The End of Time (2012)

The End of Time
Theatrical Performance
Domestic Box Office $13,056Details
Further financial details...

Synopsis

Peter Mettler's new film combines elements of documentary, essay, and experimental cinema to create a tour de force that challenges our conception of time - and perhaps the very fabric of our existence. With stunning cinematography and a knack for capturing astonishing moments, The End of Time travels the planet - from the CERN particle accelerator outside Geneva to the lava flows of Hawaii; from a disintegrating Detroit where Henry Ford built his first factory to the tree where Buddha was enlightened. Both mind-expanding and eerily familiar, Mettler's provocative film explores the links between renewal and destruction, between primordial mysticism and the furthest reaches of modern science, giving the viewer a transcendent cinematic experience.

Metrics

Opening Weekend:$3,751 (28.7% of total gross)
Legs:3.48 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/2 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $17,668

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 16,101-16,200) 16,118 $13,056
All Time Worldwide Box Office (Rank 31,701-31,800) 31,750 $13,056
All Time Domestic Highest Grossing Limited Release Movies (Rank 7,401-7,500) 7,486 $13,056

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: December 14th, 2012 (Limited) by Mongrel Media (Canada)
November 29th, 2013 (Limited) by First Run Features
International Releases: December 14th, 2012 (Limited) (Canada)
MPAA Rating: Not Rated
Running Time: 114 minutes
Comparisons: Create your own comparison chart…
Keywords: Directing Yourself, Voiceover/Narration, Academics
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: First Run Features
Production Countries: Canada
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 61st Weekend Limited Release 19 $492 Feb 7, 2014 423
Biggest 57th Weekend Limited Release 19 $370 Jan 10, 2014 395
Biggest 51st Weekend Limited Release 25 $1,468 Nov 29, 2013 353

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2012 74 $3,751   2 $1,876   $10,292 1
Nov 29, 2013 71 $1,468   1 $1,468   $11,760 51
Jan 10, 2014 70 $370   1 $370   $12,130 57
Feb 7, 2014 76 $492   1 $492   $12,772 61

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2012 76 $6,294   2 $3,147   $12,835 1
Nov 29, 2013 64 $2,764   1 $2,764   $13,056 51
Jan 10, 2014 69 $395   1 $395   $12,155 57
Jan 17, 2014 63 $125 -68% 1 $125   $12,280 58
Feb 7, 2014 73 $492   1 $492   $12,772 61

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Canada 12/14/2012 $0 0 0 0 $0
 
International Total$0

Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Interviewee(s)

George Mikenberg    Himself
Henry Flora    Himself
Freya Blekman    Herself
Claire Timlin    Herself
Federico Antinori    Himself
Mitzi Mitzi    Herself
Jack Thompson    Himself
Donald G. Weir    Himself
June Y Tanoue    Herself
Kiku Sakai    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Peter Mettler    Director
Peter Mettler    Screenwriter
Cornelia Seitler    Producer
Ingrid Veninger    Producer
Brigitte Hofer    Producer
Gerry Flahive    Producer
Peter Mettler    Editor
Roland Schlimme    Editor
Gabriel Scotti    Composer
Vincent Hanni    Composer
Peter Mettler    Director of Photography

Per Theater Chart: Hobbit Reaches the Top

December 18th, 2012

The Hobbit: An Unexpected Journey easily led the way on the per theater chart. In fact, it was the only film to top $10,000. The film pulled in an average of $20,919, which is great for this time of year. The best new release was Let Fury Have the Hour, which only managed $3,386 in its lone theater. More...

Any Day is a Good Day for Limited Releases

December 14th, 2012

It is another busy week for limited releases, including some that are earning overwhelmingly positive reviews. Unfortunately, like it usually is at this time of year, unless a limited release is earning Oscar buzz, it is very unlikely to find an audience in limited release. Any Day Now is the film I have the highest hopes for, but even for a film with 88% positive reviews, it will be a challenge. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Peter Mettler's new film combines elements of documentary, essay, and experimental cinema to create a tour de force that challenges our conception of time - and perhaps the very fabric of our existence. With stunning cinematography and a knack for capturing astonishing moments, The End of Time travels the planet - from the CERN particle accelerator outside Geneva to the lava flows of Hawaii; from a disintegrating Detroit where Henry Ford built his first factory to the tree where Buddha was enlightened. Both mind-expanding and eerily familiar, Mettler's provocative film explores the links between renewal and destruction, between primordial mysticism and the furthest reaches of modern science, giving the viewer a transcendent cinematic experience.

Metrics

Opening Weekend:$3,751 (28.7% of total gross)
Legs:3.48 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/2 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $17,668

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 16,101-16,200) 16,118 $13,056
All Time Worldwide Box Office (Rank 31,701-31,800) 31,750 $13,056
All Time Domestic Highest Grossing Limited Release Movies (Rank 7,401-7,500) 7,486 $13,056

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: December 14th, 2012 (Limited) by Mongrel Media (Canada)
November 29th, 2013 (Limited) by First Run Features
International Releases: December 14th, 2012 (Limited) (Canada)
MPAA Rating: Not Rated
Running Time: 114 minutes
Comparisons: Create your own comparison chart…
Keywords: Directing Yourself, Voiceover/Narration, Academics
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: First Run Features
Production Countries: Canada
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 61st Weekend Limited Release 19 $492 Feb 7, 2014 423
Biggest 57th Weekend Limited Release 19 $370 Jan 10, 2014 395
Biggest 51st Weekend Limited Release 25 $1,468 Nov 29, 2013 353

Interviewee(s)

George Mikenberg    Himself
Henry Flora    Himself
Freya Blekman    Herself
Claire Timlin    Herself
Federico Antinori    Himself
Mitzi Mitzi    Herself
Jack Thompson    Himself
Donald G. Weir    Himself
June Y Tanoue    Herself
Kiku Sakai    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Peter Mettler    Director
Peter Mettler    Screenwriter
Cornelia Seitler    Producer
Ingrid Veninger    Producer
Brigitte Hofer    Producer
Gerry Flahive    Producer
Peter Mettler    Editor
Roland Schlimme    Editor
Gabriel Scotti    Composer
Vincent Hanni    Composer
Peter Mettler    Director of Photography

Per Theater Chart: Hobbit Reaches the Top

December 18th, 2012

The Hobbit: An Unexpected Journey easily led the way on the per theater chart. In fact, it was the only film to top $10,000. The film pulled in an average of $20,919, which is great for this time of year. The best new release was Let Fury Have the Hour, which only managed $3,386 in its lone theater. More...

Any Day is a Good Day for Limited Releases

December 14th, 2012

It is another busy week for limited releases, including some that are earning overwhelmingly positive reviews. Unfortunately, like it usually is at this time of year, unless a limited release is earning Oscar buzz, it is very unlikely to find an audience in limited release. Any Day Now is the film I have the highest hopes for, but even for a film with 88% positive reviews, it will be a challenge. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2012 74 $3,751   2 $1,876   $10,292 1
Nov 29, 2013 71 $1,468   1 $1,468   $11,760 51
Jan 10, 2014 70 $370   1 $370   $12,130 57
Feb 7, 2014 76 $492   1 $492   $12,772 61

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2012 76 $6,294   2 $3,147   $12,835 1
Nov 29, 2013 64 $2,764   1 $2,764   $13,056 51
Jan 10, 2014 69 $395   1 $395   $12,155 57
Jan 17, 2014 63 $125 -68% 1 $125   $12,280 58
Feb 7, 2014 73 $492   1 $492   $12,772 61

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Canada 12/14/2012 $0 0 0 0 $0
 
International Total$0

Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.