Singapore Box Office for Tomb Raider (2018)

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Tomb Raider
Theatrical Performance (US$)
Singapore Box Office $886,000Details
Worldwide Box Office $273,477,501Details
Home Market Performance
North America DVD Sales $4,564,032 Details
North America Blu-ray Sales $9,106,593 Details
Total North America Video Sales $13,670,625
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Lara Croft is the fiercely independent daughter of an eccentric adventurer who vanished when she was scarcely a teen. Now a young woman of 21 without any real focus or purpose, Lara navigates the chaotic streets of trendy East London as a bike courier, barely making the rent, and takes college courses, rarely making it to class. Determined to forge her own path, she refuses to take the reins of her father’s global empire just as staunchly as she rejects the idea that he’s truly gone. Advised to face the facts and move forward after seven years without him, even Lara can’t understand what drives her to finally solve the puzzle of his mysterious death.

Metrics

Movie Details

Production Budget:$90,000,000
Singapore Releases: March 9th, 2018 (Wide)
Video Release: June 12th, 2018 by Warner Home Video
July 16th, 2018 by Warner Home Video
MPAA Rating: PG-13 for sequences of violence and action, and for some language.
(Rating bulletin 2512 (Cert #51443), 1/31/2018)
Running Time: 118 minutes
Franchise: Lara Croft
Keywords: Non-Chronological, Archaeology, Marooned, Genocide, Secret Societies, 3-D, Missing Person, Presumed Dead, Inheritance, 3-D - Post-production Conversion, IMAX: DMR, Action Adventure, Treasure Hunters
Source:Based on Game
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Metro-Goldwyn-Mayer Pictures, Warner Bros., GK Films, Square Enix Business
Production Countries: United States
Languages: English

Home Market Releases for June 12th, 2018

June 12th, 2018

Love, Simon

There are not many big releases on this week’s list. Tomb Raider, Sherlock Gnomes, The Strangers: Prey at Night, and Love, Simon were, at best, midlevel hits domestically. Worse still, only the last one earned good reviews. Fortunately, the film is good enough that the DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack is worthy as Pick of the Week. More...

International Box Office: Rampage Runs Roughshod over Competition topping Century Mark

April 18th, 2018

Rampage

Rampage dominated the international box office earning more than the rest of the top ten combined with $115.7 million on 40,200 screens in 61 markets for a worldwide opening weekend of $151.5 million. The film’s biggest opening was in China, where it managed $54.88 million on 21,500 screens over the weekend for a total opening of $55.56 million. This is a good result, compared to recent results. It’s better than Tomb Raider managed, but not as good as Ready Player One, for example. The U.K. and South Korea were in a close race for second place with the former earning $5.8 million on 883 screens and the latter earning $4.99 million on 909 screens over the weekend for a total opening of $5.60 million. More...

Weekend Estimates: Rampage Squeaks Out a Win

April 15th, 2018

Rampage

Rampage isn’t exactly living up to its name this weekend, as it heads for a $34.5 million debut—just enough to keep A Quiet Place in second place, with $32.6 million in its second outing (down a very respectable 35% from its debut). As might be expected, international markets are proving friendlier to Rampage than the US and Canada, and it’s off to a healthy $114.1 million start in 61 territories, according to Warner Bros.’ Sunday morning estimate. More...

Weekend Predictions: Will Rampage Shake Up the Box Office?

April 12th, 2018

Rampage

Rampage is the biggest new release of the week and at one time it was widely assumed it would be the biggest hit of the month. Granted, this changed the second Infinity War moved up to an April release. However, now the film likely won’t even be the second biggest hit of the month, as A Quiet Place dominated last weekend. Truth or Dare has to deal with direct competition and that’s going to kill it. Finally, Isle of Dogs is expanding semi-wide. It likely won’t reach the top five, but it is already doing well for a limited release. This weekend last year, The Fate of the Furious opened with nearly $100 million. That’s about what the top four will earn this year. I can’t imagine 2018 coming ahead in the year-over-year comparison. More...

International Box Office: Ready Starts Out Number One Internationally with $127.5 million

April 4th, 2018

Ready Player One

Ready Player One opened in first place on the international chart with $127.5 million on 35,600 screens in 62 markets. Its biggest single market was China with $61.61 million on 18,200 screens over the weekend for a total opening of $62.06 million. This is Warner Bros.’ biggest opening ever in this market. The film’s second biggest international market of the weekend was South Korea, where it earned second place with $6.35 million on 1,079 screens for a total opening of $8.08 million. The film also had to settle for second place behind Peter Rabbit in the U.K. with $7.3 million on 1,251 screens. The film did open in first place in several other major markets, including France ($6.15 million on 719 screens) and Russia ($5.74 million on 1,461). More...

International Box Office: Uprising Starts Out on Up with $122.4 million

March 28th, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising easily earned first place on the international chart with $122.4 million in 61 markets during its opening weekend. The film earned first place in China with $63.80 million over the weekend for a total opening of $65.19 million including previews. There were two markets who could claim second place: Russia and South Korea. In Russia, the film earned $6.76 million on 1,538 screens. Meanwhile in South Korea, it opened with $5.27 million on 1,143 screens over the weekend for a total opening of $6.80 million. More...

Weekend Wrap-Up: Uprising Wins, but Falls Compared to Original

March 27th, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising opened in first place over the weekend. In fact, it opened better than expected with $28.12 million. Unfortunately, that’s nowhere near enough compared to its production budget, so it will need international numbers to thrive. Black Panther was finally removed from top spot, but it also held on better than expected with $17.10 million. As for the rest of the new releases, they ranged from serious disappointments like Sherlock Gnomes and Paul, Apostle of Christ, to complete bombs like Midnight Sun and Unsane. The overall box office slipped just 2.0% from last week earning $129 million. However, this is 36% lower than the same weekend last year. 2018’s lead has completely evaporated and it is now $60 million or $2.1% behind 2017’s pace at $2.64 billion to $2.69 billion. I don’t see that improving this coming weekend. More...

Weekend Estimates: Pacific Rim Leads Weak Field of Openers

March 25th, 2018

Pacific Rim: Uprising

Black Panther’s run at the top of the domestic chart will finally come to an end this weekend, with Pacific Rim: Uprising taking over as the most popular film in the US and Canada. The switch over is mostly due to Panther beginning to run out of steam, rather than Uprising showing any particular strength though. Universal’s sci-fi action movie will pick up $28.005 million over its opening weekend in North America, about in line with expectations, but disappointing for a film that cost $150 million to make. Overseas markets, particularly in Asia, are where the box office action is at for this one. More...

Thursday Night Previews: Pacific Rim Rises with $2.35 million from Previews

March 23rd, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising got off to an okay start with $2.35 million from Thursday previews. Given its reviews and the recent results of films like Tomb Raider and last year’s Power Rangers that puts the film’s projected weekend haul at $26 million. That’s a little higher than we predicted, but close enough to call it a victory. More...

Weekend Predictions: Kaiju vs. Panther

March 22nd, 2018

Pacific Rim: Uprising

Black Panther will finally give up its hold on first place, that is unless something goes horribly wrong for Pacific Rim: Uprising. There are four other wide or semi-wide releases hitting theaters this weekend, which is at least two too many. Sherlock Gnomes and Paul, Apostle of Christ are the only two that have a legitimate shot at the top five. Meanwhile, Midnight Sun and Unsane are just hoping to not miss the top ten. This weekend last year, there were three wide releases that earned a combined $60 million. This is more than the five wide releases this year will earn. Also, Beauty and the Beast remained in second place with $90 million. 2018 has already lost its lead over 2017 and this weekend it is going to get crushed in the year-over-year comparison. More...

International Box Office: Tomb Raider Steals Top Spot with $87.2 million

March 21st, 2018

Tomb Raider

Tomb Raider roared into first place on the international chart earning $87.2 million on 33,290 screens in 65 markets for an early total of $105.2 million. The film’s biggest single market was China, where it opened in first place with $40.79 million on 15,640 screens over the weekend for a total opening of $41.26 million. The film’s second best opening was in the U.K. at $4.29 million in 585 theaters. The only other market where the film opened with more than $4 million was Russia with $4.11 million on 1,457 screens. The film debuted in first place in all three markets and is in a good position to break even early in its home market run. More...

Weekend Wrap-Up

March 20th, 2018

Black Panther

As predicted, Black Panther remained in first place on the weekend chart. Tomb Raider had an okay opening in second place, while I Can Only Imagine was the biggest positive surprise of the weekend. Love, Simon had a solid opening, especially compared to its production budget. The less said about 7 Days in Entebbe, the better. Overall, the weekend box office was down 4.8% from last weekend to just $132 million. This is 49% lower than this weekend last year. A 49% decline usually only happens when there is a misalignment in holidays, but in this case it’s due to Beauty and the Beast’s debut. 2018 is still ahead of 2017, albeit by a fraction of last week’s lead at just $66 million or 2.8%. In fact, with a margin of just $2.46 billion to $2.39 billion, it is very likely 2018 will lose its lead before the next weekend begins. More...

Weekend Estimates: Black Panther Powers Past Tomb Raider

March 18th, 2018

Black Panther

A spirited opening by Tomb Raider won’t be quite enough to knock Black Panther off its perch at the top of the domestic box office chart this weekend. The final numbers will be close: Raider is predicted to earn $23.52 million by Warner Bros., while Disney has Panther coming in with $27.024 million. If the numbers hold (and it would be a huge surprise if they don’t), Black Panther will become the first film since Avatar to spend its first five weekends at the top of the chart. More...

Friday Estimates: Raider Opens in First Place, For Now

March 17th, 2018

Tomb Raider

As expected, Tomb Raider opened in first place with $9.06 million on Friday. However, this won’t be enough to stay ahead of Black Panther for long. Its reviews are nearly 50% positive, while it earned just a B from CinemaScore. A $23 million to $24 million opening isn’t a bad start for this time of year, but it is far from impressive for a film that reportedly cost between $90 million and $106 million. More...

Thursday Night Previews: Tomb Raider Steals $2.1 million during Midnight Shows

March 16th, 2018

Tomb Raider

Tomb Raider started its box office run with $2.1 million during its midnight showings. This is almost exactly what the film needed to earn to match our prediction. In fact, it might be a little on the high side. The film’s reviews are, according to Rotten Tomatoes, the best for a video game adaptation of all time, at least for films that got a theatrical release here. If the film can top $25 million over the weekend, then the studio will be mostly happy. They can’t be completely blown away, as the film reportedly cost $90 million to make and it likely won’t have great legs, due to the Fanboy Effect. More...

Weekend Predictions: Can Raider Capture Top Spot?

March 15th, 2018

Tomb Raider

Another week and another film trying to dethrone Black Panther. This week, it’s Tomb Raider’s chance to finally remove Black Panther from first place on the weekend chart. I don’t like its chances. The only other truly wide release of the week is Love, Simon, which should have a solid, but not spectacular opening. There are two other films with a shot at earning a spot in the top ten: I Can Only Imagine and 7 Days in Entebbe. This weekend last year, Beauty and the Beast opened with nearly $175 million. That’s more than the entire box office is going to earn this weekend. 2018 is going to get crushed. More...

International Box Office: Black Panther Final Earns Top Spot With $100.0 million

March 14th, 2018

Black Panther

For the first time, Black Panther earned first place on the international chart, adding $100.0 million in 57 markets to its totals, which now sit at $516,600,000 internationally and $1.078 billion worldwide. It became just the 33rd film to reach $1 billion worldwide and by Tuesday was in the top 20 of all time. Additionally, it is now in fifth place in the MCU and will be in a close fight for third place by the end of the weekend. I’m more bullish that I was last weekend, because the film was a hit in China earning $65.07 million. This is about on par with Thor: Ragnarok and Spider-Man: Homecoming, meaning the film is on pace to hit $1.3 billion worldwide More...

2018 Preview: March

March 1st, 2018

Ready Player One

February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month. More...

Tomb Raider Trailer

January 19th, 2018

Action movie starring starring Alicia Vikander opens March 16 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/03/09 - $886,000   86 $10,302   $886,000 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/16/2018 $465,927 0 0 0 $933,612 1/1/2019
Australia 3/16/2018 $2,157,905 546 546 1450 $5,100,000 5/1/2018
Brazil 3/16/2018 $2,050,000 954 954 1761 $4,460,000 5/1/2018
Bulgaria 3/16/2018 $144,849 0 0 0 $467,363 2/26/2019
China 3/15/2018 $41,060,000 94637 94637 152778 $78,600,000 5/1/2018
Czech Republic 3/16/2018 $236,629 110 110 277 $538,819 1/1/2019
France 3/16/2018 $3,700,000 553 553 1079 $10,100,000 5/1/2018
Germany 3/16/2018 $2,153,575 573 573 1719 $7,100,000 5/1/2018
Hong Kong 3/9/2018 $1,300,000 72 72 72 $2,300,000 3/21/2018
India 3/9/2018 $660,000 383 383 383 $660,000 3/13/2018
Indonesia 3/9/2018 $2,500,000 646 646 1104 $4,900,000 1/1/2019
Italy 3/15/2018 $1,971,493 0 475 475 $3,800,000 4/2/2018
Japan 3/23/2018 $2,300,000 517 517 517 $4,540,000 5/1/2018
Lithuania 3/16/2018 $82,285 125 125 340 $210,043 4/23/2018
Malaysia 3/9/2018 $1,700,000 411 411 411 $3,400,000 3/30/2018
Mexico 3/16/2018 $2,162,306 0 1111 1111 $4,750,000 5/1/2018
Netherlands 3/16/2018 $1,087,210 114 115 847 $3,628,798 5/22/2018
New Zealand 3/16/2018 $406,061 82 82 369 $1,020,540 4/23/2018
North America 3/16/2018 $23,633,317 3,854 3,854 13,692 $58,250,803
Philippines 3/9/2018 $1,100,000 306 306 306 $1,100,000 1/1/2019
Poland 4/6/2018 $272,319 0 0 0 $1,039,928 1/1/2019
Portugal 3/16/2018 $478,031 93 93 443 $1,646,858 5/18/2018
Russia (CIS) 3/16/2018 $4,059,327 1457 1538 4667 $7,500,000 2/26/2019
Singapore 3/9/2018 $886,000 86 86 86 $886,000 3/13/2018
Slovakia 3/16/2018 $138,125 66 66 164 $285,143 4/18/2018
South Korea 3/6/2018 $2,537,830 806 806 1436 $4,179,129 4/26/2018
Spain 3/16/2018 $1,432,855 315 315 1544 $4,450,000 5/7/2018
Taiwan 3/9/2018 $2,000,000 206 206 206 $4,680,000 5/1/2018
Thailand 3/9/2018 $1,200,000 489 489 489 $1,200,000 3/12/2018
Turkey 3/16/2018 $373,099 306 306 992 $1,130,479 2/26/2019
United Arab Emirates 3/16/2018 $1,700,000 158 158 158 $1,700,000 1/1/2019
United Kingdom 3/16/2018 $4,289,972 585 587 2144 $10,428,991 5/23/2018
 
Rest of World $38,490,995
 
Worldwide Total$273,477,501 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Alicia Vikander    Lara Croft

Supporting Cast

Dominic West    Richard Croft
Walton Goggins    Mathias Vogel
Daniel Wu    Lu Ren
Kristin Scott Thomas    Ana Miller
Derek Jacobi    Mr. Yaffe
Alexandre Willaume    Lieutenant
Tamer Burjaq    Mercenary
Adrian Collins    Mercenary
Keenan Arrison    Mercenary
Andrian Mazive    Mercenary
Milton Schorr    Mercenary
Hannah John-Kamen    Sophie
Peter Waison    Taxi Driver
Samuel Mak    Chinese Kid
Sky Yang    Chinese Kid
Civic Chung    Chinese Kid
Josef Altin    Bruce the Boss
Billy Postlethwaite    Bill
Roger Jean Nsengiyumva    Rog
Jaime Winstone    Pamela
Michael Obiora    Baxter
Shekhar Varma    Mr. Ahuja
Rekha John-Cheriyan    Mrs. Ahuja
Antonio Aakeel    Nitin
Maisy De Freitas    Young Lara (7 years old)
Emily Carey    Young Lara (14 years old)
Gordon Chow    Sickly Old Digger
Duncan Airlie James    Terry the Trainer
Jandre Le Roux    Heli Pilot
Vere Tindale    Heli Co-Pilot
Annabel Wood    Rose
Kenneth Fok    Digger in Woods
Maruwan Gasant    Digger in Camp

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Roar Uthaug    Director
Geneva Robertson-Dworet*    Screenwriter
Alastair Siddons    Screenwriter
Evan Daugherty    Story by
Geneva Robertson-Dworet*    Story by
Graham King    Producer
Patrick McCormick    Executive Producer
Denis O'Sullivan    Executive Producer
Noah Hughes    Executive Producer
George Richmond    Director of Photography
Gary Freeman    Production Designer
Stuart Baird    Editor
Michael Tronick    Editor
Tom Holkenborg    Composer
Colleen Atwood    Costume Designer
Timothy A. Wonsik    Costume Designer
Franklin Henson    Stunt Coordinator
Paul Linden    Visual Effects Supervisor
Susie Figgis    Casting Director
Patrick McCormick    Unit Production Manager
Lee Grumett    First Assistant Director
G. A. Aguilar    Second Unit Director
Raffaella Giovannetiti    Set Decorator
Steven Wayne    Production Supervisor
Janine van Assen    Unit Production Manager
Paula Casarin    Script Supervisor
Michael Solinger    Post-Production Supervisor
Rebecca Adams    Post-Production Supervisor
Scott Shapiro    Visual Effects Producer
Christian Siebenherz    Additional Editor
Dominic Gibbs    Supervising Sound Editor
Mike Prestwood Smith    Re-recording Mixer
Mark Taylor    Re-recording Mixer
Jo Tew    Second Assistant Director
Kle Savidge    Music Supervisor
Tom Brown    Supervising Sound Editor
Claire Fleming    Art Director
Tamara Marini    Art Director
Alessandro Troso    Art Director
Mark Walker    Art Director
Marika Weber-Collop    Make-up and Hair Designer
Charlie Hounslow    Make-up and Hair Designer
Nico Louw    Sound Mixer
Max Poolman    Special Effects Supervisor
Philip Stapelberg    Costume Supervisor
Quimaine Fourie    Make-up and Hair Designer
Deon Du Preez    Location Manager

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.