Dark Angel (1990)
| Theatrical Performance | ||
| Domestic Box Office | $4,372,561 | Details |
| OpusData ID: 48130100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,912,421 (43.7% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 0.6 times production budget) |
| Theater counts: | 1,041 opening theaters/1,041 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,718,868 |
Movie Details
| Domestic Releases: | September 28th, 1990 (Wide) by Triumph Releasing |
| MPA Rating: | R |
| Running Time: | 91 minutes |
| Plot point: | Alien Encounters, Death of a Partner, Drug Dealer, FBI, Friendly Alien on Earth, Narcotics, Police Detective, Revenge, Surprise Twist |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Target audience: | Cult Movie |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 28, 1990 | 6 | $1,912,421 | 1,041 | $1,837 | $1,912,421 | 1 | |
| Oct 5, 1990 | 15 | $870,934 | -54% | 1,040 | $837 | $3,459,175 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 28, 1990 | 6 | $2,588,241 | 1,041 | $2,486 | $2,588,241 | 1 |
Leading
| Dolph Lundgren | Jack Caine | |
| Brian Benben | Arwood "Larry" Smith |
Supporting
| Betsy Brantley | Diane Pallone | |
| Matthias Hues | Talec | |
| Jay Bilas | Azeck | |
| Michael J. Pollard | Boner |
Production and Technical Credits
| Craig R. Baxley | Director | |
| Jonathan Tydor | Screenwriter | |
| David Koepp | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $1,912,421 (43.7% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 0.6 times production budget) |
| Theater counts: | 1,041 opening theaters/1,041 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,718,868 |
Movie Details
| Domestic Releases: | September 28th, 1990 (Wide) by Triumph Releasing |
| MPA Rating: | R |
| Running Time: | 91 minutes |
| Plot point: | Alien Encounters, Death of a Partner, Drug Dealer, FBI, Friendly Alien on Earth, Narcotics, Police Detective, Revenge, Surprise Twist |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Target audience: | Cult Movie |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 28, 1990 | 6 | $1,912,421 | 1,041 | $1,837 | $1,912,421 | 1 | |
| Oct 5, 1990 | 15 | $870,934 | -54% | 1,040 | $837 | $3,459,175 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 28, 1990 | 6 | $2,588,241 | 1,041 | $2,486 | $2,588,241 | 1 |
Leading
| Dolph Lundgren | Jack Caine | |
| Brian Benben | Arwood "Larry" Smith |
Supporting
| Betsy Brantley | Diane Pallone | |
| Matthias Hues | Talec | |
| Jay Bilas | Azeck | |
| Michael J. Pollard | Boner |
Production and Technical Credits
| Craig R. Baxley | Director | |
| Jonathan Tydor | Screenwriter | |
| David Koepp | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.