Foxcatcher (2014)
| Theatrical Performance | ||
| Domestic Box Office | $12,096,300 | Details |
| International Box Office | $7,206,758 | Details |
| Worldwide Box Office | $19,303,058 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,784,709 | |
| Blu-ray Sales (estimated) | $1,245,752 | |
| Total | $3,030,461 | |
| OpusData ID: 196180100 More info... | ||
| Further financial details... | ||
Synopsis
When Olympic Gold Medal winning wrestler Mark Schultz is invited by wealthy heir John du Pont to move on to the du Pont estate and help form a team to train for the 1988 Seoul Olympics at his new state-of-the-art training facility, Schultz jumps at the opportunity, hoping to focus on his training and finally step out of the shadow of his revered brother, Dave. Driven by hidden needs, du Pont sees backing Schultz’s bid for Gold and the chance to “coach” a world-class wrestling team as an opportunity to gain the elusive respect of his peers and, more importantly, his disapproving mother. Flattered by the attention and entranced by du Pont’s majestic world, Mark comes to see his benefactor as a father figure and grows increasingly dependent on him for approval. Though initially supportive, du Pont’s mercurial personality turns and he begins to lure Mark into an unhealthy lifestyle that threatens to undermine his training. Soon du Pont’s erratic behavior and cruel psychological game-play begin to erode the athlete’s already shaky self-esteem. Meanwhile du Pont becomes fixated on Dave, who exudes the confidence both he and Mark lack, knowing that these are things even his money cannot buy. Fueled by du Pont’s increasing paranoia and alienation from the brothers, the trio is propelled towards a tragedy no one could have foreseen.
Metrics
| Opening Weekend: | $270,877 (2.2% of total gross) |
| Legs: | 10.75 (domestic box office/biggest weekend) |
| Domestic Share: | 62.7% (domestic box office/worldwide) |
| Production Budget: | $24,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 6 opening theaters/759 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,479,384 |
Movie Details
| Domestic Releases: | November 14th, 2014 (Limited) by Sony Pictures Classics |
| International Releases: | November 20th, 2014 (Wide) (Russia (CIS))
January 8th, 2015 (Wide) (Italy) January 9th, 2015 (Wide) (United Kingdom) January 9th, 2015 (Wide) (Poland) January 16th, 2015 (Wide) (Mexico) ... Show all releases |
| Video Release: | March 3rd, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | R for some drug use and a scene of violence. (Rating bulletin 2326, 6/11/2014) |
| Running Time: | 134 minutes |
| Cast, crew, or production detail: | Epilogue |
| Plot point: | Adult Child Dealing with the Death of a Parent, Biography, Death of a Spouse or Fiancée / Fiancé, Dysfunctional Family, Mental Illness, Mixed Martial Arts, Wrestling |
| Social setting: | Olympics |
| Subgenre: | Biographical Drama |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Annapurna Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 14, 2014 | 24 | $270,877 | 6 | $45,146 | $270,877 | 1 | |
| Nov 21, 2014 | 19 | $474,339 | +75% | 24 | $19,764 | $822,046 | 2 |
| Dec 5, 2014 | 16 | $574,727 | 75 | $7,663 | $2,842,240 | 4 | |
| Dec 12, 2014 | 18 | $401,928 | -30% | 79 | $5,088 | $3,367,639 | 5 |
| Dec 19, 2014 | 14 | $953,563 | +137% | 307 | $3,106 | $4,437,619 | 6 |
| Dec 26, 2014 | 20 | $947,489 | -1% | 315 | $3,008 | $6,147,191 | 7 |
| Jan 2, 2015 | 20 | $902,762 | -5% | 298 | $3,029 | $7,942,789 | 8 |
| Jan 9, 2015 | 23 | $531,000 | -41% | 237 | $2,241 | $8,740,000 | 9 |
| Jan 16, 2015 | 19 | $1,125,000 | +112% | 759 | $1,482 | $10,050,000 | 10 |
| Jan 23, 2015 | 24 | $581,000 | -48% | 516 | $1,126 | $10,985,000 | 11 |
| Jan 30, 2015 | 31 | $274,000 | -53% | 302 | $907 | $11,451,000 | 12 |
| Feb 6, 2015 | 33 | $180,680 | -34% | 174 | $1,038 | $11,713,352 | 13 |
| Feb 13, 2015 | 38 | $88,787 | -51% | 98 | $906 | $11,867,056 | 14 |
| Feb 20, 2015 | 39 | $89,000 | n/c | 118 | $754 | $12,000,079 | 15 |
| Feb 27, 2015 | 57 | $33,267 | -63% | 54 | $616 | $12,059,558 | 16 |
| Mar 6, 2015 | 56 | $27,300 | -18% | 66 | $414 | $12,096,300 | 17 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Nov 14, 2014 | - | $76,000 | 6 | $12,667 | $76,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 14, 2014 | 24 | $347,707 | 6 | $57,951 | $347,707 | 1 | |
| Nov 21, 2014 | 22 | $745,753 | +114% | 24 | $31,073 | $1,093,460 | 2 |
| Nov 28, 2014 | 13 | $1,174,053 | +57% | 72 | $16,306 | $2,267,513 | 3 |
| Dec 5, 2014 | 16 | $698,198 | -41% | 75 | $9,309 | $2,965,711 | 4 |
| Dec 12, 2014 | 20 | $518,345 | -26% | 79 | $6,561 | $3,484,056 | 5 |
| Dec 19, 2014 | 18 | $1,715,646 | +231% | 307 | $5,588 | $5,199,702 | 6 |
| Dec 26, 2014 | 20 | $1,840,325 | +7% | 315 | $5,842 | $7,040,027 | 7 |
| Jan 2, 2015 | 21 | $1,169,353 | -36% | 298 | $3,924 | $8,209,380 | 8 |
| Jan 9, 2015 | 23 | $715,880 | -39% | 237 | $3,021 | $8,925,260 | 9 |
| Jan 16, 2015 | 20 | $1,479,282 | +107% | 759 | $1,949 | $10,404,542 | 10 |
| Jan 23, 2015 | 24 | $772,164 | -48% | 516 | $1,496 | $11,176,706 | 11 |
| Feb 20, 2015 | 43 | $115,221 | 118 | $976 | $12,026,291 | 15 | |
| Feb 27, 2015 | 62 | $42,696 | -63% | 54 | $791 | $12,068,987 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/29/2015 | $145,587 | 42 | 42 | 195 | $406,955 | 7/1/2015 | |||
| Brazil | 1/23/2015 | $117,681 | 39 | 39 | 86 | $303,286 | 11/5/2018 | |||
| France | 1/21/2015 | $473,533 | 0 | 0 | 0 | $1,043,751 | 8/21/2018 | |||
| Hong Kong | 3/6/2015 | $26,018 | 13 | 13 | 19 | $47,714 | 11/25/2018 | |||
| Italy | 1/8/2015 | $0 | 0 | 0 | 0 | $304,978 | 11/6/2018 | |||
| Mexico | 1/16/2015 | $74,147 | 0 | 0 | 0 | $315,865 | 8/30/2018 | |||
| Poland | 1/9/2015 | $19,109 | 0 | 0 | 0 | $48,838 | 12/30/2018 | |||
| Russia (CIS) | 11/20/2014 | $0 | 0 | 492 | 824 | $335,292 | 11/19/2018 | |||
| South Korea | 2/6/2015 | $0 | 0 | 1 | 0 | $186,822 | 4/4/2026 | |||
| Spain | 2/6/2015 | $154,841 | 99 | 99 | 322 | $374,668 | 11/27/2018 | |||
| Taiwan | 3/6/2015 | $22,535 | 24 | 24 | 31 | $41,345 | 11/2/2018 | |||
| Turkey | 1/30/2015 | $34,379 | 34 | 34 | 53 | $72,024 | 12/30/2018 | |||
| United Kingdom | 1/9/2015 | $1,330,616 | 0 | 0 | 0 | $2,548,126 | 8/27/2018 | |||
| Rest of World | $1,177,094 | |||||||||
| International Total | $7,206,758 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Steve Carell | John Eleuthère du Pont | |
| Channing Tatum | Mark Schultz | |
| Mark Ruffalo | Dave Schultz |
Supporting
| Vanessa Redgrave | Jean du Pont | |
| Sienna Miller | Nancy Schultz | |
| Anthony Michael Hall | Jack | |
| Guy Boyd | Henry Beck | |
| Dave "Doc" Bennett* | Documentary Filmmaker | |
| Brett Rice | Fred Cole | |
| Jackson Frazer | Alexander Schultz | |
| Samara Lee | Danielle Schultz | |
| Francis J. Murphy III | Wayne Kendall | |
| Jane Mowder | Rosie | |
| Lee Perkins | Corporal Daly | |
| Robert Haramia | Banquet Guest | |
| David Zabriskie | Dan Bane | |
| Bryan Cook | Ben Langer | |
| Daniel Hilt | Roberto Garcia | |
| Zach Rey | Foxcatcher Wrestler #1 | |
| Reece Humphrey | Foxcatcher Wrestler #2 | |
| J.D. Bergman | Foxcatcher Wrestler #3 | |
| Corey Jantzen | Foxcatcher Wrestler #4 | |
| Frederick Feeney | Seoul Referee | |
| Mark Schultz | Weigh-in Official #1 | |
| Kemp Lee | Weigh-in Official #2 | |
| Jake Herbert | Mark's Opponent at Trials | |
| Donald Modrick | Front Gate Guard | |
| Richard E. Chapla Jr. | Broiler Hut Cashier | |
| Kevin Cooke | Photographer | |
| Gabrielle B. Burton | School Secretary | |
| Bill Ehrin | Broiler Hut Patron | |
| Roger Callard | Helicopter Pilot | |
| Dan Anders | General | |
| Stan Dziedzic | USA Wrestling Rep #1 | |
| Sam Dziedzic | USA Wrestling Rep #2 | |
| Bruce Baumgartner | USA Wrestling Rep #3 | |
| Sam Brehm | Hank Church | |
| Barry Vlanich | D.C. Partygoer | |
| Joey Russo | Olympic Trials Referee | |
| Ken Williams | Coach Ken | |
| Gene Mills | Worlds Referee | |
| John C. Baxter | Worlds Announcer | |
| Rick Steigerwald | Wexler Trainer | |
| Mark Snider | MMA Referee | |
| Jazz Securo | MMA Announcer | |
| Corey Walker | MMA Backstage Official | |
| Alan Oppenheimer | Du Pont Dynasty Narrator | |
| David Miller | USA Wrestling Rep #2 |
Production and Technical Credits
| Bennett Miller | Director | |
| E. Max Frye | Screenwriter | |
| Dan Futterman | Screenwriter | |
| Megan Ellison | Producer | |
| Bennett Miller | Producer | |
| Jon Kilik | Producer | |
| Anthony Bregman | Producer | |
| Chelsea Barnard | Executive Producer | |
| Ron Schmidt | Executive Producer | |
| Mark Bakshi | Executive Producer | |
| Michael Coleman | Executive Producer | |
| Tom Heller | Executive Producer | |
| John P. Giura | Executive Producer | |
| Scott Robertson | Co-Producer | |
| Greig Fraser | Director of Photography | |
| Jess Gonchor | Production Designer | |
| Stuart Levy | Editor | |
| Conor O Neill | Editor | |
| Jay Cassidy | Editor | |
| Kasia Walicka Maimone | Costume Designer | |
| Rob Simonsen | Composer | |
| West Dylan Thordson | Additional Music | |
| Susan Jacobs | Music Supervisor | |
| Jeanne McCarthy | Casting Director | |
| Bill Corso | Make up | |
| Kathrine Gordon | Hairstylist | |
| Dennis Liddiard | Key Makeup Artist | |
| Kristin Gore | Associate Producer | |
| Hank Bedford | Associate Producer | |
| Ron Schmidt | Unit Production Manager | |
| Richard E. Chapla Jr. | Production Supervisor | |
| Scott Robertson | Assistant Director | |
| Jonas Spaccarotelli | Assistant Director | |
| Jeff Hubbard | Assistant Director | |
| Steve Parys | Assistant Director | |
| Alyssa Batchelor | Assistant Director | |
| Stuart MacPhee | Post-Production Supervisor | |
| Tracy Scott | Script Supervisor | |
| Georgina Marquis | Production Supervisor | |
| David Massachi | Editor | |
| Mike Azevedo | Assistant Editor | |
| Julia Bloch | Assistant Editor | |
| Brooks Larsen | Assistant Editor | |
| Alexandra Yalakidis | Assistant Editor | |
| Andreas Fehrle | Assistant Editor | |
| Pete Snell | Music Editor | |
| Suzana Peric | Music Editor | |
| Jennifer Dunnington | Music Editor | |
| John Carbonara | Music Editor | |
| Jake Jackson | Score Recordist | |
| Brad Ricker | Art Director | |
| Katherine Lucas | Set Decorator | |
| Kate Dougherty | Set Designer | |
| Rori Bergman | Additional Casting | |
| Matt Maisto | Additional Casting | |
| Darcie Buterbaugh | Costume Supervisor | |
| Jim Emswiller | Sound Mixer | |
| Paul Hsu | Supervising Sound Editor | |
| Ronald Eng | Supervising Sound Editor | |
| Deb Adair | Re-recording Mixer | |
| Beau Borders | Re-recording Mixer | |
| Tom Fleischman | Re-recording Mixer | |
| Peter Bucossi | Stunt Coordinator | |
| Jake Braver | Visual Effects Supervisor | |
| Raymond M. Tasillo | Special Effects Coordinator | |
| Jim Rider | Visual Effects Supervisor | |
| Mark Casey | Visual Effects Supervisor | |
| Dan Schrecker | Visual Effects Supervisor | |
| Jon Tanimoto | Visual Effects Supervisor | |
| Chris Anderson | Visual Effects Producer | |
| Karen Czukerberg | Visual Effects Producer | |
| John Bair | Visual Effects Producer | |
| Renuka Ballal | Visual Effects Producer | |
| Colleen Bachman | Visual Effects Producer | |
| Joseph Bell | Visual Effects Producer | |
| Jess Gonchor | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When Olympic Gold Medal winning wrestler Mark Schultz is invited by wealthy heir John du Pont to move on to the du Pont estate and help form a team to train for the 1988 Seoul Olympics at his new state-of-the-art training facility, Schultz jumps at the opportunity, hoping to focus on his training and finally step out of the shadow of his revered brother, Dave. Driven by hidden needs, du Pont sees backing Schultz’s bid for Gold and the chance to “coach” a world-class wrestling team as an opportunity to gain the elusive respect of his peers and, more importantly, his disapproving mother. Flattered by the attention and entranced by du Pont’s majestic world, Mark comes to see his benefactor as a father figure and grows increasingly dependent on him for approval. Though initially supportive, du Pont’s mercurial personality turns and he begins to lure Mark into an unhealthy lifestyle that threatens to undermine his training. Soon du Pont’s erratic behavior and cruel psychological game-play begin to erode the athlete’s already shaky self-esteem. Meanwhile du Pont becomes fixated on Dave, who exudes the confidence both he and Mark lack, knowing that these are things even his money cannot buy. Fueled by du Pont’s increasing paranoia and alienation from the brothers, the trio is propelled towards a tragedy no one could have foreseen.
Metrics
| Opening Weekend: | $270,877 (2.2% of total gross) |
| Legs: | 10.75 (domestic box office/biggest weekend) |
| Domestic Share: | 62.7% (domestic box office/worldwide) |
| Production Budget: | $24,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 6 opening theaters/759 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,479,384 |
Movie Details
| Domestic Releases: | November 14th, 2014 (Limited) by Sony Pictures Classics |
| International Releases: | November 20th, 2014 (Wide) (Russia (CIS))
January 8th, 2015 (Wide) (Italy) January 9th, 2015 (Wide) (United Kingdom) January 9th, 2015 (Wide) (Poland) January 16th, 2015 (Wide) (Mexico) ... Show all releases |
| Video Release: | March 3rd, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | R for some drug use and a scene of violence. (Rating bulletin 2326, 6/11/2014) |
| Running Time: | 134 minutes |
| Cast, crew, or production detail: | Epilogue |
| Plot point: | Adult Child Dealing with the Death of a Parent, Biography, Death of a Spouse or Fiancée / Fiancé, Dysfunctional Family, Mental Illness, Mixed Martial Arts, Wrestling |
| Social setting: | Olympics |
| Subgenre: | Biographical Drama |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Annapurna Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 14, 2014 | 24 | $270,877 | 6 | $45,146 | $270,877 | 1 | |
| Nov 21, 2014 | 19 | $474,339 | +75% | 24 | $19,764 | $822,046 | 2 |
| Dec 5, 2014 | 16 | $574,727 | 75 | $7,663 | $2,842,240 | 4 | |
| Dec 12, 2014 | 18 | $401,928 | -30% | 79 | $5,088 | $3,367,639 | 5 |
| Dec 19, 2014 | 14 | $953,563 | +137% | 307 | $3,106 | $4,437,619 | 6 |
| Dec 26, 2014 | 20 | $947,489 | -1% | 315 | $3,008 | $6,147,191 | 7 |
| Jan 2, 2015 | 20 | $902,762 | -5% | 298 | $3,029 | $7,942,789 | 8 |
| Jan 9, 2015 | 23 | $531,000 | -41% | 237 | $2,241 | $8,740,000 | 9 |
| Jan 16, 2015 | 19 | $1,125,000 | +112% | 759 | $1,482 | $10,050,000 | 10 |
| Jan 23, 2015 | 24 | $581,000 | -48% | 516 | $1,126 | $10,985,000 | 11 |
| Jan 30, 2015 | 31 | $274,000 | -53% | 302 | $907 | $11,451,000 | 12 |
| Feb 6, 2015 | 33 | $180,680 | -34% | 174 | $1,038 | $11,713,352 | 13 |
| Feb 13, 2015 | 38 | $88,787 | -51% | 98 | $906 | $11,867,056 | 14 |
| Feb 20, 2015 | 39 | $89,000 | n/c | 118 | $754 | $12,000,079 | 15 |
| Feb 27, 2015 | 57 | $33,267 | -63% | 54 | $616 | $12,059,558 | 16 |
| Mar 6, 2015 | 56 | $27,300 | -18% | 66 | $414 | $12,096,300 | 17 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Nov 14, 2014 | - | $76,000 | 6 | $12,667 | $76,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 14, 2014 | 24 | $347,707 | 6 | $57,951 | $347,707 | 1 | |
| Nov 21, 2014 | 22 | $745,753 | +114% | 24 | $31,073 | $1,093,460 | 2 |
| Nov 28, 2014 | 13 | $1,174,053 | +57% | 72 | $16,306 | $2,267,513 | 3 |
| Dec 5, 2014 | 16 | $698,198 | -41% | 75 | $9,309 | $2,965,711 | 4 |
| Dec 12, 2014 | 20 | $518,345 | -26% | 79 | $6,561 | $3,484,056 | 5 |
| Dec 19, 2014 | 18 | $1,715,646 | +231% | 307 | $5,588 | $5,199,702 | 6 |
| Dec 26, 2014 | 20 | $1,840,325 | +7% | 315 | $5,842 | $7,040,027 | 7 |
| Jan 2, 2015 | 21 | $1,169,353 | -36% | 298 | $3,924 | $8,209,380 | 8 |
| Jan 9, 2015 | 23 | $715,880 | -39% | 237 | $3,021 | $8,925,260 | 9 |
| Jan 16, 2015 | 20 | $1,479,282 | +107% | 759 | $1,949 | $10,404,542 | 10 |
| Jan 23, 2015 | 24 | $772,164 | -48% | 516 | $1,496 | $11,176,706 | 11 |
| Feb 20, 2015 | 43 | $115,221 | 118 | $976 | $12,026,291 | 15 | |
| Feb 27, 2015 | 62 | $42,696 | -63% | 54 | $791 | $12,068,987 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/29/2015 | $145,587 | 42 | 42 | 195 | $406,955 | 7/1/2015 | |||
| Brazil | 1/23/2015 | $117,681 | 39 | 39 | 86 | $303,286 | 11/5/2018 | |||
| France | 1/21/2015 | $473,533 | 0 | 0 | 0 | $1,043,751 | 8/21/2018 | |||
| Hong Kong | 3/6/2015 | $26,018 | 13 | 13 | 19 | $47,714 | 11/25/2018 | |||
| Italy | 1/8/2015 | $0 | 0 | 0 | 0 | $304,978 | 11/6/2018 | |||
| Mexico | 1/16/2015 | $74,147 | 0 | 0 | 0 | $315,865 | 8/30/2018 | |||
| Poland | 1/9/2015 | $19,109 | 0 | 0 | 0 | $48,838 | 12/30/2018 | |||
| Russia (CIS) | 11/20/2014 | $0 | 0 | 492 | 824 | $335,292 | 11/19/2018 | |||
| South Korea | 2/6/2015 | $0 | 0 | 1 | 0 | $186,822 | 4/4/2026 | |||
| Spain | 2/6/2015 | $154,841 | 99 | 99 | 322 | $374,668 | 11/27/2018 | |||
| Taiwan | 3/6/2015 | $22,535 | 24 | 24 | 31 | $41,345 | 11/2/2018 | |||
| Turkey | 1/30/2015 | $34,379 | 34 | 34 | 53 | $72,024 | 12/30/2018 | |||
| United Kingdom | 1/9/2015 | $1,330,616 | 0 | 0 | 0 | $2,548,126 | 8/27/2018 | |||
| Rest of World | $1,177,094 | |||||||||
| International Total | $7,206,758 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Steve Carell | John Eleuthère du Pont | |
| Channing Tatum | Mark Schultz | |
| Mark Ruffalo | Dave Schultz |
Supporting
| Vanessa Redgrave | Jean du Pont | |
| Sienna Miller | Nancy Schultz | |
| Anthony Michael Hall | Jack | |
| Guy Boyd | Henry Beck | |
| Dave "Doc" Bennett* | Documentary Filmmaker | |
| Brett Rice | Fred Cole | |
| Jackson Frazer | Alexander Schultz | |
| Samara Lee | Danielle Schultz | |
| Francis J. Murphy III | Wayne Kendall | |
| Jane Mowder | Rosie | |
| Lee Perkins | Corporal Daly | |
| Robert Haramia | Banquet Guest | |
| David Zabriskie | Dan Bane | |
| Bryan Cook | Ben Langer | |
| Daniel Hilt | Roberto Garcia | |
| Zach Rey | Foxcatcher Wrestler #1 | |
| Reece Humphrey | Foxcatcher Wrestler #2 | |
| J.D. Bergman | Foxcatcher Wrestler #3 | |
| Corey Jantzen | Foxcatcher Wrestler #4 | |
| Frederick Feeney | Seoul Referee | |
| Mark Schultz | Weigh-in Official #1 | |
| Kemp Lee | Weigh-in Official #2 | |
| Jake Herbert | Mark's Opponent at Trials | |
| Donald Modrick | Front Gate Guard | |
| Richard E. Chapla Jr. | Broiler Hut Cashier | |
| Kevin Cooke | Photographer | |
| Gabrielle B. Burton | School Secretary | |
| Bill Ehrin | Broiler Hut Patron | |
| Roger Callard | Helicopter Pilot | |
| Dan Anders | General | |
| Stan Dziedzic | USA Wrestling Rep #1 | |
| Sam Dziedzic | USA Wrestling Rep #2 | |
| Bruce Baumgartner | USA Wrestling Rep #3 | |
| Sam Brehm | Hank Church | |
| Barry Vlanich | D.C. Partygoer | |
| Joey Russo | Olympic Trials Referee | |
| Ken Williams | Coach Ken | |
| Gene Mills | Worlds Referee | |
| John C. Baxter | Worlds Announcer | |
| Rick Steigerwald | Wexler Trainer | |
| Mark Snider | MMA Referee | |
| Jazz Securo | MMA Announcer | |
| Corey Walker | MMA Backstage Official | |
| Alan Oppenheimer | Du Pont Dynasty Narrator | |
| David Miller | USA Wrestling Rep #2 |
Production and Technical Credits
| Bennett Miller | Director | |
| E. Max Frye | Screenwriter | |
| Dan Futterman | Screenwriter | |
| Megan Ellison | Producer | |
| Bennett Miller | Producer | |
| Jon Kilik | Producer | |
| Anthony Bregman | Producer | |
| Chelsea Barnard | Executive Producer | |
| Ron Schmidt | Executive Producer | |
| Mark Bakshi | Executive Producer | |
| Michael Coleman | Executive Producer | |
| Tom Heller | Executive Producer | |
| John P. Giura | Executive Producer | |
| Scott Robertson | Co-Producer | |
| Greig Fraser | Director of Photography | |
| Jess Gonchor | Production Designer | |
| Stuart Levy | Editor | |
| Conor O Neill | Editor | |
| Jay Cassidy | Editor | |
| Kasia Walicka Maimone | Costume Designer | |
| Rob Simonsen | Composer | |
| West Dylan Thordson | Additional Music | |
| Susan Jacobs | Music Supervisor | |
| Jeanne McCarthy | Casting Director | |
| Bill Corso | Make up | |
| Kathrine Gordon | Hairstylist | |
| Dennis Liddiard | Key Makeup Artist | |
| Kristin Gore | Associate Producer | |
| Hank Bedford | Associate Producer | |
| Ron Schmidt | Unit Production Manager | |
| Richard E. Chapla Jr. | Production Supervisor | |
| Scott Robertson | Assistant Director | |
| Jonas Spaccarotelli | Assistant Director | |
| Jeff Hubbard | Assistant Director | |
| Steve Parys | Assistant Director | |
| Alyssa Batchelor | Assistant Director | |
| Stuart MacPhee | Post-Production Supervisor | |
| Tracy Scott | Script Supervisor | |
| Georgina Marquis | Production Supervisor | |
| David Massachi | Editor | |
| Mike Azevedo | Assistant Editor | |
| Julia Bloch | Assistant Editor | |
| Brooks Larsen | Assistant Editor | |
| Alexandra Yalakidis | Assistant Editor | |
| Andreas Fehrle | Assistant Editor | |
| Pete Snell | Music Editor | |
| Suzana Peric | Music Editor | |
| Jennifer Dunnington | Music Editor | |
| John Carbonara | Music Editor | |
| Jake Jackson | Score Recordist | |
| Brad Ricker | Art Director | |
| Katherine Lucas | Set Decorator | |
| Kate Dougherty | Set Designer | |
| Rori Bergman | Additional Casting | |
| Matt Maisto | Additional Casting | |
| Darcie Buterbaugh | Costume Supervisor | |
| Jim Emswiller | Sound Mixer | |
| Paul Hsu | Supervising Sound Editor | |
| Ronald Eng | Supervising Sound Editor | |
| Deb Adair | Re-recording Mixer | |
| Beau Borders | Re-recording Mixer | |
| Tom Fleischman | Re-recording Mixer | |
| Peter Bucossi | Stunt Coordinator | |
| Jake Braver | Visual Effects Supervisor | |
| Raymond M. Tasillo | Special Effects Coordinator | |
| Jim Rider | Visual Effects Supervisor | |
| Mark Casey | Visual Effects Supervisor | |
| Dan Schrecker | Visual Effects Supervisor | |
| Jon Tanimoto | Visual Effects Supervisor | |
| Chris Anderson | Visual Effects Producer | |
| Karen Czukerberg | Visual Effects Producer | |
| John Bair | Visual Effects Producer | |
| Renuka Ballal | Visual Effects Producer | |
| Colleen Bachman | Visual Effects Producer | |
| Joseph Bell | Visual Effects Producer | |
| Jess Gonchor | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.