Jeremy Haft

Best known as a Screenwriter based on a credit in that role in 1 film, with $57,697,426 worldwide aggregate box office (rank #2,404)
Best-known technical roles: All Eyez on Me (Screenwriter)
Most productive collaborators: Demetrius Shipp, Jr., Benny Boom, Kat Graham, James G. Robinson, Lauren Cohan
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesScreenwriter1$44,922,302$12,775,124$57,697,426

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,901-2,000) 1,979 $44,922,302
Top Grossing Screenwriter at the International Box Office (Rank 2,901-3,000) 2,924 $12,775,124
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,401-2,500) 2,402 $57,697,426

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Jun 16, 2017All Eyez on Me Screenwriter $44,922,302$12,775,124$57,697,426
 
Averages $44,922,302$12,775,124$57,697,426
Totals 1 $44,922,302$12,775,124$57,697,426