Father’s Day (1997)
| Theatrical Performance | ||
| Domestic Box Office | $28,681,080 | Details |
| International Box Office | $7,000,000 | |
| Worldwide Box Office | $35,681,080 | |
| OpusData ID: 19420100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $8,776,159 (30.6% of total gross) |
| Legs: | 3.27 (domestic box office/biggest weekend) |
| Domestic Share: | 80.4% (domestic box office/worldwide) |
| Production Budget: | $85,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2,482 opening theaters/2,507 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $70,671,677 |
Movie Details
| Domestic Releases: | May 9th, 1997 (Wide) by Warner Bros., released as Father's Day |
| Video Release: | June 25th, 2019 by Kino Lorber, released as Father's Day |
| MPA Rating: | PG-13 for some sex-related humor and drug references |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Gratuitous Cameos, Remake |
| Plot point: | Depression, Dysfunctional Family, First Love, Lawyers, Road Trip, Romance, Runaway, Unexpected Families, Writing and Writers |
| Subgenre: | Family Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Silver Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 1997 | 2 | $8,776,159 | 2,482 | $3,536 | $8,776,159 | 1 | |
| May 16, 1997 | 2 | $6,108,652 | -30% | 2,507 | $2,437 | $17,207,686 | 2 |
| May 23, 1997 | 6 | $4,715,232 | -23% | 2,504 | $1,883 | $23,660,211 | 3 |
| May 30, 1997 | 9 | $1,604,640 | -66% | 2,151 | $746 | $25,978,323 | 4 |
| Jun 6, 1997 | 15 | $480,113 | -70% | 1,108 | $433 | $27,049,292 | 5 |
| Jun 13, 1997 | 18 | $342,396 | -29% | 646 | $530 | $27,626,230 | 6 |
| Jun 20, 1997 | 29 | $150,150 | -56% | 303 | $496 | $27,900,815 | 7 |
| Jun 27, 1997 | 17 | $289,722 | +93% | 610 | $475 | $28,259,845 | 8 |
| Jul 4, 1997 | 23 | $123,299 | -57% | 276 | $447 | $28,530,595 | 9 |
| Jul 11, 1997 | 47 | $27,597 | -78% | 78 | $354 | $28,625,973 | 10 |
| Jul 18, 1997 | 60 | $14,589 | -47% | 38 | $384 | $28,659,604 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 1997 | 2 | $11,099,034 | 2,482 | $4,472 | $11,099,034 | 1 | |
| May 16, 1997 | 2 | $7,845,945 | -29% | 2,507 | $3,130 | $18,944,979 | 2 |
| May 23, 1997 | 6 | $5,428,704 | -31% | 2,504 | $2,168 | $24,373,683 | 3 |
| May 30, 1997 | 9 | $2,195,496 | -60% | 2,151 | $1,021 | $26,569,179 | 4 |
| Jun 6, 1997 | 15 | $714,655 | -67% | 1,108 | $645 | $27,283,834 | 5 |
| Jun 13, 1997 | 22 | $466,831 | -35% | 646 | $723 | $27,750,665 | 6 |
| Jun 20, 1997 | 30 | $219,458 | -53% | 303 | $724 | $27,970,123 | 7 |
| Jun 27, 1997 | 18 | $437,173 | +99% | 610 | $717 | $28,407,296 | 8 |
| Jul 4, 1997 | 24 | $191,080 | -56% | 276 | $692 | $28,598,376 | 9 |
| Jul 11, 1997 | 45 | $46,639 | -76% | 78 | $598 | $28,645,015 | 10 |
Leading
| Robin Williams | Dale Putley | |
| Billy Crystal | Jack Lawrence |
Supporting
| Julia Louis-Dreyfus | Carrie Lawrence | |
| Nastassja Kinski | Collette Andrews |
Cameo
| Mel Gibson | Scott the Body-Piercer (cameo) |
Supporting
| Bruce Greenwood | Bob Andrews | |
| Mary McCormack | Woman with broken car (uncredited) | |
| Jared Harris | Lee | |
| Patti D’Arbanville | Shirley Trainor | |
| Jason Reitman | Wrong Kid in Alley |
Production and Technical Credits
| Ivan Reitman | Director | |
| James Newton Howard | Composer | |
| Gary Bourgeois | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $8,776,159 (30.6% of total gross) |
| Legs: | 3.27 (domestic box office/biggest weekend) |
| Domestic Share: | 80.4% (domestic box office/worldwide) |
| Production Budget: | $85,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2,482 opening theaters/2,507 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $70,671,677 |
Movie Details
| Domestic Releases: | May 9th, 1997 (Wide) by Warner Bros., released as Father's Day |
| Video Release: | June 25th, 2019 by Kino Lorber, released as Father's Day |
| MPA Rating: | PG-13 for some sex-related humor and drug references |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Gratuitous Cameos, Remake |
| Plot point: | Depression, Dysfunctional Family, First Love, Lawyers, Road Trip, Romance, Runaway, Unexpected Families, Writing and Writers |
| Subgenre: | Family Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Silver Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 1997 | 2 | $8,776,159 | 2,482 | $3,536 | $8,776,159 | 1 | |
| May 16, 1997 | 2 | $6,108,652 | -30% | 2,507 | $2,437 | $17,207,686 | 2 |
| May 23, 1997 | 6 | $4,715,232 | -23% | 2,504 | $1,883 | $23,660,211 | 3 |
| May 30, 1997 | 9 | $1,604,640 | -66% | 2,151 | $746 | $25,978,323 | 4 |
| Jun 6, 1997 | 15 | $480,113 | -70% | 1,108 | $433 | $27,049,292 | 5 |
| Jun 13, 1997 | 18 | $342,396 | -29% | 646 | $530 | $27,626,230 | 6 |
| Jun 20, 1997 | 29 | $150,150 | -56% | 303 | $496 | $27,900,815 | 7 |
| Jun 27, 1997 | 17 | $289,722 | +93% | 610 | $475 | $28,259,845 | 8 |
| Jul 4, 1997 | 23 | $123,299 | -57% | 276 | $447 | $28,530,595 | 9 |
| Jul 11, 1997 | 47 | $27,597 | -78% | 78 | $354 | $28,625,973 | 10 |
| Jul 18, 1997 | 60 | $14,589 | -47% | 38 | $384 | $28,659,604 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 1997 | 2 | $11,099,034 | 2,482 | $4,472 | $11,099,034 | 1 | |
| May 16, 1997 | 2 | $7,845,945 | -29% | 2,507 | $3,130 | $18,944,979 | 2 |
| May 23, 1997 | 6 | $5,428,704 | -31% | 2,504 | $2,168 | $24,373,683 | 3 |
| May 30, 1997 | 9 | $2,195,496 | -60% | 2,151 | $1,021 | $26,569,179 | 4 |
| Jun 6, 1997 | 15 | $714,655 | -67% | 1,108 | $645 | $27,283,834 | 5 |
| Jun 13, 1997 | 22 | $466,831 | -35% | 646 | $723 | $27,750,665 | 6 |
| Jun 20, 1997 | 30 | $219,458 | -53% | 303 | $724 | $27,970,123 | 7 |
| Jun 27, 1997 | 18 | $437,173 | +99% | 610 | $717 | $28,407,296 | 8 |
| Jul 4, 1997 | 24 | $191,080 | -56% | 276 | $692 | $28,598,376 | 9 |
| Jul 11, 1997 | 45 | $46,639 | -76% | 78 | $598 | $28,645,015 | 10 |
Leading
| Robin Williams | Dale Putley | |
| Billy Crystal | Jack Lawrence |
Supporting
| Julia Louis-Dreyfus | Carrie Lawrence | |
| Nastassja Kinski | Collette Andrews |
Cameo
| Mel Gibson | Scott the Body-Piercer (cameo) |
Supporting
| Bruce Greenwood | Bob Andrews | |
| Mary McCormack | Woman with broken car (uncredited) | |
| Jared Harris | Lee | |
| Patti D’Arbanville | Shirley Trainor | |
| Jason Reitman | Wrong Kid in Alley |
Production and Technical Credits
| Ivan Reitman | Director | |
| James Newton Howard | Composer | |
| Gary Bourgeois | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.