Boi neon (2016)
| Theatrical Performance | ||
| Domestic Box Office | $26,755 | Details |
| International Box Office | $130,138 | Details |
| Worldwide Box Office | $156,893 | |
| OpusData ID: 241900100 More info... | ||
| Further financial details... | ||
Synopsis
Iremar works at the Vaquejadas, a traditional rodeo in the north east of Brazil where two men on horseback try bring down a bull by grabbing its tail. It’s dusty and back-breaking work, but Iremar is a natural ‘Vaqueiro’ feeding, prepping and taking care of the bulls. Home is the truck used to transport the animals from show to show which he shares with his co-workers; Galega, an exotic dancer, truck driver and mother to her spirited and cheeky daughter Cacá, and Zé, his rotund compadre in the bull pen. Together they form a makeshift but close-knit family. But Brazil and the Northeast are changing and the region's booming clothing industry has stirred new ambitions in Iremar. Swinging from his hammock in the back of the truck, his head is filled with dreams of pattern cutting, sequins and exquisite fabrics as he mentally assembles his latest sexy fashion designs…
Metrics
| Opening Weekend: | $6,413 (24.0% of total gross) |
| Legs: | 4.17 (domestic box office/biggest weekend) |
| Domestic Share: | 17.1% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 5.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $36,992 |
Movie Details
| Domestic Releases: | April 8th, 2016 (Limited) by Kino Lorber, released as Neon Bull |
| International Releases: | January 14th, 2016 (Wide) (Brazil)
July 28th, 2016 (Wide) (Netherlands) October 6th, 2016 (Wide) (Portugal) November 11th, 2016 (Limited), released as Neon Bull (Australia) ... Show all releases |
| Video Release: | August 30th, 2016 by Broad Green, released as Neon Bull |
| MPA Rating: | Not Rated |
| Running Time: | 101 minutes |
| Geographical setting: | Brazil |
| Plot point: | Fashion, Rodeo |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Desvia Filmes, Malbicho Cine, Viking Film, Canal Brasil, Ancine, Icau, Nederlands Filmfonds |
| Production Countries: | Brazil, Uruguay, Netherlands |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 65 | $6,413 | 1 | $6,413 | $6,413 | 1 | |
| Apr 15, 2016 | 76 | $3,110 | -52% | 4 | $778 | $12,490 | 2 |
| Apr 22, 2016 | 111 | $36 | -99% | 1 | $36 | $15,004 | 3 |
| May 6, 2016 | 94 | $1,341 | 4 | $335 | $16,381 | 5 | |
| May 13, 2016 | 89 | $1,519 | +13% | 2 | $760 | $19,038 | 6 |
| May 20, 2016 | 94 | $1,186 | -22% | 3 | $395 | $21,248 | 7 |
| Jun 3, 2016 | 93 | $82 | 1 | $82 | $21,992 | 9 | |
| Jun 17, 2016 | 83 | $1,014 | 3 | $338 | $23,044 | 11 | |
| Jul 15, 2016 | 86 | $1,006 | 2 | $503 | $26,353 | 15 | |
| Jul 22, 2016 | 101 | $21 | -98% | 2 | $11 | $26,734 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 70 | $9,380 | 1 | $9,380 | $9,380 | 1 | |
| Apr 15, 2016 | 83 | $5,588 | -40% | 4 | $1,397 | $14,968 | 2 |
| Apr 22, 2016 | 118 | $72 | -99% | 1 | $72 | $15,040 | 3 |
| May 6, 2016 | 98 | $2,479 | 4 | $620 | $17,519 | 5 | |
| May 13, 2016 | 98 | $2,543 | +3% | 2 | $1,272 | $20,062 | 6 |
| May 20, 2016 | 99 | $1,848 | -27% | 3 | $616 | $21,910 | 7 |
| Jun 3, 2016 | 106 | $120 | 1 | $120 | $22,030 | 9 | |
| Jun 17, 2016 | 93 | $1,401 | 4 | $350 | $23,431 | 11 | |
| Jun 24, 2016 | 105 | $690 | -51% | 2 | $345 | $24,121 | 12 |
| Jul 1, 2016 | 99 | $1,226 | +78% | 1 | $1,226 | $25,347 | 13 |
| Jul 15, 2016 | 94 | $1,366 | 2 | $683 | $26,713 | 15 | |
| Jul 22, 2016 | 118 | $42 | -97% | 1 | $42 | $26,755 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/11/2016 | $947 | 3 | 3 | 3 | $947 | 11/15/2016 | |||
| Brazil | 1/14/2016 | $23,808 | 22 | 22 | 81 | $77,951 | 6/9/2016 | |||
| Netherlands | 7/28/2016 | $17,369 | 16 | 18 | 34 | $44,207 | 8/9/2016 | |||
| Portugal | 10/6/2016 | $1,203 | 1 | 2 | 7 | $7,033 | 11/10/2016 | |||
| International Total | $130,138 | 11/15/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Juliano Cazarre | Iremar |
Supporting
| Alyne Santana | Cacá | |
| Carlos Pessoa | Zé | |
| Maeve Jinkings | Galega | |
| Vinicius De Oliveira | Junior | |
| Samya Louvor | Geise | |
| Josinaldo Alves | Mário | |
| Roberto Berindelli | Fazendeiro | |
| Aline Santana | Cácá |
Production and Technical Credits
| Gabriel Mascaro | Director | |
| Gabriel Mascaro | Screenwriter | |
| Rachel Ellis | Producer | |
| Sandino Saravia | Co-Producer | |
| Marleen Slot | Co-Producer | |
| Rachel Ellis | Executive Producer | |
| Sandino Saravia | Executive Producer | |
| Marleen Slot | Executive Producer | |
| Tiago Melo | Associate Producer | |
| Diego Garcia | Director of Photography | |
| Marcelo Caetano | First Assistant Director | |
| Fernando Epstein | Editor | |
| Eduardo Serrano | Editor | |
| Livia de Melo | Production Manager | |
| Maira Mesquita | Art Director | |
| Flora Rabello | Costume Designer | |
| Otavio Santos | Original Soundtrack by | |
| Claudio N | Original Soundtrack by | |
| Carlos Montenegro | Original Soundtrack by | |
| Mauricio d’ Orey | Sound Designer | |
| Mauricio d’ Orey | Sound Editor | |
| Vincent Sinceretti | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Iremar works at the Vaquejadas, a traditional rodeo in the north east of Brazil where two men on horseback try bring down a bull by grabbing its tail. It’s dusty and back-breaking work, but Iremar is a natural ‘Vaqueiro’ feeding, prepping and taking care of the bulls. Home is the truck used to transport the animals from show to show which he shares with his co-workers; Galega, an exotic dancer, truck driver and mother to her spirited and cheeky daughter Cacá, and Zé, his rotund compadre in the bull pen. Together they form a makeshift but close-knit family. But Brazil and the Northeast are changing and the region's booming clothing industry has stirred new ambitions in Iremar. Swinging from his hammock in the back of the truck, his head is filled with dreams of pattern cutting, sequins and exquisite fabrics as he mentally assembles his latest sexy fashion designs…
Metrics
| Opening Weekend: | $6,413 (24.0% of total gross) |
| Legs: | 4.17 (domestic box office/biggest weekend) |
| Domestic Share: | 17.1% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 5.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $36,992 |
Movie Details
| Domestic Releases: | April 8th, 2016 (Limited) by Kino Lorber, released as Neon Bull |
| International Releases: | January 14th, 2016 (Wide) (Brazil)
July 28th, 2016 (Wide) (Netherlands) October 6th, 2016 (Wide) (Portugal) November 11th, 2016 (Limited), released as Neon Bull (Australia) ... Show all releases |
| Video Release: | August 30th, 2016 by Broad Green, released as Neon Bull |
| MPA Rating: | Not Rated |
| Running Time: | 101 minutes |
| Geographical setting: | Brazil |
| Plot point: | Fashion, Rodeo |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Desvia Filmes, Malbicho Cine, Viking Film, Canal Brasil, Ancine, Icau, Nederlands Filmfonds |
| Production Countries: | Brazil, Uruguay, Netherlands |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 65 | $6,413 | 1 | $6,413 | $6,413 | 1 | |
| Apr 15, 2016 | 76 | $3,110 | -52% | 4 | $778 | $12,490 | 2 |
| Apr 22, 2016 | 111 | $36 | -99% | 1 | $36 | $15,004 | 3 |
| May 6, 2016 | 94 | $1,341 | 4 | $335 | $16,381 | 5 | |
| May 13, 2016 | 89 | $1,519 | +13% | 2 | $760 | $19,038 | 6 |
| May 20, 2016 | 94 | $1,186 | -22% | 3 | $395 | $21,248 | 7 |
| Jun 3, 2016 | 93 | $82 | 1 | $82 | $21,992 | 9 | |
| Jun 17, 2016 | 83 | $1,014 | 3 | $338 | $23,044 | 11 | |
| Jul 15, 2016 | 86 | $1,006 | 2 | $503 | $26,353 | 15 | |
| Jul 22, 2016 | 101 | $21 | -98% | 2 | $11 | $26,734 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 70 | $9,380 | 1 | $9,380 | $9,380 | 1 | |
| Apr 15, 2016 | 83 | $5,588 | -40% | 4 | $1,397 | $14,968 | 2 |
| Apr 22, 2016 | 118 | $72 | -99% | 1 | $72 | $15,040 | 3 |
| May 6, 2016 | 98 | $2,479 | 4 | $620 | $17,519 | 5 | |
| May 13, 2016 | 98 | $2,543 | +3% | 2 | $1,272 | $20,062 | 6 |
| May 20, 2016 | 99 | $1,848 | -27% | 3 | $616 | $21,910 | 7 |
| Jun 3, 2016 | 106 | $120 | 1 | $120 | $22,030 | 9 | |
| Jun 17, 2016 | 93 | $1,401 | 4 | $350 | $23,431 | 11 | |
| Jun 24, 2016 | 105 | $690 | -51% | 2 | $345 | $24,121 | 12 |
| Jul 1, 2016 | 99 | $1,226 | +78% | 1 | $1,226 | $25,347 | 13 |
| Jul 15, 2016 | 94 | $1,366 | 2 | $683 | $26,713 | 15 | |
| Jul 22, 2016 | 118 | $42 | -97% | 1 | $42 | $26,755 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/11/2016 | $947 | 3 | 3 | 3 | $947 | 11/15/2016 | |||
| Brazil | 1/14/2016 | $23,808 | 22 | 22 | 81 | $77,951 | 6/9/2016 | |||
| Netherlands | 7/28/2016 | $17,369 | 16 | 18 | 34 | $44,207 | 8/9/2016 | |||
| Portugal | 10/6/2016 | $1,203 | 1 | 2 | 7 | $7,033 | 11/10/2016 | |||
| International Total | $130,138 | 11/15/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Juliano Cazarre | Iremar |
Supporting
| Alyne Santana | Cacá | |
| Carlos Pessoa | Zé | |
| Maeve Jinkings | Galega | |
| Vinicius De Oliveira | Junior | |
| Samya Louvor | Geise | |
| Josinaldo Alves | Mário | |
| Roberto Berindelli | Fazendeiro | |
| Aline Santana | Cácá |
Production and Technical Credits
| Gabriel Mascaro | Director | |
| Gabriel Mascaro | Screenwriter | |
| Rachel Ellis | Producer | |
| Sandino Saravia | Co-Producer | |
| Marleen Slot | Co-Producer | |
| Rachel Ellis | Executive Producer | |
| Sandino Saravia | Executive Producer | |
| Marleen Slot | Executive Producer | |
| Tiago Melo | Associate Producer | |
| Diego Garcia | Director of Photography | |
| Marcelo Caetano | First Assistant Director | |
| Fernando Epstein | Editor | |
| Eduardo Serrano | Editor | |
| Livia de Melo | Production Manager | |
| Maira Mesquita | Art Director | |
| Flora Rabello | Costume Designer | |
| Otavio Santos | Original Soundtrack by | |
| Claudio N | Original Soundtrack by | |
| Carlos Montenegro | Original Soundtrack by | |
| Mauricio d’ Orey | Sound Designer | |
| Mauricio d’ Orey | Sound Editor | |
| Vincent Sinceretti | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.