2:22 (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $422 | Details |
| International Box Office | $4,604,101 | Details |
| Worldwide Box Office | $4,604,523 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $53,346 | |
| Blu-ray Sales (estimated) | $46,720 | |
| Total | $100,066 | |
| OpusData ID: 287710100 More info... | ||
| Further financial details... | ||
Synopsis
New York City air traffic controller Dylan Branson is the embodiment of a guy at the top of his game, until one day at 2:22pm, a blinding flash of light paralyzes him for a few crucial seconds as two passenger planes barely avoid a midair collision. Suspended from his job, Dylan begins to notice the increasingly ominous repetition of sounds and events in his life that happen at exactly the same time everyday. An underlying pattern builds, mysteriously drawing him into Grand Central Station everyday 2:22pm. As he’s drawn into a complex relationship with a beautiful woman who works in an art gallery, Sarah, disturbingly complicated by her ex-boyfriend Jonas, Dylan must break the power of the past, and take control of time itself.
Metrics
| Opening Weekend: | $294 (69.7% of total gross) |
| Legs: | 1.44 (domestic box office/biggest weekend) |
| Domestic Share: | 0.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $562 |
Movie Details
| Domestic Releases: | June 30th, 2017 (Limited) by Magnolia Pictures |
| International Releases: | June 30th, 2017 (Wide), released as 2:22 - Il destino è già scritto (Italy)
June 30th, 2017 (Wide) (Russia (CIS)) June 30th, 2017 (Wide) (Turkey) July 7th, 2017 (Wide) (Netherlands) July 14th, 2017 (Wide), released as Premonición (Mexico) ... Show all releases |
| Video Release: | September 26th, 2017 by Magnolia Home Entertainment |
| MPA Rating: | PG-13 for violence and some sexuality. (Rating bulletin 2472 (Cert #51009), 4/19/2017) |
| Running Time: | 99 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Geographical setting: | New York City |
| Plot point: | Romance, Time Travel |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lightstream Pictures, Walk the Line Entertainment, Wild Eddie Productions, Ingenious Media, 2929 Productions, Screen NSW |
| Production Countries: | United States, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 30, 2017 | 92 | $294 | 3 | $98 | $395 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 30, 2017 | 93 | $422 | 3 | $141 | $422 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/23/2018 | $2,202 | 3 | 3 | 3 | $2,202 | 2/26/2018 | |||
| China | 1/26/2018 | $264,810 | 0 | 10,098 | 0 | $355,375 | 4/4/2026 | |||
| Italy | 6/30/2017 | $347,989 | 0 | 0 | 0 | $1,205,606 | 10/23/2018 | |||
| Mexico | 7/14/2017 | $395,171 | 0 | 0 | 0 | $289,702 | 4/4/2026 | |||
| Netherlands | 7/7/2017 | $124,136 | 48 | 49 | 280 | $680,130 | 8/21/2017 | |||
| Portugal | 8/4/2017 | $23,658 | 21 | 22 | 56 | $67,085 | 8/30/2017 | |||
| Russia (CIS) | 6/30/2017 | $284,119 | 463 | 463 | 926 | $661,848 | 1/1/2019 | |||
| Turkey | 6/30/2017 | $49,252 | 110 | 110 | 214 | $139,100 | 2/26/2019 | |||
| Rest of World | $1,203,053 | |||||||||
| International Total | $4,604,101 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michiel Huisman | Dylan Branson | |
| Teresa Palmer | Sarah Barton |
Supporting
| Sam Reid | Jonas Edman | |
| John Waters | ||
| Richard Davies | ||
| Maeve Dermody | Sandy | |
| Kerry Armstrong | ||
| Remy Hii | Henny |
Production and Technical Credits
| Paul Currie | Director | |
| Todd Stein | Screenwriter | |
| Nathan Parker | Screenwriter | |
| Todd Stein | Story by | |
| Steve Hutensky | Producer | |
| Paul Currie | Producer | |
| Jodi Matterson | Producer | |
| Bruce Davey | Producer | |
| Bill Mechanic | Executive Producer | |
| Jackie O’Sullivan | Executive Producer | |
| Garrett Kelleher | Executive Producer | |
| Michael Burton | Executive Producer | |
| Todd Wagner | Executive Producer | |
| Ben Cosgrove | Executive Producer | |
| David Fountain | Executive Producer | |
| Kel West | Executive Producer | |
| Charlie O'Carroll | Executive Producer | |
| David Whealy | Executive Producer | |
| Todd Stein | Executive Producer | |
| Lawrence Inglee | Executive Producer | |
| Ralph Kamp | Executive Producer | |
| Barbara Gibbs | Co-Producer | |
| Gary Woodyard | Editor | |
| Sean Lahiff | Editor | |
| William Hoy | Editor | |
| Lisa Gerrard | Composer | |
| James Orr | Composer | |
| David Eggby | Director of Photography | |
| Michelle McGahey | Production Designer | |
| Lizzy Gardiner | Costume Designer | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| Christine King | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
New York City air traffic controller Dylan Branson is the embodiment of a guy at the top of his game, until one day at 2:22pm, a blinding flash of light paralyzes him for a few crucial seconds as two passenger planes barely avoid a midair collision. Suspended from his job, Dylan begins to notice the increasingly ominous repetition of sounds and events in his life that happen at exactly the same time everyday. An underlying pattern builds, mysteriously drawing him into Grand Central Station everyday 2:22pm. As he’s drawn into a complex relationship with a beautiful woman who works in an art gallery, Sarah, disturbingly complicated by her ex-boyfriend Jonas, Dylan must break the power of the past, and take control of time itself.
Metrics
| Opening Weekend: | $294 (69.7% of total gross) |
| Legs: | 1.44 (domestic box office/biggest weekend) |
| Domestic Share: | 0.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $562 |
Movie Details
| Domestic Releases: | June 30th, 2017 (Limited) by Magnolia Pictures |
| International Releases: | June 30th, 2017 (Wide), released as 2:22 - Il destino è già scritto (Italy)
June 30th, 2017 (Wide) (Russia (CIS)) June 30th, 2017 (Wide) (Turkey) July 7th, 2017 (Wide) (Netherlands) July 14th, 2017 (Wide), released as Premonición (Mexico) ... Show all releases |
| Video Release: | September 26th, 2017 by Magnolia Home Entertainment |
| MPA Rating: | PG-13 for violence and some sexuality. (Rating bulletin 2472 (Cert #51009), 4/19/2017) |
| Running Time: | 99 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Geographical setting: | New York City |
| Plot point: | Romance, Time Travel |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lightstream Pictures, Walk the Line Entertainment, Wild Eddie Productions, Ingenious Media, 2929 Productions, Screen NSW |
| Production Countries: | United States, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 30, 2017 | 92 | $294 | 3 | $98 | $395 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 30, 2017 | 93 | $422 | 3 | $141 | $422 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/23/2018 | $2,202 | 3 | 3 | 3 | $2,202 | 2/26/2018 | |||
| China | 1/26/2018 | $264,810 | 0 | 10,098 | 0 | $355,375 | 4/4/2026 | |||
| Italy | 6/30/2017 | $347,989 | 0 | 0 | 0 | $1,205,606 | 10/23/2018 | |||
| Mexico | 7/14/2017 | $395,171 | 0 | 0 | 0 | $289,702 | 4/4/2026 | |||
| Netherlands | 7/7/2017 | $124,136 | 48 | 49 | 280 | $680,130 | 8/21/2017 | |||
| Portugal | 8/4/2017 | $23,658 | 21 | 22 | 56 | $67,085 | 8/30/2017 | |||
| Russia (CIS) | 6/30/2017 | $284,119 | 463 | 463 | 926 | $661,848 | 1/1/2019 | |||
| Turkey | 6/30/2017 | $49,252 | 110 | 110 | 214 | $139,100 | 2/26/2019 | |||
| Rest of World | $1,203,053 | |||||||||
| International Total | $4,604,101 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michiel Huisman | Dylan Branson | |
| Teresa Palmer | Sarah Barton |
Supporting
| Sam Reid | Jonas Edman | |
| John Waters | ||
| Richard Davies | ||
| Maeve Dermody | Sandy | |
| Kerry Armstrong | ||
| Remy Hii | Henny |
Production and Technical Credits
| Paul Currie | Director | |
| Todd Stein | Screenwriter | |
| Nathan Parker | Screenwriter | |
| Todd Stein | Story by | |
| Steve Hutensky | Producer | |
| Paul Currie | Producer | |
| Jodi Matterson | Producer | |
| Bruce Davey | Producer | |
| Bill Mechanic | Executive Producer | |
| Jackie O’Sullivan | Executive Producer | |
| Garrett Kelleher | Executive Producer | |
| Michael Burton | Executive Producer | |
| Todd Wagner | Executive Producer | |
| Ben Cosgrove | Executive Producer | |
| David Fountain | Executive Producer | |
| Kel West | Executive Producer | |
| Charlie O'Carroll | Executive Producer | |
| David Whealy | Executive Producer | |
| Todd Stein | Executive Producer | |
| Lawrence Inglee | Executive Producer | |
| Ralph Kamp | Executive Producer | |
| Barbara Gibbs | Co-Producer | |
| Gary Woodyard | Editor | |
| Sean Lahiff | Editor | |
| William Hoy | Editor | |
| Lisa Gerrard | Composer | |
| James Orr | Composer | |
| David Eggby | Director of Photography | |
| Michelle McGahey | Production Designer | |
| Lizzy Gardiner | Costume Designer | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| Christine King | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.