Criminal (2015)
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| Theatrical Performance | ||
| Domestic Box Office | $14,708,696 | Details |
| International Box Office | $24,062,566 | Details |
| Worldwide Box Office | $38,771,262 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $4,834,636 | |
| Blu-ray Sales (estimated) | $3,322,923 | |
| Total | $8,157,559 | |
| OpusData ID: 220210100 More info... | ||
| Further financial details... | ||
Synopsis
The story of the right man in the wrong body. In a last-ditch effort to stop a diabolical plot, a dead CIA operative’s memories, secrets, and skills are implanted into an unpredictable and dangerous death-row inmate in hopes that he will complete the operative’s mission.
Metrics
| Opening Weekend: | $5,767,278 (39.2% of total gross) |
| Legs: | 2.55 (domestic box office/biggest weekend) |
| Domestic Share: | 37.9% (domestic box office/worldwide) |
| Production Budget: | $31,500,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 2,683 opening theaters/2,683 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,337,107 |
Movie Details
| Domestic Releases: | April 15th, 2016 (Wide) by Lionsgate |
| International Releases: | August 21st, 2015 (Wide) (Taiwan)
April 14th, 2016 (Wide) (Brazil) April 14th, 2016 (Wide) (Greece) April 14th, 2016 (Wide) (Iraq) April 14th, 2016 (Wide) (Italy) ... Show all releases |
| Video Release: | July 12th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong violence and language throughout. (Rating bulletin 2417 (Cert #49972), 3/23/2016) |
| Running Time: | 113 minutes |
| Plot point: | Anarchists, C.I.A., Faulty Memory, Hackers, Secret Agent |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Summit Entertainment, Millennium Films, Benderspink Productions, Campbell Grobman Films |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2016 | 6 | $5,767,278 | 2,683 | $2,150 | $5,767,278 | 1 | |
| Apr 22, 2016 | 7 | $3,116,777 | -46% | 2,683 | $1,162 | $10,881,263 | 2 |
| Apr 29, 2016 | 10 | $1,346,196 | -57% | 1,578 | $853 | $13,497,363 | 3 |
| May 6, 2016 | 18 | $299,238 | -78% | 517 | $579 | $14,268,533 | 4 |
| May 13, 2016 | 28 | $151,079 | -50% | 346 | $437 | $14,567,326 | 5 |
| May 20, 2016 | 42 | $45,310 | -70% | 142 | $319 | $14,688,078 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 15, 2016 | 6 | $2,049,390 | 2,683 | $764 | $2,049,390 | 1 | ||
| Apr 16, 2016 | 6 | $2,296,046 | +12% | 2,683 | $856 | $4,345,436 | 2 | |
| Apr 17, 2016 | 6 | $1,421,842 | -38% | 2,683 | $530 | $5,767,278 | 3 | |
| Apr 18, 2016 | 6 | $472,794 | -67% | 2,683 | $176 | $6,240,072 | 4 | |
| Apr 19, 2016 | 6 | $660,900 | +40% | 2,683 | $246 | $6,900,972 | 5 | |
| Apr 20, 2016 | 6 | $450,851 | -32% | 2,683 | $168 | $7,351,823 | 6 | |
| Apr 21, 2016 | 6 | $412,663 | -8% | 2,683 | $154 | $7,764,486 | 7 | |
| Apr 22, 2016 | 7 | $946,673 | +129% | -54% | 2,683 | $353 | $8,711,159 | 8 |
| Apr 23, 2016 | 7 | $1,342,661 | +42% | -42% | 2,683 | $500 | $10,053,820 | 9 |
| Apr 24, 2016 | 7 | $827,443 | -38% | -42% | 2,683 | $308 | $10,881,263 | 10 |
| Apr 25, 2016 | 7 | $289,344 | -65% | -39% | 2,683 | $108 | $11,170,607 | 11 |
| Apr 26, 2016 | 7 | $425,473 | +47% | -36% | 2,683 | $159 | $11,596,080 | 12 |
| Apr 27, 2016 | 7 | $306,235 | -28% | -32% | 2,683 | $114 | $11,902,315 | 13 |
| Apr 28, 2016 | 7 | $248,852 | -19% | -40% | 2,683 | $93 | $12,151,167 | 14 |
| Apr 29, 2016 | 10 | $364,923 | +47% | -61% | 1,578 | $231 | $12,516,090 | 15 |
| Apr 30, 2016 | 10 | $601,423 | +65% | -55% | 1,578 | $381 | $13,117,513 | 16 |
| May 1, 2016 | 10 | $379,850 | -37% | -54% | 1,578 | $241 | $13,497,363 | 17 |
| May 2, 2016 | 10 | $120,510 | -68% | -58% | 1,578 | $76 | $13,617,873 | 18 |
| May 3, 2016 | 10 | $154,850 | +28% | -64% | 1,578 | $98 | $13,772,723 | 19 |
| May 4, 2016 | 10 | $127,581 | -18% | -58% | 1,578 | $81 | $13,900,304 | 20 |
| May 5, 2016 | 11 | $68,991 | -46% | -72% | 1,578 | $44 | $13,969,295 | 21 |
| May 6, 2016 | - | $75,885 | +10% | -79% | 517 | $147 | $14,045,180 | 22 |
| May 7, 2016 | - | $116,135 | +53% | -81% | 517 | $225 | $14,161,315 | 23 |
| May 8, 2016 | - | $107,218 | -8% | -72% | 517 | $207 | $14,268,533 | 24 |
| May 9, 2016 | 15 | $37,086 | -65% | -69% | 517 | $72 | $14,305,619 | 25 |
| May 10, 2016 | - | $45,650 | +23% | -71% | 517 | $88 | $14,351,269 | 26 |
| May 11, 2016 | - | $36,035 | -21% | -72% | 517 | $70 | $14,387,304 | 27 |
| May 12, 2016 | - | $28,943 | -20% | -58% | 517 | $56 | $14,416,247 | 28 |
| May 13, 2016 | - | $40,406 | +40% | -47% | 346 | $117 | $14,456,653 | 29 |
| May 14, 2016 | - | $67,556 | +67% | -42% | 346 | $195 | $14,524,209 | 30 |
| May 15, 2016 | - | $43,117 | -36% | -60% | 346 | $125 | $14,567,326 | 31 |
| May 16, 2016 | - | $18,015 | -58% | -51% | 346 | $52 | $14,585,341 | 32 |
| May 17, 2016 | - | $23,923 | +33% | -48% | 346 | $69 | $14,609,264 | 33 |
| May 18, 2016 | - | $18,436 | -23% | -49% | 346 | $53 | $14,627,700 | 34 |
| May 19, 2016 | - | $15,068 | -18% | -48% | 346 | $44 | $14,642,768 | 35 |
| May 20, 2016 | - | $11,624 | -23% | -71% | 142 | $82 | $14,654,392 | 36 |
| May 21, 2016 | - | $18,454 | +59% | -73% | 142 | $130 | $14,672,846 | 37 |
| May 22, 2016 | - | $15,232 | -17% | -65% | 142 | $107 | $14,688,078 | 38 |
| May 23, 2016 | - | $4,544 | -70% | -75% | 142 | $32 | $14,692,622 | 39 |
| May 24, 2016 | - | $5,477 | +21% | -77% | 142 | $39 | $14,698,099 | 40 |
| May 25, 2016 | - | $5,398 | -1% | -71% | 142 | $38 | $14,703,497 | 41 |
| May 26, 2016 | - | $5,199 | -4% | -65% | 142 | $37 | $14,708,696 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2016 | 6 | $7,764,486 | 2,683 | $2,894 | $7,764,486 | 1 | |
| Apr 22, 2016 | 7 | $4,386,681 | -44% | 2,683 | $1,635 | $12,151,167 | 2 |
| Apr 29, 2016 | 10 | $1,818,128 | -59% | 1,578 | $1,152 | $13,969,295 | 3 |
| May 6, 2016 | 17 | $446,952 | -75% | 517 | $865 | $14,416,247 | 4 |
| May 13, 2016 | 28 | $226,521 | -49% | 346 | $655 | $14,642,768 | 5 |
| May 20, 2016 | 43 | $65,928 | -71% | 142 | $464 | $14,708,696 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/27/2016 | $100,859 | 52 | 52 | 97 | $168,658 | 4/4/2026 | |||
| Australia | 5/20/2016 | $3,034 | 10 | 10 | 10 | $3,034 | 6/9/2016 | |||
| Brazil | 4/14/2016 | $139,035 | 76 | 76 | 76 | $251,718 | 11/15/2018 | |||
| Bulgaria | 4/15/2016 | $15,631 | 31 | 31 | 31 | $15,631 | 12/31/2018 | |||
| China | 5/12/2016 | $7,900,000 | 32,538 | 32,538 | 40,702 | $15,772,274 | 8/27/2018 | |||
| France | 5/6/2016 | $575,766 | 0 | 0 | 0 | $1,260,288 | 10/2/2018 | |||
| Greece | 4/14/2016 | $52,520 | 47 | 47 | 47 | $52,520 | 6/9/2016 | |||
| Hungary | 4/21/2016 | $42,669 | 29 | 29 | 58 | $77,455 | 12/31/2018 | |||
| Iraq | 4/14/2016 | $6,770 | 4 | 4 | 4 | $6,770 | 12/31/2018 | |||
| Italy | 4/14/2016 | $449,529 | 272 | 272 | 544 | $508,399 | 4/4/2026 | |||
| Lebanon | 4/14/2016 | $14,722 | 6 | 6 | 6 | $14,722 | 12/31/2018 | |||
| Lithuania | 4/22/2016 | $0 | 0 | 40 | 44 | $28,315 | 6/9/2016 | |||
| Mexico | 7/22/2016 | $437,621 | 0 | 0 | 0 | $867,032 | 8/2/2016 | |||
| Netherlands | 8/24/2016 | $41,287 | 43 | 43 | 86 | $107,584 | 9/6/2016 | |||
| Oman | 4/14/2016 | $24,715 | 7 | 7 | 7 | $24,715 | 12/31/2018 | |||
| Portugal | 4/14/2016 | $62,971 | 33 | 33 | 132 | $191,194 | 6/9/2016 | |||
| Russia (CIS) | 4/14/2016 | $490,391 | 618 | 618 | 1,339 | $734,639 | 12/31/2018 | |||
| Slovenia | 4/28/2016 | $6,580 | 13 | 13 | 22 | $11,701 | 6/9/2016 | |||
| South Africa | 4/15/2016 | $29,359 | 35 | 35 | 35 | $29,359 | 6/9/2016 | |||
| South Korea | 6/22/2016 | $332,449 | 342 | 351 | 358 | $649,705 | 4/4/2026 | |||
| Spain | 9/2/2016 | $176,964 | 180 | 180 | 391 | $380,480 | 10/6/2016 | |||
| Taiwan | 8/21/2015 | $0 | 0 | 47 | 47 | $261,980 | 6/9/2016 | |||
| Turkey | 4/15/2016 | $78,303 | 150 | 150 | 242 | $229,002 | 2/26/2019 | |||
| United Arab Emirates | 4/14/2016 | $394,884 | 64 | 64 | 64 | $394,884 | 12/31/2018 | |||
| United Kingdom | 4/15/2016 | $353,108 | 277 | 277 | 290 | $7,567 | 4/4/2026 | |||
| Rest of World | $2,012,940 | |||||||||
| International Total | $24,062,566 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Kevin Costner | Jerico Stewart | |
| Gary Oldman | Quaker Wells | |
| Tommy Lee Jones | Dr. Franks | |
| Alice Eve | Marta Lynch | |
| Gal Gadot | Jill Pope |
Supporting
| Michael Pitt | Jan Strok (The Dutchmen) | |
| Jordi Molla | ||
| Antje Traue | ||
| Scott Adkins | ||
| Amaury Nolasco | Esteban Ruiza | |
| Danny Webb | Lewis Deane | |
| Colin Salmon | Warden | |
| Ryan Reynolds | Bill Pope | |
| Lara Decaro | Emma Pope | |
| Freddy Bosche | CIA Agent Pfeffer | |
| Emmanuel Imani | CIA Agent #2 | |
| Harry Hepple | CIA Tech | |
| Doug Cockle | Extraction Team Leader | |
| Steve Nicolson | SSBN Captain | |
| Gisella Marengo | Luggage Shop Saleswoman | |
| Mark Kempner | Black Cab Driver | |
| Michael Bodie | CIA Officer Laundry Team | |
| Sope Dirisu | SSBN Fire & Control | |
| Joshua James | Higgs | |
| Samantha Coughlan | Navy Officer | |
| David Avery | Kebab Clerk | |
| Joe Fidler | Radio Man Fred Bosh | |
| Michael A. Webber | Pawnbroker | |
| Katharine Gwen | Francoise | |
| Richard Reid | James Osborne | |
| Kelly Clare | Pedestrian | |
| Joanna Brookes | Librarian | |
| Matthew Steer | Librarian Patron | |
| Andrew Byron | Russian Sentry | |
| Elizabeth Ross | Mrs. Franks | |
| James Richard Marshall | Heimdahl’s Guard | |
| Henry Garrett | Air Force Technician | |
| Tim Woodward | Roderick Armstrong | |
| Lotte Rice | Bobby | |
| Nathan Osgood | Professor Callowell | |
| Sarah Middleton | Researcher | |
| Dragos Savulescu | Akhmadov | |
| Tamer Dogem | Kebab Cook | |
| Priyanga Burford | Pharmacist | |
| Diana Dimitrovici | Very Attractive Nurse | |
| Amina Zia | Indian Woman | |
| Rio Fredrika Debolla | Redhead Girl | |
| Steven Brand | News Anchor | |
| Natalie Marie Ames | Female News Anchor |
Cameo
| Piers Morgan | Himself |
Supporting
| Luca Giorgio Maggiora | Kebab Hooligan #1 | |
| Mark Smith* | Kebab Hooligan #2 | |
| Louis Tamone | MI-5 Officer | |
| Sophie Ross | CIA Tech #2 | |
| Samuel Turner O'Toole | Young Kid | |
| Mark Underwood | Heimdahl’s Man | |
| Ian Burfield | Fisherman / Father |
Production and Technical Credits
| Ariel Vromen | Director | |
| Douglas S. Cook | Screenwriter | |
| David Weisberg | Screenwriter | |
| Matt O'Toole | Producer | |
| Mark Gill | Producer | |
| Christa Campbell | Producer | |
| J.C. Spink | Producer | |
| Jake Weiner | Producer | |
| Boaz Davidson | Executive Producer | |
| John Thompson | Executive Producer | |
| Christine Otal | Executive Producer | |
| Avi Lerner | Executive Producer | |
| Trevor Short | Executive Producer | |
| Lati Grobman | Executive Producer | |
| Douglas Urbanski | Executive Producer | |
| Jason Bloom | Executive Producer | |
| Kevin King-Templeton | Executive Producer | |
| Samuel Hadida | Co-Executive Producer | |
| Victor Hadida | Co-Executive Producer | |
| Paul Ritchie | Co-Producer | |
| Dana Gonzales | Director of Photography | |
| Jon Henson | Production Designer | |
| Danny Rafic | Editor | |
| Jill Taylor | Costume Designer | |
| Brian Tyler | Composer | |
| Keith Power | Composer | |
| Elaine Grainger | Casting Director | |
| Tom Struthers | Stunt Coordinator | |
| Jason Potter | Associate Producer | |
| Wes C. Caefer | Visual Effects Supervisor | |
| Lucy Ward | Script Supervisor | |
| Grant Armstrong | Supervising Art Director | |
| David Hindle | Art Director | |
| Hannah Moseley | Art Director | |
| Robert Wischhusen-Hayes | Set Decorator | |
| Martin Trevis | Sound Mixer | |
| Cristina Sopena | Costume Supervisor | |
| Neil Corbould | Special Effects | |
| Hayley Williams | Special Effects Supervisor | |
| Jason Wheeler | Supervising Location Manager | |
| Nick Oliver | Location Manager | |
| Mark Grimwade | Location Manager | |
| Charlotte Mason | Location Manager | |
| Tom Struthers | Second Unit Director | |
| David Stragmeister | Second Unit Camera | |
| Gary Bourgeois | Re-recording Mixer | |
| Kris Casavant | Supervising Sound Editor | |
| Nati Taub | Sound Editor | |
| Ryan Nowak | Sound Designer | |
| Ronen Nagel | Sound Designer | |
| Gord Hillier | Dialogue Editor | |
| Ben Schor | Music Editor | |
| Selena Arizanovic | Music Supervisor | |
| Stanislav Dragiev | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of the right man in the wrong body. In a last-ditch effort to stop a diabolical plot, a dead CIA operative’s memories, secrets, and skills are implanted into an unpredictable and dangerous death-row inmate in hopes that he will complete the operative’s mission.
Metrics
| Opening Weekend: | $5,767,278 (39.2% of total gross) |
| Legs: | 2.55 (domestic box office/biggest weekend) |
| Domestic Share: | 37.9% (domestic box office/worldwide) |
| Production Budget: | $31,500,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 2,683 opening theaters/2,683 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,337,107 |
Movie Details
| Domestic Releases: | April 15th, 2016 (Wide) by Lionsgate |
| International Releases: | August 21st, 2015 (Wide) (Taiwan)
April 14th, 2016 (Wide) (Brazil) April 14th, 2016 (Wide) (Greece) April 14th, 2016 (Wide) (Iraq) April 14th, 2016 (Wide) (Italy) ... Show all releases |
| Video Release: | July 12th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong violence and language throughout. (Rating bulletin 2417 (Cert #49972), 3/23/2016) |
| Running Time: | 113 minutes |
| Plot point: | Anarchists, C.I.A., Faulty Memory, Hackers, Secret Agent |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Summit Entertainment, Millennium Films, Benderspink Productions, Campbell Grobman Films |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2016 | 6 | $5,767,278 | 2,683 | $2,150 | $5,767,278 | 1 | |
| Apr 22, 2016 | 7 | $3,116,777 | -46% | 2,683 | $1,162 | $10,881,263 | 2 |
| Apr 29, 2016 | 10 | $1,346,196 | -57% | 1,578 | $853 | $13,497,363 | 3 |
| May 6, 2016 | 18 | $299,238 | -78% | 517 | $579 | $14,268,533 | 4 |
| May 13, 2016 | 28 | $151,079 | -50% | 346 | $437 | $14,567,326 | 5 |
| May 20, 2016 | 42 | $45,310 | -70% | 142 | $319 | $14,688,078 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 15, 2016 | 6 | $2,049,390 | 2,683 | $764 | $2,049,390 | 1 | ||
| Apr 16, 2016 | 6 | $2,296,046 | +12% | 2,683 | $856 | $4,345,436 | 2 | |
| Apr 17, 2016 | 6 | $1,421,842 | -38% | 2,683 | $530 | $5,767,278 | 3 | |
| Apr 18, 2016 | 6 | $472,794 | -67% | 2,683 | $176 | $6,240,072 | 4 | |
| Apr 19, 2016 | 6 | $660,900 | +40% | 2,683 | $246 | $6,900,972 | 5 | |
| Apr 20, 2016 | 6 | $450,851 | -32% | 2,683 | $168 | $7,351,823 | 6 | |
| Apr 21, 2016 | 6 | $412,663 | -8% | 2,683 | $154 | $7,764,486 | 7 | |
| Apr 22, 2016 | 7 | $946,673 | +129% | -54% | 2,683 | $353 | $8,711,159 | 8 |
| Apr 23, 2016 | 7 | $1,342,661 | +42% | -42% | 2,683 | $500 | $10,053,820 | 9 |
| Apr 24, 2016 | 7 | $827,443 | -38% | -42% | 2,683 | $308 | $10,881,263 | 10 |
| Apr 25, 2016 | 7 | $289,344 | -65% | -39% | 2,683 | $108 | $11,170,607 | 11 |
| Apr 26, 2016 | 7 | $425,473 | +47% | -36% | 2,683 | $159 | $11,596,080 | 12 |
| Apr 27, 2016 | 7 | $306,235 | -28% | -32% | 2,683 | $114 | $11,902,315 | 13 |
| Apr 28, 2016 | 7 | $248,852 | -19% | -40% | 2,683 | $93 | $12,151,167 | 14 |
| Apr 29, 2016 | 10 | $364,923 | +47% | -61% | 1,578 | $231 | $12,516,090 | 15 |
| Apr 30, 2016 | 10 | $601,423 | +65% | -55% | 1,578 | $381 | $13,117,513 | 16 |
| May 1, 2016 | 10 | $379,850 | -37% | -54% | 1,578 | $241 | $13,497,363 | 17 |
| May 2, 2016 | 10 | $120,510 | -68% | -58% | 1,578 | $76 | $13,617,873 | 18 |
| May 3, 2016 | 10 | $154,850 | +28% | -64% | 1,578 | $98 | $13,772,723 | 19 |
| May 4, 2016 | 10 | $127,581 | -18% | -58% | 1,578 | $81 | $13,900,304 | 20 |
| May 5, 2016 | 11 | $68,991 | -46% | -72% | 1,578 | $44 | $13,969,295 | 21 |
| May 6, 2016 | - | $75,885 | +10% | -79% | 517 | $147 | $14,045,180 | 22 |
| May 7, 2016 | - | $116,135 | +53% | -81% | 517 | $225 | $14,161,315 | 23 |
| May 8, 2016 | - | $107,218 | -8% | -72% | 517 | $207 | $14,268,533 | 24 |
| May 9, 2016 | 15 | $37,086 | -65% | -69% | 517 | $72 | $14,305,619 | 25 |
| May 10, 2016 | - | $45,650 | +23% | -71% | 517 | $88 | $14,351,269 | 26 |
| May 11, 2016 | - | $36,035 | -21% | -72% | 517 | $70 | $14,387,304 | 27 |
| May 12, 2016 | - | $28,943 | -20% | -58% | 517 | $56 | $14,416,247 | 28 |
| May 13, 2016 | - | $40,406 | +40% | -47% | 346 | $117 | $14,456,653 | 29 |
| May 14, 2016 | - | $67,556 | +67% | -42% | 346 | $195 | $14,524,209 | 30 |
| May 15, 2016 | - | $43,117 | -36% | -60% | 346 | $125 | $14,567,326 | 31 |
| May 16, 2016 | - | $18,015 | -58% | -51% | 346 | $52 | $14,585,341 | 32 |
| May 17, 2016 | - | $23,923 | +33% | -48% | 346 | $69 | $14,609,264 | 33 |
| May 18, 2016 | - | $18,436 | -23% | -49% | 346 | $53 | $14,627,700 | 34 |
| May 19, 2016 | - | $15,068 | -18% | -48% | 346 | $44 | $14,642,768 | 35 |
| May 20, 2016 | - | $11,624 | -23% | -71% | 142 | $82 | $14,654,392 | 36 |
| May 21, 2016 | - | $18,454 | +59% | -73% | 142 | $130 | $14,672,846 | 37 |
| May 22, 2016 | - | $15,232 | -17% | -65% | 142 | $107 | $14,688,078 | 38 |
| May 23, 2016 | - | $4,544 | -70% | -75% | 142 | $32 | $14,692,622 | 39 |
| May 24, 2016 | - | $5,477 | +21% | -77% | 142 | $39 | $14,698,099 | 40 |
| May 25, 2016 | - | $5,398 | -1% | -71% | 142 | $38 | $14,703,497 | 41 |
| May 26, 2016 | - | $5,199 | -4% | -65% | 142 | $37 | $14,708,696 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2016 | 6 | $7,764,486 | 2,683 | $2,894 | $7,764,486 | 1 | |
| Apr 22, 2016 | 7 | $4,386,681 | -44% | 2,683 | $1,635 | $12,151,167 | 2 |
| Apr 29, 2016 | 10 | $1,818,128 | -59% | 1,578 | $1,152 | $13,969,295 | 3 |
| May 6, 2016 | 17 | $446,952 | -75% | 517 | $865 | $14,416,247 | 4 |
| May 13, 2016 | 28 | $226,521 | -49% | 346 | $655 | $14,642,768 | 5 |
| May 20, 2016 | 43 | $65,928 | -71% | 142 | $464 | $14,708,696 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/27/2016 | $100,859 | 52 | 52 | 97 | $168,658 | 4/4/2026 | |||
| Australia | 5/20/2016 | $3,034 | 10 | 10 | 10 | $3,034 | 6/9/2016 | |||
| Brazil | 4/14/2016 | $139,035 | 76 | 76 | 76 | $251,718 | 11/15/2018 | |||
| Bulgaria | 4/15/2016 | $15,631 | 31 | 31 | 31 | $15,631 | 12/31/2018 | |||
| China | 5/12/2016 | $7,900,000 | 32,538 | 32,538 | 40,702 | $15,772,274 | 8/27/2018 | |||
| France | 5/6/2016 | $575,766 | 0 | 0 | 0 | $1,260,288 | 10/2/2018 | |||
| Greece | 4/14/2016 | $52,520 | 47 | 47 | 47 | $52,520 | 6/9/2016 | |||
| Hungary | 4/21/2016 | $42,669 | 29 | 29 | 58 | $77,455 | 12/31/2018 | |||
| Iraq | 4/14/2016 | $6,770 | 4 | 4 | 4 | $6,770 | 12/31/2018 | |||
| Italy | 4/14/2016 | $449,529 | 272 | 272 | 544 | $508,399 | 4/4/2026 | |||
| Lebanon | 4/14/2016 | $14,722 | 6 | 6 | 6 | $14,722 | 12/31/2018 | |||
| Lithuania | 4/22/2016 | $0 | 0 | 40 | 44 | $28,315 | 6/9/2016 | |||
| Mexico | 7/22/2016 | $437,621 | 0 | 0 | 0 | $867,032 | 8/2/2016 | |||
| Netherlands | 8/24/2016 | $41,287 | 43 | 43 | 86 | $107,584 | 9/6/2016 | |||
| Oman | 4/14/2016 | $24,715 | 7 | 7 | 7 | $24,715 | 12/31/2018 | |||
| Portugal | 4/14/2016 | $62,971 | 33 | 33 | 132 | $191,194 | 6/9/2016 | |||
| Russia (CIS) | 4/14/2016 | $490,391 | 618 | 618 | 1,339 | $734,639 | 12/31/2018 | |||
| Slovenia | 4/28/2016 | $6,580 | 13 | 13 | 22 | $11,701 | 6/9/2016 | |||
| South Africa | 4/15/2016 | $29,359 | 35 | 35 | 35 | $29,359 | 6/9/2016 | |||
| South Korea | 6/22/2016 | $332,449 | 342 | 351 | 358 | $649,705 | 4/4/2026 | |||
| Spain | 9/2/2016 | $176,964 | 180 | 180 | 391 | $380,480 | 10/6/2016 | |||
| Taiwan | 8/21/2015 | $0 | 0 | 47 | 47 | $261,980 | 6/9/2016 | |||
| Turkey | 4/15/2016 | $78,303 | 150 | 150 | 242 | $229,002 | 2/26/2019 | |||
| United Arab Emirates | 4/14/2016 | $394,884 | 64 | 64 | 64 | $394,884 | 12/31/2018 | |||
| United Kingdom | 4/15/2016 | $353,108 | 277 | 277 | 290 | $7,567 | 4/4/2026 | |||
| Rest of World | $2,012,940 | |||||||||
| International Total | $24,062,566 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Kevin Costner | Jerico Stewart | |
| Gary Oldman | Quaker Wells | |
| Tommy Lee Jones | Dr. Franks | |
| Alice Eve | Marta Lynch | |
| Gal Gadot | Jill Pope |
Supporting
| Michael Pitt | Jan Strok (The Dutchmen) | |
| Jordi Molla | ||
| Antje Traue | ||
| Scott Adkins | ||
| Amaury Nolasco | Esteban Ruiza | |
| Danny Webb | Lewis Deane | |
| Colin Salmon | Warden | |
| Ryan Reynolds | Bill Pope | |
| Lara Decaro | Emma Pope | |
| Freddy Bosche | CIA Agent Pfeffer | |
| Emmanuel Imani | CIA Agent #2 | |
| Harry Hepple | CIA Tech | |
| Doug Cockle | Extraction Team Leader | |
| Steve Nicolson | SSBN Captain | |
| Gisella Marengo | Luggage Shop Saleswoman | |
| Mark Kempner | Black Cab Driver | |
| Michael Bodie | CIA Officer Laundry Team | |
| Sope Dirisu | SSBN Fire & Control | |
| Joshua James | Higgs | |
| Samantha Coughlan | Navy Officer | |
| David Avery | Kebab Clerk | |
| Joe Fidler | Radio Man Fred Bosh | |
| Michael A. Webber | Pawnbroker | |
| Katharine Gwen | Francoise | |
| Richard Reid | James Osborne | |
| Kelly Clare | Pedestrian | |
| Joanna Brookes | Librarian | |
| Matthew Steer | Librarian Patron | |
| Andrew Byron | Russian Sentry | |
| Elizabeth Ross | Mrs. Franks | |
| James Richard Marshall | Heimdahl’s Guard | |
| Henry Garrett | Air Force Technician | |
| Tim Woodward | Roderick Armstrong | |
| Lotte Rice | Bobby | |
| Nathan Osgood | Professor Callowell | |
| Sarah Middleton | Researcher | |
| Dragos Savulescu | Akhmadov | |
| Tamer Dogem | Kebab Cook | |
| Priyanga Burford | Pharmacist | |
| Diana Dimitrovici | Very Attractive Nurse | |
| Amina Zia | Indian Woman | |
| Rio Fredrika Debolla | Redhead Girl | |
| Steven Brand | News Anchor | |
| Natalie Marie Ames | Female News Anchor |
Cameo
| Piers Morgan | Himself |
Supporting
| Luca Giorgio Maggiora | Kebab Hooligan #1 | |
| Mark Smith* | Kebab Hooligan #2 | |
| Louis Tamone | MI-5 Officer | |
| Sophie Ross | CIA Tech #2 | |
| Samuel Turner O'Toole | Young Kid | |
| Mark Underwood | Heimdahl’s Man | |
| Ian Burfield | Fisherman / Father |
Production and Technical Credits
| Ariel Vromen | Director | |
| Douglas S. Cook | Screenwriter | |
| David Weisberg | Screenwriter | |
| Matt O'Toole | Producer | |
| Mark Gill | Producer | |
| Christa Campbell | Producer | |
| J.C. Spink | Producer | |
| Jake Weiner | Producer | |
| Boaz Davidson | Executive Producer | |
| John Thompson | Executive Producer | |
| Christine Otal | Executive Producer | |
| Avi Lerner | Executive Producer | |
| Trevor Short | Executive Producer | |
| Lati Grobman | Executive Producer | |
| Douglas Urbanski | Executive Producer | |
| Jason Bloom | Executive Producer | |
| Kevin King-Templeton | Executive Producer | |
| Samuel Hadida | Co-Executive Producer | |
| Victor Hadida | Co-Executive Producer | |
| Paul Ritchie | Co-Producer | |
| Dana Gonzales | Director of Photography | |
| Jon Henson | Production Designer | |
| Danny Rafic | Editor | |
| Jill Taylor | Costume Designer | |
| Brian Tyler | Composer | |
| Keith Power | Composer | |
| Elaine Grainger | Casting Director | |
| Tom Struthers | Stunt Coordinator | |
| Jason Potter | Associate Producer | |
| Wes C. Caefer | Visual Effects Supervisor | |
| Lucy Ward | Script Supervisor | |
| Grant Armstrong | Supervising Art Director | |
| David Hindle | Art Director | |
| Hannah Moseley | Art Director | |
| Robert Wischhusen-Hayes | Set Decorator | |
| Martin Trevis | Sound Mixer | |
| Cristina Sopena | Costume Supervisor | |
| Neil Corbould | Special Effects | |
| Hayley Williams | Special Effects Supervisor | |
| Jason Wheeler | Supervising Location Manager | |
| Nick Oliver | Location Manager | |
| Mark Grimwade | Location Manager | |
| Charlotte Mason | Location Manager | |
| Tom Struthers | Second Unit Director | |
| David Stragmeister | Second Unit Camera | |
| Gary Bourgeois | Re-recording Mixer | |
| Kris Casavant | Supervising Sound Editor | |
| Nati Taub | Sound Editor | |
| Ryan Nowak | Sound Designer | |
| Ronen Nagel | Sound Designer | |
| Gord Hillier | Dialogue Editor | |
| Ben Schor | Music Editor | |
| Selena Arizanovic | Music Supervisor | |
| Stanislav Dragiev | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.