Nitro Circus: The Movie 3D (2012)
| Theatrical Performance | ||
| Domestic Box Office | $3,377,000 | Details |
| International Box Office | $805,062 | |
| Worldwide Box Office | $4,182,062 | |
| OpusData ID: 178100100 More info... | ||
| Further financial details... | ||
Synopsis
Travis and the Nitro Circus crew travel around the world setting up outrageous stunts and pushing the human body to the limit, constantly looking to innovate the world of action sports. Travis’ compound in Annapolis houses a full motocross course, foampits and a homemade waterslide carved into a hill, creating a self contained extreme sports circus.
Metrics
| Opening Weekend: | $1,183,701 (35.1% of total gross) |
| Legs: | 2.85 (domestic box office/biggest weekend) |
| Domestic Share: | 80.7% (domestic box office/worldwide) |
| Theater counts: | 800 opening theaters/800 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,073,982 |
Movie Details
| Domestic Releases: | August 8th, 2012 (Wide) by ARC Entertainment |
| Video Release: | November 13th, 2012 by ARC Entertainment Video |
| MPA Rating: | PG-13 for depiction of extreme and dangerous stunts throughout, and for language. (Rating bulletin 2230, 7/4/2012) |
| Running Time: | 85 minutes |
| Film format: | 3-D, 3-D - Shot in 3-D |
| Plot point: | Miscellaneous Sports, Reality TV |
| Social setting: | Extreme Sports |
| Source: | Based on Real Life Events |
| Genre: | Reality |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | ARC Entertainment, Godfrey Entertainment, Red Bull Media House, Wasserman Media Group |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 10, 2012 | 13 | $1,183,701 | 800 | $1,480 | $2,166,159 | 1 | |
| Aug 17, 2012 | 41 | $95,355 | -92% | 424 | $225 | $3,077,961 | 2 |
| Aug 24, 2012 | 47 | $75,038 | -21% | 130 | $577 | $3,296,628 | 3 |
| Aug 31, 2012 | 66 | $16,000 | -79% | 31 | $516 | $3,341,000 | 4 |
| Sep 7, 2012 | 76 | $9,756 | -39% | 22 | $443 | $3,360,768 | 5 |
| Sep 14, 2012 | 92 | $1,900 | -81% | 7 | $271 | $3,368,000 | 6 |
| Sep 21, 2012 | 91 | $2,227 | +17% | 7 | $318 | $3,371,469 | 7 |
| Sep 28, 2012 | 97 | $1,714 | -23% | 7 | $245 | $3,374,539 | 8 |
| Oct 5, 2012 | 91 | $1,530 | -11% | 6 | $255 | $3,376,905 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 8, 2012 | 9 | $665,000 | 800 | $831 | $665,000 | 1 | |
| Aug 9, 2012 | 11 | $320,000 | -52% | 800 | $400 | $985,000 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 3, 2012 | 19 | $985,000 | 800 | $1,231 | $985,000 | 1 | |
| Aug 10, 2012 | 14 | $2,000,148 | +103% | 800 | $2,500 | $2,982,606 | 2 |
| Aug 17, 2012 | 33 | $238,984 | -88% | 424 | $564 | $3,221,590 | 3 |
| Aug 24, 2012 | 48 | $103,410 | -57% | 130 | $795 | $3,325,000 | 4 |
| Aug 31, 2012 | 66 | $26,012 | -75% | 31 | $839 | $3,351,012 | 5 |
| Sep 7, 2012 | 74 | $15,088 | -42% | 22 | $686 | $3,366,100 | 6 |
| Sep 14, 2012 | 92 | $3,142 | -79% | 7 | $449 | $3,369,242 | 7 |
| Sep 21, 2012 | 91 | $3,583 | +14% | 7 | $512 | $3,372,825 | 8 |
| Sep 28, 2012 | 100 | $2,550 | -29% | 7 | $364 | $3,375,375 | 9 |
| Oct 5, 2012 | 93 | $1,625 | -36% | 6 | $271 | $3,377,000 | 10 |
Documentary Subject
| Travis Pastrana | Himself / Narrator | |
| Jolene Van Vugt | Herself | |
| Tommy Passemante | Himself | |
| Jim DeChamp | Himself | |
| Greg Powell | Himself |
Cameo
| Johnny Knoxville | Himself | |
| Channing Tatum | Himself |
Documentary Subject
| Aaron 'Wheelz' Fotheringham | Himself |
Production and Technical Credits
| Gregg Godfrey | Director | |
| Jeremy Rawle | Director | |
| Travis Pastrana | Producer | |
| Gregg Godfrey | Producer | |
| Jeremy Rawle | Producer | |
| Dave Hunter | Producer | |
| Jared Knight | Executive Producer | |
| Bill Gerber | Executive Producer | |
| David Brooks | Executive Producer | |
| Duff Rich | Line Producer | |
| Donny Anderson | Director of Photography | |
| Seth Torok | Editor | |
| Todd Udall | Second Unit Director | |
| Kurt Nicoll | Production Manager | |
| Jason Hatfield | Production Manager | |
| Bryce Fillmore | Production Manager | |
| Matt Harris | Art Director | |
| Chuck Johnson | Special Effects Coordinator | |
| Shelley Godfrey | Costume Designer | |
| Tanner Christensen | Additional Editor | |
| Cordell Mansfield | Sound Mixer | |
| Curtis Mansfield | Sound Mixer | |
| Kelly Cabral | Sound Supervisor | |
| Steve Malow | Re-recording Mixer | |
| Gregg Landaker | Re-recording Mixer | |
| Dan Carlisle | Re-recording Mixer | |
| Joe Earle | Re-recording Mixer | |
| Adam Sawelson | Re-recording Mixer | |
| Stoker White | Sound Effects Editor | |
| Joseph Belliston | Sound Effects Editor | |
| Tim Gedemer | Sound Effects Editor | |
| Dan Carlisle | Sound Designer | |
| Damien Starkey | Composer | |
| Paul Phillips | Composer | |
| Greg Danylynshyn | Music Supervisor | |
| Gerry Cueller | Music Supervisor | |
| John Szuch | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Travis and the Nitro Circus crew travel around the world setting up outrageous stunts and pushing the human body to the limit, constantly looking to innovate the world of action sports. Travis’ compound in Annapolis houses a full motocross course, foampits and a homemade waterslide carved into a hill, creating a self contained extreme sports circus.
Metrics
| Opening Weekend: | $1,183,701 (35.1% of total gross) |
| Legs: | 2.85 (domestic box office/biggest weekend) |
| Domestic Share: | 80.7% (domestic box office/worldwide) |
| Theater counts: | 800 opening theaters/800 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,073,982 |
Movie Details
| Domestic Releases: | August 8th, 2012 (Wide) by ARC Entertainment |
| Video Release: | November 13th, 2012 by ARC Entertainment Video |
| MPA Rating: | PG-13 for depiction of extreme and dangerous stunts throughout, and for language. (Rating bulletin 2230, 7/4/2012) |
| Running Time: | 85 minutes |
| Film format: | 3-D, 3-D - Shot in 3-D |
| Plot point: | Miscellaneous Sports, Reality TV |
| Social setting: | Extreme Sports |
| Source: | Based on Real Life Events |
| Genre: | Reality |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | ARC Entertainment, Godfrey Entertainment, Red Bull Media House, Wasserman Media Group |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 10, 2012 | 13 | $1,183,701 | 800 | $1,480 | $2,166,159 | 1 | |
| Aug 17, 2012 | 41 | $95,355 | -92% | 424 | $225 | $3,077,961 | 2 |
| Aug 24, 2012 | 47 | $75,038 | -21% | 130 | $577 | $3,296,628 | 3 |
| Aug 31, 2012 | 66 | $16,000 | -79% | 31 | $516 | $3,341,000 | 4 |
| Sep 7, 2012 | 76 | $9,756 | -39% | 22 | $443 | $3,360,768 | 5 |
| Sep 14, 2012 | 92 | $1,900 | -81% | 7 | $271 | $3,368,000 | 6 |
| Sep 21, 2012 | 91 | $2,227 | +17% | 7 | $318 | $3,371,469 | 7 |
| Sep 28, 2012 | 97 | $1,714 | -23% | 7 | $245 | $3,374,539 | 8 |
| Oct 5, 2012 | 91 | $1,530 | -11% | 6 | $255 | $3,376,905 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 8, 2012 | 9 | $665,000 | 800 | $831 | $665,000 | 1 | |
| Aug 9, 2012 | 11 | $320,000 | -52% | 800 | $400 | $985,000 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 3, 2012 | 19 | $985,000 | 800 | $1,231 | $985,000 | 1 | |
| Aug 10, 2012 | 14 | $2,000,148 | +103% | 800 | $2,500 | $2,982,606 | 2 |
| Aug 17, 2012 | 33 | $238,984 | -88% | 424 | $564 | $3,221,590 | 3 |
| Aug 24, 2012 | 48 | $103,410 | -57% | 130 | $795 | $3,325,000 | 4 |
| Aug 31, 2012 | 66 | $26,012 | -75% | 31 | $839 | $3,351,012 | 5 |
| Sep 7, 2012 | 74 | $15,088 | -42% | 22 | $686 | $3,366,100 | 6 |
| Sep 14, 2012 | 92 | $3,142 | -79% | 7 | $449 | $3,369,242 | 7 |
| Sep 21, 2012 | 91 | $3,583 | +14% | 7 | $512 | $3,372,825 | 8 |
| Sep 28, 2012 | 100 | $2,550 | -29% | 7 | $364 | $3,375,375 | 9 |
| Oct 5, 2012 | 93 | $1,625 | -36% | 6 | $271 | $3,377,000 | 10 |
Documentary Subject
| Travis Pastrana | Himself / Narrator | |
| Jolene Van Vugt | Herself | |
| Tommy Passemante | Himself | |
| Jim DeChamp | Himself | |
| Greg Powell | Himself |
Cameo
| Johnny Knoxville | Himself | |
| Channing Tatum | Himself |
Documentary Subject
| Aaron 'Wheelz' Fotheringham | Himself |
Production and Technical Credits
| Gregg Godfrey | Director | |
| Jeremy Rawle | Director | |
| Travis Pastrana | Producer | |
| Gregg Godfrey | Producer | |
| Jeremy Rawle | Producer | |
| Dave Hunter | Producer | |
| Jared Knight | Executive Producer | |
| Bill Gerber | Executive Producer | |
| David Brooks | Executive Producer | |
| Duff Rich | Line Producer | |
| Donny Anderson | Director of Photography | |
| Seth Torok | Editor | |
| Todd Udall | Second Unit Director | |
| Kurt Nicoll | Production Manager | |
| Jason Hatfield | Production Manager | |
| Bryce Fillmore | Production Manager | |
| Matt Harris | Art Director | |
| Chuck Johnson | Special Effects Coordinator | |
| Shelley Godfrey | Costume Designer | |
| Tanner Christensen | Additional Editor | |
| Cordell Mansfield | Sound Mixer | |
| Curtis Mansfield | Sound Mixer | |
| Kelly Cabral | Sound Supervisor | |
| Steve Malow | Re-recording Mixer | |
| Gregg Landaker | Re-recording Mixer | |
| Dan Carlisle | Re-recording Mixer | |
| Joe Earle | Re-recording Mixer | |
| Adam Sawelson | Re-recording Mixer | |
| Stoker White | Sound Effects Editor | |
| Joseph Belliston | Sound Effects Editor | |
| Tim Gedemer | Sound Effects Editor | |
| Dan Carlisle | Sound Designer | |
| Damien Starkey | Composer | |
| Paul Phillips | Composer | |
| Greg Danylynshyn | Music Supervisor | |
| Gerry Cueller | Music Supervisor | |
| John Szuch | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.