Bulgaria Box Office for Войната за планетата на маймуните (2017)

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War for the Planet of the Apes
Theatrical Performance (US$)
Bulgaria Box Office $196,609Details
Worldwide Box Office $489,592,267Details
Home Market Performance
North America DVD Sales $7,842,729 Details
North America Blu-ray Sales $14,737,503 Details
Total North America Video Sales $22,580,232
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.

Metrics

Movie Details

Production Budget:$152,000,000
Bulgaria Releases: July 14th, 2017 (Wide), released as Войната за планетата на маймуните
Video Release: October 24th, 2017 by Fox Home Entertainment
MPAA Rating: PG-13 for sequences of sci-fi violence and action, thematic elements, and some disturbing images.
(Rating bulletin 2480 (Cert #50704), 6/14/2017)
Running Time: 142 minutes
Franchise: Planet of the Apes
Keywords: Animal Lead, Talking Animals, War, Post Apocalypse, 3-D, 3-D - Shot in 3-D, Motion Capture Performance, 3-D - Post-production Conversion, IMAX: DMR
Source:Original Screenplay
Genre:Action
Production Method:Animation/Live Action
Creative Type:Science Fiction
Production/Financing Companies: 20th Century Fox, Chernin Entertainment
Production Countries: United States
Languages: English

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

2017 Awards Season: SAG Nominations

December 13th, 2017

Three Billboards Outside Ebbing, Missouri

The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. Three Billboards Outside Ebbing, Missouri picked up four nominations, which is extra impressive, as there are only six theatrical categories. More...

2017 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 23rd, 2017

Guardians of the Galaxy Vol 2

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, and normally franchise box sets as well, but this year none jump out as essential additions to the Holiday Gift guide. Worse still, 2017 has been awful at the box office with potential blockbuster after potential blockbuster getting savaged by critics and struggling at the box office. Additionally, some of the biggest and some of the best have been on the home market for nearly half a year, meaning nearly everyone who would want them, already own them. That doesn’t mean there are no films worth adding to this list, but the list is a little shorter than usual. On a side note, two of the films on this year’s list are from the MCU and it would have been three, but Thor: Ragnarok is still in theaters. If you know someone who loves the MCU, but has all of the movies, then check out this site, which has some more unique gift ideas. I specifically like the Spider-man Drone. More...

Home Market Releases for October 24th, 2017

October 25th, 2017

War for the Planet of the Apes

There are not many films on this week’s list of home market releases, but there are several bigger titles making their home market debut. Some, like Cars 3, are only coming out on Video on Demand, but there are also some serious Pick of the Week contenders hitting DVD / Blu-ray as well. Of these contenders, War for the Planet of the Apes has the best combination of reviews and extras on the Blu-ray Combo Pack. More...

International Box Office: Kingsman King of the World with $61.18 million

September 28th, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle made its international debut and it was mostly really good news, as it topped the chart with $61.18 million on 11,623 screens in 64 markets. Its biggest market was the U.K., where it earned $11.40 million on 602 screens. This is a massive improvement over the $6.4 million its predecessor opened with. Likewise, this film earned $6.01 million on 1300 screens in Russia, up from $3.5 million for the first film. It wasn’t able to grow that much in Australia, but it did increase its haul to $4.56 million on 405 screens, up from $3.22 million on 372 for the original film. The film has yet to open in France, South Korea, China, and Japan, so this is a great start. It very likely won’t have the same legs, but even so, $400 million worldwide is a solid milestone to aim for, given this start. More...

International Box Office: War Comes to China and earns $61.07 million

September 21st, 2017

War for the Planet of the Apes

War for the Planet of the Apes returned to the top of the chart earning $62.9 million in 21 markets for totals of $287.9 million internationally and $433.8 worldwide. The film debuted in first place in China with $59.66 million over the weekend for a total opening of $61.07 million. More...

International Box Office: Creation Rises to First with $42 million

August 24th, 2017

Annabelle: Creation

Annabelle: Creation climbed into first place internationally last weekend, with $42.0 million on 13,209 screens in 56 markets for totals of $96.7 million overseas, and $160.9 million worldwide. The film’s biggest new market was Mexico, where it earned a first-place $8 million on 3,086 screens, while it also earned first place in Brazil with $4.4 million on 1,263 screens. However, its most impressive market was India, where it earned first place with $4.4 million on 1,159 screens. It is very rare for non-Indian films to top the chart in India.

More...

International Box Office: Wolf Warrior 2 Score Threepeat with $86 million

August 17th, 2017

Wolf Warriors 2

Wolf Warriors 2 remained the top draw on the international market pulling in $86 million in six markets for totals of $685.52 million internationally and $687.45 million worldwide. Almost all of this has been earned in its native China, where it added $85.10 million over the weekend to its running tally, which now sits at $683.80 million. It is currently the biggest ever film in China, both in terms of local currency and American dollars, topping the previous record-holder, The Mermaid. It will have no trouble getting to $800 million worldwide and if it can find audiences outside China, it might get to $900 million or even $1 billion. There’s very little competition for the next few weeks, so that could be the boost the film needs to get to that milestone. It is a long shot, but something to keep an eye on. More...

International Box Office: Wolves Feasts on the Competition with $164 million

August 10th, 2017

Wolf Warriors 2

Wolf Warriors 2 remained in top spot on the international chart with $164 million at the weekend. This is dominated by a sophomore stint of $163.38 million in its native China for a two-week total of $471.94 million. It is already the biggest hit in China, crushing The Mermaid, at least in terms of local currency. It still has a ways to go to become the number one film in terms of the US dollar, but it should get there shortly. More...

Weekend Predictions: Atomic Blonde and The Emoji Movie Take On Dunkirk

July 27th, 2017

Atomic Blonde

The final weekend of July has two wide releases, Atomic Blonde and The Emoji Movie. Neither are expected to be monster hits, but both could be profitable at the box office. Atomic Blonde’s reviews are excellent and its connections to the John Wick movies could get people into theaters. The Emoji Movie still has no reviews and its buzz is incredibly negative. I haven’t seen buzz this negative since Diary of a Wimpy Kid: The Long Haul. This does give Dunkirk a real shot at repeating on top of the chart. This weekend last year, Jason Bourne opened with nearly $60 million, which will likely be more than both new releases this year earn. Even if Dunkirk has better legs than expected, there’s little hope 2017 will win in the year-over-year comparison. More...

International Box Office: Despicable Me Steals Crown from Spider-Man with $72.7 million

July 27th, 2017

Dunkirk

Dunkirk debuted in first place on the international chart with $55.4 million in 46 markets for a worldwide debut of $105.9 million. Its biggest opening was in the U.K., no surprise there, where it earned $13.00 million in 638 theaters. Strangely, South Korea wasn’t far behind with $8.75 million on 1,245 screens over the weekend for a total opening of $10.40 million. On the other hand, the film struggled somewhat in France with $4.9 million. This isn’t a bad opening, but I was expecting more. Overall, it is doing about as well as Christopher Nolan’s previous film, Interstellar. If Dunkirk can merely match that movie's worldwide figure, then it will break even before it reaches the home market. Even if it doesn’t quite manage that total, anything above $500 million worldwide will produce a healthy profit for the studio. More...

Weekend Wrap-Up: Dunkirk has Stellar $50.51 million Opening

July 25th, 2017

Girls Trip

Both Dunkirk and Girls Trip topped expectations earning $50.51 million and $31.20 million respectively. Valerian and the City of a Thousand Planets didn’t do as well, but it should do well internationally. Overall, the weekend box office rose 11% from last weekend earning $181 million. On the downside, this was 7.8% lower than the same weekend last year and 2017 had already lost its lead over 2016, so this is really bad news. Year-to-date, 2017 is now behind 2016 by $31 million / 0.5% at $6.46 billion to $6.49 billion. Things really need to turn around soon, but I don’t think that’s going to happen. Hopefully the fall will be much better. More...

Friday Estimates: Dunkirk Dunks on the Competition with $19.8 million

July 22nd, 2017

Valerian and the City of a Thousand Planets

Dunkirk dominated the Friday box office chart. Okay, maybe dominate is too strong a word, but more on that down below. The film earned a better than anticipated opening day of $19.8 million. Additionally, its reviews are award-worthy, while it earned an A minus from CinemaScore. Frankly, given its reviews, I’m surprised it only got an A minus. With its $5.5 million in previews, I was expecting an opening day a little north of $20 million, so hopefully this isn’t a sign of short legs. Look for an opening weekend of $55 million. On a side note, the reason we are not using Dunkirk images is we only got two of them and we’ve already used them both, twice. I tried to find the French site to see if they had more images (This is what I did for Kong: Skull Island.) but I ended up on the Dunkirk tourist site by accident and now all of the ads I see on YouTube are in French. More...

Weekend Predictions: Take a Trip with Valerian and Laureline to Dunkirk

July 20th, 2017

Valerian and the City of a Thousand Planets

So far this summer, box office is running about $200 million behind last year’s pace. The numbers have fallen so far that, year to date, 2017 is now behind 2016’s box office pace. This is even more depressing as last weekend, five of the top six films earned Tomatometer Scores that were over 90% positive. This week, we are continuing the amazing run with critics as two of the three wide releases are earning 90% positive reviews or better, but it doesn’t look like we will be able to improve our box office woes. This weekend last year, Star Trek Beyond opened with nearly $60 million and four other films earned more than $20 million. This weekend, Dunkirk will open in first place and it might top Star Trek Beyond, but that seems unlikely. Even getting to $50 million could be asking too much. Girls Trip should have a box office run somewhere between Rough Night and Bad Moms. ... Yes, I know that’s a lot of wiggle room, but there’s a lot of uncertainty here. Finally there’s Valerian and the City of a Thousand Planets, which cost $180 million to make but is earning almost no buzz here. (It should do a lot better internationally.) We would have to have all three new releases beat expectations and have solid holdovers for 2017 to come out ahead in the year-over-year comparison. More...

International Box Office: Despicable Me Steals Crown from Spider-Man with $72.7 million

July 19th, 2017

Spider-Man: Homecoming

I thought last week was close, but this week was even closer. In fact, according to Sunday’s estimates, Spider-Man: Homecoming was the top film on the international chart, but Monday’s final numbers had Despicable Me 3 in first place. That film earned $72.7 million in 61 markets for totals of $434.00 million internationally and $622.39 million worldwide. Its biggest opening came in Indonesia, where it earned $3.5 million on 230 screens. Meanwhile, the film is now the second biggest animated film at the Chinese box office. This past weekend, Despicable Me 3 earned $22.09 million on 8,057 screens for a two-week total of $115.16 million. The film opens in Japan and South Korea before the end of the month, as well as Italy and a few other smaller markets by the end of August. More...

Contest: Win the War: Winning Announcement

July 19th, 2017

War for the Planet of the Apes

The winners of our Win the War contest were determined and the entrants with the closest predictions for War for the Planet of the Apes’s opening weekend were... More...

Theater Averages: Apes Overtake MacBeth $13,989 to $12,907

July 18th, 2017

War for the Planet of the Apes

War for the Planet of the Apes earned first place on the weekend box office chart and the theater average chart with $13,989. The only other new release to come close to that was Lady Macbeth with an average of $12,907 in five theaters. Last week’s winner, Spider-Man: Homecoming, slipped to third place this weekend with an average of $10,167. It is still quite rare for a wide release to stay in the $10,000 club two weeks in a row, so this is a reason to celebrate. More...

Weekend Wrap-Up: War Goes Well for Apes Earning $56.26 million

July 18th, 2017

War for the Planet of the Apes

The weekend box office chart didn’t hold a lot of surprises. War for the Planet of the Apes earned first place with a slightly better than predicted result of $56.26 million, while most of the rest of our predictions were also close enough to be considered victories. Overall, the box office plummeted 21% from last weekend reaching $163 million. This was also a little lower than the same weekend last year. The emphasis is on “little”, as it only dropped by 0.062% or about $100,000. On its own, this would be nothing to worry about. However, 2017’s lead over 2016 has completely evaporated and the year is now 0.19% or $12 million behind last year’s pace at $6.21 billion to $6.22 billion. We’ve lost about $200 million this summer compared to last year and I don’t see that turning around any time soon. More...

Weekend Estimates: Apes Top Chart, Helped by Big Spider-Man Drop

July 16th, 2017

War for the Planet of the Apes

A weekend estimate just ahead of our prediction for War for the Planet of the Apes, and a one just below our prediction for Spider-Man: Homecoming means there’s a clear winner at the box office. War will come in with $56.5 million, per Fox’s Sunday morning estimate, while Homecoming will finish second with $45.2 million. More...

Friday Estimates: Apes Win War with $22.1 million on Friday

July 15th, 2017

War for the Planet of the Apes

As expected, War for the Planet of the Apes earned first place on Friday. To match predictions, the film needed to make between $18 million and $19 million, but instead it earned $22.1 million during its first day of release. Furthermore, this is better than its previews were, so this suggests good word-of-mouth and longer than average legs. Its reviews are 94% positive and it earned a solid A from CinemaScore, so long legs wouldn’t be a shock. Perhaps it can reach $60 million over the weekend. Anything less than $55 million will be a little disappointing. Splitting the difference gets us a weekend target of $57 million. More...

Thursday Night Previews: Apes Battle for $5 million Debut

July 14th, 2017

War for the Planet of the Apes

War for the Planet of the Apes started its box office run with $5 million in Thursday previews, which is a little lower than expected, but not tragically so. For example, Alien: Covenant earned $4.2 million during its previews on its was to a $36.16 million weekend. If War for the Planet of the Apes has the same legs, it would make $43 million this weekend. On the other hand, The Mummy earned $2.66 million pulling in $31.67 million during its opening weekend. If War for the Planet has the same legs as that film, it would earn just shy of $60 million during its opening weekend. War has much better reviews than either of those films, to it could have better legs than either of those films. That said, it is also the third installment in the reboot franchise and that tends to shrink legs. The average is just over $50 million, which sounds about right. More...

Weekend Predictions: Will Apes vs. Spider be a One-Sided Fight?

July 13th, 2017

War for the Planet of the Apes

War for the Planet of the Apes is going to be the biggest of the three wide releases coming out this week. This much is a near certainty. However, there is some doubt if it will open in first place, or if Spider-Man: Homecoming will remain the top draw over the weekend. The only other wide release of the week is Wish Upon, a low-budget horror film, if it can just reach the top five, then the studio will be very happy. Finally, The Big Sick is expanding wide. Given its limited release run so far, it should become a sleeper hit over the summer. This weekend last year, The Secret Life of Pets and Ghostbusters had a one-two punch of nearly $100 million. I think War for the Planet of the Apes and Spider-Man: Homecoming will top that figure, while the overall depth should help 2017 win in the year-over-year competition, but it will likely be close. More...

Contest: Bring Home a Prize: Winning Announcement

July 12th, 2017

Spider-Man: Homecoming

The winners of our Bring Home a Prize contest were determined and the entrants with the closest predictions for Spider-Man: Homecoming’s opening weekend were... More...

Contest: Win the War

July 7th, 2017

War for the Planet of the Apes

Next weekend is busier than this weekend with two wide releases and a wide expansion; however, War for the Planet of the Apes will tower over Wish Upon and The Big Sick and it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for War for the Planet of the Apes.

Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay! More...

2017 Preview: July

July 1st, 2017

Spider-Man: Homecoming

I hate it when the first of the month lands on a Saturday. By the time this story goes live, we will still have almost no box office data for Despicable Me 3, so we won’t know if June ended on a positive note. Fortunately, Wonder Woman beat expectations and might end up as the biggest hit of the summer, at least for a little while. July begins with Spider-Man: Homecoming, which should make at least $300 million and is the last film being released this summer that has a shot at being a $400 million hit domestically. It is very likely that nothing else this month will come within $100 million of that movie, so that could help its legs. There are a few potential $100 million hits, including War for the Planet of the Apes, Dunkirk, and a couple of other long shots. Last July had a similar feel with The Secret Life of Pets topping the list with well over $300 million, while there were five other $100 million hits. This July would have to beat expectations substantially to match this performance. I’m not confident 2017 will be able to maintain its pace at the box office. I’m worried at least one big film will struggled and 2017 will end the month behind 2016’s pace. More...

War for the Planet of the Apes Final Trailer

June 30th, 2017

Sci-fi action movie starring Andy Serkis and Woody Harrelson opens July 14 ... Full Movie Details. More...

War for the Planet of the Apes Trailer

March 30th, 2017

Sci-fi actioner starring Andy Serkis and Woody Harrelson opens July 14 ... Full Movie Details. More...

War for the Planet of the Apes Trailer

December 9th, 2016

Sci-fi action movie starring Andy Serkis and Woody Harrelson opens July 14 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/07/14 2 $50,310   0     $50,310 1
2017/07/21 4 $16,540 -67% 0     $102,779 2
2017/07/28 5 $11,930 -28% 0     $135,590 3
2017/08/04 8 $6,694 -44% 0     $153,066 4
2017/08/11 11 $5,351 -20% 0     $165,909 5
2017/08/18 10 $4,273 -20% 0     $174,836 6
2017/08/25 12 $2,933 -31% 0     $184,443 7
2017/09/01 12 $2,340 -20% 0     $190,784 8
2017/09/08 17 $1,022 -56% 0     $196,658 9
2017/09/15 18 $647 -37% 0     $197,370 10
2017/09/22 20 $356 -45% 0     $197,955 11
2017/09/29 19 $369 +4% 0     $196,609 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/4/2017 $1,369,572 0 0 0 $3,549,501 1/1/2019
Australia 7/28/2017 $3,266,114 442 442 1726 $8,371,968 9/14/2017
Brazil 8/4/2017 $4,300,000 0 0 0 $13,426,683 6/26/2018
Bulgaria 7/14/2017 $50,310 0 0 0 $196,609 2/26/2019
China 9/14/2017 $59,670,000 117247 117247 231657 $112,372,208 8/16/2018
Czech Republic 7/14/2017 $190,822 133 133 295 $439,458 1/1/2019
France 8/2/2017 $7,300,000 757 757 757 $22,475,358 6/28/2018
Germany 8/4/2017 $3,100,000 0 639 639 $10,022,478 6/29/2018
Hong Kong 7/14/2017 $1,700,000 0 94 94 $3,976,015 10/27/2018
India 7/14/2017 $2,500,000 0 0 0 $2,500,000 8/1/2017
Indonesia 7/28/2017 $2,300,000 0 313 313 $3,563,700 1/1/2019
Italy 7/14/2017 $1,323,252 0 0 0 $4,362,429 8/28/2017
Japan 10/13/2017 $2,360,803 0 0 0 $4,608,144 7/5/2018
Lithuania 7/14/2017 $27,140 124 124 260 $85,802 8/15/2017
Malaysia 7/14/2017 $1,400,000 0 0 0 $1,400,000 7/17/2017
Mexico 7/28/2017 $5,513,842 0 0 0 $15,985,582 8/22/2017
Netherlands 7/14/2017 $1,039,095 184 194 1100 $3,897,707 9/11/2017
New Zealand 7/14/2017 $655,222 137 137 547 $1,843,793 9/18/2017
North America 7/14/2017 $56,262,929 4,022 4,100 22,157 $146,880,162
Peru 8/4/2017 $1,900,000 0 0 0 $1,900,000 12/20/2018
Poland 7/28/2017 $275,377 0 0 0 $533,463 1/1/2019
Portugal 7/14/2017 $256,007 93 93 320 $832,772 9/6/2017
Russia (CIS) 7/14/2017 $5,092,793 1318 1318 4745 $11,778,760 1/1/2019
Slovakia 7/14/2017 $103,528 71 71 142 $209,323 8/17/2017
South Korea 8/15/2017 $2,513 0 896 1680 $14,926,752 10/14/2018
Spain 7/14/2017 $2,223,683 653 653 2346 $10,803,800 9/14/2017
Taiwan 7/14/2017 $2,100,000 0 145 240 $4,645,819 10/28/2018
Thailand 7/14/2017 $1,300,000 0 0 0 $1,300,000 7/17/2017
Turkey 7/14/2017 $597,194 721 721 2610 $2,754,963 2/26/2019
United Arab Emirates 7/14/2017 $1,700,000 0 0 0 $1,700,000 12/20/2018
United Kingdom 7/14/2017 $9,411,160 597 612 2953 $26,524,216 9/25/2018
 
Rest of World $51,724,802
 
Worldwide Total$489,592,267 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Andy Serkis    Caesar
Woody Harrelson    The Colonel

Supporting Cast

Steve Zahn    Bad Ape
Amiah Miller    Nova
Karin Konoval    Maurice
Judy Greer    Cornelia
Terry Notary    Rocket
Gabriel Chavarria    Preacher
Michael Adamthwaite    Luca
Aleks Paunovic    Winter
Alessandro Juliani    Spear
Sara Canning    Lake
Chad Rook    Boyle
Max Lloyd-Jones    Blue Eyes
Toby Kebbell    Koba
Devin Dalton    Cornelius
Ty Olsson    Red

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Matt Reeves    Director
Mark Bomback    Screenwriter
Matt Reeves    Screenwriter
Mary McLaglen    Producer
Dylan Clark    Producer
Jenno Topping    Producer
Mark Bomback    Producer
Peter Chernin    Producer
Rick Jaffa    Producer
Amanda Silver    Producer
Mary McLaglen    Executive Producer
Jenno Topping    Executive Producer
Mark Bomback    Executive Producer
William Hoy    Editor
Michael Giacchino    Composer
Michael Seresin    Director of Photography
John Stoneham, Jr.    Stunt Coordinator
Joe Letteri    Visual Effects Supervisor
Dan Lemmon    Visual Effects Supervisor
Joel Whist    Special Effects Supervisor
Daniel Barrett    Animation

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.