Will Fetters

Best known as a Screenwriter based on credits in that role in 5 films, with $625,873,527 worldwide aggregate box office (rank #463)
Best-known technical roles: A Star is Born (Screenwriter), The Lucky One (Screenwriter), The Best of Me (Screenwriter), Remember Me (Screenwriter)
Most productive collaborators: Bradley Cooper, Lady Gaga, Sam Elliott, Eric Roth, Anthony Ramos
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesScreenwriter5$321,580,457$304,293,070$625,873,527

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) 396 $321,580,457
Top Grossing Screenwriter at the International Box Office (Rank 501-600) 543 $304,293,070
Top Grossing Screenwriter at the Worldwide Box Office (Rank 401-500) 463 $625,873,527

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture

February 24th, 2019

Green Book

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2018 Awards Season: Oscars Nominations: Final Look

February 24th, 2019

The Favourite

It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...

2018 Awards Season: Oscar Highlight: Best Adapted Screenplay

February 19th, 2019

BlacKkKlansman

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, starting with Best Adapted Screenplay, which is not among the most competitive categories, but it isn’t inconceivable that there will be an upset. More...

2018 Awards Season: Oscar Nominations

January 23rd, 2019

The Favourite

The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...

2018 - Awards Season: BAFTA - Nominations

January 12th, 2019

The Favorite

The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...

2018 - Awards Season: WGA - Nominations

January 10th, 2019

Black Panther

The Writers Guild of America has a lot of categories, as they hand out nearly 30 awards. However, only three of them are for theatrical releases. The list of nominees include several major Awards Season players and not a lot of surprises. There are some clear patterns emerging, but also some surprising results. More...

2018 Preview: October

October 1st, 2018

First Man

September turned out to be a solid month. The Nun beat expectations to become a $100 million hit, while there were also several midlevel hits in the mix. Granted, it lost ground when compared to last September, but last September broke records, and this September held on better than expected. Hopefully this means October will be able to continue 2018’s winning ways. There are several potential $100 million hits, starting with Venom and A Star is Born, which open the first weekend. Meanwhile, both First Man and Halloween could break the century mark later in the month. By comparison, last October, no movie topped $100 million, with Blade Runner 2049 coming the closest. 2018 should extend its lead over 2017 during the full month, potentially by a significant margin. More...

2014 Preview: October

September 30th, 2014

Fury poster

September is over and while it got off to a bad start, a really, really, truly terrible start, it actually ended on a bit of a strong note. Granted, no film has yet to reach $100 million, but The Maze Runner and The Equalizer both could get there in the end. As for October, we might go another month without a $100 million hit. There are a couple of films that have the potential to reach the century mark, Gone Girl and Fury. Hopefully they will get there, but given the recent box office woes, it is probably best to keep expectations low. Last October, there were two films that earned more than $100 million. Bad Grandpa just made it passed that mark. On the other hand, Gravity was a monster hit earning nearly $275 million. It you compare its run to this year's batch of films, it only ranks behind Guardians of the Galaxy. ... There's no way any film opening this month is going to match that. ... There no way the top two films will match that. ... The top three films might not match that. ... 2014 is going to get crushed in the year-over-year comparison and by the end of the month, it will be safe to say its chances of ever catching up to 2013 will be over. It is going to be a depressing month. More...

All Acting Credits



All Technical Credits



Register with The Numbers for free to customize this chart.

Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Jun 3, 2022Hustle Screenwriter
Oct 5, 2018A Star is Born Screenwriter $215,288,866$216,385,290$431,674,156
Oct 17, 2014The Best of Me Screenwriter $26,766,213$14,293,205$41,059,418
Apr 20, 2012The Lucky One Screenwriter $60,457,138$36,176,695$96,633,833
Mar 12, 2010Remember Me Screenwriter $19,068,240$37,437,880$56,506,120
 
Averages $80,395,114$76,073,268$156,468,382
Totals 5 $321,580,457$304,293,070$625,873,527


Writer Credits


Register with The Numbers for free to customize this chart.

Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Jun 3, 2022Hustle
Oct 5, 2018A Star is Born $42,908,0513,904$215,288,866$431,674,15649.9%
Oct 17, 2014The Best of Me $10,003,8272,936$26,766,213$41,059,41865.2%
Apr 20, 2012The Lucky One $22,518,3583,175$60,457,138$96,633,83362.6%
Mar 12, 2010Remember Me $8,089,1392,215$19,068,240$56,506,12033.7%
 
Averages $20,879,8443,058$80,395,114$156,468,38252.8%
Totals 5 $321,580,457$625,873,527