March 12th, 2013
Rise of the Guardians is a family friendly film that came out right around Thanksgiving. That's a recipe for box office success. It didn't bomb, but it also didn't live up to expectations, while it will need a little help from the home market to break even. Did it struggle for a reason? Or will the Blu-ray sales push it over the top into profitability?
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November 1st, 2012
October was pretty good with a few films really crushing expectations, which made up for the few duds that opened at the end. 2012 gained about $100 million over 2011 during the month of October. We really needed this success and hopefully November will continue this push forward. However, November is a bit of a weird month. There are five weekends, but only eight true wide releases, half of which open on the Thanksgiving long weekend, leaving the other four weeks with just one true wide release each. There are a couple others opening in the semi-wide level and another opening in limited release with a planned wide release, but even so, it is not a busy month. That said, it is a case of quality over quantity. There are four films that are pretty much guaranteed to reach $100 million, one of which should reach $300 million. By comparison, last November only produced one $100 million film. Granted, that film was The Twilight Saga: Breaking Dawn, Part 1, which made nearly $300 million, which is a huge number no matter how you look at it. But this year, The Twilight Saga: Breaking Dawn, Part 2 should top that number and with the other $100 million movies pulling in more than $400 million combined, it should be a very profitable month at the box office.
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All Acting Credits
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All Technical Credits
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Producer Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 701-800) |
724 |
$210,931,440 |
| Top Grossing Producer at the Domestic Box Office (Rank 1,001-1,100) |
1,011 |
$128,200,012 |
| Top Grossing Production Designer at the Domestic Box Office (Rank 201-300) |
238 |
$235,718,694 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,101-1,200) |
1,118 |
$107,518,682 |
| Top Grossing Story Creator at the Domestic Box Office (Rank 201-300) |
284 |
$205,340,853 |
| Top Grossing Executive Producer at the International Box Office (Rank 501-600) |
547 |
$358,804,671 |
| Top Grossing Producer at the International Box Office (Rank 1,001-1,100) |
1,066 |
$132,436,259 |
| Top Grossing Production Designer at the International Box Office (Rank 201-300) |
229 |
$287,712,018 |
| Top Grossing Screenwriter at the International Box Office (Rank 901-1,000) |
936 |
$155,275,759 |
| Top Grossing Story Creator at the International Box Office (Rank 301-400) |
383 |
$228,006,307 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 501-600) |
600 |
$569,736,111 |
| Top Grossing Producer at the Worldwide Box Office (Rank 1,001-1,100) |
1,042 |
$260,636,271 |
| Top Grossing Production Designer at the Worldwide Box Office (Rank 201-300) |
226 |
$523,430,712 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 901-1,000) |
991 |
$262,794,441 |
| Top Grossing Story Creator at the Worldwide Box Office (Rank 301-400) |
333 |
$433,347,160 |
