Norway Box Office for Stories We Tell (2012)

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Stories We Tell poster
Theatrical Performance (US$)
Norway Box Office $188,386Details
Worldwide Box Office $3,043,717Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Sarah Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She interviews and interrogates a cast of characters of varying reliability, eliciting candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving.

Metrics

Movie Details

Norway Releases: March 22nd, 2013 (Wide)
Video Release: September 3rd, 2013 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for thematic elements involving sexuality, brief strong language and smoking.
(Rating bulletin 2256, 1/23/2013)
Running Time: 108 minutes
Keywords: Directing Yourself, Screenplay Written By the Star, Faulty Memory, Dysfunctional Family, Young Child Dealing with the Death of a Parent, Death of a Spouse or Fiancée / Fiancé, Infidelity
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: National Film Board of Canada
Production Countries: Canada
Languages: English

2014 Awards Season: Oscar Highlight: Best Feature-Length Documentary

February 15th, 2014

The Act of Killing poster

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Feature-Length Documentary, which is probably the hardest category to predict, because some of the previous winners of major awards were not even nominated for an Oscar. When the nominations were this unpredictable, the winner could be any of the five films. More...

2014 Awards Season: WGA: A.I. and Pirates Told the Right Stories

February 1st, 2014

Stories We Tell poster

WGAs handed out their awards on Saturday and depending on who you talk to, there were a couple of major upsets. There was certainly at least one upset, but the other awards are less surprising. More...

2014 Awards Season: DGA: Gravity adds Weight to its Oscar Chances

January 26th, 2014

Gravity poster

The Directors Guild of America handed out the awards over the weekend, including two for theatrical releases. There were no true upsets, but it didn't go exactly as I anticipated it would go. More...

2014 Awards Season: PGA Buries the Lead

January 19th, 2014

12 Years a Slave poster

Producers Guild of America announce the winners tonight, but it seems I forgot to upload the story when they announced their nominations. In my defense, they announced them on January 2nd. You don't make an announcement on January 2nd, not unless you are trying to bury a story. As for the actual nominations, there are very few differences between this group and others, except when it comes to documentaries. Then again, that's been the norm this year. No one seems to agree on what the best documentaries were. More...

2014 Awards Season: Oscars Understand the Gravity of the Situation

January 16th, 2014

Gravity poster

The Oscar nominations were announced this morning and there are some surprises mixed in with the predictable results. Gravity and American Hustle led the way with ten nominations each while 12 Years a Slave was right behind with nine. The fact that 12 Years a Slave wasn't the leader is the first of the surprises. More...

2014 Awards Season: DGA: Telling Stories about Documentaries

January 14th, 2014

Stories We Tell poster

The Directors Guild of America finished its theatrical nominations yesterday with the Documentary category. I'm of two minds with the list of nominees. On the one hand, I feel like I should be surprised, because a number of documentaries thought to be Oscar favorites were left off the list. On the other hand, they've been left off the list a number of times. I think it is time to rethink who is and is not an Oscar favorite. More...

2014 Awards Season: WGA: Nominees Have Stories to Tell

January 5th, 2014

Stories We Tell poster

WGAs announced their nominations this weekend and there were a couple of surprises to talk about. The top of that list is 12 Years a Slave, which was deemed ineligible because it wasn't written under WGA jurisdiction. This makes using the WGAs as an Oscar guide less reliable. On the other hand, several Oscar favorites showed up as well, including American Hustle, Nebraska, and others that have picked up major nominations this year. More...

2013 - Holiday Gift Guide - Part III

December 19th, 2013

Part III of the Holiday Gift Guide is a little late due to reasons you probably don't want to hear the details about. (I believe I've developed a food allergy to something in Eggnog.) The third installment of our holiday gift guide includes independent films, classics, foreign films, etc. The fastest way to find gifts is to go to the Independent Spirit Awards nominations and find any film that is on that list that is already out on DVD / Blu-ray (Frances Ha, Mud, etc.). Unfortunately, most of the films competing for Awards Season glory are still in theaters and not available as gifts. But there are still many films worth picking up, starting with... More...

DVD and Blu-ray Releases for September 3rd, 2013

September 3rd, 2013

It's a really slow week on the home market. There's only one first-run release of note, Now You See Me, while the best-selling TV on DVD release is from the CW, The Vampire Diaries: The Complete Fourth Season. That doesn't mean there are no new releases worth picking up. In fact, there are a couple of contenders for Pick of the Week. Blancanieves is one such contender, but while the DVD or Blu-ray is worth picking up, I think the target audience is a little too limited for Pick of the Week. Instead, that honor goes to From Up on Poppy Hill on Blu-ray Combo Pack. More...

Per Theater Chart: Much Success for Nothing

June 12th, 2013

Much Ado About Nothing lived up to the hype earning first place on the per theater chart with an average of $34,388 in five theaters. This is enough to suggest significant expansion, but I think it is too "art house" to expand even semi-wide. Dirty Wars opened in second place with an average of $15,876 in four theaters. This is an excellent start for a documentary. The overall box office leader, The Purge, earned third place with an average of $13,430. The final film in the $10,000 club was Before Midnight with an average of $10,123 in 52 theaters during its third weekend of release. More...

Per Theater Chart: Iron Man Has a Story to Tell

May 15th, 2013

Iron Man 3 again earned first place on the Per Theater Chart, but this time it was closer with an average of $17,053. The second best film on the per theater chart was the second best film on the overall chart, The Great Gatsby, which earned an average of $14,168. The best limited release was Stories We Tell with an average of $13,527 in two theaters. It had previously opened in Canada, where it made $360,000. One Track Heart: The Story of Krishna Das earned $11,515 in one theater. More...

Weekend Estimates: Gatsby an Honorable Second

May 12th, 2013

To no-one's great surprise, Iron Man 3 will top the box office chart again this weekend, with a very creditable projected $72.4 million, the 4th-biggest second weekend of all time. The more notable number this weekend, however, is the $51 million projected opening for The Great Gatsby. That's Baz Luhrman's best weekend by a huge margin -- in fact, only Moulin Rouge earned more than that in total domestically (and only by a small margin, with $57 million). It's also Leonardo DiCaprio's second-best weekend, behind Inception. In short, it's a great weekend for a movie that looked like a tough sell. More...

Limited Releases have Stories to Tell

May 10th, 2013

Most summers there is at least one limited release that manages to find enough success to expand truly wide. There are quite a few new limited releases this week, but most of them are earning weak reviews and will likely fail to find an audience in limited release. There are three films that are earning 80% positive reviews or better: Sightseers, Stories We Tell, and Venus and Serena. Unfortunately, the last two are documentaries and the first one is a Black Comedy, so it is unlikely we will have a true break-out hit this week. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/03/22 11 $22,023   22 $1,001   $28,609 1
2013/03/29 10 $19,000 -14% 22 $864   $74,981 2
2013/04/05 10 $21,607 +14% 19 $1,137   $116,071 3
2013/04/12 12 $18,171 -16% 12 $1,514   $152,393 4
2013/04/19 13 $8,990 -51% 11 $817   $173,743 5
2013/04/26 12 $8,389 -7% 10 $839   $188,386 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 2/25/2021 $540 1 1 1 $543,081 3/1/2021
Canada 10/12/2012 $0 0 0 0 $0
North America 5/10/2013 $0 0 70 468 $1,602,160 12/11/2014
Norway 3/22/2013 $22,023 22 22 96 $188,386 12/14/2015
Portugal 11/21/2013 $2,310 2 2 6 $6,092 12/13/2015
 
Rest of World $703,998
 
Worldwide Total$3,043,717 3/1/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Narrator(s)

Michael Polley    Narrator

Interviewee(s)

Harry Gulkin    Himself
Susy Buchan    Herself
John Buchan    Himself
Mark Polley    Himself
Joanna Polley    Herself
Cathy Gulkin    Herself
Marie Murphy    Herself
Robert Macmillan    Himself
Anne Tait    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Sarah Polley    Director
Sarah Polley    Screenwriter
Anita Lee    Producer
Silva Basmajian    Executive Producer
Michael Munn    Editor
Iris Ng    Director of Photography
Lea Carlson    Production Designer
Sarah Armstrong    Costume Designer
Sanjay Mehta    Recordist
Jonathan Goldsmith    Composer
Jason Knight    Casting Director
John Buchan    Casting Director