Freeheld (2015)
| Theatrical Performance | ||
| Domestic Box Office | $546,201 | Details |
| International Box Office | $1,186,027 | Details |
| Worldwide Box Office | $1,732,228 | |
| OpusData ID: 231010100 More info... | ||
| Further financial details... | ||
Synopsis
The true love story of Laurel Hester and Stacie Andree and their fight for justice. A decorated New Jersey police detective, Laurel is diagnosed with cancer and wants to leave her hard earned pension to her domestic partner, Stacie. However the county officials, Freeholders, conspire to prevent Laurel from doing this. Hard-nosed detective Dane Wells, and activist Steven Goldstein, unite in Laurel and Stacie’s defense, rallying police officers and ordinary citizens to support their struggle for equality.
Metrics
| Opening Weekend: | $37,983 (7.0% of total gross) |
| Legs: | 4.08 (domestic box office/biggest weekend) |
| Domestic Share: | 31.5% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 5 opening theaters/148 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $774,924 |
Movie Details
| Domestic Releases: | October 2nd, 2015 (Limited) by Lionsgate |
| International Releases: | November 5th, 2015 (Wide) (Italy)
November 6th, 2015 (Wide) (Australia) November 6th, 2015 (Wide) (New Zealand) December 4th, 2015 (Wide) (Turkey) December 10th, 2015 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | January 19th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for some thematic elements, language and sexuality. (Rating bulletin 2386, 8/12/2015) |
| Running Time: | 103 minutes |
| Plot point: | Cancer, LGBTQ+, Romance, Terminal Illness |
| Social setting: | LGBT Rights Movement |
| Source: | Based on Short Film |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Masproduction, Shiny Penny, Lieutenant Films, High Frequency Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 2, 2015 | 53 | $37,983 | 5 | $7,597 | $37,983 | 1 | |
| Oct 9, 2015 | 35 | $94,365 | +148% | 51 | $1,850 | $144,419 | 2 |
| Oct 16, 2015 | 26 | $133,974 | +42% | 148 | $905 | $320,365 | 3 |
| Oct 23, 2015 | 38 | $61,684 | -54% | 101 | $611 | $453,337 | 4 |
| Oct 30, 2015 | 52 | $17,827 | -71% | 33 | $540 | $503,523 | 5 |
| Nov 6, 2015 | 56 | $17,464 | -2% | 60 | $291 | $532,988 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 2, 2015 | - | $14,022 | 5 | $2,804 | $14,022 | 1 | ||
| Oct 3, 2015 | - | $14,618 | +4% | 5 | $2,924 | $28,640 | 2 | |
| Oct 4, 2015 | - | $9,343 | -36% | 5 | $1,869 | $37,983 | 3 | |
| Oct 5, 2015 | - | $3,459 | -63% | 5 | $692 | $41,442 | 4 | |
| Oct 6, 2015 | - | $3,168 | -8% | 5 | $634 | $44,610 | 5 | |
| Oct 7, 2015 | - | $2,947 | -7% | 5 | $589 | $47,557 | 6 | |
| Oct 8, 2015 | - | $2,497 | -15% | 5 | $499 | $50,054 | 7 | |
| Oct 9, 2015 | - | $26,266 | +952% | +87% | 51 | $515 | $76,320 | 8 |
| Oct 10, 2015 | - | $40,132 | +53% | +175% | 51 | $787 | $116,452 | 9 |
| Oct 11, 2015 | - | $27,967 | -30% | +199% | 51 | $548 | $144,419 | 10 |
| Oct 12, 2015 | - | $12,591 | -55% | +264% | 51 | $247 | $157,010 | 11 |
| Oct 13, 2015 | - | $10,108 | -20% | +219% | 51 | $198 | $167,118 | 12 |
| Oct 14, 2015 | - | $10,665 | +6% | +262% | 51 | $209 | $177,783 | 13 |
| Oct 15, 2015 | - | $8,608 | -19% | +245% | 51 | $169 | $186,391 | 14 |
| Oct 16, 2015 | - | $39,535 | +359% | +51% | 148 | $267 | $225,926 | 15 |
| Oct 17, 2015 | - | $56,279 | +42% | +40% | 148 | $380 | $282,205 | 16 |
| Oct 18, 2015 | - | $38,160 | -32% | +36% | 148 | $258 | $320,365 | 17 |
| Oct 19, 2015 | - | $17,844 | -53% | +42% | 148 | $121 | $338,209 | 18 |
| Oct 20, 2015 | - | $18,506 | +4% | +83% | 148 | $125 | $356,715 | 19 |
| Oct 21, 2015 | - | $16,950 | -8% | +59% | 148 | $115 | $373,665 | 20 |
| Oct 22, 2015 | - | $17,988 | +6% | +109% | 148 | $122 | $391,653 | 21 |
| Oct 23, 2015 | - | $17,505 | -3% | -56% | 101 | $173 | $409,158 | 22 |
| Oct 24, 2015 | - | $25,639 | +46% | -54% | 101 | $254 | $434,797 | 23 |
| Oct 25, 2015 | - | $18,540 | -28% | -51% | 101 | $184 | $453,337 | 24 |
| Oct 26, 2015 | - | $8,016 | -57% | -55% | 101 | $79 | $461,353 | 25 |
| Oct 27, 2015 | - | $9,651 | +20% | -48% | 101 | $96 | $471,004 | 26 |
| Oct 28, 2015 | - | $7,381 | -24% | -56% | 101 | $73 | $478,385 | 27 |
| Oct 29, 2015 | - | $7,311 | -1% | -59% | 101 | $72 | $485,696 | 28 |
| Oct 30, 2015 | - | $4,666 | -36% | -73% | 33 | $141 | $490,362 | 29 |
| Oct 31, 2015 | - | $6,294 | +35% | -75% | 33 | $191 | $496,656 | 30 |
| Nov 1, 2015 | - | $6,867 | +9% | -63% | 33 | $208 | $503,523 | 31 |
| Nov 2, 2015 | - | $2,600 | -62% | -68% | 33 | $79 | $506,123 | 32 |
| Nov 3, 2015 | - | $3,598 | +38% | -63% | 33 | $109 | $509,721 | 33 |
| Nov 4, 2015 | - | $2,853 | -21% | -61% | 33 | $86 | $512,574 | 34 |
| Nov 5, 2015 | - | $2,950 | +3% | -60% | 33 | $89 | $515,524 | 35 |
| Nov 6, 2015 | - | $4,969 | +68% | +6% | 60 | $83 | $520,493 | 36 |
| Nov 7, 2015 | - | $6,929 | +39% | +10% | 60 | $115 | $527,422 | 37 |
| Nov 8, 2015 | - | $5,566 | -20% | -19% | 60 | $93 | $532,988 | 38 |
| Nov 9, 2015 | - | $2,360 | -58% | -9% | 60 | $39 | $535,348 | 39 |
| Nov 10, 2015 | - | $3,624 | +54% | +1% | 60 | $60 | $538,972 | 40 |
| Nov 11, 2015 | - | $3,686 | +2% | +29% | 60 | $61 | $542,658 | 41 |
| Nov 12, 2015 | - | $3,543 | -4% | +20% | 60 | $59 | $546,201 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 2, 2015 | 52 | $50,054 | 5 | $10,011 | $50,054 | 1 | |
| Oct 9, 2015 | 32 | $136,337 | +172% | 51 | $2,673 | $186,391 | 2 |
| Oct 16, 2015 | 28 | $205,262 | +51% | 148 | $1,387 | $391,653 | 3 |
| Oct 23, 2015 | 39 | $94,043 | -54% | 101 | $931 | $485,696 | 4 |
| Oct 30, 2015 | 53 | $29,828 | -68% | 33 | $904 | $515,524 | 5 |
| Nov 6, 2015 | 58 | $30,677 | +3% | 60 | $511 | $546,201 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/17/2016 | $0 | 0 | 17 | 18 | $16,532 | 4/19/2016 | |||
| Australia | 11/6/2015 | $28,908 | 37 | 37 | 89 | $70,484 | 6/9/2016 | |||
| Austria | 4/8/2016 | $8,628 | 20 | 20 | 31 | $15,833 | 6/9/2016 | |||
| Brazil | 4/22/2016 | $45,472 | 0 | 0 | 0 | $74,721 | 11/15/2018 | |||
| Central America | 1/28/2016 | $3,214 | 13 | 13 | 13 | $3,214 | 2/2/2016 | |||
| France | 2/10/2016 | $148,900 | 80 | 80 | 80 | $148,900 | 6/9/2016 | |||
| Germany | 4/7/2016 | $45,933 | 75 | 75 | 127 | $82,867 | 6/9/2016 | |||
| Hong Kong | 12/10/2015 | $25,778 | 12 | 12 | 18 | $66,410 | 6/9/2016 | |||
| Italy | 11/5/2015 | $231,180 | 162 | 162 | 234 | $383,978 | 6/9/2016 | |||
| Netherlands | 5/19/2016 | $13,106 | 19 | 19 | 38 | $19,598 | 11/18/2018 | |||
| New Zealand | 11/6/2015 | $5,205 | 17 | 17 | 65 | $16,316 | 12/14/2015 | |||
| Portugal | 3/24/2016 | $17,471 | 14 | 14 | 37 | $45,444 | 6/9/2016 | |||
| Russia (CIS) | 5/6/2016 | $3,113 | 0 | 0 | 0 | $8,622 | 11/13/2018 | |||
| Slovenia | 3/31/2016 | $0 | 0 | 5 | 5 | $799 | 6/9/2016 | |||
| South Korea | 7/7/2016 | $18,197 | 62 | 62 | 93 | $57,502 | 8/11/2016 | |||
| Spain | 5/6/2016 | $45,129 | 88 | 88 | 136 | $92,889 | 6/9/2016 | |||
| Turkey | 12/4/2015 | $3,749 | 8 | 8 | 20 | $10,387 | 12/30/2018 | |||
| United Kingdom | 2/19/2016 | $18,167 | 12 | 12 | 24 | $21,446 | 6/9/2016 | |||
| Uruguay | 4/7/2016 | $2,778 | 4 | 4 | 5 | $3,517 | 12/31/2018 | |||
| Venezuela | 3/25/2016 | $1,491 | 6 | 6 | 11 | $9,153 | 6/9/2016 | |||
| Rest of World | $37,415 | |||||||||
| International Total | $1,186,027 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Julianne Moore | Laurel Hester | |
| Elliot Page | Stacie Andree |
Supporting
| Michael Shannon | Dane Wells | |
| Steve Carell | Steven Goldstein | |
| Luke Grimes | Todd Belkin | |
| Gabriel Luna | Quesada | |
| Anthony De Sando | Toohey | |
| Skipp Sudduth | Chief Reynolds | |
| Josh Charles | Bryan Kelder | |
| Kevin O'Rourke | Dan Wickery | |
| Tom McGowan | William Johnson | |
| William Sadler | Peter Santucci | |
| Dennis Boutsikaris | Pat Gerrity | |
| Adam LeFevre | Don Bennett | |
| Jeannine Kaspar | Margaret | |
| Mary Birdsong | Carol Andree | |
| Kelly Deadmon | Lynda Hester | |
| Traci Hovel | Hannah | |
| Julie Reiber | Cat | |
| Mina Sundwall | Maya Kelder | |
| Sahr Ngaujah | Father John | |
| Stink Fisher | Jake | |
| Karl Jacob | Jeeter | |
| Portia Reiners | Christy Miller | |
| Jess Jacobs | Stacie's Team Member | |
| Suzanne Savoy | Town Clerk | |
| Tom Place | Driver of Jeep | |
| Robbie Tann | First Thug | |
| Mary Joy | Estelle the Realtor | |
| Oliver Solomon | Security Guard | |
| Henny Russell | Dr. Sarah Tonner | |
| Susan Merson | Harriet | |
| Jessica Pressman | TV Reporter | |
| Joe Diomede | Derrick | |
| Dane Wells | Honor Guard |
Production and Technical Credits
| Peter Sollett | Director | |
| Ron Nyswaner | Screenwriter | |
| Michael Shamberg | Producer | |
| Stacey Sher | Producer | |
| Cynthia Wade | Producer | |
| Jack Selby | Producer | |
| Duncan Montgomery | Producer | |
| James D. Stern | Producer | |
| Julie Goldstein | Producer | |
| Phil Hunt | Producer | |
| Compton Ross | Producer | |
| Kelly Bush Novak* | Producer | |
| Elliot Page | Producer | |
| Robert Salerno | Executive Producer | |
| Richard Fischoff | Executive Producer | |
| Ameet Shukla | Executive Producer | |
| Taylor Latham | Executive Producer | |
| Adam Del Deo | Executive Producer | |
| Scott Stone | Executive Producer | |
| Hilary Davis | Executive Producer | |
| Stephen Kelliher | Executive Producer | |
| Greg Schenz | Executive Producer | |
| Maryse Alberti | Director of Photography | |
| Jane Musky | Production Designer | |
| Andrew Mondshein | Editor | |
| Hans Zimmer | Composer | |
| Johnny Marr | Composer | |
| Linda Cohen | Music Supervisor | |
| Stacey Battat | Costume Designer | |
| Avy Kaufman | Casting Director | |
| Robert Salerno | Unit Production Manager | |
| Maggie Murphy | First Assistant Director | |
| Cathleen McFadyen | Second Assistant Director | |
| Kristy Maurer | Co-Producer | |
| Ana R. Seyffert Saenz | Associate Producer | |
| Robert Patrick Malkassian | Associate Producer | |
| Jessica Pressman | Associate Producer | |
| Lisa G. Hannusch | Associate Producer | |
| William Hernstadt | Associate Producer | |
| Tom Harberd | Associate Producer | |
| Anita Sum | Production Supervisor | |
| Patrice Andrew Davidson | Art Director | |
| Joanne Ling | Set Decorator | |
| Tony Osso | Script Supervisor | |
| Ken Ishii | Sound Mixer | |
| Wendy Bailey | Costume Supervisor | |
| Mandy Lyons | Hairstylist | |
| Therese Ducey | Hairstylist | |
| Elaine Offers | Make up | |
| Eve Morrow Chubb* | Make up | |
| Jeremy Selenfriend | Special Make-up Effects | |
| Jeremy Selenfriend | Make-up and Prosthetic Effects Designer | |
| Drew Jiritano | Special Effects Coordinator | |
| Isabel Henderson | Post-Production Supervisor | |
| Ryan Murphy | First Assistant Editor | |
| Michael Barry | Re-recording Mixer | |
| John J. Morris | Re-recording Mixer | |
| John J. Morris | Supervising Sound Editor | |
| William Sweeney | Dialogue Editor | |
| Catherine Wilson | Music Editor | |
| Shari Johanson | Music Editor | |
| Andrew Lim | Visual Effects Supervisor | |
| Stephen Pope | Stunt Coordinator | |
| Christopher Place | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The true love story of Laurel Hester and Stacie Andree and their fight for justice. A decorated New Jersey police detective, Laurel is diagnosed with cancer and wants to leave her hard earned pension to her domestic partner, Stacie. However the county officials, Freeholders, conspire to prevent Laurel from doing this. Hard-nosed detective Dane Wells, and activist Steven Goldstein, unite in Laurel and Stacie’s defense, rallying police officers and ordinary citizens to support their struggle for equality.
Metrics
| Opening Weekend: | $37,983 (7.0% of total gross) |
| Legs: | 4.08 (domestic box office/biggest weekend) |
| Domestic Share: | 31.5% (domestic box office/worldwide) |
| Production Budget: | $7,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 5 opening theaters/148 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $774,924 |
Movie Details
| Domestic Releases: | October 2nd, 2015 (Limited) by Lionsgate |
| International Releases: | November 5th, 2015 (Wide) (Italy)
November 6th, 2015 (Wide) (Australia) November 6th, 2015 (Wide) (New Zealand) December 4th, 2015 (Wide) (Turkey) December 10th, 2015 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | January 19th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for some thematic elements, language and sexuality. (Rating bulletin 2386, 8/12/2015) |
| Running Time: | 103 minutes |
| Plot point: | Cancer, LGBTQ+, Romance, Terminal Illness |
| Social setting: | LGBT Rights Movement |
| Source: | Based on Short Film |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Masproduction, Shiny Penny, Lieutenant Films, High Frequency Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 2, 2015 | 53 | $37,983 | 5 | $7,597 | $37,983 | 1 | |
| Oct 9, 2015 | 35 | $94,365 | +148% | 51 | $1,850 | $144,419 | 2 |
| Oct 16, 2015 | 26 | $133,974 | +42% | 148 | $905 | $320,365 | 3 |
| Oct 23, 2015 | 38 | $61,684 | -54% | 101 | $611 | $453,337 | 4 |
| Oct 30, 2015 | 52 | $17,827 | -71% | 33 | $540 | $503,523 | 5 |
| Nov 6, 2015 | 56 | $17,464 | -2% | 60 | $291 | $532,988 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 2, 2015 | - | $14,022 | 5 | $2,804 | $14,022 | 1 | ||
| Oct 3, 2015 | - | $14,618 | +4% | 5 | $2,924 | $28,640 | 2 | |
| Oct 4, 2015 | - | $9,343 | -36% | 5 | $1,869 | $37,983 | 3 | |
| Oct 5, 2015 | - | $3,459 | -63% | 5 | $692 | $41,442 | 4 | |
| Oct 6, 2015 | - | $3,168 | -8% | 5 | $634 | $44,610 | 5 | |
| Oct 7, 2015 | - | $2,947 | -7% | 5 | $589 | $47,557 | 6 | |
| Oct 8, 2015 | - | $2,497 | -15% | 5 | $499 | $50,054 | 7 | |
| Oct 9, 2015 | - | $26,266 | +952% | +87% | 51 | $515 | $76,320 | 8 |
| Oct 10, 2015 | - | $40,132 | +53% | +175% | 51 | $787 | $116,452 | 9 |
| Oct 11, 2015 | - | $27,967 | -30% | +199% | 51 | $548 | $144,419 | 10 |
| Oct 12, 2015 | - | $12,591 | -55% | +264% | 51 | $247 | $157,010 | 11 |
| Oct 13, 2015 | - | $10,108 | -20% | +219% | 51 | $198 | $167,118 | 12 |
| Oct 14, 2015 | - | $10,665 | +6% | +262% | 51 | $209 | $177,783 | 13 |
| Oct 15, 2015 | - | $8,608 | -19% | +245% | 51 | $169 | $186,391 | 14 |
| Oct 16, 2015 | - | $39,535 | +359% | +51% | 148 | $267 | $225,926 | 15 |
| Oct 17, 2015 | - | $56,279 | +42% | +40% | 148 | $380 | $282,205 | 16 |
| Oct 18, 2015 | - | $38,160 | -32% | +36% | 148 | $258 | $320,365 | 17 |
| Oct 19, 2015 | - | $17,844 | -53% | +42% | 148 | $121 | $338,209 | 18 |
| Oct 20, 2015 | - | $18,506 | +4% | +83% | 148 | $125 | $356,715 | 19 |
| Oct 21, 2015 | - | $16,950 | -8% | +59% | 148 | $115 | $373,665 | 20 |
| Oct 22, 2015 | - | $17,988 | +6% | +109% | 148 | $122 | $391,653 | 21 |
| Oct 23, 2015 | - | $17,505 | -3% | -56% | 101 | $173 | $409,158 | 22 |
| Oct 24, 2015 | - | $25,639 | +46% | -54% | 101 | $254 | $434,797 | 23 |
| Oct 25, 2015 | - | $18,540 | -28% | -51% | 101 | $184 | $453,337 | 24 |
| Oct 26, 2015 | - | $8,016 | -57% | -55% | 101 | $79 | $461,353 | 25 |
| Oct 27, 2015 | - | $9,651 | +20% | -48% | 101 | $96 | $471,004 | 26 |
| Oct 28, 2015 | - | $7,381 | -24% | -56% | 101 | $73 | $478,385 | 27 |
| Oct 29, 2015 | - | $7,311 | -1% | -59% | 101 | $72 | $485,696 | 28 |
| Oct 30, 2015 | - | $4,666 | -36% | -73% | 33 | $141 | $490,362 | 29 |
| Oct 31, 2015 | - | $6,294 | +35% | -75% | 33 | $191 | $496,656 | 30 |
| Nov 1, 2015 | - | $6,867 | +9% | -63% | 33 | $208 | $503,523 | 31 |
| Nov 2, 2015 | - | $2,600 | -62% | -68% | 33 | $79 | $506,123 | 32 |
| Nov 3, 2015 | - | $3,598 | +38% | -63% | 33 | $109 | $509,721 | 33 |
| Nov 4, 2015 | - | $2,853 | -21% | -61% | 33 | $86 | $512,574 | 34 |
| Nov 5, 2015 | - | $2,950 | +3% | -60% | 33 | $89 | $515,524 | 35 |
| Nov 6, 2015 | - | $4,969 | +68% | +6% | 60 | $83 | $520,493 | 36 |
| Nov 7, 2015 | - | $6,929 | +39% | +10% | 60 | $115 | $527,422 | 37 |
| Nov 8, 2015 | - | $5,566 | -20% | -19% | 60 | $93 | $532,988 | 38 |
| Nov 9, 2015 | - | $2,360 | -58% | -9% | 60 | $39 | $535,348 | 39 |
| Nov 10, 2015 | - | $3,624 | +54% | +1% | 60 | $60 | $538,972 | 40 |
| Nov 11, 2015 | - | $3,686 | +2% | +29% | 60 | $61 | $542,658 | 41 |
| Nov 12, 2015 | - | $3,543 | -4% | +20% | 60 | $59 | $546,201 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 2, 2015 | 52 | $50,054 | 5 | $10,011 | $50,054 | 1 | |
| Oct 9, 2015 | 32 | $136,337 | +172% | 51 | $2,673 | $186,391 | 2 |
| Oct 16, 2015 | 28 | $205,262 | +51% | 148 | $1,387 | $391,653 | 3 |
| Oct 23, 2015 | 39 | $94,043 | -54% | 101 | $931 | $485,696 | 4 |
| Oct 30, 2015 | 53 | $29,828 | -68% | 33 | $904 | $515,524 | 5 |
| Nov 6, 2015 | 58 | $30,677 | +3% | 60 | $511 | $546,201 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/17/2016 | $0 | 0 | 17 | 18 | $16,532 | 4/19/2016 | |||
| Australia | 11/6/2015 | $28,908 | 37 | 37 | 89 | $70,484 | 6/9/2016 | |||
| Austria | 4/8/2016 | $8,628 | 20 | 20 | 31 | $15,833 | 6/9/2016 | |||
| Brazil | 4/22/2016 | $45,472 | 0 | 0 | 0 | $74,721 | 11/15/2018 | |||
| Central America | 1/28/2016 | $3,214 | 13 | 13 | 13 | $3,214 | 2/2/2016 | |||
| France | 2/10/2016 | $148,900 | 80 | 80 | 80 | $148,900 | 6/9/2016 | |||
| Germany | 4/7/2016 | $45,933 | 75 | 75 | 127 | $82,867 | 6/9/2016 | |||
| Hong Kong | 12/10/2015 | $25,778 | 12 | 12 | 18 | $66,410 | 6/9/2016 | |||
| Italy | 11/5/2015 | $231,180 | 162 | 162 | 234 | $383,978 | 6/9/2016 | |||
| Netherlands | 5/19/2016 | $13,106 | 19 | 19 | 38 | $19,598 | 11/18/2018 | |||
| New Zealand | 11/6/2015 | $5,205 | 17 | 17 | 65 | $16,316 | 12/14/2015 | |||
| Portugal | 3/24/2016 | $17,471 | 14 | 14 | 37 | $45,444 | 6/9/2016 | |||
| Russia (CIS) | 5/6/2016 | $3,113 | 0 | 0 | 0 | $8,622 | 11/13/2018 | |||
| Slovenia | 3/31/2016 | $0 | 0 | 5 | 5 | $799 | 6/9/2016 | |||
| South Korea | 7/7/2016 | $18,197 | 62 | 62 | 93 | $57,502 | 8/11/2016 | |||
| Spain | 5/6/2016 | $45,129 | 88 | 88 | 136 | $92,889 | 6/9/2016 | |||
| Turkey | 12/4/2015 | $3,749 | 8 | 8 | 20 | $10,387 | 12/30/2018 | |||
| United Kingdom | 2/19/2016 | $18,167 | 12 | 12 | 24 | $21,446 | 6/9/2016 | |||
| Uruguay | 4/7/2016 | $2,778 | 4 | 4 | 5 | $3,517 | 12/31/2018 | |||
| Venezuela | 3/25/2016 | $1,491 | 6 | 6 | 11 | $9,153 | 6/9/2016 | |||
| Rest of World | $37,415 | |||||||||
| International Total | $1,186,027 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Julianne Moore | Laurel Hester | |
| Elliot Page | Stacie Andree |
Supporting
| Michael Shannon | Dane Wells | |
| Steve Carell | Steven Goldstein | |
| Luke Grimes | Todd Belkin | |
| Gabriel Luna | Quesada | |
| Anthony De Sando | Toohey | |
| Skipp Sudduth | Chief Reynolds | |
| Josh Charles | Bryan Kelder | |
| Kevin O'Rourke | Dan Wickery | |
| Tom McGowan | William Johnson | |
| William Sadler | Peter Santucci | |
| Dennis Boutsikaris | Pat Gerrity | |
| Adam LeFevre | Don Bennett | |
| Jeannine Kaspar | Margaret | |
| Mary Birdsong | Carol Andree | |
| Kelly Deadmon | Lynda Hester | |
| Traci Hovel | Hannah | |
| Julie Reiber | Cat | |
| Mina Sundwall | Maya Kelder | |
| Sahr Ngaujah | Father John | |
| Stink Fisher | Jake | |
| Karl Jacob | Jeeter | |
| Portia Reiners | Christy Miller | |
| Jess Jacobs | Stacie's Team Member | |
| Suzanne Savoy | Town Clerk | |
| Tom Place | Driver of Jeep | |
| Robbie Tann | First Thug | |
| Mary Joy | Estelle the Realtor | |
| Oliver Solomon | Security Guard | |
| Henny Russell | Dr. Sarah Tonner | |
| Susan Merson | Harriet | |
| Jessica Pressman | TV Reporter | |
| Joe Diomede | Derrick | |
| Dane Wells | Honor Guard |
Production and Technical Credits
| Peter Sollett | Director | |
| Ron Nyswaner | Screenwriter | |
| Michael Shamberg | Producer | |
| Stacey Sher | Producer | |
| Cynthia Wade | Producer | |
| Jack Selby | Producer | |
| Duncan Montgomery | Producer | |
| James D. Stern | Producer | |
| Julie Goldstein | Producer | |
| Phil Hunt | Producer | |
| Compton Ross | Producer | |
| Kelly Bush Novak* | Producer | |
| Elliot Page | Producer | |
| Robert Salerno | Executive Producer | |
| Richard Fischoff | Executive Producer | |
| Ameet Shukla | Executive Producer | |
| Taylor Latham | Executive Producer | |
| Adam Del Deo | Executive Producer | |
| Scott Stone | Executive Producer | |
| Hilary Davis | Executive Producer | |
| Stephen Kelliher | Executive Producer | |
| Greg Schenz | Executive Producer | |
| Maryse Alberti | Director of Photography | |
| Jane Musky | Production Designer | |
| Andrew Mondshein | Editor | |
| Hans Zimmer | Composer | |
| Johnny Marr | Composer | |
| Linda Cohen | Music Supervisor | |
| Stacey Battat | Costume Designer | |
| Avy Kaufman | Casting Director | |
| Robert Salerno | Unit Production Manager | |
| Maggie Murphy | First Assistant Director | |
| Cathleen McFadyen | Second Assistant Director | |
| Kristy Maurer | Co-Producer | |
| Ana R. Seyffert Saenz | Associate Producer | |
| Robert Patrick Malkassian | Associate Producer | |
| Jessica Pressman | Associate Producer | |
| Lisa G. Hannusch | Associate Producer | |
| William Hernstadt | Associate Producer | |
| Tom Harberd | Associate Producer | |
| Anita Sum | Production Supervisor | |
| Patrice Andrew Davidson | Art Director | |
| Joanne Ling | Set Decorator | |
| Tony Osso | Script Supervisor | |
| Ken Ishii | Sound Mixer | |
| Wendy Bailey | Costume Supervisor | |
| Mandy Lyons | Hairstylist | |
| Therese Ducey | Hairstylist | |
| Elaine Offers | Make up | |
| Eve Morrow Chubb* | Make up | |
| Jeremy Selenfriend | Special Make-up Effects | |
| Jeremy Selenfriend | Make-up and Prosthetic Effects Designer | |
| Drew Jiritano | Special Effects Coordinator | |
| Isabel Henderson | Post-Production Supervisor | |
| Ryan Murphy | First Assistant Editor | |
| Michael Barry | Re-recording Mixer | |
| John J. Morris | Re-recording Mixer | |
| John J. Morris | Supervising Sound Editor | |
| William Sweeney | Dialogue Editor | |
| Catherine Wilson | Music Editor | |
| Shari Johanson | Music Editor | |
| Andrew Lim | Visual Effects Supervisor | |
| Stephen Pope | Stunt Coordinator | |
| Christopher Place | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.