South Korea Box Office for Step Up Revolution (2012)

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Step Up Revolution poster
Theatrical Performance (US$)
South Korea Box Office $2,661,741Details
Worldwide Box Office $165,552,290Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Childhood friends Sean and Eddy work as waiters at Miami Beach’s ultra-posh Dimont Hotel, owned by ruthless developer Bill Anderson. In their off-duty hours, they lead a renegade crew known only as “The Mob,” a group of cutting-edge dancers, musicians and artists that captures the collective imagination of the city with dazzling, high-tech, hit-and-run flash mobs that appear out of nowhere—and vanish in an instant. The Mob’s outlaw performances attract the attention of Anderson’s daughter Emily, a gifted dancer in her own right. Under pressure from her dad to leave her lifelong dream behind and get a “real” job, Emily has reluctantly agreed to go to work for him unless she earns a coveted spot in the prestigious Wynwood Dance Company. But after witnessing a flash mob, she is determined to join in. After Emily and Sean connect at a dance club, he introduces her to the group, leaving out the fact that she’s the boss’s daughter. Emily’s impressive dance skills win her a place in The Mob, but her presence drives a wedge between Sean and Eddy. When Anderson announces plans to raze The Mob’s neighborhood to build a huge commercial development, the group begins planning their most daring flash mob ever to try to save the waterfront, forcing Emily and Sean to choose between family ties and their love for each other.

Metrics

Movie Details

Production Budget:$33,000,000
South Korea Releases: August 14th, 2012 (Wide)
Video Release: November 27th, 2012 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for some suggestive dancing and language.
(Rating bulletin 2216, 3/28/2012)
Running Time: 97 minutes
Franchise: Step Up
Keywords: 3-D, Dancing, Cross-Culture Romance, Romance, Land Developer, Civil Disobedience, Sequels Without Their Original Stars, Gratuitous Cameos, Sports Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Offspring Entertainment, Summit Entertainment
Production Countries: United States
Languages: English

DVD and Blu-ray Releases for November 27th, 2012

November 26th, 2012

It's not a good week on the home market, but for different reasons than last week. There are five first-run releases coming out this week, which is actually very busy. However, it is a bad week, because I'm supposed to receive screeners for for four of those five films, but so far none of have arrived. At least with Men in Black 3, there's a few more days before it is officially late, as it doesn't come out till Friday. Men in Black 3 also made more at the box office than the rest of the first run releases made combined, so there will likely be a huge gap between the first and second best selling new-release of the week. As for the best releases for the week, ParaNorman is the only real contender for Pick of the Week. The Blu-ray Combo Pack is worth owning, but if you've made the leap to 3D, then the 3D Combo Pack is worth the extra money. More...

International Box Office: Expendables Fight Their Way to the Top

September 13th, 2012

The Expendables 2 opened in China and that helped propel it into first place with $41.62 million on 5,930 screens in 48 markets for an international total of $157.29 million. Unfortunately, as it is usually the case, no numbers for China were released, but were likely more than half the film's weekend haul. It also opened in South Korea earning third place with $1.58 million on 394 screens over the weekend for a total of $1.81 million. More...

International Box Office: Rises Returns to the Top

September 5th, 2012

Thanks to its opening in China, The Dark Knight Rises returned to the top of the international chart with $49.8 million on 10,000 screens in 64 markets. The film now has $577.7 million internationally and $1.009 billion worldwide, becoming just the twelfth film to reach that milestone. In China, the film earned $28.5 million on 4,100 screens, which was easily enough for first place. The film had to settle for second place in Italy with $4.95 million on 914 screens over the weekend for a total opening of $8.75 million. More...

International Box Office: Rising to Another Milestone

August 15th, 2012

The Dark Knight Rises remained in first place with $35.1 million on 12,000 screens in 58 markets over the weekend. After nearly a month in release, it has $446.6 million internationally and $836.2 million worldwide. It became just the 33rd film to reach $800 million worldwide. The film had no major market openings this past weekend, but has yet to open in Italy, while it should have enough left to get to $900 million with relative ease, getting to $1 billion will be a whole lot harder. More...

International Box Office: Rises Remains Top Draw

August 8th, 2012

The Dark Knight Rises held onto first place with $66.7 million on 15,400 screens in 58 markets lifting its totals to $378.1 million internationally and $732.0 million worldwide. Since last week, it cracked $300 million internationally and became just the 49th film to reach $700 million worldwide. The film had no major market openings this past weekend, but still finished in first place in Mexico with $5.38 million on 2,370 screens and in Brazil with $4.76 million on 904 screens. In those two markets, it has two-week totals of $21.28 million and $15.28 million respectively. It was forced into second place in the U.K., but earned $6.67 million on 567 screens over the weekend for a total of $63.53 million after two. The film still has a few markets left to open in, including Italy, so it isn't quite done yet. More...

Weekend Wrap-Up: New Releases Can't Rise to the Occasion

August 6th, 2012

As I've mentioned before, for a film to repeat at the top of the box office, it generally just needs to earn a massive opening and to avoid a big fall during its sophomore stint. However, for a film to earn first place at the box office three times in a row, it needs help from weak new releases. This is certainly the case with The Dark Knight Rises. Granted, it did hold on better than expected this weekend, but the two new releases, Total Recall and Diary of a Wimpy Kid: Dog Days, were so far behind that The Dark Knight Rises would have won with ease, even if it just missed expectations. The weakness in the new releases resulted in the overall box office falling 8.5% from last week to just $123 million. More importantly, this was 27% lower than the same weekend last year. 2012 is still head of 2011's pace, but the margin has been reduced to just 4.2% at $6.80 billion to $6.53 billion. If things don't turn around soon, 2012 might relinquish its lead before the end of the year. More...

Weekend Predictions: Will Dark Knight Complete Threepeat, or Will Recall Rise to the Top?

August 2nd, 2012

The Dark Knight Rises should have a relatively easy time earning first place this weekend, but the new releases are stronger than last week. There are some that think Total Recall will earn first place, but there are also some who think it won't open with as much as the original opened with, despite more than 20 years of inflation and a change in the business that favors bigger opening weekends. Diary of a Wimpy Kid: Dog Days is playing counter-programming and while there's not a lot of direct competition in theaters, it is still aiming for a midlevel hit, and no more. Last year, Rise of the Planet of the Apes opened with more than $54 million and there's really no chance that will be replicated this weekend and August will very likely start out on a losing note. More...

International Box Office: Dark Knight Rises Rises in Sophomore Stint

August 2nd, 2012

The Dark Knight Rises overall numbers are still limited to studio estimates, but it was clearly the best film of the weekend with $126.2 million on 17,200 screens in 57 markets for a total of $252.0 million internationally and $539.1 million worldwide. Its best new market was France, where it made $10.91 million on 892 screens. It also dominated the box office in Mexico with $9.75 million on 2,765 screens and in Germany with $9.40 million on 718 screens over the weekend for a total opening of $11.40 million. Russia was close behind with $8.33 million on 1,312 screens. The film also earned first place in Brazil, but with $6.70 million on 944, which is a little more subdued, while it missed top spot in Japan with $4.76 million on 546 screens over the weekend for a total opening of $5.82 million. The film remained in first place in the U.K. with $11.42 million on 589 screens over the weekend for a two-week total of $47.96 million. It also remained champion in Australia with $7.77 million on 628 screens over the weekend for a total of $28.00 million after two. On the other hand, it was pushed into second place in South Korea with $5.93 million on 807 screens over the weekend for a total of $27.67 million after two. So far, The Dark Knight Rises has been about on par with Ice Age: Continental Drift, maybe a little behind that film's pace, and it is on track to earn close to $600 million internationally and about $1 billion worldwide. This is a fantastic result, but still below expectations. More...

Weekend Wrap-Up: Rises Sinks, Watch Unseen

July 30th, 2012

That was a pretty bad week. The Dark Knight Rises fell faster than most people were expecting while The Watch flopped. Step Up Revolution came very close to matching expectations, but it was expected to struggle, so that's not saying much. Overall, the box office fell 42% from last week to $134 million, which was 25% lower than the same weekend last year. The swings we've seen at the box office are erratic, to be polite, but at least 2012 remains ahead of 2011, even if the margin shrunk to 5.5% at $6.61 billion to $6.27 billion. More...

Weekend Predictions: Dark Knight Set to Dominate Again

July 26th, 2012

There's little doubt that The Dark Knight Rises will repeat as the box office champion this weekend. There are some questions regarding how much it will dominate the box office. Will it continue to match The Dark Knight's pace? Will it show the same legs as The Avengers did earlier this summer? Or will it collapse like Harry Potter and the Deathly Hallows, Part II did? There are also a few, very few, asking questions about The Watch and Step Up Revolution. Both films are opening wide, but neither film looks like it will be able to get anywhere beyond a midlevel hit and they are very unlikely to match last year's two wide releases, Cowboys and Aliens and The Smurfs. Fortunately, The Dark Knight Rises should earn enough to ensure a win in the year-over-year comparison. More...

2012 Preview: July

July 1st, 2012

June was not a good month. Of the twelve films that opened wide last month, only four beat expectations by any serious margin, while there were seven that we know will fail to match expectations and one that's too close to call. That's a really bad record. Granted, 2012 still has a huge advantage over 2011, but it did shrink over the month of June. Looking forward to July, we get mixed signals. On the one hand, last July there were two monster hits, Transformers: Dark of the Moon, which I'm considering a July film even though it opened on June 29th, and Harry Potter and the Deathly Hallows, Part 2. Those two films combined earned more than $700 million. This time around the only guaranteed monster hit is The Dark Knight Rises and I don't think there are many analysts bullish enough to think it will make $700 million by itself. That's not to say analysts aren't bullish on the film's chances. Some think it will top The Avengers at the box office. If it fails to reach $500 million, it would be seen as a disappointment. On the other hand, last year there were four other films that topped $100 million, while this year there are only six other films, period, and only two of those, The Amazing Spider-man and Ice Age: Continental Drift, are sure things to hit $100 million. There is a chance The Dark Knight Rises will earn more than the rest of the wide releases earn combined. And if this movie bombs, there's little hope for the rest of the month. But that won't happen, right? More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2012/09/14 - $346,345   253 $1,369   $2,661,741 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/29/2012 $24,264 38 38 49 $40,553 12/29/2018
Australia 8/2/2012 $1,887,775 370 370 1481 $5,426,682 12/11/2015
Austria 8/30/2012 $416,840 51 63 336 $1,680,808 12/12/2015
Belgium 8/1/2012 $638,172 97 97 770 $3,046,050 12/12/2015
Bulgaria 8/17/2012 $25,011 19 19 97 $187,719 12/29/2018
Central America 10/19/2012 $0 0 55 55 $225,779 12/14/2015
Croatia 8/9/2012 $53,377 14 15 98 $251,251 12/29/2018
Czech Republic 8/30/2012 $138,027 71 71 178 $416,399 12/29/2018
Denmark 8/9/2012 $224,316 51 51 219 $687,818 12/11/2015
Ecuador 12/7/2012 $31,872 27 27 89 $109,228 12/30/2018
Egypt 8/15/2012 $0 0 5 32 $321,694 12/29/2018
Estonia 7/27/2012 $23,652 6 6 22 $166,069 12/11/2015
Finland 10/12/2012 $90,578 40 40 58 $410,196 12/12/2015
France 8/8/2012 $2,412,239 311 314 1192 $9,489,199 12/11/2015
Germany 8/30/2012 $3,354,401 453 495 3239 $12,690,216 12/12/2015
Greece 9/13/2012 $220,809 40 40 137 $698,633 12/12/2015
Hong Kong 7/26/2012 $793,621 39 39 135 $2,322,161 12/11/2015
Hungary 9/6/2012 $92,669 37 37 212 $347,565 12/29/2018
Iceland 8/15/2012 $14,848 7 7 27 $73,895 12/29/2018
India 8/3/2012 $547,556 200 200 300 $1,096,554 12/11/2015
Italy 10/4/2012 $1,990,095 330 330 945 $5,602,457 12/12/2015
Kenya 8/17/2012 $0 0 6 34 $81,084 12/29/2018
Latvia 8/3/2012 $21,794 5 6 27 $136,886 12/29/2018
Lebanon 8/16/2012 $0 0 14 65 $762,846 12/29/2018
Lithuania 7/27/2012 $28,610 15 15 65 $216,659 12/11/2015
Malaysia 8/2/2012 $708,811 106 106 408 $2,512,639 12/12/2015
Netherlands 7/26/2012 $0 0 97 461 $3,189,263 12/11/2015
New Zealand 8/2/2012 $312,485 49 49 240 $1,021,172 12/11/2015
Nigeria 9/7/2012 $19,723 7 8 33 $64,802 12/29/2018
North America 7/27/2012 $11,731,708 2,567 2,606 9,398 $35,074,677 3/10/2013
Norway 8/17/2012 $128,865 46 46 106 $443,945 12/11/2015
Philippines 8/1/2012 $617,816 80 80 155 $1,091,954 12/29/2018
Poland 7/27/2012 $229,380 99 102 561 $1,247,270 12/29/2018
Portugal 8/9/2012 $106,356 31 31 136 $433,629 12/11/2015
Romania 9/7/2012 $95,645 34 34 102 $431,345 12/29/2018
Russia (CIS) 7/26/2012 $2,751,523 780 794 2129 $7,557,861 12/29/2018
Serbia and Montenegro 9/20/2012 $5,850 9 9 45 $22,494 12/29/2018
Singapore 8/30/2012 $718,741 45 45 154 $1,978,566 12/12/2015
Slovakia 8/30/2012 $53,559 28 28 69 $159,314 12/11/2015
Slovenia 8/30/2012 $25,269 10 10 70 $128,107 12/12/2015
South Africa 8/17/2012 $467,440 78 79 549 $2,405,236 12/12/2015
South Korea 8/14/2012 $0 0 253 253 $2,661,741 12/11/2015
Spain 9/7/2012 $526,646 347 347 1128 $2,281,416 12/12/2015
Switzerland 8/8/2012 $81,750 14 62 342 $2,158,051 12/12/2015
Taiwan 8/10/2012 $0 0 52 199 $7,053,183 12/12/2015
Thailand 7/26/2012 $998,444 115 572 932 $2,771,924 12/11/2015
Ukraine 7/26/2012 $162,900 74 75 221 $530,053 12/29/2018
United Arab Emirates 8/16/2012 $0 0 37 94 $2,161,533 12/29/2018
United Kingdom 8/10/2012 $1,056,529 396 396 1313 $4,206,880 12/11/2015
Vietnam 8/3/2012 $439,740 38 38 153 $1,555,384 12/29/2018
 
Rest of World $35,921,450
 
Worldwide Total$165,552,290 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Ryan Guzman    Sean
Kathryn McCormick    Emily
Misha Gabriel    Eddy
Cleopatra Coleman    Penelope
Stephen ‘Twitch’ Boss    Jason
Tommy Dewey    Tripp
Peter Gallagher    Mr. Anderson
Mia Michaels    Olivia

Supporting Cast

Claudio Pinto    Francisco
Nicole Dabeau    Newscaster
Chris Charles    Lamborghini Driver
Katie Peterson    Person By The Ocean
Alejandro Posada    Person By The Ocean
Marc Macaulay    Uniformed Cop
Mario Ernesto Sanchez    Ricky
Sabina V. Gomez    Ricky's Mother
Dominique Bell    Sarah
Megan Boone    Claire
Tangi Colomgel    Tommy
Claudia Rocafort    Curator
Jordana DePaula    Cute Salesperson
Tiger Kirchharz    Female Curator
Kevin Anthony Walton    Bob Cooper
Steve Zurk    Councilman Casey
Emiliano Diez    Mayor Hernandez
Chadd Smith    Vladd
Mari Koda    Jenny Kido
Adam G. Sevani    Moose

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Scott Speer    Director
Amanda Brody    Screenwriter
Duane Adler    Character Creator
Adam Shankman    Producer
Jennifer Gibgot    Producer
Patrick Wachsberger    Producer
Erik Feig    Producer
Bob Hayward    Executive Producer
David Garrett    Executive Producer
Meredith Milton    Executive Producer
Jon M. Chu    Executive Producer
Matthew Smith    Executive Producer
Nan Morales    Executive Producer
Crash    Director of Photography
Carlos A. Menendez    Production Designer
Matthew Friedman    Editor
Avi Youabian    Editor
Jamal Sims    Choreography
Aaron Zigman    Composer
Buck Damon    Music Supervisor
Rebecca Hofherr    Costume Designer
Joanna Colbert    Casting Director
Richard Mento    Casting Director