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47 Meters Down (2017)

47 Meters Down
Theatrical Performance
Domestic Box Office $41,824,457Details
International Box Office $2,715,000Details
Worldwide Box Office $44,539,457
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Two sisters vacationing in Mexico become trapped in a shark cage on the ocean floor. As their oxygen starts to run out and with great white sharks circling them, the sisters must find a way to get to the surface alive.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,901-2,000) 1,909 $41,824,457
All Time International Box Office (Rank 4,801-4,900) 4,834 $2,715,000
All Time Worldwide Box Office (Rank 2,601-2,700) 2,652 $44,539,457

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: June 16th, 2017 (Wide) by Entertainment Studios Motion Pictures
International Releases: May 26th, 2017 (Wide), released as 47 Metri (Italy)
June 23rd, 2017 (Wide) (Netherlands)
June 30th, 2017 (Wide) (Russia (CIS))
July 7th, 2017 (Wide) (Slovakia)
July 12th, 2017 (Wide), released as 47 meters down (South Korea)
... Show all releases
MPAA Rating: PG-13 for sequences of intense peril, bloody images, and brief strong language.
(Rating bulletin 2463 (Cert #50913), 2/15/2017)
Running Time: 89 minutes
Comparisons: vs. The Shallows
Create your own comparison chart…
Keywords: Vacation, Mexico, Underwater, Trapped, Animal Lead, Tourists In Trouble, Survival Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Dimension Films, The Fyzz Facility, Dragon Root, Flexibon Films, The Tea Shop & Film Company, Lantica Pictures
Production Countries: United States

Cast

   Kate
   Lisa
Chris Johnson    Javier
Yani Gellman    Louis
Santiago Segura    Benjamin
Matthew Modine    Captain Taylor
Axel Mansilla    Band Leader

Production and Technical Credits

Director   
Screenwriter    Johannes Roberts
Screenwriter    Ernest Riera
Producer    James Harris
Producer    Mark Lane
Executive Producer    Wayne Marc Godfrey
Executive Producer    Robert Jones
Executive Producer    Will Clarke
Executive Producer    Andy Mayson
Executive Producer    Mike Runagall
Executive Producer    Bob Weinstein
Executive Producer    Harvey Weinstein
Executive Producer    Iain Abrahams
Executive Producer    Simon Lewis
Co-Producer    Kate Glover
Co-Producer    Arnaud Lannic
Composer    Thomas Hadju
Composer    Andy Milburn
Editor    Martin Brinkler
Production Designer    David Bryan
Director of Photography    Marc Silk

Thursday Night Previews: Apes Battle for $5 million Debut

July 14th, 2017

War for the Planet of the Apes

War for the Planet of the Apes started its box office run with $5 million in Thursday previews, which is a little lower than expected, but not tragically so. For example, Alien: Covenant earned $4.2 million during its previews on its was to a $36.16 million weekend. If War for the Planet of the Apes has the same legs, it would make $43 million this weekend. On the other hand, The Mummy earned $2.66 million pulling in $31.67 million during its opening weekend. If War for the Planet has the same legs as that film, it would earn just shy of $60 million during its opening weekend. War has much better reviews than either of those films, to it could have better legs than either of those films. That said, it is also the third installment in the reboot franchise and that tends to shrink legs. The average is just over $50 million, which sounds about right. More...

Weekend Wrap-up: Knight is First for the Weekend, Last for the Franchise with $44.68 million

June 27th, 2017

Transformers: The Last Knight

Transformers: The Last Knight had the weekend to itself, but it couldn’t take advantage earning $44.68 million / $68.48 million over the full five days. It earned less over five days than last year’s winner, Finding Dory, earned over three days. Wonder Woman remained in second place becoming just the third film released in 2017 to hit $300 million, but there was not much else to celebrate at the box office. This explains why the overall box office fell 27% from last weekend down to $139 million. More importantly, this is 26% lower than the same weekend last year. 2017 is still ahead of 2016, but its lead was cut in half to just 1.3% or $70 million. This is a little distressing. More...

Weekend Estimates: Will International Earnings Be Enough to Save Last Knight?

June 25th, 2017

Transformers: The Last Knight

A tepid $45.3 million Friday-to-Sunday domestic weekend for Transformers: The Last Knight is pretty much unmitigated bad news for Paramount Pictures. The studio is in desperate need of a hit, and the Transformers franchise is by far their biggest property. Even including the film’s grosses from Wednesday and Thursday, its $69 million debut is barely in the top ten for the year so far, and poor reviews and a B+ CinemaScore mean that it won’t have significant legs, even with a bit of help from the upcoming July 4 weekend. So all eyes are going to be on its overseas performance. More...

Friday Estimates: Dawn of a New Day for Last Knight

June 24th, 2017

Transformers: The Last Knight

Transformers: The Last Knight suffered a 48% plummet on Thursday to earn just $8.14 million; however, it bounced back on Friday with $13.69 million. If we again compare this to Dark of the Moon, which is the last film in the franchise to open on a Wednesday, we get mixed messages. The Last Knight fell faster on Thursday (48% to 43%) but bounced back more on Friday (68% to 53%). If we assume The Last Knight will continue to outperform Dark of the Moon over the rest of the weekend, then it will earn about $42 million over the three-day weekend and $66 million over five. This is the worst opening in the franchise by a wide margin, but there is good news for Paramount, as the film earned $41.46 million during its first day in China, and $47.55 million if you include previews. The international numbers will save this film and justify more sequels. More...

Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million

June 20th, 2017

Cars 3

As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion. More...

Weekend Estimates: Cars 3 Has Fast Opening Lap

June 17th, 2017

Cars 3

As anticipated, Cars 3 is cruising to the top of the box office chart this weekend, with Disney predicting a weekend of $53.547 million, as of Sunday morning. While that’s a very respectable figure in anyone’s book (and continues Disney’s domination at the box office this year), it’s down markedly from Cars 2’s $66.1 million opening weekend in 2011, and points towards a final domestic box office around $150 million. If that proves to be the case, it’ll be the second-worst performer ever for Pixar, beating only The Good Dinosaur. Talk of a decline at Pixar is over-blown, in my opinion, but this is still a so-so result by their high standards. More...

Friday Estimates: Cars Doesn’t Burn up the Track, Still Wins Friday with $19.5 million

June 17th, 2017

Cars 3

As expected, Cars 3 earned first place on Friday, but it was a little more subdued than expected, with just $19.5 million for the day. This is a higher opening day than The Lego Batman Movie managed, but family films have a much higher internal multiplier outside of summer, because kids won’t be able to see the movie during matinees on the Friday. If it has the same internal multiplier as Finding Dory had, it would open with $48 million. While Cars 3’s reviews are not as good, it earned an A from CinemaScore, the same as Dory did. Furthermore, Cars 3 is being seen much more by kids than Dory was, as that film had a larger share of adult animation fans, so this should also help its legs. It won’t match our prediction of $58 million, but $51 million is still a great result. More...

Thursday Night Previews: The Eyez Have it earning $3.1 million

June 16th, 2017

All Eyez on Me

All Eyez on Me surprised analysts earning $3.1 million during its previews last night. This is better than The Mummy’s $2.66 million earned last weekend, while its reviews are also marginally better. Granted, its Tomatometer score is just 27% positive, so that could kill the film’s legs by Saturday, but this is still a very positive start and the movie will almost assuredly top our prediction of just under $20 million. More...

Weekend Predictions: Will Cars Take the Checkered Flag?

June 15th, 2017

Cars 3

It’s a busy week with four truly wide releases, led by Cars 3. The latest film from Pixar is widely expected to earn first place at the box office, but it is part of the only Pixar franchise that isn’t a critical darling. Rough Night is playing in 3,000 theaters, but its early reviews are mixed and that's not going to help its box office numbers. All Eyez on Me is playing in 2,450 theaters, but its early reviews are even worse. Meanwhile, 47 Meters Down’s early reviews were 78% positive, but that has since changed for the worse. This weekend last year, there were two wide releases, Finding Dory and Central Intelligence, which earned a combined $170 million. There’s no way the four new releases coming out this week will match that. Even another strong hold by Wonder Woman won’t make a difference in the year-over-year competition and 2017 is going to lose. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

47 Meters Down Trailer

April 28th, 2017

Aquatic horror movie starring Claire Holt and Mandy Moore opens June 16 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/16 5 $11,205,562   2,270 $4,936   $11,205,562 3
2017/06/23 4 $7,088,262 -37% 2,471 $2,869   $23,914,194 10
2017/06/30 7 $4,517,143 -36% 2,250 $2,008   $32,426,597 17
2017/07/07 9 $2,714,173 -40% 1,741 $1,559   $38,408,818 24
2017/07/14 11 $1,139,580 -58% 1,032 $1,104   $41,136,687 31

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/16 4 $4,367,327   2,270 $1,924   $4,367,327 1
2017/06/17 5 $3,766,180 -14% 2,270 $1,659   $8,133,507 2
2017/06/18 6 $3,072,055 -18% 2,270 $1,353   $11,205,562 3
2017/06/19 5 $1,518,090 -51% 2,270 $669   $12,723,652 4
2017/06/20 5 $1,637,899 +8% 2,270 $722   $14,361,551 5
2017/06/21 4 $1,227,020 -25% 2,270 $541   $15,588,571 6
2017/06/22 4 $1,237,361 +1% 2,270 $545   $16,825,932 7
2017/06/23 4 $2,299,698 +86% 2,471 $931   $19,125,630 8
2017/06/24 4 $2,749,585 +20% 2,471 $1,113   $21,875,215 9
2017/06/25 4 $2,038,979 -26% 2,471 $825   $23,914,194 10
2017/06/26 4 $1,028,156 -50% 2,471 $416   $24,942,350 11
2017/06/27 4 $1,223,609 +19% 2,471 $495   $26,165,959 12
2017/06/28 5 $918,833 -25% 2,471 $372   $27,084,792 13
2017/06/29 5 $824,662 -10% 2,471 $334   $27,909,454 14
2017/06/30 7 $1,382,676 +68% 2,250 $615   $29,292,130 15
2017/07/01 7 $1,715,128 +24% 2,250 $762   $31,007,258 16
2017/07/02 7 $1,419,339 -17% 2,250 $631   $32,426,597 17
2017/07/03 7 $1,044,309 -26% 2,250 $464   $33,470,906 18
2017/07/04 7 $875,935 -16% 2,250 $389   $34,346,841 19
2017/07/05 7 $744,493 -15% 2,250 $331   $35,091,334 20
2017/07/06 7 $603,311 -19% 2,250 $268   $35,694,645 21
2017/07/07 9 $870,363 +44% 1,741 $500   $36,565,008 22
2017/07/08 9 $1,088,471 +25% 1,741 $625   $37,653,479 23
2017/07/09 9 $755,339 -31% 1,741 $434   $38,408,818 24
2017/07/10 8 $422,636 -44% 1,741 $243   $38,831,454 25
2017/07/11 8 $514,185 +22% 1,741 $295   $39,345,639 26
2017/07/12 9 $355,886 -31% 1,741 $204   $39,701,525 27
2017/07/13 9 $295,582 -17% 1,741 $170   $39,997,107 28
2017/07/14 11 $361,004 +22% 1,032 $350   $40,358,111 29
2017/07/15 10 $461,715 +28% 1,032 $447   $40,819,826 30
2017/07/16 10 $316,861 -31% 1,032 $307   $41,136,687 31
2017/07/17 10 $181,922 -43% 1,032 $176   $41,318,609 32
2017/07/18 10 $214,791 +18% 1,032 $208   $41,533,400 33
2017/07/19 10 $170,534 -21% 1,032 $165   $41,703,934 34
2017/07/20 10 $120,523 -29% 1,032 $117   $41,824,457 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/16 6 $16,825,932   2,270 $7,412   $16,825,932 7
2017/06/23 4 $11,083,522 -34% 2,471 $4,485   $27,909,454 14
2017/06/30 7 $7,785,191 -30% 2,250 $3,460   $35,694,645 21
2017/07/07 9 $4,302,462 -45% 1,741 $2,471   $39,997,107 28
2017/07/14 11 $1,827,350 -58% 1,032 $1,771   $41,824,457 35

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Italy 5/26/2017 $237,772 0 0 0 $519,545 6/14/2017
Netherlands 6/23/2017 $124,857 46 46 174 $467,286 7/21/2017
Russia (CIS) 6/30/2017 $337,097 588 588 1149 $664,397 7/12/2017
Slovakia 7/7/2017 $25,511 51 51 73 $52,553 7/21/2017
South Korea 7/12/2017 $0 0 0 0 $925,171 7/21/2017
 
Rest of World $86,048
 
International Total$2,715,000 7/21/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.