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Xia Luo Te Fan Nao (2015)

Xia Luo Te Fan Nao poster
Theatrical Performance
Domestic Box Office $1,289,195Details
International Box Office $227,290,552Details
Worldwide Box Office $228,579,747
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer


The story of a middle-aged loser who finds himself magically transported back to his high school years, enabling him to fix all his life’s mistakes.


Latest Ranking on Cumulative Box Office Lists

Movie Details

Domestic Releases: October 9th, 2015 (Limited) by China Lion Film Distribution, released as Goodbye Mr. Loser
International Releases: September 30th, 2015 (Wide), released as Goodbye Mr. Loser (China)
October 8th, 2015 (Limited), released as Goodbye Mr. Loser (Australia)
October 15th, 2015 (Limited), released as Goodbye Mr Loser (New Zealand)
October 23rd, 2015 (Limited), released as Goodbye Mr. Loser (United Kingdom)
October 29th, 2015 (Wide) (Singapore)
... Show all releases
MPAA Rating: Not Rated
Running Time: 98 minutes
Comparisons: Create your own comparison chart…
Keywords: Wedding Day Disasters, Body Swap, Time Travel, 1990s, 2000s, Romance, Musicians, Singers, Gratuitous Cameos, Pop Music
Source:Based on Play
Production Method:Live Action
Creative Type:Science Fiction
Production Companies: Beijing Mahua Funage Company, New Classics Pictures, Shenzhen Tencent Video Culture Communication LTD., Wanda Media, Beijing Fun Age Pictures
Production Countries: China

Ranking on other Records and Milestones

Days In
Top 2015 Theater Average 72 $16,543 Oct 9, 2015 3

Leading Cast

   Xia Luo

Supporting Cast

Ma Li    Ma Dongmei
Yin Zheng    Yuan Hua
Lun Ai    Da Chun
Wang Zhi    Qiu Ya
Tian Yu    Wang
Song Yang    Zhang Yang
Chang Yuan    Meng Te
Ping Li    Xia Luo’s Mother
Li Liqun    Headmaster

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Da-Mo Peng    Screenwriter
Fei Yan    Screenwriter
Fei Yan    Story based on the play by
Da-Mo Peng    Story based on the play by
Tao Hong    Producer
Du Yuan    Editor
Xu Hongyu    Editor
Dong Dongdong    Composer

Per Theater Chart: Suffragette Voted Top Film on Per Theater Chart

October 27th, 2015


Suffragette started its potential Oscar-run earning first place on the per theater chart with an average of $19,056 in four theaters. That suggests room to grow, but perhaps not enough to expand truly wide. It will need to last in theaters long enough for Awards Season nominations to be announced and if it can do well then, it will boost its box office chances. Heart of a Dog was next with an opening of $13,893 in one theater. Room was the only holdover in the $10,000 club earning an average of $10,856 in 23 theaters. It will earn some measure of mainstream success, but unless Brie Larson earns some major Awards Season nominations, it won't expand truly wide. More...

International Box Office: Ant-Man is Big Man in China

October 22nd, 2015


Ant-Man made a triumphant return to the international chart with a first place, $43.5 million run in 3 markets for totals of $275.9 million internationally and $454.7 million worldwide. Nearly all of this weekend haul came from China, where the film opened in first place with $42.77 million. (Some are reporting it came in second place to Goodbye Mr. Loser, but they are comparing the film's weekly total to Ant-Man's opening weekend.) Depending on how much money the film cost to advertise worldwide, it might have broken even already. If not, it will get there very early in its home market run. More...

International Box Office: Milestones for The Martian

October 14th, 2015

The Martian

The Martian remained in first place with $58.1 million in 75 markets for totals of $119.0 million internationally and $227.7 million worldwide. $200 million worldwide was the minimum needed for the studio to save face. If it can get to $300 million worldwide, then we start talking about profitability. I don't see a way it won't get to $300 million, perhaps as early as this time next week, while $500 million worldwide is a reasonable goal to aim for. Its biggest new market of the weekend was South Korea where it earned first place with $11.09 million on 1,132 screens over the weekend for a total opening of $13.00 million. It also dominated the chart in Russia with $8.18 million on 2,246 screens. On the other hand, it only managed second place in Germany with $3.85 million on 676 screens. As far as holdovers go, the film remained in first place in the U.K. with $5.96 million in 582 theaters over the weekend for a two-week total of $20.44 million. This is about on par with its run here, which bodes well for its worldwide total. More...

Per Theater Chart: Jobs Earns a Raise

October 13th, 2015

Steve Jobs

Steve Jobs was expected to be a hit in limited release, but not this big of a hit. The film scored more than $500,000 in just four theaters for an average of $130,381, which is the best per theater average for a film released in 2015. In fact, it is nearly double the previous best, Sicario. The second best average of the week was $16,543, which was earned by Goodbye Mr. Loser in 22 theaters. More...

Weekend Estimates: Martian, Jobs Red Hot; Pan Fried

October 11th, 2015

The Martian

As expected, The Martian will easily win a second straight weekend at the box office, with Fox predicting the film will fall just 32% from its opening to $37 million, for a running total of $108.7 million. That keeps it tracking just a little behind Gravity, which fell 23% in its second weekend, and ahead of Interstellar (down 40%, second time around) and Prometheus (59% down). Comparing all four movies, The Martian looks set to move easily past $200 million, and perhaps settle around $225 million, unless it tops that number thanks to a re-release around Oscar time. More...

International Box Office: Mars is in Ascension

October 8th, 2015

The Martian

The Martian opened in first place with $45.2 million on 9,299 screens in 50 markets. This includes a first place, 10.01 million opening on 582 theaters in the U.K. This was the biggest opening for both the director and the star. The film had a similarly strong opening in Australia earning first place with $4.28 million on 582 screens. It also earned first place in Hong Kong ($2.26 million on 70 screens) and Taiwan ($1.68 million on 137 screens). It only managed second place in Italy with $2.53 million on 464 screens and in Mexico with $2.9 million on 1,757, while it debuted in third place in Brazil with $1.82 million on 507. Overall, the film it doing about as well internationally as it did here, which is good news for Fox. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/10/09 18 $363,949   22 $16,543   $363,949 1
2015/10/16 20 $345,891 -5% 40 $8,647   $904,846 2
2015/10/23 28 $130,000 -62% 34 $3,824   $1,143,269 3
2015/10/30 43 $55,498 -57% 23 $2,413   $1,239,737 4
2015/11/13 79 $2,930   2 $1,465   $1,286,289 6

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/10/09 18 $558,955   22 $25,407   $558,955 1
2015/10/16 22 $454,314 -19% 40 $11,358   $1,013,269 2
2015/10/23 28 $170,970 -62% 34 $5,029   $1,184,264 3
2015/10/30 43 $74,155 -57% 23 $3,224   $1,257,394 4
2015/11/06 60 $24,965 -66% 12 $2,080   $1,283,359 5
2015/11/13 82 $5,836 -77% 2 $2,918   $1,289,195 6

Box Office Summary Per Territory

Territory Release
Box Office
Australia 10/8/2015 $49,232 6 13 46 $440,960 11/9/2015
China 9/30/2015 $30,250,000 0 0 0 $226,600,000 11/9/2015
Hong Kong 1/14/2016 $10,181 6 6 7 $21,596 6/9/2016
New Zealand 10/15/2015 $39,394 3 3 7 $82,807 11/2/2015
Singapore 10/29/2015 $29,511 4 4 11 $64,489 11/25/2015
United Kingdom 10/23/2015 $55,783 8 8 16 $80,700 11/10/2015
International Total$227,290,552 6/9/2016

International Cumulative Box Office Records

Worldwide Cumulative Box Office Records

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at