Australia Box Office for The Wall (2017)

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The Wall
Theatrical Performance (US$)
Australia Box Office $43,293Details
Worldwide Box Office $4,495,262Details
Home Market Performance
North America DVD Sales $6,540,108 Details
North America Blu-ray Sales $94,994 Details
Total North America Video Sales $6,635,102
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Two soldiers are pinned down by an Iraqi sniper, with nothing but a crumbling wall between them. Their fight becomes as much a battle of will and wits as it is of lethally accurate marksmanship.

Metrics

Movie Details

Production Budget:$3,000,000
Australia Releases: August 11th, 2017 (Wide)
Video Release: August 15th, 2017 by Lionsgate Home Entertainment
MPAA Rating: R for language throughout and some war violence.
(Rating bulletin 2473 (Cert #50828), 4/26/2017)
Running Time: 90 minutes
Keywords: One Location, Trapped, Iraq War, Sniper, War, Black List Graduates, Minimal Cast
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Amazon Studios, Hypnotic Pictures
Production Countries: United States
Languages: English

Home Market Releases for August 15th, 2017

August 16th, 2017

The Good, The Bad, and the Ugly

Alien: Covenant is the biggest release on this week’s list, but the franchise is off its peak and has been for a long time. As for Pick of the Week contenders, there are not a lot of them. If I were to stretch the definition, Food Wars: Season One is great, if you are into that subgenre of Anime. Descendants 2 is arguably better than the original, but the DVD isn’t going to really appeal to those outside the target audience. That leaves The Good, the Bad and the Ugly: 50th Anniversary Blu-ray as the clear winner for Pick of the Week. More...

Theater Averages: Audiences Didn’t Wait to See Paris

May 16th, 2017

Paris Can Wait

Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening. More...

Weekend Estimates: Second Place Snatched from King Arthur

May 14th, 2017

Snatched

King Arthur: Legend of the Sword has proved to be a costly bet gone wrong for Warner Bros. and Village Roadshow. The film had a long gestation period, and ended up costing $175 million to make. Once another $100 million or so of marketing is added in, that makes for a target of at least $550 million at the global box office before anyone starts recouping anything from the film. A domestic opening of $14.7 million, and $29.1 million overseas, makes that a laughably-distant prospect. Adding to the embarrassment, King Arthur will start out in third place, behind Mothers Day-play Snatched, and even that film isn’t doing particularly well, when all is said and done. More...

Limited and VOD Releases: Farewell to Loved Limited Releases

May 12th, 2017

Hounds of Love

It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand. More...

The Wall Trailer

March 7th, 2017

Iraq war thriller starring Aaron Taylor-Johnson and John Cena, directed by Doug Liman opens May 12 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/08/11 27 $17,461   32 $546   $17,461 1
2017/08/18 - $4,926 -72% 27 $182   $30,163 2
2020/12/25 - $197   1 $197   $42,124 177
2021/01/01 - $262 +33% 1 $262   $43,293 178

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/11/2017 $17,461 32 32 61 $43,293 1/4/2021
Brazil 8/25/2017 $106,692 0 0 0 $176,593 6/26/2018
France 6/9/2017 $268,603 0 0 0 $560,134 6/29/2018
Japan 9/1/2017 $0 0 0 0 $179,021 6/29/2018
Mexico 7/19/2017 $167,397 0 0 0 $321,689 10/12/2018
Netherlands 6/7/2017 $76,651 52 52 167 $251,396 11/2/2018
North America 5/12/2017 $897,955 540 540 1,154 $1,803,064 8/16/2018
Portugal 6/23/2017 $22,401 28 28 68 $55,211 7/12/2017
Taiwan 6/2/2017 $6,646 11 11 11 $119,361 10/28/2018
Turkey 6/16/2017 $43,041 156 156 206 $93,141 2/26/2019
United Kingdom 7/28/2017 $22,197 84 84 84 $41,011 6/29/2018
 
Rest of World $851,348
 
Worldwide Total$4,495,262 1/4/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Aaron Taylor-Johnson    Sergeant Allen Isaac
John Cena    Staff Sergeant Shane Matthews

Supporting Cast

Laith Nakli    Iraqi Sniper

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Doug Liman    Director
Dwain Worrell    Screenwriter
Doug Liman    Producer
David Bartis    Producer
Ray Angelic    Executive Producer
Roman Vasyanov    Director of Photography
Jeff Mann    Production Designer
Julia Bloch    Editor
Cindy Evans    Costume Designer
Mindy Marin    Casting Director
Alison Winter    Associate Producer
Geoffrey Patterson    Sound Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.