The Core (2003)
| Theatrical Performance | ||
| Domestic Box Office | $31,111,260 | Details |
| International Box Office | $43,009,532 | Details |
| Worldwide Box Office | $74,120,792 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $352,392 | |
| Total | $352,392 | |
| OpusData ID: 18290100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $12,053,131 (38.7% of total gross) |
| Legs: | 2.58 (domestic box office/biggest weekend) |
| Domestic Share: | 42.0% (domestic box office/worldwide) |
| Production Budget: | $85,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 3,017 opening theaters/3,019 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $61,706,579 |
Movie Details
| Domestic Releases: | March 28th, 2003 (Wide) by Paramount Pictures |
| International Releases: | March 28th, 2003 (Wide) (United Kingdom)
April 18th, 2003 (Wide) (Italy) |
| Video Release: | September 9th, 2003 by Paramount Home Video |
| MPA Rating: | PG-13 for sci-fi life/death situations and brief strong language |
| Running Time: | 137 minutes |
| Plot point: | Disaster |
| Social setting: | End of the World |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Paramount Pictures, David Foster, Cooper Layne, Sean Bailey |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 28, 2003 | 3 | $12,053,131 | 3,017 | $3,995 | $12,053,131 | 1 | |
| Apr 4, 2003 | 6 | $6,181,635 | -49% | 3,019 | $2,048 | $20,802,701 | 2 |
| Apr 11, 2003 | 8 | $3,306,820 | -47% | 3,019 | $1,095 | $25,755,993 | 3 |
| Apr 18, 2003 | 15 | $1,820,231 | -45% | 2,021 | $901 | $28,781,441 | 4 |
| Apr 25, 2003 | 22 | $612,745 | -66% | 1,228 | $499 | $30,108,032 | 5 |
| May 2, 2003 | 33 | $161,889 | -74% | 589 | $275 | $30,486,630 | 6 |
| May 9, 2003 | 49 | $54,928 | -66% | 152 | $361 | $30,583,153 | 7 |
| May 16, 2003 | 71 | $21,407 | -61% | 94 | $228 | $30,625,303 | 8 |
| May 23, 2003 | 80 | $13,485 | -37% | 33 | $409 | $30,649,458 | 9 |
| May 30, 2003 | 60 | $9,390 | -30% | 27 | $348 | $30,664,058 | 10 |
| Jun 6, 2003 | 32 | $118,161 | +1,158% | 173 | $683 | $30,794,650 | 11 |
| Jun 13, 2003 | 36 | $76,246 | -35% | 125 | $610 | $30,935,266 | 12 |
| Jun 20, 2003 | 40 | $56,313 | -26% | 96 | $587 | $31,042,346 | 13 |
| Jun 27, 2003 | 56 | $18,438 | -67% | 49 | $376 | $31,093,059 | 14 |
| Jul 4, 2003 | 68 | $8,665 | -53% | 29 | $299 | $31,111,260 | 15 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 28, 2003 | 2 | $3,976,502 | 3,017 | $1,318 | $3,976,502 | 1 | ||
| Mar 29, 2003 | 3 | $5,013,850 | +26% | 3,017 | $1,662 | $8,990,352 | 2 | |
| Mar 30, 2003 | 3 | $3,062,779 | -39% | 3,017 | $1,015 | $12,053,131 | 3 | |
| Mar 31, 2003 | 4 | $718,000 | -77% | 3,017 | $238 | $12,771,000 | 4 | |
| Apr 1, 2003 | 4 | $689,000 | -4% | 3,017 | $228 | $13,461,000 | 5 | |
| Apr 2, 2003 | 4 | $588,000 | -15% | 3,017 | $195 | $14,048,000 | 6 | |
| Apr 3, 2003 | 4 | $573,000 | -3% | 3,017 | $190 | $14,621,066 | 7 | |
| Apr 4, 2003 | 6 | $1,737,611 | +203% | -56% | 3,019 | $576 | $16,358,677 | 8 |
| Apr 5, 2003 | 6 | $2,773,746 | +60% | -45% | 3,019 | $919 | $19,132,423 | 9 |
| Apr 6, 2003 | 6 | $1,670,278 | -40% | -45% | 3,019 | $553 | $20,802,701 | 10 |
| Apr 7, 2003 | 6 | $394,000 | -76% | -45% | 3,019 | $131 | $21,197,000 | 11 |
| Apr 8, 2003 | 7 | $453,000 | +15% | -34% | 3,019 | $150 | $21,650,000 | 12 |
| Apr 9, 2003 | 8 | $394,000 | -13% | -33% | 3,019 | $131 | $22,044,000 | 13 |
| Apr 10, 2003 | 7 | $405,000 | +3% | -29% | 3,019 | $134 | $22,449,000 | 14 |
| Apr 11, 2003 | 9 | $889,000 | +120% | -49% | 3,019 | $294 | $23,338,000 | 15 |
| Apr 12, 2003 | 8 | $1,458,413 | +64% | -47% | 3,019 | $483 | $24,833,820 | 16 |
| Apr 13, 2003 | 7 | $922,173 | -37% | -45% | 3,019 | $305 | $25,755,993 | 17 |
| Apr 14, 2003 | 8 | $289,000 | -69% | -27% | 3,019 | $96 | $26,045,000 | 18 |
| Apr 15, 2003 | 8 | $304,000 | +5% | -33% | 3,019 | $101 | $26,349,000 | 19 |
| Apr 17, 2003 | 9 | $353,000 | -13% | 3,019 | $117 | $26,961,000 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 28, 2003 | 4 | $14,621,066 | 3,017 | $4,846 | $14,621,066 | 1 | |
| Apr 4, 2003 | 6 | $7,828,107 | -46% | 3,019 | $2,593 | $22,449,173 | 2 |
| Apr 11, 2003 | 9 | $4,512,037 | -42% | 3,019 | $1,495 | $26,961,210 | 3 |
| Apr 18, 2003 | 15 | $2,534,077 | -44% | 2,021 | $1,254 | $29,495,287 | 4 |
| Apr 25, 2003 | 23 | $829,454 | -67% | 1,228 | $675 | $30,324,741 | 5 |
| May 2, 2003 | 34 | $203,484 | -75% | 589 | $345 | $30,528,225 | 6 |
| May 9, 2003 | 52 | $75,671 | -63% | 152 | $498 | $30,603,896 | 7 |
| May 16, 2003 | 70 | $32,077 | -58% | 94 | $341 | $30,635,973 | 8 |
| May 23, 2003 | 74 | $18,695 | -42% | 33 | $567 | $30,654,668 | 9 |
| May 30, 2003 | 58 | $21,821 | +17% | 27 | $808 | $30,676,489 | 10 |
| Jun 6, 2003 | 31 | $182,531 | +736% | 173 | $1,055 | $30,859,020 | 11 |
| Jun 13, 2003 | 34 | $127,013 | -30% | 125 | $1,016 | $30,986,033 | 12 |
| Jun 20, 2003 | 40 | $88,588 | -30% | 96 | $923 | $31,074,621 | 13 |
| Jun 27, 2003 | 55 | $27,974 | -68% | 49 | $571 | $31,102,595 | 14 |
| Jul 4, 2003 | 76 | $8,665 | -69% | 29 | $299 | $31,111,260 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 4/18/2003 | $0 | 0 | 2 | 4 | $2,693,563 | 7/27/2019 | |||
| United Kingdom | 3/28/2003 | $0 | 0 | 3 | 5 | $2,508,976 | 4/21/2020 | |||
| Rest of World | $37,806,993 | |||||||||
| International Total | $43,009,532 | 4/21/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Aaron Eckhart | Dr. Josh Keyes | |
| Hilary Swank | Major Rebecca "Beck" Childs | |
| Delroy Lindo | Brazzelton |
Supporting
| Stanley Tucci | Dr. Conrad Zimsky | |
| DJ Qualls | Taz Finch | |
| Richard Jenkins | General Purcell | |
| Tcheky Karyo | Sergei Putechin | |
| Bruce Greenwood | Colonel Robert Iverson | |
| Alfre Woodard | NASA Chief Talma Stickley | |
| Christopher Shyer | Dave Perry | |
| Ray Galletti | Paul | |
| Eileen Pedde | Lynne | |
| Rekha Sharma | Danni | |
| Tom Scholte | Acker | |
| Glenn Morshower | FBI Agent | |
| Anthony Harrison | FBI Agent | |
| Bart Anderson | Dad | |
| Nicole Leroux | Mom | |
| Justin Callan | Little Boy | |
| Chris Humphreys | GBTV Reporter-Trafalgar Square | |
| Dion Johnstone | Flight Engineer Timmins | |
| Fred Ewanuick | Endeavor Flight Engineer | |
| Hrothgar Mathews | Chief Engineer Mission Control |
Cameo
| Shawn Green | Himself |
Supporting
| Ming Tzong Hong | Scientist | |
| Jennifer Spence | Zimsky's Assistant | |
| Michael St. John Smith | Pentagon General | |
| John Shaw | FBI Agent-Rat's Apartment | |
| Nickolas Baric | Security Policeman-Tribunal | |
| Fred Keating | Court Marshall Presiding Officer | |
| Rosa Di Brigida | Rome Cafe Patron | |
| Roberto Roberto | Rome Cafe Patron | |
| Ermanno De Biagi | Rome Cafe Patron | |
| Marcello Laurentis | Rome Cafe Patron | |
| Greg Bennett | Technician-Virgil Base | |
| Matt Winston | Luke Barry | |
| Claire Riley | News Anchor | |
| Marke Driesschen | News Anchor | |
| Laurie Murdoch | Project Destiny Engineer | |
| Costa Spanos | Project Destiny Engineer | |
| Monique Martel | Paris Cafe Lady | |
| Lenie Scoffié | Paris Cafe Lady | |
| Nathaniel Deveaux | U.S.S. Constellation Captain | |
| Robert Manitopyes | U.S.S. Constellation Screen Ops |
Production and Technical Credits
| Jon Amiel | Director | |
| Cooper Lane | Screenwriter | |
| John Rogers | Screenwriter | |
| David Foster | Producer | |
| Cooper Lane | Producer | |
| Sean Bailey | Producer | |
| John Lindley | Director of Photography | |
| Philip Harrison | Production Designer | |
| Terry Rawlings | Editor | |
| Dan Lester | Costume Designer | |
| Gregory L McMurry | Visual Effects Supervisor | |
| Christopher Young | Composer | |
| David Householter | Co-Producer | |
| Jim Brebner | Assistant Director | |
| Chris Woods | Second Unit Director | |
| Mary Eilts | Unit Production Manager | |
| David Householter | Unit Production Manager | |
| Diane Sabatini | Production Supervisor | |
| Andrew Neskorommy | Supervising Art Director | |
| Sandra Tanaka | Art Director | |
| Lin MacDonald | Set Decorator | |
| Chris Woods | Second Unit Camera | |
| Garry Elmendorf | Special Effects Supervisor | |
| Darren Brisker | Sound Mixer | |
| Chris Jenkins | Re-recording Mixer | |
| Frank A. Montano | Re-recording Mixer | |
| Chris Carpenter | Additional Re recording Mixer | |
| Andy Koyama | Additional Re recording Mixer | |
| John Leveque | Supervising Sound Editor | |
| Anthony R. Milch | Supervising Sound Editor | |
| Michael Payne | Sound Effects Editor | |
| Stephen P. Robinson | Sound Effects Editor | |
| Ken Fischer | Sound Effects Editor | |
| Steve Mann | Sound Effects Editor | |
| Jay Nierenberg | Sound Effects Editor | |
| David Esparza | Sound Effects Editor | |
| Harry Cohen | Sound Designer | |
| Tim Walston | Sound Designer | |
| Bernard Weiser | Supervising Dialogue Editor | |
| Vic Radulich | Dialogue Editor | |
| Susan Kurtz | Dialogue Editor | |
| Mark Gordon | Dialogue Editor | |
| Thomas Milano | Supervising Music Editor | |
| Tanya Noel Hill | Music Editor | |
| Deborah Larsen | Make up | |
| Stan Edmonds | Make up | |
| Sanna Seppanen | Hairstylist | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| Lynne Carrow | Casting Director | |
| Susan Brouse | Casting Director | |
| Scott Ateah | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $12,053,131 (38.7% of total gross) |
| Legs: | 2.58 (domestic box office/biggest weekend) |
| Domestic Share: | 42.0% (domestic box office/worldwide) |
| Production Budget: | $85,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 3,017 opening theaters/3,019 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $61,706,579 |
Movie Details
| Domestic Releases: | March 28th, 2003 (Wide) by Paramount Pictures |
| International Releases: | March 28th, 2003 (Wide) (United Kingdom)
April 18th, 2003 (Wide) (Italy) |
| Video Release: | September 9th, 2003 by Paramount Home Video |
| MPA Rating: | PG-13 for sci-fi life/death situations and brief strong language |
| Running Time: | 137 minutes |
| Plot point: | Disaster |
| Social setting: | End of the World |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Paramount Pictures, David Foster, Cooper Layne, Sean Bailey |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 28, 2003 | 3 | $12,053,131 | 3,017 | $3,995 | $12,053,131 | 1 | |
| Apr 4, 2003 | 6 | $6,181,635 | -49% | 3,019 | $2,048 | $20,802,701 | 2 |
| Apr 11, 2003 | 8 | $3,306,820 | -47% | 3,019 | $1,095 | $25,755,993 | 3 |
| Apr 18, 2003 | 15 | $1,820,231 | -45% | 2,021 | $901 | $28,781,441 | 4 |
| Apr 25, 2003 | 22 | $612,745 | -66% | 1,228 | $499 | $30,108,032 | 5 |
| May 2, 2003 | 33 | $161,889 | -74% | 589 | $275 | $30,486,630 | 6 |
| May 9, 2003 | 49 | $54,928 | -66% | 152 | $361 | $30,583,153 | 7 |
| May 16, 2003 | 71 | $21,407 | -61% | 94 | $228 | $30,625,303 | 8 |
| May 23, 2003 | 80 | $13,485 | -37% | 33 | $409 | $30,649,458 | 9 |
| May 30, 2003 | 60 | $9,390 | -30% | 27 | $348 | $30,664,058 | 10 |
| Jun 6, 2003 | 32 | $118,161 | +1,158% | 173 | $683 | $30,794,650 | 11 |
| Jun 13, 2003 | 36 | $76,246 | -35% | 125 | $610 | $30,935,266 | 12 |
| Jun 20, 2003 | 40 | $56,313 | -26% | 96 | $587 | $31,042,346 | 13 |
| Jun 27, 2003 | 56 | $18,438 | -67% | 49 | $376 | $31,093,059 | 14 |
| Jul 4, 2003 | 68 | $8,665 | -53% | 29 | $299 | $31,111,260 | 15 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 28, 2003 | 2 | $3,976,502 | 3,017 | $1,318 | $3,976,502 | 1 | ||
| Mar 29, 2003 | 3 | $5,013,850 | +26% | 3,017 | $1,662 | $8,990,352 | 2 | |
| Mar 30, 2003 | 3 | $3,062,779 | -39% | 3,017 | $1,015 | $12,053,131 | 3 | |
| Mar 31, 2003 | 4 | $718,000 | -77% | 3,017 | $238 | $12,771,000 | 4 | |
| Apr 1, 2003 | 4 | $689,000 | -4% | 3,017 | $228 | $13,461,000 | 5 | |
| Apr 2, 2003 | 4 | $588,000 | -15% | 3,017 | $195 | $14,048,000 | 6 | |
| Apr 3, 2003 | 4 | $573,000 | -3% | 3,017 | $190 | $14,621,066 | 7 | |
| Apr 4, 2003 | 6 | $1,737,611 | +203% | -56% | 3,019 | $576 | $16,358,677 | 8 |
| Apr 5, 2003 | 6 | $2,773,746 | +60% | -45% | 3,019 | $919 | $19,132,423 | 9 |
| Apr 6, 2003 | 6 | $1,670,278 | -40% | -45% | 3,019 | $553 | $20,802,701 | 10 |
| Apr 7, 2003 | 6 | $394,000 | -76% | -45% | 3,019 | $131 | $21,197,000 | 11 |
| Apr 8, 2003 | 7 | $453,000 | +15% | -34% | 3,019 | $150 | $21,650,000 | 12 |
| Apr 9, 2003 | 8 | $394,000 | -13% | -33% | 3,019 | $131 | $22,044,000 | 13 |
| Apr 10, 2003 | 7 | $405,000 | +3% | -29% | 3,019 | $134 | $22,449,000 | 14 |
| Apr 11, 2003 | 9 | $889,000 | +120% | -49% | 3,019 | $294 | $23,338,000 | 15 |
| Apr 12, 2003 | 8 | $1,458,413 | +64% | -47% | 3,019 | $483 | $24,833,820 | 16 |
| Apr 13, 2003 | 7 | $922,173 | -37% | -45% | 3,019 | $305 | $25,755,993 | 17 |
| Apr 14, 2003 | 8 | $289,000 | -69% | -27% | 3,019 | $96 | $26,045,000 | 18 |
| Apr 15, 2003 | 8 | $304,000 | +5% | -33% | 3,019 | $101 | $26,349,000 | 19 |
| Apr 17, 2003 | 9 | $353,000 | -13% | 3,019 | $117 | $26,961,000 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 28, 2003 | 4 | $14,621,066 | 3,017 | $4,846 | $14,621,066 | 1 | |
| Apr 4, 2003 | 6 | $7,828,107 | -46% | 3,019 | $2,593 | $22,449,173 | 2 |
| Apr 11, 2003 | 9 | $4,512,037 | -42% | 3,019 | $1,495 | $26,961,210 | 3 |
| Apr 18, 2003 | 15 | $2,534,077 | -44% | 2,021 | $1,254 | $29,495,287 | 4 |
| Apr 25, 2003 | 23 | $829,454 | -67% | 1,228 | $675 | $30,324,741 | 5 |
| May 2, 2003 | 34 | $203,484 | -75% | 589 | $345 | $30,528,225 | 6 |
| May 9, 2003 | 52 | $75,671 | -63% | 152 | $498 | $30,603,896 | 7 |
| May 16, 2003 | 70 | $32,077 | -58% | 94 | $341 | $30,635,973 | 8 |
| May 23, 2003 | 74 | $18,695 | -42% | 33 | $567 | $30,654,668 | 9 |
| May 30, 2003 | 58 | $21,821 | +17% | 27 | $808 | $30,676,489 | 10 |
| Jun 6, 2003 | 31 | $182,531 | +736% | 173 | $1,055 | $30,859,020 | 11 |
| Jun 13, 2003 | 34 | $127,013 | -30% | 125 | $1,016 | $30,986,033 | 12 |
| Jun 20, 2003 | 40 | $88,588 | -30% | 96 | $923 | $31,074,621 | 13 |
| Jun 27, 2003 | 55 | $27,974 | -68% | 49 | $571 | $31,102,595 | 14 |
| Jul 4, 2003 | 76 | $8,665 | -69% | 29 | $299 | $31,111,260 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 4/18/2003 | $0 | 0 | 2 | 4 | $2,693,563 | 7/27/2019 | |||
| United Kingdom | 3/28/2003 | $0 | 0 | 3 | 5 | $2,508,976 | 4/21/2020 | |||
| Rest of World | $37,806,993 | |||||||||
| International Total | $43,009,532 | 4/21/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Aaron Eckhart | Dr. Josh Keyes | |
| Hilary Swank | Major Rebecca "Beck" Childs | |
| Delroy Lindo | Brazzelton |
Supporting
| Stanley Tucci | Dr. Conrad Zimsky | |
| DJ Qualls | Taz Finch | |
| Richard Jenkins | General Purcell | |
| Tcheky Karyo | Sergei Putechin | |
| Bruce Greenwood | Colonel Robert Iverson | |
| Alfre Woodard | NASA Chief Talma Stickley | |
| Christopher Shyer | Dave Perry | |
| Ray Galletti | Paul | |
| Eileen Pedde | Lynne | |
| Rekha Sharma | Danni | |
| Tom Scholte | Acker | |
| Glenn Morshower | FBI Agent | |
| Anthony Harrison | FBI Agent | |
| Bart Anderson | Dad | |
| Nicole Leroux | Mom | |
| Justin Callan | Little Boy | |
| Chris Humphreys | GBTV Reporter-Trafalgar Square | |
| Dion Johnstone | Flight Engineer Timmins | |
| Fred Ewanuick | Endeavor Flight Engineer | |
| Hrothgar Mathews | Chief Engineer Mission Control |
Cameo
| Shawn Green | Himself |
Supporting
| Ming Tzong Hong | Scientist | |
| Jennifer Spence | Zimsky's Assistant | |
| Michael St. John Smith | Pentagon General | |
| John Shaw | FBI Agent-Rat's Apartment | |
| Nickolas Baric | Security Policeman-Tribunal | |
| Fred Keating | Court Marshall Presiding Officer | |
| Rosa Di Brigida | Rome Cafe Patron | |
| Roberto Roberto | Rome Cafe Patron | |
| Ermanno De Biagi | Rome Cafe Patron | |
| Marcello Laurentis | Rome Cafe Patron | |
| Greg Bennett | Technician-Virgil Base | |
| Matt Winston | Luke Barry | |
| Claire Riley | News Anchor | |
| Marke Driesschen | News Anchor | |
| Laurie Murdoch | Project Destiny Engineer | |
| Costa Spanos | Project Destiny Engineer | |
| Monique Martel | Paris Cafe Lady | |
| Lenie Scoffié | Paris Cafe Lady | |
| Nathaniel Deveaux | U.S.S. Constellation Captain | |
| Robert Manitopyes | U.S.S. Constellation Screen Ops |
Production and Technical Credits
| Jon Amiel | Director | |
| Cooper Lane | Screenwriter | |
| John Rogers | Screenwriter | |
| David Foster | Producer | |
| Cooper Lane | Producer | |
| Sean Bailey | Producer | |
| John Lindley | Director of Photography | |
| Philip Harrison | Production Designer | |
| Terry Rawlings | Editor | |
| Dan Lester | Costume Designer | |
| Gregory L McMurry | Visual Effects Supervisor | |
| Christopher Young | Composer | |
| David Householter | Co-Producer | |
| Jim Brebner | Assistant Director | |
| Chris Woods | Second Unit Director | |
| Mary Eilts | Unit Production Manager | |
| David Householter | Unit Production Manager | |
| Diane Sabatini | Production Supervisor | |
| Andrew Neskorommy | Supervising Art Director | |
| Sandra Tanaka | Art Director | |
| Lin MacDonald | Set Decorator | |
| Chris Woods | Second Unit Camera | |
| Garry Elmendorf | Special Effects Supervisor | |
| Darren Brisker | Sound Mixer | |
| Chris Jenkins | Re-recording Mixer | |
| Frank A. Montano | Re-recording Mixer | |
| Chris Carpenter | Additional Re recording Mixer | |
| Andy Koyama | Additional Re recording Mixer | |
| John Leveque | Supervising Sound Editor | |
| Anthony R. Milch | Supervising Sound Editor | |
| Michael Payne | Sound Effects Editor | |
| Stephen P. Robinson | Sound Effects Editor | |
| Ken Fischer | Sound Effects Editor | |
| Steve Mann | Sound Effects Editor | |
| Jay Nierenberg | Sound Effects Editor | |
| David Esparza | Sound Effects Editor | |
| Harry Cohen | Sound Designer | |
| Tim Walston | Sound Designer | |
| Bernard Weiser | Supervising Dialogue Editor | |
| Vic Radulich | Dialogue Editor | |
| Susan Kurtz | Dialogue Editor | |
| Mark Gordon | Dialogue Editor | |
| Thomas Milano | Supervising Music Editor | |
| Tanya Noel Hill | Music Editor | |
| Deborah Larsen | Make up | |
| Stan Edmonds | Make up | |
| Sanna Seppanen | Hairstylist | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| Lynne Carrow | Casting Director | |
| Susan Brouse | Casting Director | |
| Scott Ateah | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.