The Fits (2016)
| Theatrical Performance | ||
| Domestic Box Office | $166,425 | Details |
| International Box Office | $2,817 | Details |
| Worldwide Box Office | $169,242 | |
| OpusData ID: 260810100 More info... | ||
| Further financial details... | ||
Synopsis
Eleven-year-old tomboy Toni is bewitched by the tight-knit dance team she sees practicing in the same Cincinnati gymnasium where she boxes. Enamored by the power and confidence of the strong community of girls, Toni spends less and less time boxing with her older brother, and instead eagerly absorbs the dance routines and masters drills from a distance, and even pierces her own ears in an effort to fit in. But when a mysterious outbreak of fainting spells plagues the team, Toni’s desire for acceptance becomes more complicated.
Metrics
| Opening Weekend: | $10,602 (6.4% of total gross) |
| Legs: | 6.63 (domestic box office/biggest weekend) |
| Domestic Share: | 98.3% (domestic box office/worldwide) |
| Production Budget: | $170,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 1 opening theaters/20 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $230,110 |
Movie Details
| Domestic Releases: | June 3rd, 2016 (Limited) by Oscilloscope Pictures |
| International Releases: | August 26th, 2016 (Wide), released as Fits, The (New Zealand)
February 24th, 2017 (Wide) (United Kingdom) |
| Video Release: | August 16th, 2016 by Oscilloscope Video |
| MPA Rating: | Not Rated |
| Running Time: | 72 minutes |
| Plot point: | African Americans, Boxing, Dancing, Sick Child, Teachers |
| Social setting: | Elementary School, Epidemic |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Oscilloscope Laboratories, La Biennale Di Venezia |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 3, 2016 | 48 | $10,602 | 1 | $10,602 | $10,602 | 1 | |
| Jun 10, 2016 | 49 | $14,473 | +37% | 4 | $3,618 | $30,322 | 2 |
| Jun 17, 2016 | 52 | $11,672 | -19% | 7 | $1,667 | $49,119 | 3 |
| Jun 24, 2016 | 42 | $25,092 | +115% | 20 | $1,255 | $80,848 | 4 |
| Jul 1, 2016 | 54 | $12,500 | -50% | 10 | $1,250 | $109,307 | 5 |
| Jul 8, 2016 | 58 | $8,500 | -32% | 8 | $1,063 | $124,292 | 6 |
| Jul 15, 2016 | 70 | $3,504 | -59% | 5 | $701 | $130,833 | 7 |
| Sep 16, 2016 | 90 | $4,873 | 1 | $4,873 | $166,425 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 3, 2016 | 52 | $15,849 | 1 | $15,849 | $15,849 | 1 | |
| Jun 10, 2016 | 52 | $21,598 | +36% | 4 | $5,400 | $37,447 | 2 |
| Jun 17, 2016 | 53 | $18,309 | -15% | 7 | $2,616 | $55,756 | 3 |
| Jun 24, 2016 | 43 | $41,051 | +124% | 20 | $2,053 | $96,807 | 4 |
| Jul 1, 2016 | 57 | $18,985 | -54% | 11 | $1,726 | $115,792 | 5 |
| Jul 8, 2016 | 63 | $11,537 | -39% | 9 | $1,282 | $127,329 | 6 |
| Jul 15, 2016 | 72 | $6,025 | -48% | 5 | $1,205 | $133,354 | 7 |
| Jul 22, 2016 | 69 | $12,029 | +100% | 6 | $2,005 | $145,383 | 8 |
| Jul 29, 2016 | 78 | $5,334 | -56% | 5 | $1,067 | $150,717 | 9 |
| Aug 19, 2016 | 84 | $4,757 | 5 | $951 | $155,474 | 12 | |
| Sep 9, 2016 | 94 | $6,078 | 4 | $1,520 | $161,552 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 8/26/2016 | $204 | 1 | 1 | 4 | $705 | 9/19/2016 | |||
| United Kingdom | 2/24/2017 | $2,112 | 9 | 9 | 9 | $2,112 | 3/1/2017 | |||
| International Total | $2,817 | 3/1/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Royalty Hightower | Toni |
Supporting
| Alexis Neblett | Beezy | |
| Da Sean Minor | Jermaine | |
| Lauren Gibson | Maia | |
| Makyla Burnam | Legs | |
| Inayah Rodgers | Karisma | |
| Antonio A.B. Grant Jr. | Donte |
Production and Technical Credits
| Anna Rose Holmer | Director | |
| Anna Rose Holmer | Screenwriter | |
| Anna Rose Holmer | Producer | |
| Lisa Kjerulff | Producer | |
| Paul Yee | Cinematographer | |
| Charlotte Royer | Production Designer | |
| Saela Davis | Editor | |
| Marquicia Jones Woods | Associate Producer | |
| Danny Bensi | Composer | |
| Saunder Jurriaans | Composer | |
| Zachary Sheets | Costume Designer | |
| Annalise Lockhart | First Assistant Director | |
| Jack Grimmett | Second Assistant Director | |
| Ryan Sweeney | Production Manager | |
| Carlos Zozaya | Script Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Eleven-year-old tomboy Toni is bewitched by the tight-knit dance team she sees practicing in the same Cincinnati gymnasium where she boxes. Enamored by the power and confidence of the strong community of girls, Toni spends less and less time boxing with her older brother, and instead eagerly absorbs the dance routines and masters drills from a distance, and even pierces her own ears in an effort to fit in. But when a mysterious outbreak of fainting spells plagues the team, Toni’s desire for acceptance becomes more complicated.
Metrics
| Opening Weekend: | $10,602 (6.4% of total gross) |
| Legs: | 6.63 (domestic box office/biggest weekend) |
| Domestic Share: | 98.3% (domestic box office/worldwide) |
| Production Budget: | $170,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 1 opening theaters/20 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $230,110 |
Movie Details
| Domestic Releases: | June 3rd, 2016 (Limited) by Oscilloscope Pictures |
| International Releases: | August 26th, 2016 (Wide), released as Fits, The (New Zealand)
February 24th, 2017 (Wide) (United Kingdom) |
| Video Release: | August 16th, 2016 by Oscilloscope Video |
| MPA Rating: | Not Rated |
| Running Time: | 72 minutes |
| Plot point: | African Americans, Boxing, Dancing, Sick Child, Teachers |
| Social setting: | Elementary School, Epidemic |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Oscilloscope Laboratories, La Biennale Di Venezia |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 3, 2016 | 48 | $10,602 | 1 | $10,602 | $10,602 | 1 | |
| Jun 10, 2016 | 49 | $14,473 | +37% | 4 | $3,618 | $30,322 | 2 |
| Jun 17, 2016 | 52 | $11,672 | -19% | 7 | $1,667 | $49,119 | 3 |
| Jun 24, 2016 | 42 | $25,092 | +115% | 20 | $1,255 | $80,848 | 4 |
| Jul 1, 2016 | 54 | $12,500 | -50% | 10 | $1,250 | $109,307 | 5 |
| Jul 8, 2016 | 58 | $8,500 | -32% | 8 | $1,063 | $124,292 | 6 |
| Jul 15, 2016 | 70 | $3,504 | -59% | 5 | $701 | $130,833 | 7 |
| Sep 16, 2016 | 90 | $4,873 | 1 | $4,873 | $166,425 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 3, 2016 | 52 | $15,849 | 1 | $15,849 | $15,849 | 1 | |
| Jun 10, 2016 | 52 | $21,598 | +36% | 4 | $5,400 | $37,447 | 2 |
| Jun 17, 2016 | 53 | $18,309 | -15% | 7 | $2,616 | $55,756 | 3 |
| Jun 24, 2016 | 43 | $41,051 | +124% | 20 | $2,053 | $96,807 | 4 |
| Jul 1, 2016 | 57 | $18,985 | -54% | 11 | $1,726 | $115,792 | 5 |
| Jul 8, 2016 | 63 | $11,537 | -39% | 9 | $1,282 | $127,329 | 6 |
| Jul 15, 2016 | 72 | $6,025 | -48% | 5 | $1,205 | $133,354 | 7 |
| Jul 22, 2016 | 69 | $12,029 | +100% | 6 | $2,005 | $145,383 | 8 |
| Jul 29, 2016 | 78 | $5,334 | -56% | 5 | $1,067 | $150,717 | 9 |
| Aug 19, 2016 | 84 | $4,757 | 5 | $951 | $155,474 | 12 | |
| Sep 9, 2016 | 94 | $6,078 | 4 | $1,520 | $161,552 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 8/26/2016 | $204 | 1 | 1 | 4 | $705 | 9/19/2016 | |||
| United Kingdom | 2/24/2017 | $2,112 | 9 | 9 | 9 | $2,112 | 3/1/2017 | |||
| International Total | $2,817 | 3/1/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Royalty Hightower | Toni |
Supporting
| Alexis Neblett | Beezy | |
| Da Sean Minor | Jermaine | |
| Lauren Gibson | Maia | |
| Makyla Burnam | Legs | |
| Inayah Rodgers | Karisma | |
| Antonio A.B. Grant Jr. | Donte |
Production and Technical Credits
| Anna Rose Holmer | Director | |
| Anna Rose Holmer | Screenwriter | |
| Anna Rose Holmer | Producer | |
| Lisa Kjerulff | Producer | |
| Paul Yee | Cinematographer | |
| Charlotte Royer | Production Designer | |
| Saela Davis | Editor | |
| Marquicia Jones Woods | Associate Producer | |
| Danny Bensi | Composer | |
| Saunder Jurriaans | Composer | |
| Zachary Sheets | Costume Designer | |
| Annalise Lockhart | First Assistant Director | |
| Jack Grimmett | Second Assistant Director | |
| Ryan Sweeney | Production Manager | |
| Carlos Zozaya | Script Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.