Poland Box Office for Zimna wojna (2018)

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Zimna wojna
Theatrical Performance (US$)
Poland Box Office $4,870,355Details
Worldwide Box Office $25,030,444Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris, the film depicts an impossible love story in impossible times.

Metrics

Movie Details

Production Budget:$4,800,000
Poland Releases: June 8th, 2018 (Wide)
Video Release: January 7th, 2019 by Amazon Original Pictures
MPAA Rating: R for some sexual content, nudity and language.
(Rating bulletin 2547 (Cert #51668), 10/3/2018)
Running Time: 84 minutes
Keywords: Set in Poland, Set in Berlin, Set in Paris, 1950s, Romance, Cold War, Historical Drama, Relationships Gone Wrong, Marriage of Convenience, Addiction, Singers, Movie Director
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Opus Film, Polish Film Institute, MK2, Film 4, British Film Institute, Apocalypso Pictures, Protagonist Pictures
Production Countries: France, Poland, United Kingdom
Languages: French, Polish

Theater Averages: Dragons Look Down on the Other New Releases

February 27th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World was the only film in the $10,000 Club earning an average of $13,506. The best limited release was Wrestle, which earned $6,027 in its lone theater. More...

2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture

February 24th, 2019

Green Book

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2018 Awards Season: Oscars Nominations: Final Look

February 24th, 2019

The Favourite

It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...

2018 Awards Season: Oscar Highlight: Best Director

February 21st, 2019

Roma

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Director, which is not exactly competitive, but it is yet another category where we have a favorite, but where an upset wouldn’t be too shocking. More...

Theater Averages: Fighting for First Place

February 20th, 2019

Fighting With My Family

Not only did we set a new yearly high market for theater average this past weekend, but two of the top three results from 2019 were from this weekend. Fighting With My Family led the way with an average of $34,695 in four theaters over the three-day weekend. The film earned just under $200,000 during its five-day debut, which is great news for its wide expansion this weekend. The re-release of War and Peace managed $22,976 in its one theater. That’s amazing, because the film is six hours long and they could only fit in 2 screenings a day. Then again, the movie is six hours long, they probably charged double to see it. Birds of Paradise was next with an average of $11,541 in two theaters. This is more impressive than it looks at first, because the film debuted on Wednesday, which undoubtedly tempered some of its weekend box office. The final film in the $10,000 club was CatVideoFest with $11,269. At first I was confused by this result, but then I found out it is a charity event, so good job everyone involved. More...

Theater Averages: Most New Releases were Left Out in the Cold

February 6th, 2019

Never Look Away

Never Look Away held up well earning $19,033 in its lone theater. Its Oscar Nod is helping, but its real test is when the film tries to expand. The only new release in the $10,000 club was Arctic, with an average of $12,720 in four theaters. More...

Theater Averages: Most Films were Never Looked At

January 31st, 2019

Never Look Away

Never Look Away was the only film to earn a spot in the $10,000 club, as it earned $25,789 in its lone theater. It did earn an Oscar Nod for Best Foreign-Language Picture, so it could do very well in limited release. More...

2018 Awards Season: Oscar Nominations

January 23rd, 2019

The Favourite

The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...

Theater Averages: New Releases are Left in the Cold

January 17th, 2019

Cold War

There were no films in the $10,000 club with Cold War coming the closest with $9,751 in ten theaters. The best new release was Touch Me Not, which opened with $7,903 in one theater. More...

2018 - Awards Season: BAFTA - Nominations

January 12th, 2019

The Favorite

The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...

Theater Averages: New Releases were Destroyed

January 10th, 2019

Destroyer

Destroyer rose to first place on the theater average chart with an average of $16,383 in six theaters. Cold War actually saw its average grow to $15,127, also in six theaters. Last week’s winner, On the Basis of Sex was next with an average of $14,370 in 112 theaters. It’s rare for a limited release to land in the $10,000 club while playing in more than 100 theaters. The final member of the $10,000 club was Stan and Ollie with an average of $10,920 in 8 theaters. More...

Theater Averages: This Week’s Chart is Feeling Sexy

January 2nd, 2019

On the Basis of Sex

It was a busy week on the theater average chart, as there were three new releases and three holdovers in the $10,000 club. On the Basis of Sex led the way with an average of $20,799 in 33 theaters. That’s an excellent start for a limited release playing in that many theaters. Second place went to Destroyer with an average of $18,449 in three theaters. The final new release in the $10,000 club was Stan and Ollie, which earn an average of $15,935 in five theaters. Cold War held on really well earning an average of $14,777 in three theaters. The overall box office leader, Aquaman, was next with an average of $12,634. If Beale Street Could Talk rounded out the $10,000 with an average of $11,788, and it managed this despite expanding its theater count to 65. More...

Theater Averages: Box Office Feels the Winter Chill

December 27th, 2018

Cold War

There were not many new limited releases releases, which let If Beale Street Could Talk remain on top with an average of $21,853 in five theaters. Cold War was the best of the new releases with an average of $18,118 in three theaters. The only other film in the $10,000 club over the weekend was Aquaman with an average of $16,485. Two films had averages of over $10,000 during their Christmas Day debuts, On the Basis of Sex (average of $14,483 in 33 theaters) and Destroyer (average of $10,246 in three). More...

Cold War Trailer

November 6th, 2018

Historical drama directed by Paweł Pawlikowski opens December 21 ... Full Movie Details. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/2/2018 $36,646 31 31 73 $117,123 7/22/2019
Australia 12/21/2018 $41,805 20 32 350 $960,824 8/6/2019
Czech Republic 7/13/2018 $6,300 13 13 43 $34,572 1/1/2019
France 10/26/2018 $687,179 153 271 1491 $2,699,071 1/26/2019
Italy 12/20/2018 $174,506 0 21 82 $1,356,364 8/31/2019
Lithuania 11/30/2018 $4,745 0 0 0 $35,093 3/14/2019
Netherlands 12/6/2018 $149,467 45 49 403 $1,223,609 2/5/2019
North America 12/21/2018 $54,353 3 270 1,434 $4,580,048 5/4/2022
Poland 6/8/2018 $487,183 0 265 265 $4,870,355 11/16/2018
Portugal 9/21/2018 $4,418 8 8 54 $57,830 2/15/2019
Russia (CIS) 11/15/2018 $74,716 239 239 575 $196,094 10/19/2022
Slovakia 10/5/2018 $1,319 12 12 16 $4,193 10/16/2018
South Korea 2/7/2019 $4,856 0 60 172 $198,845 12/27/2019
Spain 10/5/2018 $189,573 52 87 564 $1,531,775 1/10/2019
Turkey 12/21/2018 $10,206 24 24 54 $46,842 1/17/2019
United Kingdom 8/31/2018 $296,578 61 77 291 $1,463,493 4/7/2019
 
Rest of World $5,654,313
 
Worldwide Total$25,030,444 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Joanna Kulig    Zuzanna “Zula” Lichon
Tomasz Kot    Wiktor

Supporting Cast

Borys Szyc    Kaczmarek
Agata Kulesza    Irena
Cedric Kahn    Michel
Jeanne Balibar    Juliette
Adam Woronowicz    Consul
Adam Ferency    Minister
Adam Szyszkowski    Camp Guard
Izabela Andrzejak    Mazurek

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Paweł Pawlikowski    Director
Paweł Pawlikowski    Screenwriter
Ewa Puszcynka    Producer
Tanya Seghatchian    Producer
Nathanael Karmitz    Executive Producer
Lizzie Francke    Executive Producer
Rohit Khattar    Executive Producer
John Woodward    Executive Producer
Jeremy Gawade    Executive Producer
Daniel Battsek    Executive Producer
Łukasz Żal    Cinematographer