China Box Office for Fireworks, Should We See It from the Side or the Bottom? (2017)
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Shy Norimichi and fast-talking Yusuke, are goo-goo-eyed over the same elusive classmate, Nazuna. But Nazuna, unhappy over her mother’s decision to remarry and leave their countryside town, plans to run away and has secretly chosen Norimichi to accompany her. When things don’t go as planned, Norimichi discovers that a glowing multi-color ball found in the sea has the power to reset the clock and give them a second chance to be together. But each reset adds new complications and takes them farther and farther away from the real world—until they risk losing sight of reality altogether.
||December 1st, 2017 (Wide), released as Fireworks, Should We See It from the Side or the Bottom?|
||Anime, Supernatural, Time Travel, Romance, Eloping, Coming of Age, Underwater, Runaway|
|Source:||Based on Movie|
|Production Method:||Digital Animation|
|Creative Type:||Science Fiction|
July 12th, 2018
Sorry to Bother You dominated the theater average chart this week with an average of $45,454 in 16 theaters. As I previously mentioned, this is the sixth-best opening average for a limited release this year. Ant-Man and the Wasp earned top spot on the weekend chart and second place here with an average of $18,025. Three Identical Strangers remained in the $10,000 club with an average of $13,427 in 51 theaters and should have no trouble expanding further. Ryuichi Sakamoto: Coda earned $12,827 in its lone theater, which is excellent for a documentary. Leave No Trace remained in the $10,000 club with an average of $10,892 in 37 theaters. It will continue to expand.
July 6th, 2018
It’s a short week for limited releases; however, that doesn’t mean there’s nothing to talk about. Sorry to Bother You is earning some of the best reviews of the week and it has the loudest buzz. Meanwhile, Whitney is playing in over 450 theaters and could reach the top ten.
December 6th, 2017
Coco climbed into first place with $69.0 million in 33 markets for totals of $171.3 million internationally and $281.4 million worldwide. The film opened in a trio of major markets in Europe, earning first place in all three. France led the way with $5.2 million, $6.4 million including previews, while Spain ($2.8 million) and Germany ($2.0 million) were also strong results. It beat Moana’s opening in all three markets. The film grew 146% during its second weekend in China earning $44.17 million over the weekend for a two-week total of $75.79 million. The film is already the biggest Pixar hit in China and is in third place for Disney animated films, behind Zootopia and Big Hero 6.
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
|Date||Rank||Gross||% Change||Theaters||Per Theater||Total Gross||Week|
Box Office Summary Per Territory
|Rest of World
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