Dead Man (1996)
| Theatrical Performance | ||
| Domestic Box Office | $1,025,488 | Details |
| International Box Office | $52,576 | Details |
| Worldwide Box Office | $1,078,064 | |
| OpusData ID: 61420100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $104,649 (10.2% of total gross) |
| Legs: | 7.26 (domestic box office/biggest weekend) |
| Domestic Share: | 95.1% (domestic box office/worldwide) |
| Theater counts: | 16 opening theaters/37 max. theaters, 7.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,624,033 |
Movie Details
| Domestic Releases: | May 10th, 1996 (Wide) by Miramax |
| International Releases: | July 27th, 2017 (Wide), released as МЕРТВЕЦ (Russia (CIS))
July 12th, 2019 (Wide), released as Ölü Adam (Turkey) November 25th, 2021 (Wide), released as Мертвец (Russia (CIS)) |
| Video Release: | December 19th, 2000 by Miramax Video |
| MPA Rating: | R for moments of strong violence, a graphic sex scene and some language |
| Running Time: | 120 minutes |
| Cast, crew, or production detail: | Retro Black and White |
| Plot point: | Bigotry, Bounty Hunter, Cannibalism, Fugitive / On the Run, Hitmen, Religious |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | 12-Gauge Productions |
| Production Countries: | United States |
| Languages: | English, Cree |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 1996 | 38 | $104,649 | 16 | $6,541 | $104,649 | 1 | |
| May 17, 1996 | 41 | $95,239 | -9% | 24 | $3,968 | $259,452 | 2 |
| May 24, 1996 | 39 | $141,313 | +48% | 35 | $4,038 | $451,203 | 3 |
| May 31, 1996 | 40 | $67,416 | -52% | 31 | $2,175 | $566,726 | 4 |
| Jun 7, 1996 | 41 | $59,168 | -12% | 27 | $2,191 | $671,754 | 5 |
| Jun 14, 1996 | 40 | $53,518 | -10% | 37 | $1,446 | $760,129 | 6 |
| Jun 21, 1996 | 40 | $36,800 | -31% | 31 | $1,187 | $827,370 | 7 |
| Jun 28, 1996 | 38 | $65,852 | +79% | 27 | $2,439 | $913,229 | 8 |
| Jul 5, 1996 | 45 | $44,281 | -33% | 20 | $2,214 | $970,030 | 9 |
| Jul 12, 1996 | 45 | $21,697 | -51% | 18 | $1,205 | $1,025,488 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 1996 | 38 | $164,213 | 16 | $10,263 | $164,213 | 1 | |
| May 17, 1996 | 35 | $145,677 | -11% | 24 | $6,070 | $309,890 | 2 |
| May 24, 1996 | 36 | $189,420 | +30% | 35 | $5,412 | $499,310 | 3 |
| May 31, 1996 | 37 | $113,276 | -40% | 31 | $3,654 | $612,586 | 4 |
| Jun 7, 1996 | 37 | $94,025 | -17% | 27 | $3,482 | $706,611 | 5 |
| Jun 14, 1996 | 34 | $83,959 | -11% | 37 | $2,269 | $790,570 | 6 |
| Jun 21, 1996 | 40 | $56,807 | -32% | 31 | $1,832 | $847,377 | 7 |
| Jun 28, 1996 | 35 | $78,372 | +38% | 27 | $2,903 | $925,749 | 8 |
| Jul 5, 1996 | 37 | $78,042 | n/c | 20 | $3,902 | $1,003,791 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 7/27/2017 | $0 | 0 | 141 | 144 | $29,205 | 4/4/2026 | |||
| Turkey | 7/12/2019 | $3,965 | 19 | 19 | 68 | $17,552 | 10/19/2022 | |||
| Rest of World | $5,819 | |||||||||
| International Total | $52,576 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Johnny Depp | William Blake |
Supporting
| Gary Farmer | Nobody | |
| Lance Henriksen | Cole Wilson | |
| Michael Wincott | Conway Twill | |
| Eugene Byrd | Johnny 'The Kid' Pickett | |
| Mili Avital | Thell Russell | |
| Crispin Glover | Train Fireman | |
| Iggy Pop | Salvatore 'Sally' Jenko | |
| Billy Bob Thornton | Big George Drakoulious | |
| Jared Harris | Benmont Tench | |
| Gabriel Byrne | Charlie Dickinson | |
| John Hurt | John Scholfield | |
| Alfred Molina | Trading Post Missionary | |
| Robert Mitchum | John Dickinson | |
| Jimmie Ray Weeks | Marvin, Older Marshall | |
| Mark Bringelson | Lee, Younger Marshall | |
| Gibby Haines | Man with Gun Alley | |
| George Duckworth | Man at End of Street | |
| Richard Boes | Man with Wrench | |
| Mike Dawson | Old Man with Wanted Poster | |
| John Pattison | 1st Man at Trading | |
| Todd Pfeiffer | 2nd Man a Trading Post | |
| Leonard Bowechop | Makah Village | |
| Cecil Cheeka | Villager | |
| Michael McCarty | Villager | |
| Thomas Bettles | First Young Nobody | |
| Daniel Chas Stacy | Second Young Nobody | |
| Peter Schrum | Drunk | |
| John North | Mr. Olafsen |
Production and Technical Credits
| Jim Jarmusch | Director | |
| Jim Jarmusch | Screenwriter | |
| Demetra J. MacBride | Producer | |
| Robby Müller | Director of Photography | |
| Jay Rabinowitz | Editor | |
| Neil Young | Composer | |
| Marit Allen | Costume Designer | |
| Robert Ziembicki* | Production Designer | |
| Karen Koch | Co-Producer | |
| Todd Pfeiffer | Assistant Director | |
| Cris Lombardi | Second Unit Director | |
| Beth De Patie | Production Manager | |
| Ted Berner | Art Director | |
| Dayna Lee | Set Decorator | |
| Chris Lombardi | Second Unit Camera | |
| Randall Balsmeyer | Visual Effects Supervisor | |
| Lou Carlucci | Special Effects Coordinator | |
| Jon Farhat | Digital Effects Supervisor | |
| Susie Money | Costume Designer | |
| Drew Kunin | Sound Mixer | |
| Keith Culbertson | Re-recording Mixer | |
| Hextro | Re-recording Mixer | |
| Bob Hein | Supervising Sound Editor | |
| Eugene Gearty | Sound Effects Editor | |
| Magdaline Volaitis | Sound Effects Editor | |
| Sylvia Menno | Dialogue Editor | |
| Neal Martz | Makeup | |
| Scott W. Farley | Hairstylist | |
| Ellen Lewis | Casting Director | |
| Laura Rosenthal | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $104,649 (10.2% of total gross) |
| Legs: | 7.26 (domestic box office/biggest weekend) |
| Domestic Share: | 95.1% (domestic box office/worldwide) |
| Theater counts: | 16 opening theaters/37 max. theaters, 7.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,624,033 |
Movie Details
| Domestic Releases: | May 10th, 1996 (Wide) by Miramax |
| International Releases: | July 27th, 2017 (Wide), released as МЕРТВЕЦ (Russia (CIS))
July 12th, 2019 (Wide), released as Ölü Adam (Turkey) November 25th, 2021 (Wide), released as Мертвец (Russia (CIS)) |
| Video Release: | December 19th, 2000 by Miramax Video |
| MPA Rating: | R for moments of strong violence, a graphic sex scene and some language |
| Running Time: | 120 minutes |
| Cast, crew, or production detail: | Retro Black and White |
| Plot point: | Bigotry, Bounty Hunter, Cannibalism, Fugitive / On the Run, Hitmen, Religious |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | 12-Gauge Productions |
| Production Countries: | United States |
| Languages: | English, Cree |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 1996 | 38 | $104,649 | 16 | $6,541 | $104,649 | 1 | |
| May 17, 1996 | 41 | $95,239 | -9% | 24 | $3,968 | $259,452 | 2 |
| May 24, 1996 | 39 | $141,313 | +48% | 35 | $4,038 | $451,203 | 3 |
| May 31, 1996 | 40 | $67,416 | -52% | 31 | $2,175 | $566,726 | 4 |
| Jun 7, 1996 | 41 | $59,168 | -12% | 27 | $2,191 | $671,754 | 5 |
| Jun 14, 1996 | 40 | $53,518 | -10% | 37 | $1,446 | $760,129 | 6 |
| Jun 21, 1996 | 40 | $36,800 | -31% | 31 | $1,187 | $827,370 | 7 |
| Jun 28, 1996 | 38 | $65,852 | +79% | 27 | $2,439 | $913,229 | 8 |
| Jul 5, 1996 | 45 | $44,281 | -33% | 20 | $2,214 | $970,030 | 9 |
| Jul 12, 1996 | 45 | $21,697 | -51% | 18 | $1,205 | $1,025,488 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 1996 | 38 | $164,213 | 16 | $10,263 | $164,213 | 1 | |
| May 17, 1996 | 35 | $145,677 | -11% | 24 | $6,070 | $309,890 | 2 |
| May 24, 1996 | 36 | $189,420 | +30% | 35 | $5,412 | $499,310 | 3 |
| May 31, 1996 | 37 | $113,276 | -40% | 31 | $3,654 | $612,586 | 4 |
| Jun 7, 1996 | 37 | $94,025 | -17% | 27 | $3,482 | $706,611 | 5 |
| Jun 14, 1996 | 34 | $83,959 | -11% | 37 | $2,269 | $790,570 | 6 |
| Jun 21, 1996 | 40 | $56,807 | -32% | 31 | $1,832 | $847,377 | 7 |
| Jun 28, 1996 | 35 | $78,372 | +38% | 27 | $2,903 | $925,749 | 8 |
| Jul 5, 1996 | 37 | $78,042 | n/c | 20 | $3,902 | $1,003,791 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 7/27/2017 | $0 | 0 | 141 | 144 | $29,205 | 4/4/2026 | |||
| Turkey | 7/12/2019 | $3,965 | 19 | 19 | 68 | $17,552 | 10/19/2022 | |||
| Rest of World | $5,819 | |||||||||
| International Total | $52,576 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Johnny Depp | William Blake |
Supporting
| Gary Farmer | Nobody | |
| Lance Henriksen | Cole Wilson | |
| Michael Wincott | Conway Twill | |
| Eugene Byrd | Johnny 'The Kid' Pickett | |
| Mili Avital | Thell Russell | |
| Crispin Glover | Train Fireman | |
| Iggy Pop | Salvatore 'Sally' Jenko | |
| Billy Bob Thornton | Big George Drakoulious | |
| Jared Harris | Benmont Tench | |
| Gabriel Byrne | Charlie Dickinson | |
| John Hurt | John Scholfield | |
| Alfred Molina | Trading Post Missionary | |
| Robert Mitchum | John Dickinson | |
| Jimmie Ray Weeks | Marvin, Older Marshall | |
| Mark Bringelson | Lee, Younger Marshall | |
| Gibby Haines | Man with Gun Alley | |
| George Duckworth | Man at End of Street | |
| Richard Boes | Man with Wrench | |
| Mike Dawson | Old Man with Wanted Poster | |
| John Pattison | 1st Man at Trading | |
| Todd Pfeiffer | 2nd Man a Trading Post | |
| Leonard Bowechop | Makah Village | |
| Cecil Cheeka | Villager | |
| Michael McCarty | Villager | |
| Thomas Bettles | First Young Nobody | |
| Daniel Chas Stacy | Second Young Nobody | |
| Peter Schrum | Drunk | |
| John North | Mr. Olafsen |
Production and Technical Credits
| Jim Jarmusch | Director | |
| Jim Jarmusch | Screenwriter | |
| Demetra J. MacBride | Producer | |
| Robby Müller | Director of Photography | |
| Jay Rabinowitz | Editor | |
| Neil Young | Composer | |
| Marit Allen | Costume Designer | |
| Robert Ziembicki* | Production Designer | |
| Karen Koch | Co-Producer | |
| Todd Pfeiffer | Assistant Director | |
| Cris Lombardi | Second Unit Director | |
| Beth De Patie | Production Manager | |
| Ted Berner | Art Director | |
| Dayna Lee | Set Decorator | |
| Chris Lombardi | Second Unit Camera | |
| Randall Balsmeyer | Visual Effects Supervisor | |
| Lou Carlucci | Special Effects Coordinator | |
| Jon Farhat | Digital Effects Supervisor | |
| Susie Money | Costume Designer | |
| Drew Kunin | Sound Mixer | |
| Keith Culbertson | Re-recording Mixer | |
| Hextro | Re-recording Mixer | |
| Bob Hein | Supervising Sound Editor | |
| Eugene Gearty | Sound Effects Editor | |
| Magdaline Volaitis | Sound Effects Editor | |
| Sylvia Menno | Dialogue Editor | |
| Neal Martz | Makeup | |
| Scott W. Farley | Hairstylist | |
| Ellen Lewis | Casting Director | |
| Laura Rosenthal | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.