Collaborator (2012)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $3,696 | Details |
| Worldwide Box Office | $3,696 | |
| OpusData ID: 175110100 More info... | ||
| Further financial details... | ||
Synopsis
Robert Longfellow is a famous playwright who can't seem to catch a break. His recent Broadway play was met with horrible reviews and an early cancellation, and his marriage is being tested as an old flame has reentered his life during a particular moment of weakness. Retreating back to his childhood home to visit his mother, Robert crosses paths with his childhood neighbor, Gus. A right-wing, ex-con who still lives at home with his mother, Gus is Robert's polar opposite in every possible way. When Gus holds Robert hostage at gunpoint during a drunken reunion gone terribly wrong, the drama unfolds as social status, celebrity and the imminent threat of violence converge, building up to a climax that will leave both men forever changed.
Metrics
Movie Details
| Domestic Releases: | July 6th, 2012 (Limited) by TriBeca Films |
| International Releases: | June 14th, 2012 (Wide) (United Arab Emirates) |
| Running Time: | 87 minutes |
| Cast, crew, or production detail: | Directing Yourself, Screenplay Written By the Star |
| Plot point: | Dysfunctional Family, Hostage, Infidelity, Life on the Outside, Relationships Gone Wrong, Writing and Writers, You Can't Go Home Again |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | DViant Films, This is That, OMDC, North Ontario Heritage Fund, Canada Tax Credit |
| Production Countries: | United States, Canada |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Arab Emirates | 6/14/2012 | $2,077 | 1 | 1 | 2 | $3,696 | 12/29/2018 | |||
| International Total | $3,696 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Martin Donovan | Robert Longfellow | |
| David Morse | Gus |
Supporting
| Olivia Williams | Emma Stiles | |
| Melissa Auf Der Mar | Alice Longfellow | |
| Julian Richings | Maurice LeFont | |
| Katherine Helmond | Irene Longfellow | |
| Eileen Ryan | Betty |
Production and Technical Credits
| Martin Donovan | Director | |
| Martin Donovan | Screenwriter | |
| Julien Favre | Producer | |
| Luca Matrundola | Producer | |
| Ted Hope | Executive Producer | |
| Pascal Vaguelsy | Executive Producer | |
| Bryan Gliserman | Executive Producer | |
| Charlotte Mickie | Executive Producer | |
| Michael Forsey | Co-Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Robert Longfellow is a famous playwright who can't seem to catch a break. His recent Broadway play was met with horrible reviews and an early cancellation, and his marriage is being tested as an old flame has reentered his life during a particular moment of weakness. Retreating back to his childhood home to visit his mother, Robert crosses paths with his childhood neighbor, Gus. A right-wing, ex-con who still lives at home with his mother, Gus is Robert's polar opposite in every possible way. When Gus holds Robert hostage at gunpoint during a drunken reunion gone terribly wrong, the drama unfolds as social status, celebrity and the imminent threat of violence converge, building up to a climax that will leave both men forever changed.
Metrics
Movie Details
| Domestic Releases: | July 6th, 2012 (Limited) by TriBeca Films |
| International Releases: | June 14th, 2012 (Wide) (United Arab Emirates) |
| Running Time: | 87 minutes |
| Cast, crew, or production detail: | Directing Yourself, Screenplay Written By the Star |
| Plot point: | Dysfunctional Family, Hostage, Infidelity, Life on the Outside, Relationships Gone Wrong, Writing and Writers, You Can't Go Home Again |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | DViant Films, This is That, OMDC, North Ontario Heritage Fund, Canada Tax Credit |
| Production Countries: | United States, Canada |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Arab Emirates | 6/14/2012 | $2,077 | 1 | 1 | 2 | $3,696 | 12/29/2018 | |||
| International Total | $3,696 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Martin Donovan | Robert Longfellow | |
| David Morse | Gus |
Supporting
| Olivia Williams | Emma Stiles | |
| Melissa Auf Der Mar | Alice Longfellow | |
| Julian Richings | Maurice LeFont | |
| Katherine Helmond | Irene Longfellow | |
| Eileen Ryan | Betty |
Production and Technical Credits
| Martin Donovan | Director | |
| Martin Donovan | Screenwriter | |
| Julien Favre | Producer | |
| Luca Matrundola | Producer | |
| Ted Hope | Executive Producer | |
| Pascal Vaguelsy | Executive Producer | |
| Bryan Gliserman | Executive Producer | |
| Charlotte Mickie | Executive Producer | |
| Michael Forsey | Co-Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.