Zama (2017)

Zama
Theatrical Performance
Domestic Box Office $200,181Details
International Box Office $435,640Details
Worldwide Box Office $635,821
Home Market Performance
Est. Domestic DVD Sales $19,008 Details
Est. Domestic Blu-ray Sales $30,291 Details
Total Est. Domestic Video Sales $49,299
Further financial details...

Metrics

Opening Weekend:$26,123 (13.0% of total gross)
Legs:6.66 (domestic box office/biggest weekend)
Domestic Share:31.5% (domestic box office/worldwide)
Theater counts:3 opening theaters/19 max. theaters, 4.0 weeks average run per theater
Infl. Adj. Dom. BO $236,869

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 11,501-11,600) 11,526 $200,181
All Time International Box Office (Rank 13,201-13,300) 13,205 $435,640
All Time Worldwide Box Office (Rank 17,001-17,100) 17,084 $635,821
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,601-3,700) 3,661 $200,181

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: April 13th, 2018 (Limited) by Strand Releasing
International Releases: September 29th, 2017 (Wide) (Argentina)
January 19th, 2018 (Wide) (Spain)
May 4th, 2018 (Wide) (Portugal)
May 25th, 2018 (Limited) (United Kingdom)
July 6th, 2018 (Wide) (Turkey)
... Show all releases
Video Release: August 7th, 2018 by Strand Home
MPAA Rating: Not Rated
Running Time: 115 minutes
Comparisons: Create your own comparison chart…
Keywords: 1700s, Colonialism, Voiceover/Narration, Set in Argentina
Source:Based on Fiction Book/Short Story
Genre:Action
Production Method:Live Action
Creative Type:Historical Fiction
Production Countries: Argentina, Brazil, France, Mexico, Netherlands, Portugal, Spain, United States
Languages: Spanish

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 13, 2018 47 $26,123   3 $8,708   $26,123 1
Apr 20, 2018 52 $20,786 -20% 5 $4,157   $63,028 2
Apr 27, 2018 45 $30,059 +45% 14 $2,147   $105,538 3
May 4, 2018 53 $17,357 -42% 16 $1,085   $139,649 4
May 11, 2018 63 $12,181 -30% 7 $1,740   $165,441 5
May 18, 2018 75 $4,826 -60% 7 $689   $170,267 6
May 25, 2018 78 $3,176 -34% 5 $635   $175,970 7
Jun 1, 2018 75 $2,958 -7% 7 $423   $180,302 8
Jun 8, 2018 71 $2,869 -3% 3 $956   $185,107 9
Jun 15, 2018 72 $2,189 -24% 3 $730   $188,868 10
Jun 22, 2018 76 $941 -57% 2 $471   $190,278 11
Jun 29, 2018 88 $703 -25% 1 $703   $193,201 12
Jul 6, 2018 69 $2,166 +208% 1 $2,166   $196,607 13
Jul 13, 2018 71 $1,741 -20% 2 $871   $200,181 14

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 13, 2018 45 $42,242   3 $14,081   $42,242 1
Apr 20, 2018 49 $33,237 -21% 5 $6,647   $75,479 2
Apr 27, 2018 44 $46,813 +41% 14 $3,344   $122,292 3
May 4, 2018 50 $30,968 -34% 19 $1,630   $153,260 4
May 11, 2018 73 $12,181 -61% 7 $1,740   $165,441 5
May 18, 2018 73 $7,353 -40% 7 $1,050   $172,794 6
May 25, 2018 80 $4,550 -38% 5 $910   $177,344 7
Jun 1, 2018 75 $4,894 +8% 7 $699   $182,238 8
Jun 8, 2018 71 $4,441 -9% 3 $1,480   $186,679 9
Jun 15, 2018 77 $2,658 -40% 3 $886   $189,337 10
Jun 22, 2018 70 $3,161 +19% 2 $1,581   $192,498 11
Jun 29, 2018 84 $1,943 -39% 1 $1,943   $194,441 12
Jul 6, 2018 69 $3,999 +106% 1 $3,999   $198,440 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/29/2017 $129,447 0 0 0 $326,376 1/1/2019
Portugal 5/4/2018 $2,726 5 5 10 $7,109 5/18/2018
South Korea 8/26/2021 $5,864 32 32 52 $20,787 2/22/2023
Spain 1/19/2018 $14,764 21 21 54 $48,359 3/22/2018
Turkey 7/6/2018 $2,541 24 24 47 $8,112 2/26/2019
United Kingdom 5/25/2018 $24,897 14 14 14 $24,897 5/30/2018
 
International Total$435,640 2/22/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Production and Technical Credits

Lucrecia Martel    Director
Lucrecia Martel    Screenwriter
Antonio Di Benedetto    Story based on the novel by

Home Market Releases for August 7th, 2018

August 8th, 2018

Deadpool 2

It is a deceptively busy week on the home market, and not in a good way. There’s no one big release, at least not on DVD / Blu-ray, but there’s a sea of mediocrity this week. I’m not talking about quality here, but sales rank. There are a lot of films that wouldn’t even be filler during a normal week, but this week are selling well enough to be mentioned. There are several that are worth picking up, including limited releases like Bye Bye Germany and Revenge, classics like The Changeling, and even some Anime titles like Big Fish & Begonia or Tsuredure Children. Deadpool 2 is by far the biggest release of the week and I suspect the Blu-ray will be the Pick of the Week when it comes out, but I don’t want to give it that title until than. As a result, there’s no real winner this week. There were a lot that came close. More...

Theater Averages: Box Office is Full of Grace

April 18th, 2018

Grace Jones: Bloodlight and Bami

Grace Jones: Bloodlight and Bami had the best opening of the limited releases earning an average of $18,724 in three theaters. The only other film in the $10,000 Club was The Rider, which earned an average of $14,081, also in three theaters. More...

Limited and VOD Releases: Who Will be the Limited Releases’ Saving Grace

April 13th, 2018

Grace Jones: Bloodlight and Bami

There are not many limited releases that have a shot at box office success on this week’s list. The biggest ones are either opening too wide, like Beirut, or are already playing on VOD, like Borg vs. McEnroe, Wildling, and others. This leaves Grace Jones: Bloodlight and Bami as the film I think has the best shot at earning some measure of mainstream success. More...


  1. Summary
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  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Opening Weekend:$26,123 (13.0% of total gross)
Legs:6.66 (domestic box office/biggest weekend)
Domestic Share:31.5% (domestic box office/worldwide)
Theater counts:3 opening theaters/19 max. theaters, 4.0 weeks average run per theater
Infl. Adj. Dom. BO $236,869

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 11,501-11,600) 11,526 $200,181
All Time International Box Office (Rank 13,201-13,300) 13,205 $435,640
All Time Worldwide Box Office (Rank 17,001-17,100) 17,084 $635,821
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,601-3,700) 3,661 $200,181

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: April 13th, 2018 (Limited) by Strand Releasing
International Releases: September 29th, 2017 (Wide) (Argentina)
January 19th, 2018 (Wide) (Spain)
May 4th, 2018 (Wide) (Portugal)
May 25th, 2018 (Limited) (United Kingdom)
July 6th, 2018 (Wide) (Turkey)
... Show all releases
Video Release: August 7th, 2018 by Strand Home
MPAA Rating: Not Rated
Running Time: 115 minutes
Comparisons: Create your own comparison chart…
Keywords: 1700s, Colonialism, Voiceover/Narration, Set in Argentina
Source:Based on Fiction Book/Short Story
Genre:Action
Production Method:Live Action
Creative Type:Historical Fiction
Production Countries: Argentina, Brazil, France, Mexico, Netherlands, Portugal, Spain, United States
Languages: Spanish

Production and Technical Credits

Lucrecia Martel    Director
Lucrecia Martel    Screenwriter
Antonio Di Benedetto    Story based on the novel by

Home Market Releases for August 7th, 2018

August 8th, 2018

Deadpool 2

It is a deceptively busy week on the home market, and not in a good way. There’s no one big release, at least not on DVD / Blu-ray, but there’s a sea of mediocrity this week. I’m not talking about quality here, but sales rank. There are a lot of films that wouldn’t even be filler during a normal week, but this week are selling well enough to be mentioned. There are several that are worth picking up, including limited releases like Bye Bye Germany and Revenge, classics like The Changeling, and even some Anime titles like Big Fish & Begonia or Tsuredure Children. Deadpool 2 is by far the biggest release of the week and I suspect the Blu-ray will be the Pick of the Week when it comes out, but I don’t want to give it that title until than. As a result, there’s no real winner this week. There were a lot that came close. More...

Theater Averages: Box Office is Full of Grace

April 18th, 2018

Grace Jones: Bloodlight and Bami

Grace Jones: Bloodlight and Bami had the best opening of the limited releases earning an average of $18,724 in three theaters. The only other film in the $10,000 Club was The Rider, which earned an average of $14,081, also in three theaters. More...

Limited and VOD Releases: Who Will be the Limited Releases’ Saving Grace

April 13th, 2018

Grace Jones: Bloodlight and Bami

There are not many limited releases that have a shot at box office success on this week’s list. The biggest ones are either opening too wide, like Beirut, or are already playing on VOD, like Borg vs. McEnroe, Wildling, and others. This leaves Grace Jones: Bloodlight and Bami as the film I think has the best shot at earning some measure of mainstream success. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 13, 2018 47 $26,123   3 $8,708   $26,123 1
Apr 20, 2018 52 $20,786 -20% 5 $4,157   $63,028 2
Apr 27, 2018 45 $30,059 +45% 14 $2,147   $105,538 3
May 4, 2018 53 $17,357 -42% 16 $1,085   $139,649 4
May 11, 2018 63 $12,181 -30% 7 $1,740   $165,441 5
May 18, 2018 75 $4,826 -60% 7 $689   $170,267 6
May 25, 2018 78 $3,176 -34% 5 $635   $175,970 7
Jun 1, 2018 75 $2,958 -7% 7 $423   $180,302 8
Jun 8, 2018 71 $2,869 -3% 3 $956   $185,107 9
Jun 15, 2018 72 $2,189 -24% 3 $730   $188,868 10
Jun 22, 2018 76 $941 -57% 2 $471   $190,278 11
Jun 29, 2018 88 $703 -25% 1 $703   $193,201 12
Jul 6, 2018 69 $2,166 +208% 1 $2,166   $196,607 13
Jul 13, 2018 71 $1,741 -20% 2 $871   $200,181 14

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 13, 2018 45 $42,242   3 $14,081   $42,242 1
Apr 20, 2018 49 $33,237 -21% 5 $6,647   $75,479 2
Apr 27, 2018 44 $46,813 +41% 14 $3,344   $122,292 3
May 4, 2018 50 $30,968 -34% 19 $1,630   $153,260 4
May 11, 2018 73 $12,181 -61% 7 $1,740   $165,441 5
May 18, 2018 73 $7,353 -40% 7 $1,050   $172,794 6
May 25, 2018 80 $4,550 -38% 5 $910   $177,344 7
Jun 1, 2018 75 $4,894 +8% 7 $699   $182,238 8
Jun 8, 2018 71 $4,441 -9% 3 $1,480   $186,679 9
Jun 15, 2018 77 $2,658 -40% 3 $886   $189,337 10
Jun 22, 2018 70 $3,161 +19% 2 $1,581   $192,498 11
Jun 29, 2018 84 $1,943 -39% 1 $1,943   $194,441 12
Jul 6, 2018 69 $3,999 +106% 1 $3,999   $198,440 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/29/2017 $129,447 0 0 0 $326,376 1/1/2019
Portugal 5/4/2018 $2,726 5 5 10 $7,109 5/18/2018
South Korea 8/26/2021 $5,864 32 32 52 $20,787 2/22/2023
Spain 1/19/2018 $14,764 21 21 54 $48,359 3/22/2018
Turkey 7/6/2018 $2,541 24 24 47 $8,112 2/26/2019
United Kingdom 5/25/2018 $24,897 14 14 14 $24,897 5/30/2018
 
International Total$435,640 2/22/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.