Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man's shoes is the only way to discover who you really are.
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||March 13th, 2015 (Limited) by RLJ Entertainment/Image Entertainment|
||April 3rd, 2015 (Wide) (Turkey)
April 9th, 2015 (Wide) (United Arab Emirates)
April 9th, 2015 (Wide) (Uruguay)
May 28th, 2015 (Wide) (Hong Kong)
June 12th, 2015 (Wide) (Venezuela)
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||March 10th, 2015 by RlJ Image|
||PG-13 for some violence, language and brief partial nudity.|
(Rating bulletin 2360, 2/11/2015)
||vs. Pay the Ghost|
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||Early / Simultaneous Video on Demand release|
|Production Method:||Live Action|
||Next Wednesday, Golden Spike, Voltage Pictures|
June 4th, 2015
The second major change in news articles this week is the consolidation of the home market columns and using the Combined DVD and Blu-ray Sales Chart. It is kind of a bad week for this change, as the new releases were a disappointment; 50 Shades of Grey remained on top on both the Blu-ray sales chart and the DVD sales chart. It sold an additional 896,000 units and generated $15.82 million for the week giving it totals of 2.27 million units / $40.20 million.
May 11th, 2015
It is a typical summer week on the home market with little to no prime releases. The biggest release of the week is Still Alice, which earned $18 million in theaters. That's not bad for a limited release. It is better than some of the wide releases that came out earlier this year. Fortunately, the Blu-ray is also the best new release of the week and it is the Pick of the Week. In fact, it isn't even close as there are no other contenders for that title.
March 13th, 2015
We have a mixed bag of limited releases this weekend. There are some good films, like It Follows, which has good reviews, but is the wrong genre for a limited release. However, there are a couple of limited releases could find an audience, like The Wrecking Crew and Seymour: An Introduction, but neither is expected to expand wide enough to find much mainstream success.
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