Canelos    Sound Mixer
Leo Won    Make up
Patricia Grande    Hairstylist
David Kalahiki    Make up
Greg Purcell    Hairstylist
Mike Marino    Make-up and Prosthetic Effects Designer
Mike Fontaine    Prosthetic Make-up Artist
Brian Smyj    Stunt Coordinator
Ricky Miller    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.