Cutthroat Island (1995)
| Theatrical Performance | ||
| Domestic Box Office | $10,017,322 | Details |
| International Box Office | $8,500,000 | |
| Worldwide Box Office | $18,517,322 | |
| OpusData ID: 37250100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,371,415 (23.7% of total gross) |
| Legs: | 3.53 (domestic box office/biggest weekend) |
| Domestic Share: | 54.1% (domestic box office/worldwide) |
| Production Budget: | $92,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 1,619 opening theaters/1,619 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,937,246 |
Movie Details
| Domestic Releases: | December 22nd, 1995 (Wide) by MGM |
| Video Release: | May 22nd, 2007 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for some strong pirate action/violence and brief sensuality |
| Running Time: | 124 minutes |
| Cast, crew, or production detail: | Development Hell, Studio Sinkers |
| Plot point: | Dysfunctional Family, Kidnap, Pirates, Swashbuckler, Treasure Hunters |
| Social setting: | Slavery |
| Subgenre: | Chase Adventure |
| Time period setting: | 1600s |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States, Germany, France, Italy |
| Languages: | English, French, Spanish, Latin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 1995 | 11 | $2,371,415 | 1,619 | $1,465 | $2,371,415 | 1 | |
| Dec 29, 1995 | 15 | $2,834,190 | +20% | 1,619 | $1,751 | $7,215,860 | 2 |
| Jan 5, 1996 | 18 | $775,407 | -73% | 1,085 | $715 | $8,768,343 | 3 |
| Jan 12, 1996 | 33 | $192,018 | -75% | 210 | $914 | $9,267,576 | 4 |
| Jan 19, 1996 | 31 | $190,695 | -1% | 321 | $594 | $9,499,395 | 5 |
| Jan 26, 1996 | 38 | $132,743 | -30% | 378 | $351 | $9,704,549 | 6 |
| Feb 2, 1996 | 45 | $79,606 | -40% | 320 | $249 | $9,833,397 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 1995 | 13 | $4,381,670 | 1,619 | $2,706 | $4,381,670 | 1 | |
| Dec 29, 1995 | 15 | $3,611,266 | -18% | 1,619 | $2,231 | $7,992,936 | 2 |
| Jan 5, 1996 | 18 | $1,082,622 | -70% | 1,085 | $998 | $9,075,558 | 3 |
| Jan 12, 1996 | 33 | $233,142 | -78% | 210 | $1,110 | $9,308,700 | 4 |
| Jan 19, 1996 | 29 | $263,106 | +13% | 321 | $820 | $9,571,806 | 5 |
| Jan 26, 1996 | 35 | $181,985 | -31% | 378 | $481 | $9,753,791 | 6 |
| Christopher Masterson | Bowen | |
| David Bailie | Dawg's pirate | |
| Harris Yulin | Black Harry |
Leading
| Geena Davis | Morgan Adams |
Supporting
| Matthew Modine | William Shaw | |
| Frank Langella | Dawg Brown | |
| Maury Chaykin | John Reed |
Cameo
| Renny Harlin | Pirate with rifle |
Production and Technical Credits
| Renny Harlin | Director | |
| Robert King | Screenwriter | |
| Marc Norman | Screenwriter | |
| John Debney | Composer | |
| Neil Corbould | Special Effects | |
| Paolo Scalabrino | Assistant Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,371,415 (23.7% of total gross) |
| Legs: | 3.53 (domestic box office/biggest weekend) |
| Domestic Share: | 54.1% (domestic box office/worldwide) |
| Production Budget: | $92,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 1,619 opening theaters/1,619 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,937,246 |
Movie Details
| Domestic Releases: | December 22nd, 1995 (Wide) by MGM |
| Video Release: | May 22nd, 2007 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for some strong pirate action/violence and brief sensuality |
| Running Time: | 124 minutes |
| Cast, crew, or production detail: | Development Hell, Studio Sinkers |
| Plot point: | Dysfunctional Family, Kidnap, Pirates, Swashbuckler, Treasure Hunters |
| Social setting: | Slavery |
| Subgenre: | Chase Adventure |
| Time period setting: | 1600s |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States, Germany, France, Italy |
| Languages: | English, French, Spanish, Latin |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 1995 | 11 | $2,371,415 | 1,619 | $1,465 | $2,371,415 | 1 | |
| Dec 29, 1995 | 15 | $2,834,190 | +20% | 1,619 | $1,751 | $7,215,860 | 2 |
| Jan 5, 1996 | 18 | $775,407 | -73% | 1,085 | $715 | $8,768,343 | 3 |
| Jan 12, 1996 | 33 | $192,018 | -75% | 210 | $914 | $9,267,576 | 4 |
| Jan 19, 1996 | 31 | $190,695 | -1% | 321 | $594 | $9,499,395 | 5 |
| Jan 26, 1996 | 38 | $132,743 | -30% | 378 | $351 | $9,704,549 | 6 |
| Feb 2, 1996 | 45 | $79,606 | -40% | 320 | $249 | $9,833,397 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 1995 | 13 | $4,381,670 | 1,619 | $2,706 | $4,381,670 | 1 | |
| Dec 29, 1995 | 15 | $3,611,266 | -18% | 1,619 | $2,231 | $7,992,936 | 2 |
| Jan 5, 1996 | 18 | $1,082,622 | -70% | 1,085 | $998 | $9,075,558 | 3 |
| Jan 12, 1996 | 33 | $233,142 | -78% | 210 | $1,110 | $9,308,700 | 4 |
| Jan 19, 1996 | 29 | $263,106 | +13% | 321 | $820 | $9,571,806 | 5 |
| Jan 26, 1996 | 35 | $181,985 | -31% | 378 | $481 | $9,753,791 | 6 |
| Christopher Masterson | Bowen | |
| David Bailie | Dawg's pirate | |
| Harris Yulin | Black Harry |
Leading
| Geena Davis | Morgan Adams |
Supporting
| Matthew Modine | William Shaw | |
| Frank Langella | Dawg Brown | |
| Maury Chaykin | John Reed |
Cameo
| Renny Harlin | Pirate with rifle |
Production and Technical Credits
| Renny Harlin | Director | |
| Robert King | Screenwriter | |
| Marc Norman | Screenwriter | |
| John Debney | Composer | |
| Neil Corbould | Special Effects | |
| Paolo Scalabrino | Assistant Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.