John Foster

Best known as a Sound Effects Editor based on a credit in that role in 1 film, with $300,200,000 worldwide aggregate box office (rank #354)
Best-known technical roles: Superman (Sound Effects Editor), FUR: An Imaginary Portrait of Diane Arbus (Second Unit Camera)
Most productive collaborators: Gene Hackman, Leslie Newman, Robert Benton, Pierre Spengler, John Williams
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesSound Effects Editor1$134,218,018$165,981,982$300,200,000
Second Unit Camera1$223,202$2,057,887$2,281,089

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 301-400) 370 $134,218,018
Top Grossing Sound Effects Editor at the International Box Office (Rank 301-400) 333 $165,981,982
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 301-400) 352 $300,200,000

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Nov 10, 2006FUR: An Imaginary Portrait … Second Unit Camera $223,202$2,057,887$2,281,089
Dec 15, 1978Superman Sound Effects Editor $134,218,018$165,981,982$300,200,000
 
Averages $67,220,610$84,019,935$151,240,545
Totals 2 $134,441,220$168,039,869$302,481,089

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 301-400) 370 $134,218,018
Top Grossing Sound Effects Editor at the International Box Office (Rank 301-400) 333 $165,981,982
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 301-400) 352 $300,200,000