South Korea Box Office for After the Storm (2016)

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Umi yori mo mada fukaku
Theatrical Performance (US$)
South Korea Box Office $678,338Details
Worldwide Box Office $5,365,848Details
Home Market Performance
North America DVD Sales $84,260 Details
North America Blu-ray Sales $63,151 Details
Total North America Video Sales $147,411
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Dwelling on his past glory as a prize-winning author, Ryota wastes the money he makes as a private detective on gambling and can barely pay his child support. After the death of his father, his aging mother Yoshiko and his beautiful ex-wife Kyoko seem to be moving on with their lives. Renewing contact with his initially distrusting family, Ryota struggles to take back control of his existence and to find a place in the life of his young son Shingo until a stormy summer night offers them a chance to truly bond again.

Metrics

Movie Details

South Korea Releases: July 22nd, 2016 (Limited), released as After the Storm
July 27th, 2016 (Wide), released as After the Storm
Video Release: August 15th, 2017 by Film Movement Video
MPAA Rating: Not Rated
Running Time: 117 minutes
Keywords: Writing and Writers, Dysfunctional Family, Private Investigator, Extreme Weather, Money Troubles, Gambling
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: AOI Pro Inc, Fuji Television Network, Bandai Visual, GAGA Corporation
Production Countries: Japan
Languages: Japanese

Home Market Releases for August 15th, 2017

August 16th, 2017

The Good, The Bad, and the Ugly

Alien: Covenant is the biggest release on this week’s list, but the franchise is off its peak and has been for a long time. As for Pick of the Week contenders, there are not a lot of them. If I were to stretch the definition, Food Wars: Season One is great, if you are into that subgenre of Anime. Descendants 2 is arguably better than the original, but the DVD isn’t going to really appeal to those outside the target audience. That leaves The Good, the Bad and the Ugly: 50th Anniversary Blu-ray as the clear winner for Pick of the Week. More...

Theater Averages: Beauty Outshines all Competition with Average of $41,508

March 21st, 2017

Beauty and the Beast

Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470. More...

Limited and VOD Releases: Can you Spot any Hits?

March 17th, 2017

T2: Trainspotting

Beauty and the Beast scared away most of the wide-release competition and there are not many limited releases either this weekend. T2: Trainspotting is by far the biggest in terms of buzz. We also have a few like Mean Dreams, which have good reviews, but are playing on VOD. Or foreign-language films like Frantz. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/07/22 28 $3,498   3 $1,166   $3,498 1
2016/07/29 9 $134,670 +3,750% 72 $1,870   $175,307 2
2016/08/05 9 $105,151 -22% 49 $2,146   $385,155 3
2016/08/12 - $268 -100% 43 $6   $2,179 4
2016/08/26 - $15,520   13 $1,194   $23,360 6
2016/09/02 - $10,465 -33% 11 $951   $43,663 7
2016/09/09 - $6,978 -33% 12 $582   $54,190 8
2016/09/16 - $8,843 +27% 16 $553   $69,297 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/30/2017 $24,419 0 0 0 $38,261 1/1/2019
Australia 5/19/2017 $1,204 2 2 5 $8,450 8/6/2018
France 4/28/2017 $105,655 0 0 0 $815,129 6/27/2018
Italy 5/25/2017 $49,894 0 0 0 $171,533 6/22/2017
Japan 5/20/2016 $988,361 0 0 0 $3,120,206 8/20/2018
Netherlands 3/14/2017 $20,342 19 19 55 $69,015 4/7/2017
New Zealand 4/28/2017 $3,215 12 14 72 $24,947 6/19/2017
North America 3/17/2017 $27,880 6 38 164 $272,132
Portugal 10/19/2023 $407 1 1 1 $422 10/24/2023
South Korea 7/22/2016 $3,498 3 72 219 $678,338 4/19/2017
Spain 11/11/2016 $46,495 36 36 114 $139,126 12/29/2016
United Kingdom 6/2/2017 $28,289 20 20 20 $28,289 6/9/2017
 
Worldwide Total$5,365,848 10/24/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Hiroshi Abe    Ryota Shinoda
Yoko Maki    Kyoko Shiraishi
Taiyo Yoshizawa    Shingo Shiraishi
Kirin Kiki    Yoshiko Shinoda

Supporting Cast

Lily Franky    Koichiro Yamabe
Satomi Kobayashi    Chinatsu Nakashima
Sosuke Ikematsu    Kento Machida
Isao Hashizume    Mitsuru Niida

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Hirokazu Kore-eda    Director
Hirokazu Kore-eda    Screenwriter
Hirokazu Kore-eda    Original Story by
Hirokazu Kore-eda    Editor
Hanaregumi    Composer
Yutaka Yamazaki    Director of Photography
Eiji Oshita    Lighting
Yutaka Tsurumaki    Sound Designer
Mitsumatsu Keiko    Production Designer
Takashi Ishihara    Chief Executive Producer
Kazumi Kawashiro    Chief Executive Producer
Tsugihiko Fujiwara    Chief Executive Producer
Tom Yoda    Chief Executive Producer
Yasushi Kuwata    Executive Producer
Kenji Hamada    Executive Producer
Yasuhito Nakae    Executive Producer
Tsuyoshi Matsushita    Executive Producer
Osawa Megumi    Associate Producer
Kaoru Matsuzaki    Producer
Akihiko Yose    Producer
Hijiri Taguchi    Producer