The Beaver is an emotional story about a man on a journey to re-discover his family and re-start his life. Plagued by his own demons, Walter Black was once a successful toy executive and family man who now suffers from depression. No matter what he tries, Walter canít seem to get himself back on track...until a beaver hand puppet enters his life.
||May 6th, 2011 (Limited) by Summit Entertainment|
May 20th, 2011 (Expands Wide) by Summit Entertainment
||August 23rd, 2011 by Summit Home Video|
||PG-13 for mature thematic material, some disturbing content, sexuality and language including a drug reference.|
(Rating bulletin 2131, 7/28/2010)
||Amputee, Voiceover/Narration, Inheritance, Suicide, Addiction, Mental Illness, Dysfunctional Family|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Summit Entertainment, Participant Media, Imagenation Abu Dhabi, Anonymous Content|
Summer is winding down, and while that means weaker box office numbers, it also means stronger home market releases. We are still a little early for summer blockbusters; however, TV on DVD releases are really heating up and will begin to dominate the scene. There are a few of those worth checking out, including NCIS: Season Eight, which is a contender for Pick of the Week. However, that honor goes to Phineas and Ferb: Across the 2nd Dimension. (An honorable mention also goes to Reboot: The Definitive Mainframe Edition, which finally arrived last week. It was worth the wait.)
Thor was the only film to top the $10,000 mark on the per theater chart with an average of $16,618 in just under 4,000 theaters. Fast Five did come reasonably close to that mark with an average of $8,860, while the best limited release was Cave of Forgotten Dreams with $8,059.
It is officially the beginning of summer, at least according to the movie industry. And while most eyes are on Thor, there's a bundle of limited releases trying to compete for limited box office dollars. I'm not overly bullish on most film's chances. There are a few films opening in way too many theaters, some that are opening with Tomatometer scores that would be terrible for wide releases, etc. There are also a few with good reviews or some advanced buzz, but going the limited release route is always a risk. Let's hope some can escape it.
Summer is officially upon us and after a depressing start to the year, we finally have some reason to be optimistic. April produced a few films that were stronger than expected and the last three weekends have produced wins in the year-over-year comparison. Granted, 2011 is a long way from matching 2010's pace, but if we can earn a few more wins this month, we could be in good shape going forward. In comparison with last May, the month starts off slowly this year, but comes on really strong by the end and looks much healthier overall. In fact, last May there were only three films to make more than $100 million at the box office. (Granted, two others came very close.) This year there are four films that might open with more than $100 million. Right now 2010 has about a $500 million lead on 2011, but hopefully by the end of the month that lead will be down to $300 million.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at email@example.com.