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Bulgaria Box Office for Човек на име Уве (2016)

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En man som heter Ove
Theatrical Performance (US$)
Bulgaria Box Office $2,691Details
Worldwide Box Office $5,518,021Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Stepping from the pages of Fredrik Backman’s international best-selling novel, Ove is the quintessential angry old man next door. An isolated retiree with strict principles and a short fuse, who spends his days enforcing block association rules that only he cares about, and visiting his wife’s grave, Ove has given up on life. Enter a boisterous young family next door who accidentally flattens Ove’s mailbox while moving in and earning his special brand of ire. Yet from this inauspicious beginning an unlikely friendship forms and we come to understand Ove’s past happiness and heartbreaks. What emerges is a heartwarming tale of unreliable first impressions and the gentle reminder that life is sweeter when its shared.

Metrics

Movie Details

Bulgaria Releases: October 28th, 2016 (Limited), released as Човек на име Уве
Video Release: December 13th, 2016 by Music Box Films Video
MPAA Rating: PG-13 for thematic content, some disturbing images, and language.
(Rating bulletin 2426 (Cert #50477), 5/25/2016)
Running Time: 116 minutes
Keywords: Widow/Widower, Autumn Years, Neighbors from Hell, Sweden
Source:Based on Fiction Book/Short Story
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Tre Vanner Productions, Film Vast, Nordsvensk, Fantefilm, Nordisk Film, Swedish Television, Norsk Filminstitutt, Swedish Film Institute
Production Countries: Norway,
Sweden

2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!

February 26th, 2017

Moonlight

It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night. More...

2016 - Awards Season: Oscars - Nominations - Final Look

February 26th, 2017

La La Land

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. More...

2016 Awards Season: Oscar Nominations

January 24th, 2017

La La Land

The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record. More...

Home Market Releases for December 27th, 2016

December 26th, 2016

A Man Called Ove

This Tuesday is the day after Boxing Day. I don’t know if there is a worse possible day to release something on the home market. There are a few films on this week’s list you could call busted Oscar bait, but almost nothing that is a contender for Pick of the Week. Fortunately, it is almost nothing and not completely nothing. A Man Called Ove is the best release and the DVD or Blu-ray are clearly the Pick of the Week. More...

Theater Averages: Lion Starts like a Lion with an Average of $30,840

November 29th, 2016

Lion

Lion led the way on the theater average chart this week with an average of $30,840 in four theaters. Its reviews are great and it could become a sleeper hit throughout the Christmas holidays. Up next was Manchester by the Sea with an average of $25,541 in 48 theaters. It still has plenty of room to expand and its Awards Season buzz is growing. Miss Sloane opened with an average of $19,932 in three theaters. This is good, but not good enough to think it will expand truly wide. The overall number one film, Moana, was next with an average of $14,615. The final film in the $10,000 club was Fantastic Beasts and Where to Find Them with an average of $10,880. More...

Theater Averages: It’s a Long Walk to the Top with $57,065

November 16th, 2016

Billy Lynn’s Long Halftime Walk

Billy Lynn’s Long Halftime Walk earned first place on the theater average chart over the weekend earning an average of $57,065 in two theaters. That’s the good news. The bad news is its reviews suggest poor word of mouth and difficulty expanding wide this coming weekend. Elle opened in second place with an average of $25,467, also in two theaters. Loving remained in the $10,000 club for the second weekend with an average of $11,149 in 46 theaters. It still has room to grow. Doctor Strange was right behind with an average of $11,069. The final film in the $10,000 was the biggest new release of the week, Arrival, which earned an average of $10,390. More...

Theater Averages: Moonlight Remains Full earning an average of $23,614

November 2nd, 2016

Moonlight

Moonlight remained in top spot with an average of $23,614 in 36 theaters. The film has already reached $1 million and it has room to grow. Additionally, its reviews are Oscar-worthy, so its Awards Season buzz should really start to grow. The only other film in the $10,000 club was Gimme Danger, which earned an average of $14,908 in three theaters. More...

Theater Averages: Denial Denies American Honey Top Spot with $18,746

October 5th, 2016

American Honey

Denial and American Honey were the only two films in the $10,000 club on the theater average chart this week. Denial earned first place with an average of $18,746 in five theaters, while American Honey was relatively close behind with an average of $17,801 in four. More...

Limited and VOD Releases: Don’t be in Denial

September 30th, 2016

Denial

There are more than a few films on this week’s list that were made to win Oscars. Of these, Sand Storm is the best. However, Denial has the biggest box office potential. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2016/11/04 16 $384   0     $2,691 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/31/2017 $53,146 19 28 185 $389,232 8/7/2017
Bulgaria 10/28/2016 $0 0 0 0 $2,691 11/10/2016
Lithuania 1/13/2017 $1,198 3 5 8 $3,027 2/21/2017
Mexico 6/16/2017 $77,569 0 0 0 $77,569 6/20/2017
Netherlands 6/23/2016 $61,996 37 41 368 $518,948 9/6/2016
New Zealand 12/23/2016 $11,402 33 33 243 $134,760 3/27/2017
North America 9/30/2016 $54,608 9 194 1173 $3,479,315
Portugal 3/24/2017 $6,489 5 5 12 $10,926 4/14/2017
Russia (CIS) 7/1/2016 $5,346 40 40 40 $5,346 7/6/2016
Slovakia 5/12/2017 $2,103 12 12 28 $10,240 6/26/2017
South Korea 5/25/2016 $183,926 244 244 395 $653,512 9/21/2017
Spain 3/24/2017 $80,418 58 58 157 $187,765 4/21/2017
United Kingdom 6/30/2017 $44,690 26 26 26 $44,690 7/13/2017
 
Worldwide Total$5,518,021 9/21/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

   Ove

Supporting Cast

Filip Berg    Young Ove
Ida Engvoll    Sonja
Bahar Pars    Parvaneh
Tobias Almborg    Patrick
Klas Wiljergard    Jimmy
Chatarina Larsson    Anita
Börje Lundberg    Rune
Stefan Godicke    Ove’s Dad
Anna-Lena Bergelin    Journalist
Simeon Lindgren    Young Rune
Maja Rung    Young Anita
Fredrik Evers    Anders
Poyan Kamiri    Mirsad

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Hannes Holm    Screenwriter
Annica Bellander    Producer
Nicklas Wikstrom Nicastro    Producer
Fredrik Wikstrom    Executive Producer
Michael Hjort    Executive Producer
Lone Korslund    Co-Producer
Jessica Ask    Co-Producer
Hanne Palmquist    Co-Producer
Per Bouveng    Co-Producer
Goran Hallberg    Costume
Eva von Bahr    Make-up
Larson Love    Make-up
Jan-Olof Agren    Production Designer
Fredrik Morheden    Editor

ProductionNext