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You Were Never Really Here (2017)

You Were Never Really Here
Theatrical Performance
Domestic Box Office $512,782Details
International Box Office $2,883,042Details
Worldwide Box Office $3,395,824
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: April 6th, 2018 (Limited) by Amazon Studios
International Releases: November 24th, 2017 (Wide), released as En realidad, nunca estuviste aqui (Spain)
January 5th, 2018 (Wide) (Netherlands)
March 2nd, 2018 (Wide), released as Nikdy Si Tu Nebol (Slovakia)
March 9th, 2018 (Wide) (United Kingdom)
March 15th, 2018 (Wide), released as ТЕБЯ НИКОГДА ЗДЕСЬ НЕ БЫЛО (Russia (CIS))
... Show all releases
MPAA Rating: R for strong violence, disturbing and grisly images, language, and brief nudity.
(Rating bulletin 2504 (Cert #51274), 11/29/2017)
Running Time: 89 minutes
Comparisons: vs. Blockers
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Keywords: Ex-soldier, PTSD, Private Investigator, Human-Trafficking, Nightmare, Dysfunctional Family, Prostitution, Child Prostitution, Rescue, Corrupt Cops, Government Corruption, Politicians, Conspiracy Theory, New York City, Pedophilia, Brothel, Hallucinations, Suicide Attempt, Film Noir
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: France,
United Kingdom,
United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2018 Theater Average 4 $44,276 Apr 6, 2018 3

Uncategorized

Joaquin Phoenix    Joe
Ekaterina Samsonov    Nina Votto
Alessandro Nivola   
Alex Manette   
Judith Roberts   
John Doman   
Dante Pereira-Olsen   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Lynne Ramsay    Screenwriter
Jonathan Ames    Based on the novel by
Rosa Attab    Producer
Pascal Caucheteux    Producer
James Wilson    Producer
Lynne Ramsay    Producer
Jonny Greenwood    Composer
Tim Grimes    Production Designer
Joe Bini    Editor
Thomas Townend    Director of Photography

Theater Averages: Never Really Here Arrives on the Top

April 11th, 2018

You Were Never Really Here

You Were Never Really Here was the clear winner on the theater average chart earning over $130,000 in just three theaters for an average of $44,276. This isn’t the best theater average for a film released in 2018, but it is in the top five. The overall number one film, A Quiet Place, was next with an average of $14,311. The final film in the $10,000 club is Lean on Pete, which earned an average of $11,744 in four theaters. More...

Weekend Estimates: A Quiet Place Opens in the Black with $50 million

April 8th, 2018

A Quiet Place

If it weren’t for Black Panther, A Quiet Place would be the biggest surprise hit of the year so far. The film earned $50 million during its opening weekend, on a budget of just $17 million. Its initial ad buy was probably less than $25 million, meaning this film earned more in its opening weekend that its combined budget. However, I assume Paramount Pictures put in at least another $10 million ad buy on Saturday after Friday’s estimates showed up. As for the film’s future, its reviews are close to Award-worthy and it earned a B plus from CinemaScore, which is impressive for a horror film. Additionally, the film saw its score rise on Saturday when compared to Friday, which is not common for a new release. Previews plus the opening day rush usually result in small declines for films aimed at this target audience. It is still a horror film and next week there is big competition and direct competition, so its legs likely won’t be great, but its nearly guaranteed a profit by this time next week. More...

Limited and VOD Releases: Will You Be Here for Limited Releases.

April 6th, 2018

You Were Never Really Here

There are only seven limited releases on this week’s list, but all of them are earning reviews that are at least good. Several of them are earning reviews that are amazing. This includes You Were Never Really Here, which is also the biggest film with the loudest buzz. Perhaps this will give it an edge over the competition. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/04/06 29 $132,829   3 $44,276   $132,829 1
2018/04/13 22 $325,949 +145% 51 $6,391   $512,782 2

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2018/04/06 - $57,408   3 $19,136   $57,408 1
2018/04/07 - $38,963 -32% 3 $12,988   $96,371 2
2018/04/08 - $36,458 -6% 3 $12,153   $132,829 3
2018/04/09 - $14,127 -61% 3 $4,709   $146,956 4
2018/04/10 - $12,866 -9% 3 $4,289   $159,822 5
2018/04/11 - $15,591 +21% 3 $5,197   $175,413 6
2018/04/12 - $11,420 -27% 3 $3,807   $186,833 7
2018/04/13 - $111,409 +876% 51 $2,184   $298,242 8
2018/04/14 - $115,973 +4% 51 $2,274   $414,215 9
2018/04/15 - $98,567 -15% 51 $1,933   $512,782 10

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/04/06 30 $186,833   3 $62,278   $186,833 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Netherlands 1/5/2018 $156,943 42 42 198 $497,217 2/13/2018
Russia (CIS) 3/15/2018 $31,149 42 207 529 $557,165 4/10/2018
Slovakia 3/2/2018 $2,341 7 7 7 $2,383 3/6/2018
Spain 11/24/2017 $128,084 74 88 249 $413,158 12/22/2017
United Kingdom 3/9/2018 $399,756 77 105 348 $1,413,119 4/18/2018
 
International Total$2,883,042 4/18/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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