United Kingdom Box Office for Things to Come (2016)

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Theatrical Performance (US$)
United Kingdom Box Office $66,977Details
Worldwide Box Office $4,968,678Details
Home Market Performance
North America DVD Sales $74,886 Details
North America Blu-ray Sales $54,803 Details
Total North America Video Sales $129,689
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

What happens when the life you’ve worked so hard to build falls apart all at once? Nathalie is a philosophy teacher with a seemingly settled existence, juggling a rich life of the mind with the day-to-day demands of career and family. But beginning with the bombshell revelation that her husband of twenty-five years is leaving her, one by one the pillars of Nathalie’s life start to crumble. For the first time in ages, she finds herself adrift, but also with a newfound sense of liberation. With nothing to hold her back, Nathalie sets out to define this new phase of her life and to rediscover herself.

Metrics

Movie Details

United Kingdom Releases: September 2nd, 2016 (Limited), released as Things to Come
Video Release: May 9th, 2017 by Mpi Home Video
MPAA Rating: PG-13 for brief language and drug use.
(Rating bulletin 2449 (Cert #50763), 11/2/2016)
Running Time: 100 minutes
Keywords: Teachers, High School, Relationships Gone Wrong, Infidelity, Dysfunctional Family, Set in Paris
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: CG Cinema, Detailfilm, Arte France Cinema, Rhone-Alpes Cinema, Cinemage , Cofinova SRG SSR, Canal Plus, ARTE France, Procirep, CNC, Hessen Invest Film
Production Countries: France, Germany
Languages: French

Home Market Releases for May 9th, 2017

May 10th, 2017

Get Out

It’s not a good week for top-notch releases. Fifty Shades Darker is the biggest new DVD / Blu-ray release of the week, but it is far from the best. Get Out is clearly the best new release on this week’s list, but while it is the Pick of the Week, it is only coming out on Video on Demand and I would wait for the Blu-ray. Meanwhile we have another Puck of the Week, for best Canadian release. Those are usually rare, but we’ve have a streak of them recently. This week it’s The Void, which is great, but only coming out on DVD. More...

Theater Averages: Jackie Tackles Lion Earning Average of $55,743

December 6th, 2016

Jackie

Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters. More...

Weekend Estimates: Moana Stands Tall as Awards Season Hots Up

December 4th, 2016

Moana

The top of the box office chart remains a tale of two movies this weekend, with Moana maintaining an impressive lead over Fantastic Beasts and Where to Find Them, but both movies doing very nicely heading into the Christmas season. Moana tops the chart again this weekend with $28.4 million, for a total of $119.9 million at the end of the weekend. By way of comparison, Frozen had earned $134.3 million at this point in its run, but fell a slightly larger 53% from Thanksgiving, compared to Moana’s 50% decline. The next few weeks should be very lucrative for the animated adventure, which is likely to sail past $300 million at the domestic box office. More...

Limited and VOD Releases: Jackie Hopes O stands for Oscar

December 2nd, 2016

Jackie

There are not a lot of limited releases on this week’s list. Things to Come is earning the best reviews, but it is a foreign-language film and that will limit its box office potential. Believe is the biggest in terms of theater count, but it’s a faith-based film and there’s a chance it will open well below the Mendoza Line. On the other hand, Jackie has the best box office potential and Natalie Portman could win an Oscar for her performance. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/14/2017 $0 0 0 0 $138,009 4/27/2019
Australia 4/28/2017 $82,941 15 21 141 $417,779 8/14/2017
France 4/8/2016 $0 0 0 0 $2,196,661 10/2/2018
Italy 4/21/2017 $104,975 0 0 0 $416,038 5/18/2017
Lithuania 3/10/2017 $0 0 5 10 $1,789 5/4/2017
Netherlands 9/9/2016 $56,592 32 36 300 $532,552 11/9/2016
North America 12/2/2016 $31,936 3 22 168 $388,265
Portugal 6/17/2016 $9,379 8 8 29 $41,808 8/18/2016
South Korea 9/29/2016 $26,150 27 28 134 $234,453 6/27/2018
Spain 9/23/2016 $94,991 50 59 303 $525,112 1/17/2017
Turkey 4/28/2017 $1,903 0 0 0 $9,235 1/1/2019
United Kingdom 9/2/2016 $66,977 0 0 0 $66,977 9/8/2018
 
Worldwide Total$4,968,678 4/27/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Isabelle Huppert    Nathalie

Supporting Cast

Andre Marcon    Heinz
Roman Kolinka    Fabien
Edith Scob    Yvette
Sarah Le Picard    Chloe
Solal Forte    Johann
Elise Lhomeau    Esla
Lionel Dray    Hugo
Gregoire Montana-Haroche    Simon
Lina Benzerti    Antonia

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Mia Hansen-Love    Director
Mia Hansen-Love    Screenwriter
Charles Gillibert    Executive Producer
Denis Lenoir    Director of Photography
Vincent Vatoux    Sound Designer
Olivier Goinard    Sound Mixer
Marion Monnier    Editor
Anna Falgueres    Set Designer
Rachele Raoult    Costume Designer
Thi Loan Nguyen    Make up
Clara Vincienne    Special Effects
Marie Doller    First Assistant Director
Clementine Schaeffer    Script Supervisor
Julien Flick    Unit Production Manager
Sacha Guillaume-Bourbault    Production Manager