A proud, born-and-bred Jersey girl, Stephanie Plum's got plenty of attitude, even if she's been out of work for the last six months and just lost her car to a debt collector. Desperate for some fast cash, Stephanie turns to her last resort: convincing her sleazy cousin to give her a job at his bail bonding company...as a recovery agent. True, she doesn't even own a pair of handcuffs and her weapon of choice is pepper spray, but that doesn't stop Stephanie from taking on Vinny's biggest bail-jumper: former vice cop and murder suspect Joe Morelli - yup, the same sexy, irresistible Joe Morelli who seduced and dumped her back in high school.
Nabbing Morelli would be satisfying payback - and a hefty payday - but as Stephanie learns the ins and outs of becoming a recovery agent from Ranger, a hunky colleague who's the best in the business, she also realizes the case against Morelli isn't airtight. Add to the mix her meddling family, a potentially homicidal boxer, witnesses who keep dying and the problem of all those flying sparks when she finds Morelli himself...well, suddenly Stephanie's new job isn't nearly as easy as she thought.
||January 27th, 2012 (Wide) by Lionsgate|
||May 15th, 2012 by Lionsgate Home Entertainment, released as One For the Money|
||PG-13 for violence, sexual references and language, some drug material and partial nudity.|
(Rating bulletin 2160, 2/23/2011)
||Romance, Divorcée Romance, Fired, Bounty Hunter|
|Source:||Based on Fiction Book/Short Story|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Lionsgate, Lakeshore Entertainment, Sidney Kimmel Entertainment, Abishag Producitons|
Getting caught up on the Blu-ray sales chart after a massive overhaul of the database, which hopefully you didn't notice too much. We're splitting the two weeks into two articles, otherwise they would be just too cumbersome. We start with the week ending May 20th, which featured six new releases on the chart. Top spot went to The Grey with 375,000 units sold, but in terms of revenue, it was in second place with $7.50 million. Its opening week Blu-ray share was 51%, which even just last year would have been momentous, but now is standard for a first-run release for any action or adventure film.
After a major change on the back end of site, we have two weeks of home market numbers to get to, starting with the week ending on May 20th. New releases dominated the chart taking the top three spots and four of the top six. The Grey earned first place with 360,000 units / $6.12 million. This is a fine start given its theatrical run, but not an exceptional one.
It's not a bad week, for this time of year, with three films that are selling well, and two of those earned really good reviews. Unfortunately, I'm still waiting for those screeners. Also, after those three big releases, there's a sharp drop-off in sales strength and we quickly find releases that would be overlooked most weeks. As for the best of the best, both Chronicle and The Grey are contenders for Pick of the Week, but like I said, I don't have the screeners to judge the extras. Therefore, I'm giving that title to Being John Malkovich Criterion Collection Blu-ray.
It was Super Bowl weekend, which apparently some people care about. (Not me. Go B.C. Lions!) The crossover audience between the Super Bowl and most movies is quite high, so it is no real shock that the box office was down compared to last weekend. However, it was only down 8% to $116 million. This was 33% higher than the same weekend last year. Both Chronicle and The Woman in Black topped expectations by significant degrees, while the weakest movie the top five missed weekend predictions by less than $1 million. Year-to-date, 2012 is ahead of 2011's pace by 12% at $964 million to $850 million. Before we get too excited, by this weekend in 2010, the box office had already pulled in $1.21 billion.
January completed the sweep this weekend, despite slipping 6% from last weekend to $126 million over the weekend. This was still 16% higher than the same weekend last year, meaning three out of the four weekends in January saw double-digit gains over 2011 and by the end, 2012's lead over 2011 was 12% at $812 million to $726 million. I'm starting to get a little optimistic and hopefully this trend will continue next month.
The industry will enjoy another weekend of increased revenue compared to last year, based on studio estimates released on Sunday, with The Grey starting out on the high end of expectations with $20 million, according to Open Road -- comfortably beating the $9.3 million of their previous film, The Killer Elite. In third place, One for the Money will post a surprisingly strong $11.75 million, according to Lionsgate, which will get to claim bragging rights over its new division Summit Entertainment, which is predicting $8.25 million for its new release, Man on a Ledge. The two films would most likely have ended up on different weekends if the combined studio had have had longer to rearrange their schedules.
There are three important questions that need to be answered this weekend. Can the box office finish the January sweep this weekend? Will Liam Neeson's box office reliability overcome Open Road's inexperience? And shouldn't The Grey be spelled The Gray? That is how it is spelled in America, as opposed to the U.K. Last year the number one film, The Rite, opened with less than $15 million. However, there were a total of five films with more than $10 million over the weekend. This year does look weaker, but it should be close. All it will take is one film to be a surprise hit and 2012 can come out a head for the fourth weekend in a row.
2011 ended, and really that's the only good news we got from the entire month of December. That's not snark either. Of the eleven films opening or expanding wide that month, six will definitely miss expectations by significant margins and with the other five it is too soon to tell, (it depends on how well they hold up during the New Year's Day long weekend). Only Mission: Impossible: Ghost Protocol can be considered a pleasant surprise, and even then it might not match original expectations. Looking forward, the only really good piece of news for this January is that last January was a pretty bad as well. Only two films, The Green Hornet and No Strings Attached, beat expectations by significant margins, while The Dilemma bombed hard enough to nearly wipe out those gains. This time around, the biggest hit will likely be Beauty and the Beast's 3D re-release, but even then, I doubt it will do as well as The Lion King's 3D re-release. There's a good chance the year will start off on a sour note, just like 2011 ended.
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