This graph shows Henry Golding’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
Our model has four films within five million dollars of one another this weekend as Space Jam: A New Legacy and Black Widow return to theaters, and Snake Eyes: G.I. Joe Origins and Old appear for the first time. Black Widow and Old are in a statistical dead heat at the top, but any of the four films has a shot at winning the weekend.
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Snake Eyes is a tenacious loner who is welcomed into an ancient Japanese clan called the Arashikage after saving the life of their heir apparent. Upon arrival in Japan, the Arashikage teach Snake Eyes the ways of the ninja warrior while also providing something he’s been longing for: a home. But, when secrets from his past are revealed, Snake Eyes’ honor and allegiance will be tested—even if that means losing the trust of those closest to him.
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Black Widow once again leads our theater count list this week despite taking a backseat at the box office to Space Jam: A New Legacy last weekend. The former enters its third week with a domestic total of over $140M and a worldwide total of $272M. The latest Marvel film drops from 4,275 to 4,250 locations beginning Friday. While we don’t have an official theater count for Space Jam: A New Legacy, we are estimating the sophomore feature to be in 4,000 theaters. The live action/animated hybrid sequel starring LeBron James and Bugs Bunny scored a better-than-expected $31M during its opening weekend, positioning itself as the number one movie of the week.
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After snagging over $100 million in domestic theatrical earnings in its first six days, Black Widow returns this week with an additional 115 theaters (totaling 4,275), securing its place once again as the widest release of the week. One of three new wide releases this week is the live action/animated hybrid comedy, Space Jam: A New Legacy, starring current NBA legend LeBron James. The film debuts this week in 3,950 locations. The original Space Jam, which starred another NBA icon in Michael Jordan, scored $250 million worldwide when it was released back in November of 1996.
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It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there.
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Kate harumphs around London, a bundle of bad decisions accompanied by the jangle of bells on her shoes, another irritating consequence from her job as an elf in a year-round Christmas shop. Tom seems too good to be true when he walks into her life and starts to see through so many of Kate’s barriers. As London transforms into the most wonderful time of the year, nothing should work for these two… But sometimes, you gotta let the snow fall where it may, you gotta listen to your heart and you gotta have faith.
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A Simple Favor hits Video on Demand this week and the screener arrived early, so I figured it was a perfect time to review this movie. (Also, I might have as many as five films to review next week. I kind of messed up requesting screeners, so getting this done now will save me the stress next week.) Is it worth checking out on VOD? Or should you wait for the Blu-ray Combo Pack?
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It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases and franchise box sets as well. Unfortunately, 2018 has not been a good year for blockbusters for any studio not named Disney. In order to be on this list, a film has to be a major release, earn critical praise, and be on out DVD / Blu-ray and that’s a really short list this year. For example, Universal is the second best studio this year in terms of total domestic box office, but they’ve only released one film that has earned $100 million and overwhelmingly positive reviews. That film, Halloween doesn’t come out on DVD / Blu-ray till January. Most of the rest of the big six are lucky to have more than one entry on this week’s list.
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Overall, July was a a little weaker than expected. Ant-Man and the Wasp appears to be on pace for $200 million, while it is too soon to tell if Mission: Impossible—Fallout will also get there. That said, 2018 is still ahead of 2017 by $550 million, so the month of July was a success in that regard. As for August, there’s only one movie that is expected to earn $100 million, Christopher Robin, and maybe a few others that could hit $50 million. It’s a rather sad slate of movies. Fortunately, last August was even worse, so 2018 should at least maintain its lead. Maybe we can get lucky and come away with a $600 million lead by the end of the month.
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Native New Yorker Rachel Chu accompanies her longtime boyfriend, Nick Young, to his best friend’s wedding in Singapore. Excited about visiting Asia for the first time but nervous about meeting Nick’s family, Rachel is unprepared to learn that Nick has neglected to mention a few key details about his life. It turns out that he is not only the scion of one of the country’s wealthiest families but also one of its most sought-after bachelors. Being on Nick’s arm puts a target on Rachel’s back, with jealous socialites and, worse, Nick’s own disapproving mother taking aim. And it soon becomes clear that while money can’t buy love, it can definitely complicate things.
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