Johnny English Reborn (2011)
| Theatrical Performance | ||
| Domestic Box Office | $8,406,711 | Details |
| International Box Office | $156,233,690 | |
| Worldwide Box Office | $164,640,401 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,330,040 | |
| Blu-ray Sales (estimated) | $915,293 | |
| Total | $4,245,333 | |
| OpusData ID: 146970100 More info... | ||
| Further financial details... | ||
Synopsis
Rowan Atkinson returns to the role of the improbable secret agent who doesn't know fear or danger in the comedy spy-thriller Johnny English Reborn. In his latest adventure, the most unlikely intelligence officer in Her Majesty's Secret Service must stop a group of international assassins before they eliminate a world leader and cause global chaos. In the years since MI-7's top spy vanished off the grid, he has been honing his unique skills in a remote region of Asia. But when his agency superiors learn of an attempt against the Chinese premier's life, they must hunt down the highly unorthodox agent. Now that the world needs him once again, Johnny English is back in action. With one shot at redemption, he must employ the latest in hi-tech gadgets to unravel a web of conspiracy that runs throughout the KGB, CIA and even MI-7. With mere days until a heads of state conference, one man must use every trick in his playbook to protect us all. For Johnny English, disaster may be an option, but failure never is.
Metrics
| Opening Weekend: | $3,833,300 (45.6% of total gross) |
| Legs: | 2.19 (domestic box office/biggest weekend) |
| Domestic Share: | 5.1% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 3.7 times production budget) |
| Theater counts: | 1,552 opening theaters/1,554 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,678,975 |
Movie Details
| Domestic Releases: | October 21st, 2011 (Wide) by Universal |
| Video Release: | February 28th, 2012 by Universal Home Entertainment |
| MPA Rating: | PG for mild action violence, rude humor, some language and brief sensuality. (Rating bulletin 2175, 6/8/2011) |
| Running Time: | 101 minutes |
| Franchise: | Johnny English |
| Cast, crew, or production detail: | Legacy Sequel |
| Plot point: | Hitmen, Out of Retirement, Secret Agent, Spoof |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Working Title Films, Relativity Media, StudioCanal |
| Production Countries: | United Kingdom, United States, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2011 | 8 | $3,833,300 | 1,552 | $2,470 | $3,833,300 | 1 | |
| Oct 28, 2011 | 11 | $1,693,915 | -56% | 1,554 | $1,090 | $6,465,685 | 2 |
| Nov 4, 2011 | 17 | $676,245 | -60% | 644 | $1,050 | $7,725,155 | 3 |
| Nov 11, 2011 | 30 | $204,665 | -70% | 210 | $975 | $8,129,455 | 4 |
| Nov 18, 2011 | 36 | $86,945 | -58% | 108 | $805 | $8,269,105 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 21, 2011 | 8 | $1,163,845 | 1,552 | $750 | $1,163,845 | 1 | ||
| Oct 22, 2011 | 8 | $1,645,135 | +41% | 1,552 | $1,060 | $2,808,980 | 2 | |
| Oct 23, 2011 | 7 | $1,024,320 | -38% | 1,552 | $660 | $3,833,300 | 3 | |
| Oct 24, 2011 | 10 | $209,575 | -80% | 1,552 | $135 | $4,042,875 | 4 | |
| Oct 25, 2011 | 9 | $310,025 | +48% | 1,552 | $200 | $4,352,900 | 5 | |
| Oct 26, 2011 | 11 | $193,990 | -37% | 1,552 | $125 | $4,546,890 | 6 | |
| Oct 27, 2011 | 11 | $224,880 | +16% | 1,552 | $145 | $4,771,770 | 7 | |
| Oct 28, 2011 | 11 | $466,255 | +107% | -60% | 1,554 | $300 | $5,238,025 | 8 |
| Oct 29, 2011 | 11 | $738,150 | +58% | -55% | 1,554 | $475 | $5,976,175 | 9 |
| Oct 30, 2011 | 11 | $489,510 | -34% | -52% | 1,554 | $315 | $6,465,685 | 10 |
| Oct 31, 2011 | 12 | $163,170 | -67% | -22% | 1,554 | $105 | $6,628,855 | 11 |
| Nov 1, 2011 | 11 | $179,710 | +10% | -42% | 1,554 | $116 | $6,808,565 | 12 |
| Nov 2, 2011 | 12 | $117,025 | -35% | -40% | 1,554 | $75 | $6,925,590 | 13 |
| Nov 3, 2011 | 13 | $124,320 | +6% | -45% | 1,554 | $80 | $7,049,910 | 14 |
| Nov 4, 2011 | 17 | $170,660 | +37% | -63% | 644 | $265 | $7,220,570 | 15 |
| Nov 5, 2011 | 17 | $302,725 | +77% | -59% | 644 | $470 | $7,523,295 | 16 |
| Nov 6, 2011 | 16 | $202,860 | -33% | -59% | 644 | $315 | $7,726,155 | 17 |
| Nov 7, 2011 | - | $38,640 | -81% | -76% | 644 | $60 | $7,764,795 | 18 |
| Nov 8, 2011 | - | $64,395 | +67% | -64% | 644 | $100 | $7,829,190 | 19 |
| Nov 9, 2011 | - | $38,640 | -40% | -67% | 644 | $60 | $7,867,830 | 20 |
| Nov 10, 2011 | - | $57,960 | +50% | -53% | 644 | $90 | $7,925,790 | 21 |
| Nov 11, 2011 | - | $65,190 | +12% | -62% | 210 | $310 | $7,990,980 | 22 |
| Nov 12, 2011 | - | $83,895 | +29% | -72% | 210 | $400 | $8,074,875 | 23 |
| Nov 13, 2011 | - | $55,580 | -34% | -73% | 210 | $265 | $8,130,455 | 24 |
| Nov 14, 2011 | - | $12,635 | -77% | -67% | 210 | $60 | $8,143,090 | 25 |
| Nov 15, 2011 | - | $18,995 | +50% | -71% | 210 | $90 | $8,162,085 | 26 |
| Nov 16, 2011 | - | $10,590 | -44% | -73% | 210 | $50 | $8,172,675 | 27 |
| Nov 17, 2011 | - | $10,485 | -1% | -82% | 210 | $50 | $8,182,160 | 28 |
| Nov 18, 2011 | - | $23,760 | +127% | -64% | 108 | $220 | $8,205,920 | 29 |
| Nov 19, 2011 | - | $38,885 | +64% | -54% | 108 | $360 | $8,244,805 | 30 |
| Nov 20, 2011 | - | $24,300 | -38% | -56% | 108 | $225 | $8,269,105 | 31 |
| Nov 21, 2011 | - | $8,645 | -64% | -32% | 108 | $80 | $8,277,750 | 32 |
| Nov 22, 2011 | - | $10,795 | +25% | -43% | 108 | $100 | $8,288,545 | 33 |
| Nov 23, 2011 | - | $9,130 | -15% | -14% | 108 | $85 | $8,297,675 | 34 |
| Nov 24, 2011 | - | $8,295 | -9% | -21% | 108 | $77 | $8,305,970 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2011 | 8 | $4,771,770 | 1,552 | $3,075 | $4,771,770 | 1 | |
| Oct 28, 2011 | 11 | $2,277,140 | -52% | 1,554 | $1,465 | $7,048,910 | 2 |
| Nov 4, 2011 | 17 | $875,880 | -62% | 644 | $1,360 | $7,924,790 | 3 |
| Nov 11, 2011 | 30 | $257,370 | -71% | 210 | $1,226 | $8,182,160 | 4 |
| Nov 18, 2011 | 42 | $123,810 | -52% | 108 | $1,146 | $8,305,970 | 5 |
Leading
| Rowan Atkinson | Johnny English | |
| Gillian Anderson | Pamela Thornton |
Supporting
| Dominic West | Simon Ambrose | |
| Rosamund Pike | Kate Summers | |
| Daniel Kaluuya | Agent Tucker | |
| Richard Schiff | Fisher | |
| Tim McInnerny | Patch Quartermain | |
| Pik-Sen Lim | Killer Cleaner | |
| Stephen Campbell Moore | Prime Minister | |
| Burn Gorman | Slater | |
| Togo Igawa | Ting Wang | |
| Mark Ivanir | Karlenko | |
| Roger Barclay | Agent Two | |
| Eric Carte | Agent One | |
| Eleanor Wyld | Receptionist | |
| Mandi Sidhu | Receptionist | |
| Margaret Clunie | Receptionist | |
| Mariella Frostrup | The Voice of Royce | |
| Miles Jupp | Technician | |
| Williams Belle | Ling | |
| Paul Carr | Chinese Man in Spectacles | |
| Courtney Wu | Man in Spectacles | |
| Rupert Vansittart | Derek | |
| Isla Blair | Shirley | |
| Emma Vansittart | Margaret | |
| Christina Chong | Barbara | |
| Siu Hun Li | Chinese Susan | |
| Josephine De La Baume | Madeleine | |
| Wale Ojo | President Chambal | |
| Chris Jarman | Michael Tembe | |
| Andrew Woodall | Foreign Secretary | |
| Isabella Blake-Thomas | Izzie | |
| Janet Whiteside | Pamela's Mother | |
| Maisie Fishbourne | Pamela's Toddler | |
| Gary Kane | Matov | |
| Lobo Chan | Xiang Ping | |
| Clara Paget | Waitress | |
| Richard Syms | Man in Pinstripe | |
| Lily Atkinson | Girl With Crash Helmet | |
| Dave Holland | Man in Wheelchair | |
| Benedict Wong | Chi Han Ly | |
| Ellen Thomas | Tucker's Mum | |
| Ian Shaw | Agent Number Two | |
| Oliver Zheng | Chinese Interpreter |
Production and Technical Credits
| Oliver Parker | Director | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Chris Clark | Producer | |
| Hamish McColl | Screenwriter | |
| William Davies | Story Creator | |
| William Davies | Executive Producer | |
| Debra Hayward | Executive Producer | |
| Liza Chasin | Executive Producer | |
| Ronaldo Vasconcellos | Co-Producer | |
| Danny Cohen | Director of Photography | |
| Jim Clay | Production Designer | |
| Guy Bensley | Editor | |
| Graham Johnston | Make-up and Hair Designer | |
| Ilan Eshkeri | Composer | |
| Ben Howarth | Assistant Director | |
| Martin Kenzie | Second Unit Director | |
| Dominic Masters | Supervising Art Director | |
| Mike Stallion | Art Director | |
| Paul Laugier | Art Director | |
| Caroline Smith | Set Decorator | |
| Martin Kenzie | Second Unit Camera | |
| Rob Duncan | Visual Effects Supervisor | |
| Mark Holt | Special Effects Supervisor | |
| Dan Roberts | Additional Editor | |
| Mark Holding | Sound Mixer | |
| Ian Tapp | Re-recording Mixer | |
| Richard Pryke | Re-recording Mixer | |
| Glenn Freemantle | Supervising Sound Editor | |
| Danny Freemantle | Sound Effects Editor | |
| Keith Tinman | Sound Effects Editor | |
| Niv Adiri | Sound Effects Editor | |
| Mark Heslop | Sound Effects Editor | |
| Glenn Freemantle | Sound Designer | |
| Tom Sayers | Sound Designer | |
| Gillian Dodders | Dialogue Editor | |
| Laura Lovejoy | Dialogue Editor | |
| Steve Price | Music Editor | |
| James Bellamy | Music Editor | |
| Lucy Bevan | Casting Director | |
| Paul Herbert | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Rowan Atkinson returns to the role of the improbable secret agent who doesn't know fear or danger in the comedy spy-thriller Johnny English Reborn. In his latest adventure, the most unlikely intelligence officer in Her Majesty's Secret Service must stop a group of international assassins before they eliminate a world leader and cause global chaos. In the years since MI-7's top spy vanished off the grid, he has been honing his unique skills in a remote region of Asia. But when his agency superiors learn of an attempt against the Chinese premier's life, they must hunt down the highly unorthodox agent. Now that the world needs him once again, Johnny English is back in action. With one shot at redemption, he must employ the latest in hi-tech gadgets to unravel a web of conspiracy that runs throughout the KGB, CIA and even MI-7. With mere days until a heads of state conference, one man must use every trick in his playbook to protect us all. For Johnny English, disaster may be an option, but failure never is.
Metrics
| Opening Weekend: | $3,833,300 (45.6% of total gross) |
| Legs: | 2.19 (domestic box office/biggest weekend) |
| Domestic Share: | 5.1% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 3.7 times production budget) |
| Theater counts: | 1,552 opening theaters/1,554 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,678,975 |
Movie Details
| Domestic Releases: | October 21st, 2011 (Wide) by Universal |
| Video Release: | February 28th, 2012 by Universal Home Entertainment |
| MPA Rating: | PG for mild action violence, rude humor, some language and brief sensuality. (Rating bulletin 2175, 6/8/2011) |
| Running Time: | 101 minutes |
| Franchise: | Johnny English |
| Cast, crew, or production detail: | Legacy Sequel |
| Plot point: | Hitmen, Out of Retirement, Secret Agent, Spoof |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Working Title Films, Relativity Media, StudioCanal |
| Production Countries: | United Kingdom, United States, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2011 | 8 | $3,833,300 | 1,552 | $2,470 | $3,833,300 | 1 | |
| Oct 28, 2011 | 11 | $1,693,915 | -56% | 1,554 | $1,090 | $6,465,685 | 2 |
| Nov 4, 2011 | 17 | $676,245 | -60% | 644 | $1,050 | $7,725,155 | 3 |
| Nov 11, 2011 | 30 | $204,665 | -70% | 210 | $975 | $8,129,455 | 4 |
| Nov 18, 2011 | 36 | $86,945 | -58% | 108 | $805 | $8,269,105 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 21, 2011 | 8 | $1,163,845 | 1,552 | $750 | $1,163,845 | 1 | ||
| Oct 22, 2011 | 8 | $1,645,135 | +41% | 1,552 | $1,060 | $2,808,980 | 2 | |
| Oct 23, 2011 | 7 | $1,024,320 | -38% | 1,552 | $660 | $3,833,300 | 3 | |
| Oct 24, 2011 | 10 | $209,575 | -80% | 1,552 | $135 | $4,042,875 | 4 | |
| Oct 25, 2011 | 9 | $310,025 | +48% | 1,552 | $200 | $4,352,900 | 5 | |
| Oct 26, 2011 | 11 | $193,990 | -37% | 1,552 | $125 | $4,546,890 | 6 | |
| Oct 27, 2011 | 11 | $224,880 | +16% | 1,552 | $145 | $4,771,770 | 7 | |
| Oct 28, 2011 | 11 | $466,255 | +107% | -60% | 1,554 | $300 | $5,238,025 | 8 |
| Oct 29, 2011 | 11 | $738,150 | +58% | -55% | 1,554 | $475 | $5,976,175 | 9 |
| Oct 30, 2011 | 11 | $489,510 | -34% | -52% | 1,554 | $315 | $6,465,685 | 10 |
| Oct 31, 2011 | 12 | $163,170 | -67% | -22% | 1,554 | $105 | $6,628,855 | 11 |
| Nov 1, 2011 | 11 | $179,710 | +10% | -42% | 1,554 | $116 | $6,808,565 | 12 |
| Nov 2, 2011 | 12 | $117,025 | -35% | -40% | 1,554 | $75 | $6,925,590 | 13 |
| Nov 3, 2011 | 13 | $124,320 | +6% | -45% | 1,554 | $80 | $7,049,910 | 14 |
| Nov 4, 2011 | 17 | $170,660 | +37% | -63% | 644 | $265 | $7,220,570 | 15 |
| Nov 5, 2011 | 17 | $302,725 | +77% | -59% | 644 | $470 | $7,523,295 | 16 |
| Nov 6, 2011 | 16 | $202,860 | -33% | -59% | 644 | $315 | $7,726,155 | 17 |
| Nov 7, 2011 | - | $38,640 | -81% | -76% | 644 | $60 | $7,764,795 | 18 |
| Nov 8, 2011 | - | $64,395 | +67% | -64% | 644 | $100 | $7,829,190 | 19 |
| Nov 9, 2011 | - | $38,640 | -40% | -67% | 644 | $60 | $7,867,830 | 20 |
| Nov 10, 2011 | - | $57,960 | +50% | -53% | 644 | $90 | $7,925,790 | 21 |
| Nov 11, 2011 | - | $65,190 | +12% | -62% | 210 | $310 | $7,990,980 | 22 |
| Nov 12, 2011 | - | $83,895 | +29% | -72% | 210 | $400 | $8,074,875 | 23 |
| Nov 13, 2011 | - | $55,580 | -34% | -73% | 210 | $265 | $8,130,455 | 24 |
| Nov 14, 2011 | - | $12,635 | -77% | -67% | 210 | $60 | $8,143,090 | 25 |
| Nov 15, 2011 | - | $18,995 | +50% | -71% | 210 | $90 | $8,162,085 | 26 |
| Nov 16, 2011 | - | $10,590 | -44% | -73% | 210 | $50 | $8,172,675 | 27 |
| Nov 17, 2011 | - | $10,485 | -1% | -82% | 210 | $50 | $8,182,160 | 28 |
| Nov 18, 2011 | - | $23,760 | +127% | -64% | 108 | $220 | $8,205,920 | 29 |
| Nov 19, 2011 | - | $38,885 | +64% | -54% | 108 | $360 | $8,244,805 | 30 |
| Nov 20, 2011 | - | $24,300 | -38% | -56% | 108 | $225 | $8,269,105 | 31 |
| Nov 21, 2011 | - | $8,645 | -64% | -32% | 108 | $80 | $8,277,750 | 32 |
| Nov 22, 2011 | - | $10,795 | +25% | -43% | 108 | $100 | $8,288,545 | 33 |
| Nov 23, 2011 | - | $9,130 | -15% | -14% | 108 | $85 | $8,297,675 | 34 |
| Nov 24, 2011 | - | $8,295 | -9% | -21% | 108 | $77 | $8,305,970 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2011 | 8 | $4,771,770 | 1,552 | $3,075 | $4,771,770 | 1 | |
| Oct 28, 2011 | 11 | $2,277,140 | -52% | 1,554 | $1,465 | $7,048,910 | 2 |
| Nov 4, 2011 | 17 | $875,880 | -62% | 644 | $1,360 | $7,924,790 | 3 |
| Nov 11, 2011 | 30 | $257,370 | -71% | 210 | $1,226 | $8,182,160 | 4 |
| Nov 18, 2011 | 42 | $123,810 | -52% | 108 | $1,146 | $8,305,970 | 5 |
Leading
| Rowan Atkinson | Johnny English | |
| Gillian Anderson | Pamela Thornton |
Supporting
| Dominic West | Simon Ambrose | |
| Rosamund Pike | Kate Summers | |
| Daniel Kaluuya | Agent Tucker | |
| Richard Schiff | Fisher | |
| Tim McInnerny | Patch Quartermain | |
| Pik-Sen Lim | Killer Cleaner | |
| Stephen Campbell Moore | Prime Minister | |
| Burn Gorman | Slater | |
| Togo Igawa | Ting Wang | |
| Mark Ivanir | Karlenko | |
| Roger Barclay | Agent Two | |
| Eric Carte | Agent One | |
| Eleanor Wyld | Receptionist | |
| Mandi Sidhu | Receptionist | |
| Margaret Clunie | Receptionist | |
| Mariella Frostrup | The Voice of Royce | |
| Miles Jupp | Technician | |
| Williams Belle | Ling | |
| Paul Carr | Chinese Man in Spectacles | |
| Courtney Wu | Man in Spectacles | |
| Rupert Vansittart | Derek | |
| Isla Blair | Shirley | |
| Emma Vansittart | Margaret | |
| Christina Chong | Barbara | |
| Siu Hun Li | Chinese Susan | |
| Josephine De La Baume | Madeleine | |
| Wale Ojo | President Chambal | |
| Chris Jarman | Michael Tembe | |
| Andrew Woodall | Foreign Secretary | |
| Isabella Blake-Thomas | Izzie | |
| Janet Whiteside | Pamela's Mother | |
| Maisie Fishbourne | Pamela's Toddler | |
| Gary Kane | Matov | |
| Lobo Chan | Xiang Ping | |
| Clara Paget | Waitress | |
| Richard Syms | Man in Pinstripe | |
| Lily Atkinson | Girl With Crash Helmet | |
| Dave Holland | Man in Wheelchair | |
| Benedict Wong | Chi Han Ly | |
| Ellen Thomas | Tucker's Mum | |
| Ian Shaw | Agent Number Two | |
| Oliver Zheng | Chinese Interpreter |
Production and Technical Credits
| Oliver Parker | Director | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Chris Clark | Producer | |
| Hamish McColl | Screenwriter | |
| William Davies | Story Creator | |
| William Davies | Executive Producer | |
| Debra Hayward | Executive Producer | |
| Liza Chasin | Executive Producer | |
| Ronaldo Vasconcellos | Co-Producer | |
| Danny Cohen | Director of Photography | |
| Jim Clay | Production Designer | |
| Guy Bensley | Editor | |
| Graham Johnston | Make-up and Hair Designer | |
| Ilan Eshkeri | Composer | |
| Ben Howarth | Assistant Director | |
| Martin Kenzie | Second Unit Director | |
| Dominic Masters | Supervising Art Director | |
| Mike Stallion | Art Director | |
| Paul Laugier | Art Director | |
| Caroline Smith | Set Decorator | |
| Martin Kenzie | Second Unit Camera | |
| Rob Duncan | Visual Effects Supervisor | |
| Mark Holt | Special Effects Supervisor | |
| Dan Roberts | Additional Editor | |
| Mark Holding | Sound Mixer | |
| Ian Tapp | Re-recording Mixer | |
| Richard Pryke | Re-recording Mixer | |
| Glenn Freemantle | Supervising Sound Editor | |
| Danny Freemantle | Sound Effects Editor | |
| Keith Tinman | Sound Effects Editor | |
| Niv Adiri | Sound Effects Editor | |
| Mark Heslop | Sound Effects Editor | |
| Glenn Freemantle | Sound Designer | |
| Tom Sayers | Sound Designer | |
| Gillian Dodders | Dialogue Editor | |
| Laura Lovejoy | Dialogue Editor | |
| Steve Price | Music Editor | |
| James Bellamy | Music Editor | |
| Lucy Bevan | Casting Director | |
| Paul Herbert | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.