Jimi: All is By My Side (2014)
| Theatrical Performance | ||
| Domestic Box Office | $340,911 | Details |
| International Box Office | $586,163 | |
| Worldwide Box Office | $927,074 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $58,523 | |
| Blu-ray Sales (estimated) | $31,068 | |
| Total | $89,591 | |
| OpusData ID: 206030100 More info... | ||
| Further financial details... | ||
Synopsis
In “All Is By My Side,” there’s rock music. Then there’s Jimi Hendrix. “All Is By My Side” captures the energy, the charisma, the mind-boggling talent of a legend whose musical influence still resonates around the world today. Based on actual interviews and archival materials, “All Is By My Side” brings authenticity and poignantly reveals a Jimi Hendrix behind the legend. At its heart a love story, “All Is By My Side” is about a man growing up, falling in love and becoming Jimi.
Metrics
| Legs: | 3.50 (domestic box office/biggest weekend) |
| Domestic Share: | 36.8% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 0.2 times production budget) |
| Infl. Adj. Dom. BO | $499,055 |
Movie Details
| Domestic Releases: | September 26th, 2014 (Limited) by XLrator Media |
| Video Release: | January 13th, 2015 by Arc/Xlrator |
| MPA Rating: | R for language including sexual references, and some drug content. (Rating bulletin 2317, 4/9/2014) |
| Running Time: | 116 minutes |
| Geographical setting: | London |
| Plot point: | Big Break, Bigotry, Biography, Domestic Abuse, Interracial Romance, Musicians, Relationships Gone Wrong, Romance |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Darko Entertainment |
| Production Countries: | United Kingdom, Ireland, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 3, 2014 | 34 | $97,307 | 75 | $1,297 | $238,837 | 2 | |
| Oct 10, 2014 | 53 | $37,023 | -62% | 31 | $1,194 | $323,032 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 26, 2014 | - | $30,256 | 34 | $890 | $30,256 | 1 | ||
| Sep 27, 2014 | - | $41,208 | +36% | 34 | $1,212 | $71,464 | 2 | |
| Sep 28, 2014 | - | $24,725 | -40% | 34 | $727 | $96,189 | 3 | |
| Sep 29, 2014 | - | $12,310 | -50% | 34 | $362 | $108,499 | 4 | |
| Sep 30, 2014 | - | $10,765 | -13% | 34 | $317 | $119,264 | 5 | |
| Oct 1, 2014 | - | $11,593 | +8% | 34 | $341 | $131,676 | 6 | |
| Oct 2, 2014 | - | $9,854 | -15% | 34 | $290 | $141,530 | 7 | |
| Oct 3, 2014 | - | $26,544 | +169% | -12% | 75 | $354 | $168,074 | 8 |
| Oct 4, 2014 | - | $43,066 | +62% | +5% | 75 | $574 | $211,140 | 9 |
| Oct 5, 2014 | - | $27,697 | -36% | +12% | 75 | $369 | $238,837 | 10 |
| Oct 6, 2014 | - | $10,744 | -61% | -13% | 75 | $143 | $249,581 | 11 |
| Oct 7, 2014 | - | $11,478 | +7% | +7% | 75 | $153 | $261,059 | 12 |
| Oct 8, 2014 | - | $12,880 | +12% | +11% | 75 | $172 | $273,939 | 13 |
| Oct 9, 2014 | - | $12,070 | -6% | +22% | 75 | $161 | $286,009 | 14 |
| Oct 10, 2014 | - | $9,400 | -22% | -65% | 31 | $303 | $295,409 | 15 |
| Oct 11, 2014 | - | $15,995 | +70% | -63% | 31 | $516 | $311,404 | 16 |
| Oct 12, 2014 | - | $11,628 | -27% | -58% | 31 | $375 | $323,032 | 17 |
| Oct 13, 2014 | - | $5,931 | -49% | -45% | 31 | $191 | $328,963 | 18 |
| Oct 14, 2014 | - | $3,973 | -33% | -65% | 31 | $128 | $332,936 | 19 |
| Oct 15, 2014 | - | $3,324 | -16% | -74% | 31 | $107 | $336,260 | 20 |
| Oct 16, 2014 | - | $4,651 | +40% | -61% | 31 | $150 | $340,911 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 26, 2014 | 35 | $140,711 | 34 | $4,139 | $141,530 | 1 | |
| Oct 3, 2014 | 33 | $144,479 | +3% | 75 | $1,926 | $286,009 | 2 |
| Oct 10, 2014 | 50 | $54,902 | -62% | 31 | $1,771 | $340,911 | 3 |
Leading
| Andre Benjamin | Jimi Hendrix | |
| Hayley Atwell | Kathy Etchingham | |
| Imogen Poots | Linda Keith |
Supporting
| Andrew Buckley | Chas Chandler | |
| Adrian Lester | Michael X | |
| Ruth Negga | American Expat | |
| Burn Gorman | Michael Jeffery | |
| Ashley Charles | Keith Richards | |
| Clare-Hope Ashitey | Faye Pridgeon | |
| Robbie Jarvis | Andrew Loog Oldham |
Production and Technical Credits
| John Ridley | Director | |
| John Ridley | Screenwriter | |
| Sean McKittrick | Producer | |
| Jeff Culotta | Producer | |
| Tristan Orpen-Lynch | Producer | |
| Brandon Freeman | Producer | |
| Danny Bramson | Producer | |
| Anthony Burns | Producer | |
| Edward H. Hamm, Jr. | Executive Producer | |
| John Ridley | Executive Producer | |
| Paul Cross | Production Designer | |
| Hank Corwin | Editor | |
| Chris Gill | Editor | |
| Danny Bramson | Composer | |
| Waddy Wachtel | Composer | |
| Tim Fleming | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In “All Is By My Side,” there’s rock music. Then there’s Jimi Hendrix. “All Is By My Side” captures the energy, the charisma, the mind-boggling talent of a legend whose musical influence still resonates around the world today. Based on actual interviews and archival materials, “All Is By My Side” brings authenticity and poignantly reveals a Jimi Hendrix behind the legend. At its heart a love story, “All Is By My Side” is about a man growing up, falling in love and becoming Jimi.
Metrics
| Legs: | 3.50 (domestic box office/biggest weekend) |
| Domestic Share: | 36.8% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 0.2 times production budget) |
| Infl. Adj. Dom. BO | $499,055 |
Movie Details
| Domestic Releases: | September 26th, 2014 (Limited) by XLrator Media |
| Video Release: | January 13th, 2015 by Arc/Xlrator |
| MPA Rating: | R for language including sexual references, and some drug content. (Rating bulletin 2317, 4/9/2014) |
| Running Time: | 116 minutes |
| Geographical setting: | London |
| Plot point: | Big Break, Bigotry, Biography, Domestic Abuse, Interracial Romance, Musicians, Relationships Gone Wrong, Romance |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Darko Entertainment |
| Production Countries: | United Kingdom, Ireland, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 3, 2014 | 34 | $97,307 | 75 | $1,297 | $238,837 | 2 | |
| Oct 10, 2014 | 53 | $37,023 | -62% | 31 | $1,194 | $323,032 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 26, 2014 | - | $30,256 | 34 | $890 | $30,256 | 1 | ||
| Sep 27, 2014 | - | $41,208 | +36% | 34 | $1,212 | $71,464 | 2 | |
| Sep 28, 2014 | - | $24,725 | -40% | 34 | $727 | $96,189 | 3 | |
| Sep 29, 2014 | - | $12,310 | -50% | 34 | $362 | $108,499 | 4 | |
| Sep 30, 2014 | - | $10,765 | -13% | 34 | $317 | $119,264 | 5 | |
| Oct 1, 2014 | - | $11,593 | +8% | 34 | $341 | $131,676 | 6 | |
| Oct 2, 2014 | - | $9,854 | -15% | 34 | $290 | $141,530 | 7 | |
| Oct 3, 2014 | - | $26,544 | +169% | -12% | 75 | $354 | $168,074 | 8 |
| Oct 4, 2014 | - | $43,066 | +62% | +5% | 75 | $574 | $211,140 | 9 |
| Oct 5, 2014 | - | $27,697 | -36% | +12% | 75 | $369 | $238,837 | 10 |
| Oct 6, 2014 | - | $10,744 | -61% | -13% | 75 | $143 | $249,581 | 11 |
| Oct 7, 2014 | - | $11,478 | +7% | +7% | 75 | $153 | $261,059 | 12 |
| Oct 8, 2014 | - | $12,880 | +12% | +11% | 75 | $172 | $273,939 | 13 |
| Oct 9, 2014 | - | $12,070 | -6% | +22% | 75 | $161 | $286,009 | 14 |
| Oct 10, 2014 | - | $9,400 | -22% | -65% | 31 | $303 | $295,409 | 15 |
| Oct 11, 2014 | - | $15,995 | +70% | -63% | 31 | $516 | $311,404 | 16 |
| Oct 12, 2014 | - | $11,628 | -27% | -58% | 31 | $375 | $323,032 | 17 |
| Oct 13, 2014 | - | $5,931 | -49% | -45% | 31 | $191 | $328,963 | 18 |
| Oct 14, 2014 | - | $3,973 | -33% | -65% | 31 | $128 | $332,936 | 19 |
| Oct 15, 2014 | - | $3,324 | -16% | -74% | 31 | $107 | $336,260 | 20 |
| Oct 16, 2014 | - | $4,651 | +40% | -61% | 31 | $150 | $340,911 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 26, 2014 | 35 | $140,711 | 34 | $4,139 | $141,530 | 1 | |
| Oct 3, 2014 | 33 | $144,479 | +3% | 75 | $1,926 | $286,009 | 2 |
| Oct 10, 2014 | 50 | $54,902 | -62% | 31 | $1,771 | $340,911 | 3 |
Leading
| Andre Benjamin | Jimi Hendrix | |
| Hayley Atwell | Kathy Etchingham | |
| Imogen Poots | Linda Keith |
Supporting
| Andrew Buckley | Chas Chandler | |
| Adrian Lester | Michael X | |
| Ruth Negga | American Expat | |
| Burn Gorman | Michael Jeffery | |
| Ashley Charles | Keith Richards | |
| Clare-Hope Ashitey | Faye Pridgeon | |
| Robbie Jarvis | Andrew Loog Oldham |
Production and Technical Credits
| John Ridley | Director | |
| John Ridley | Screenwriter | |
| Sean McKittrick | Producer | |
| Jeff Culotta | Producer | |
| Tristan Orpen-Lynch | Producer | |
| Brandon Freeman | Producer | |
| Danny Bramson | Producer | |
| Anthony Burns | Producer | |
| Edward H. Hamm, Jr. | Executive Producer | |
| John Ridley | Executive Producer | |
| Paul Cross | Production Designer | |
| Hank Corwin | Editor | |
| Chris Gill | Editor | |
| Danny Bramson | Composer | |
| Waddy Wachtel | Composer | |
| Tim Fleming | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.