Harley Davidson and the Marlboro Man (1991)
| Theatrical Performance | ||
| Domestic Box Office | $7,018,525 | Details |
| OpusData ID: 42240100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,200,549 (31.4% of total gross) |
| Legs: | 3.19 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $23,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 1,196 opening theaters/1,196 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,854,991 |
Movie Details
| Domestic Releases: | August 23rd, 1991 (Wide) by MGM |
| Video Release: | August 11th, 1993 by MGM Video |
| MPA Rating: | R for violence, language and sensuality. |
| Running Time: | 98 minutes |
| Plot point: | Bank Foreclosure, Corporate Malfeasance, Death of a Best Friend, Fugitive / On the Run, Heist, Money Troubles, Pharmaceuticals, Revenge |
| Social setting: | Motorcycle Gangs |
| Subgenre: | Genre Mashup |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 23, 1991 | 7 | $2,200,549 | 1,196 | $1,840 | $2,200,549 | 1 |
| Mickey Rourke | Harley Davidson | |
| Tom Sizemore | Chance Wilder | |
| Don Johnson | Marlboro | |
| Tia Carrere | Kimiko | |
| Sven-Ole Thorsen | David | |
| Daniel Baldwin | Alexander | |
| Giancarlo Esposito | Jimmy Jiles | |
| Vanessa Williams | Lulu Daniels | |
| Chelsea Field | Virginia Slim | |
| Kelly Hu | Suzie | |
| Branscombe Richmond | Big Indian |
Production and Technical Credits
| Simon Wincer | Director | |
| Don Michael Paul | Screenwriter | |
| Basil Poledouris | Composer | |
| Tim Chau | Sound Designer | |
| Tim Chau | Supervising Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,200,549 (31.4% of total gross) |
| Legs: | 3.19 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $23,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 1,196 opening theaters/1,196 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,854,991 |
Movie Details
| Domestic Releases: | August 23rd, 1991 (Wide) by MGM |
| Video Release: | August 11th, 1993 by MGM Video |
| MPA Rating: | R for violence, language and sensuality. |
| Running Time: | 98 minutes |
| Plot point: | Bank Foreclosure, Corporate Malfeasance, Death of a Best Friend, Fugitive / On the Run, Heist, Money Troubles, Pharmaceuticals, Revenge |
| Social setting: | Motorcycle Gangs |
| Subgenre: | Genre Mashup |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 23, 1991 | 7 | $2,200,549 | 1,196 | $1,840 | $2,200,549 | 1 |
| Mickey Rourke | Harley Davidson | |
| Tom Sizemore | Chance Wilder | |
| Don Johnson | Marlboro | |
| Tia Carrere | Kimiko | |
| Sven-Ole Thorsen | David | |
| Daniel Baldwin | Alexander | |
| Giancarlo Esposito | Jimmy Jiles | |
| Vanessa Williams | Lulu Daniels | |
| Chelsea Field | Virginia Slim | |
| Kelly Hu | Suzie | |
| Branscombe Richmond | Big Indian |
Production and Technical Credits
| Simon Wincer | Director | |
| Don Michael Paul | Screenwriter | |
| Basil Poledouris | Composer | |
| Tim Chau | Sound Designer | |
| Tim Chau | Supervising Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.